Chapter 3 (see p. 36), there is no need to discuss all the details

here. There was some variety in the sewing and lashing used in Malecite canoes; the combination of cross and spiral stitches in the ends and the use of a batten and the over-and-over stitch in the side panels are, of course, very common in these canoes. The occasional use of other stitches in the side panels and even in the gores would probably be normal, since individual preferences in such details were not controlled by a narrow tribal practice.

The Malecite are known to have hauled their canoes overland in the early spring, before the snow was entirely gone, by mounting the canoe on two sleds or toboggans in tandem, binding the canoe to each. This was done as late as the 1890's for early spring muskrat hunts. The Malecite also fitted their river canoes with outside protection when much running of rapids or "quick water" work was done. This protection consisted of two sets of battens (see p. 80), each set being made up of five or six thin splints of cedar about ⅜ inch thick and 3 inches wide, tapering to 2 or 1½ inches at one end. These were held together by four strips of basket ash, bark cord, or rawhide. Each cord was passed through holes or slits made edgewise through each splint. The cords were located so that when the splints were placed on the bottom of the canoe, the cords could be tied at the thwarts. The tapered ends of the splints were at the ends of the canoe; the butts of the two sets being lapped amidships with the lap toward the stern. This formed a wooden sheathing, outside the bottom, to protect the bark from rocks and snags or floating ice that might be met in rapids and small streams. The fitting was used also by the Micmac and Ojibway; it is not known whether this was an Indian or European invention. The French canoemen called it _barre d'abordage_ and the Malecite, _P's-ta' k'n_; the English woodsmen called the fitting "canoe shoes."

The Malecite paddle was of various forms, as illustrated in figures 71 and 72, the predominant form being very similar to the paddle now used with canvas "Indian" canoes. The total length of the blade was usually about 28 to 30 inches; at 10 or 11 inches from the tip it was about 2½ inches wide. The handle was about 36 inches long. At just above the blade it was 1¼ inches wide and 1 inch thick. The handle was not parallel-sided. Near the top it widened gradually to about 2¼ inches at 2½ inches from the top; here the cross-grip was formed. The thickness of the handle reduced gradually from that given for just above the top of the blade to about ½ inch at about 5 inches below the cross-grip, and widened again to ⅝ inch at the point where the cross-grip was formed. The blade was ridged down its center. The lower end was rounded and the lower half of the blade was approximately half an ellipse in shape. The Passamaquoddy blade had its wide point within 7 inches of the lower tip, where it was about 6 inches wide. The handle was about 1⅛ inches in diameter just above the blade, and then tapered in thickness until it first became oval and then flat in cross section. The width remained nearly constant to a point within 12 to 16 inches of the cross-grip, then gradually widened to nearly 3 inches at the top. The blade was 33 to 36 inches long and the whole paddle somewhere between 73 and 76 inches long. The cross-grips were sometimes round, at other times they were merely worked off in an oval shape to fit the upper hand. The usual width of the cross-grip was just under 3 inches.

Formerly, the Malecite placed his personal mark, or _dupskodegun_, on the flat of the top of his paddle near the cross-grip. The mark was incised into the wood and the incised line was filled with red or black pigment when available. Sometimes the whole paddle, including the blade, was covered with incised line ornamentation. This was usually a vine-and-leaf pattern, or a combination of small triangles and curved lines. The Passamaquoddy used designs suggesting the needlework once seen on fine linens. Sometimes other designs showing animals, camps, or canoes were used.

The Malecite, particularly the Passamaquoddy, were especially skillful in decorating bark canoes, as can be seen from the illustrations (pp. 81-87). Sometimes they used scraped winter bark decoration just along the gunwales; occasionally the whole canoe was decorated in this manner above the normal load waterline as described on page 87. Usually, however, the bark decoration was confined to a long panel just below the gunwales and to the ends of the canoe. The personal "mark" of the owner-builder would usually be on the flaps near the ends, the _wulegessis_, meaning the outside bark of a tree or a child's diaper, but in canoe nomenclature used to indicate the protective cover which it formed for the gunwale-end lashings. Sometimes the Malecite placed his mark in the gunwale decoration. Sometimes he placed a picture or a sign on each side of the ends below the _wulegessis_, in about the position used for insignia on the canvas "Indian" canoe.

