The Baronial Halls, and Ancient Picturesque Edifices of England; Vol. 2 of 2

Part 5

Chapter 52,788 wordsPublic domain

A finely carved oaken staircase, of considerable width, the balustrades of which are massive and highly decorated, leads to the Great Drawing-room, and to King Charles’ Bed-chamber. Its disused bed and antique chairs add to the interest of the place, and remind the visitor of its former illustrious occupant. It may be justly said of Forde, that it has lost little of its pristine interest by the modern alterations it has undergone.

For many years past Forde has had various occupiers. At present it is let on lease to Henry Cartwright, Esq., a gentleman much respected. In 1844, Mr. Cartwright served the office of high-sheriff, and since then has continued an active Justice of the Peace.

The family of Cartwright is among the most ancient of the British Commoners; as we find that Sir Hugh Cartwright, temp. Edward, led the van at the battle of Poictiers; and in the reign of Henry VII., 1485, by the marriage of Hugh Cartwright with Matilda Cove, four great branches sprung; one of whom, William, Captain in the Navy (temp. Charles I.), obeying the authority of his Royal Master against that of the Parliament, was by the latter deprived of his honours, and, dying in poverty, left an only son, William, the great-great-grandfather of the present occupier of Forde, who settled in Devonshire soon after the Reformation. By maternal descent, Mr. Cartwright is joint representative of the ancient and ennobled family of Anson. His grandfather, W. Anson, was first cousin of the Hon. Lord Anson, and last male branch of the Anson family. Mr. Cartwright married Miss Minet, daughter of J. Minet, of Baldwyn’s Park, Kent, Esq., and grand-daughter of Sir Charles Pole, Bart., of Wolverton, by whom he has issue Anson, Reginald, and others.

SHERBORNE LODGE,

DORSETSHIRE.

charged with having persuaded Bishop Coldwell to pass it to the Crown, on his election to the See of Salisbury, after which Sir Walter obtained a grant of it;” which, however, in the end proved a snare to himself, for it excited envious and malignant feelings in his fellow-courtiers, whose machinations were not without influence in promoting his subsequent disgrace and death. In a letter to his wife, written after his condemnation, he desires her to procure his dead body, and lay it either at Sherborne or in Exeter church, by his father and mother. It does not appear that he was buried at either place.

The grounds around the Lodge and Castle ruins were laid out and “improved” by Brown, of whose skill in landscape gardening they present a fair example; of which one of the most noticeable features is a large artificial lake, formed by confining within the grounds what was formerly an inconsiderable stream, but which is now considered one of the most beautiful and extensive pieces of water in the west of England.

Sherborne contains several interesting remains, of which we have given two,--the Abbey

House (introduced above) and an old mansion in St. Swithin’s Street; the latter conspicuous for a beautiful oriel window. The whole neighbourhood is, indeed, rich in antiquities, of a rare and curious order; not the less valuable because of their association with the romantic history of one of the most remarkable men of a remarkable age; in particular we may make reference to an ancient dwelling, now a country inn, which supplies abundant evidence of former state and splendour; although now applied to “base uses” of which its founders must have had little apprehension.

AUDLEY END,

ESSEX.

Henry thus acquired ample funds for the remuneration of those ministers and favourites who had been the instruments of his tyranny, and who had ensured the consummation of his grand designs; amongst these Audley, as the principal actor, was not forgotten, and he revelled in the church spoliation he had ensured his master. The rich priory of Christ Church, Aldgate, with all the church plate and lands belonging to that house, was first granted him; and afterwards many portions of the estates previously belonging to the lesser religious houses of Essex, with licenses to alienate them, of which he duly availed himself. Thus St. Botolph’s priory at Colchester, with all its revenues, the priory of the Crouched Friars in the same town, and Tiltey Abbey, near Thaxted, were added to the list of his monastic spoils, after the gifts from the king in 1538, on Sir Thomas’s application, of the rich abbey of Walden, with all the estates, manors, and advowsons thereunto attached. He was also created Lord Audley of Walden, and installed a Knight of the Garter. “Yet,” says Lord Braybrooke, “instead of Audley’s being contented with these repeated marks of the royal favour, we are compelled to admit that every grant which he obtained encouraged him to importune the king for further recompense; and his letters, preserved in the Cottonian library, prove that, in making these applications, he was mean enough to plead poverty as an excuse, and even to assert that his character had suffered in consequence of the public services which he had been obliged to perform.” With a watchfulness for every advantage which might accrue to him, and a continued solicitation for gifts, he continued to enjoy the king’s confidence till his death, in 1544. He is buried in the church of Saffron Walden, where a plain altar-tomb of black marble perpetuates his memory.

Sir Thomas Audley left two daughters, and the youngest, dying in 1546, left the eldest (Margaret) sole heiress. She married Lord Henry Dudley at the early age of fourteen; he was arraigned for high treason in 1533, and, pleading guilty, was ordered for death; but Mary pardoned him, and restored his property. He was killed at the battle of St. Quintin’s, in Picardy, in 1557, and his widow, in the same year, married Thomas, the fourth Duke of Norfolk, dying herself at the early age of twenty-three.

The Howards thus became possessed of Audley End; but the duke’s ill-judged project of forming a matrimonial alliance with Mary Queen of Scots, under the impression that, if they both survived Elizabeth, he should eventually become king-consort of England, was a scheme which cost him his life; he was beheaded for high-treason on Tower Hill, June 2, 1572--a sentence which he bore with exemplary fortitude.

His son, Lord Thomas Howard, was the builder of Audley End. He was restored in blood by act of Parliament in 1583, and, when very young, embraced the military service, but abandoned it for success at court, where he sought every opportunity of ingratiating himself with the queen, and succeeded, in a great measure, in obtaining her countenance. During the next reign, almost the whole of his life was passed at court; and although the high and lucrative offices which he held afforded him more ample means of displaying his magnificence than those enjoyed by his ancestors, he contrived to eclipse them all in extravagance; and we are assured that in the building of Audley End alone he expended a no less sum than 190,000_l._ He was much honoured by King James I., and was advanced by him to the Earldom of Suffolk, and made Lord Chamberlain, and afterwards Lord High Treasurer of England. Lady Suffolk was, unfortunately, a woman of a covetous mind, and having too great an ascendancy over her husband, used it in making him a party to her extortions on persons who had business to transact at the Treasury, or places to obtain at court; and her husband was charged with embezzlement, deprived of his office, and fined 30,000_l._, but which was reduced by the king to 7000_l._ He was generally considered to have been chiefly guilty only in concealing the mal-practices of his wife, who eventually died in debt and difficulty.

From this period the history of the possessors of Audley End is a mere confused piece of family biography, of little interest to the general reader: they seem never to have recovered the charges entailed upon them by the building of Audley End, and constant curtailments of the house and park were made by each succeeding owner up to the partition of the estates in 1747. The cost of the original building appears to have involved Lord Suffolk greatly, for we learn from one of his letters, printed in the “Cabala,” that, at the period of his committal to the Tower, he was in debt nearly 40,000_l._, though he had then recently sold the Charter House to Mr. Sutton for 13,000_l._, and disposed of his property at Aynhoe in Northamptonshire; and he died possessed of Lulworth and Framlingham Castle, and Charlton in Wiltshire, with the estates belonging to them, as well as Suffolk House in the Strand, besides the large Essex property derived through his mother, Margaret Audley. At all events the cost of the building must have been very serious, nor did the charge of maintaining it prove less formidable; so much so, in fact, that none of the possessors of Audley End, after the death of the first Earl of Suffolk, were enabled to keep an establishment suitable to the size and magnificence of the house. Earl Theophilus and his son James, the third earl, seem, indeed, to have resided there; but the latter, of whom it is not recorded that he took any active part during the Commonwealth, lived in retirement, and, after the Restoration, gladly availed himself of the opportunity of alienating the house and park to Charles II., and thus dispose of a possession which, from his being unable to enjoy it, could only be considered as a source of mortification.

At this period the house was of regal magnificence, and consisted, besides the offices, of various ranges of building, surrounding two spacious quadrangular courts; that to the westward was the largest, and was approached over a bridge across the lake, through a double avenue of limes, terminating with a double-entrance gateway, flanked by four circular towers. The apartments on the north and south sides of the principal court were erected over an open cloister, and supported by pillars of alabaster; while, on the eastern side, a flight of steps led to the entrance-porches, placed on a terrace running parallel to the great hall, which formed the centre of the building, and which is now the principal front of the mansion, despoiled as it at present is of its grand entrance-court. Beyond the hall was the inner court, surrounded by an arcade, over which were the principal apartments, the three sides of which only remain, while the chapel beyond has been entirely demolished. It will thus be seen that the present house is but a wreck of the original building.[20]

Of the original architect, Lord Braybrooke thus writes: “According to Horace Walpole, Bernard Jansen was the architect employed; but after hazarding this assertion he contrives to establish a stronger claim in behalf of John Thorpe, who built many of the houses of the nobility about that period, and whose partiality for what Walpole terms barbarous

ornaments and balustrades he especially notices; adding, that some of his vast bow-windows advanced outwards in a sharp angle, and thus actually describing a portion of the principal court at Audley End long since demolished,” but represented in our woodcut from Winstanley’s view of the original house, where one occurs at each side of the principal entrance.

Thorpe’s claim to the erection of Audley End has been further confirmed by the discovery of the ground-plan of the house, corresponding to that engraved by Winstanley, existing among the curious volume of original plans and drawings made by John Thorpe himself, formerly preserved at Warwick Castle, and afterwards in the possession of Sir John Soane. Upon this plan a variety of pencilled alterations might be traced. “And there appeared,” says Lord Braybrooke, “so strong a family likeness (if such an expression may be used) in the different elevations throughout the volume, that no doubt could be reasonably entertained as to their all being the work of the same individual. The house has always been supposed to have been commenced in 1603, and to have occupied thirteen years before it was entirely finished; and the date of 1616 still remains upon one of the gateways.”

In 1666 the house was sold to Charles II. (who liked it as well for its regal magnificence as for its convenience to Newmarket) for the sum of 50,000_l._ a portion being paid, and 20,000_l._ being left on mortgage. In 1670 the court was regularly established there, and the queen very frequently resided in the house. “Lord Suffolk and his successor, the fourth earl, seem to have resided at Chesterfield Park after the sale of Audley End, which was committed to the charge of one of the family, who held the office of housekeeper and keeper of the wardrobe, with a salary; and this arrangement continued till 1701, when the house and park were reconveyed to Henry the fifth Earl of Suffolk, upon condition of his relinquishing all claim to the 20,000_l._ which had remained on mortgage from the year 1668; nor is it clear that any interest had been ever paid upon it.”

The work of demolition commenced in 1721, when the three sides of the grand quadrangle, which formed so magnificent an entrance to the house, were demolished by the advice of Sir John Vanburgh, with the kitchen and offices, which occupied a considerable space behind the north wing of the building; and the chapel and cellars, which projected at each extremity of the gallery wing, were probably soon afterwards removed, leaving the inner court only untouched; the entire building being then in the form of an open square. In 1747, Lord Effingham, who succeeded the Earl of Suffolk, sold the house and park to Elizabeth countess of Portsmouth for 10,000_l._, which sum included the timber, 500 head of deer, a water-mill, and the right of presentation to the Mastership of Magdalen College, Cambridge. There was a debate at this time about pulling the house entirely down and selling the materials, and for which a valuation was actually made; or else, for converting the buildings into a silk-manufactory, for which the spacious premises and mill near the stables seemed well adapted. At this time the house was rapidly going to decay, the windows were without glass in many places, the furniture taken away, the cupola in the centre in danger of falling from every high wind, and the eastern wing with its noble gallery so unsafe that Lady Portsmouth levelled it to the ground in 1749. This splendid gallery occupied the whole of the first floor of the demolished wing, and measured 24 feet in height, 226 feet in length, and 32 feet in width, exclusive of the bow in the centre, which was sufficiently spacious to contain a full-sized billiard-table. The whole room was fitted up with wainscot, in which a profusion of ornamental carving was introduced. The Labours of Hercules were represented in oak upon the chimney-piece; and upon the stuccoed ceiling, the Loves of the Gods.

The Countess of Portsmouth at her death bequeathed her possessions, in default of issue, to John Griffin Whitwell, eldest son of her sister Anne, afterwards confirmed Lord Howard de Walden and Baron Braybrooke of Braybrooke, in the county of Northampton. This nobleman, at great expense, restored the dilapidated house at Audley End; and continued his repairs and renovations until he had succeeded in making this noble relic again habitable.

The present aspect of the house, as seen from the main road to Newmarket and

Cambridge, is depicted in our plate. Upon crossing the modern bridge which leads to the town of Saffron Walden, a gate to the left leads up to the house. It is the gate already noticed as bearing the date of 1616, and is here engraved. The way in which the noble trees hang their branches in the richest profusion over it renders it a most picturesque object; it is surmounted by a lion standing on a cap of maintenance, beneath which is inscribed:--

JOAN. B. II. DE WALD. REST. ET. ORN. M.DCC.LXXXVI.

A semicircular walk leads to the mansion. The doors, both back and front, of the principal entrance, are exceedingly fine specimens of wood-carving. They are extremely massive, and carved in a geometric pattern; the circular portion above being filled in the front door

with figures emblematic of the arts of Peace, that of the back leading into the garden, representing War in a chariot drawn by wolves. We have engraved this beautiful door. It originally led into the inner court; it now leads to the arcade facing the garden, which is believed to have been the site of the ancient monastery, as many stone coffins have been discovered there.