The swastika was used by the Passamaquoddy in a war canoe in colonial times and has been used later. The Passamaquoddy mark for an exceptional canoe (such as a war canoe that won the race home) was often on the _wulegessis_, and on a relatively modern canoe this mark, or _gogetch_, was a picture of "a funny-looking kind of doll." A common form of decoration in Passamaquoddy canoes was the fiddlehead curve which resembles the top of young fern shoots. This appears in numerous combinations; often double and back to back, joined with a long bar, or "cross." This particular combination is known as the "fiddlehead and cross" or as the "fire steel"; the latter because of a fancied resemblance of the form to the shape of the old fire-making steels of colonial times. A zigzag line appears to represent lightning to most Indians. A series of half-circles along the gunwales, with the rounded side down and just touching one another at the top, having a small circle in the center of each, represents "clouds passing over the moon." A similar series of half-circles without the center circles might mean the canoe was launched during a new moon; the number of half-circles shown would indicate the month.

Yet there is not full agreement among Indians about the meaning of decorative forms; the crooked or zigzag line might also mean camps or the crooked score stick used in a Malecite game. The circle could mean sun or moon or month. A half-moon form might also be "a woman's earring," or a new moon. A circle with a very small one inside might be a "brooch," as well as "money." Right triangles, in a closely spaced series along the gunwales, apparently meant "door cloth," or tent door ("what you lift with your hand"). Shown on pages 84 and 85 are some Indian marks on the _wulegessis_, based upon the statements of old Malecites or upon their sketches.

After the Malecite had become Roman Catholic, a fish on the middle panel of a canoe meant that it had been launched on Friday. Pictures on a canoe sometimes indicated a mythological story; a picture of a rabbit sitting and smoking a pipe on one side of the canoe and a lynx on the other would be such a case. In Malecite mythology the rabbit was the ancestor of the tribe. He was also a great magician. The lynx was the mortal enemy of the rabbit, but in the mythological tales he was always overcome and defeated by the rabbit's magic. Hence, the idea conveyed is that "though the-lynx is near, the rabbit sits calmly smoking his pipe and as he knows he can overcome his enemy," or, in short, "self-confidence."

The Indian's mark on his canoe or weapons is not a signature to be read by anyone. The mark may, of course, be identified as to what it represents, but unless it is known as the mark used by a certain man it cannot be "read." Any mark could be used by an Indian, either because it had some connection with his activities or habits, or because he "likes it." The stone tobacco pipe used by Peter Polchies (see p. 85) as his mark had no known connection with this Indian's habits or activities. However, his son, of the same name and well known also as "Doctor Polchies," took the same mark, but in his case it had a personal meaning since he was noted locally for his skill in making stone pipes. Another case was a Passamaquoddy who at every opportunity used to pole his canoe in preference to paddling. As a result he had become known as "Peter of the Pole" or "Peter Pole" and he then used as a canoe mark a representation of a setting pole. In submitting sketches of the marking on the _wulegessis_ of canoes to old Indians it was seldom possible to learn the identity of the owner or builder, since the marks were usually not known to those questioned. In more recent times, the educated Malecite signed his name in English on his canoe and thus gave it more permanent identification.

In duplicating a design, the Malecite apparently used a pattern, or stencil, which was preserved to allow duplication over a long period of time. The stencil was usually cut from birch bark, apparently an old practice, although whether it was done in prehistoric times cannot be determined. The long contact of the Malecites with Europeans is a factor to be considered in such matters. This is sometimes shown in picture-writing on a canoe; one, for instance, showed a white man fishing with rod and line from a canoe with an Indian guide. On the opposite side was the representation of an Indian camp beside two trees, a kettle over the fire and the brave sitting cross-legged smoking his pipe, indicating, of course, "comfort and contentment."

Asking old Indians to identify or give the names of decorations, Adney recorded statements which indicate their thought in regard to such matters. There were used, for example, two forms of the half-moon or crescent; one was quite open at the points which plainly indicated a half-moon, but the other was more nearly closed: [Illustration] Mrs. Billy Ellis, widow of Frank Francis, a Malecite, said of them, "Old Indian earrings, that is only what I can call them. Also in nose. Wild Indian made them of silver or moose-bone, I guess he thought he looked nice; it looked like the devil." Joe Ellis, an old canoe builder, also called this form "earrings" and when asked why an Indian would put these on a canoe, replied "He will think what he will put on here. He might have seen his wife at bow of canoe, and put it on [there]." Shown the right-triangle-in-series design, Mrs. Ellis said "I fergit it but I will remember; what you lift with your hand, we call it that--camp door" (referring to the cloth or hide hung over a camp door, and raised at one corner to enter, so that the opening is then divided diagonally).

In a later period, the Malecite usually confined decoration to the _wulegessis_ and to the pieced-out bark amidships, the panel formed on each side. The _wulegessis_ was of various forms; its bottom was sometimes shaped like a cupid's bow, sometimes it was rectangular. A common form was one representing the profile of a canoe. Being of winter bark, it was red or brown, with the part where the design was scraped showing white or yellow. The center panel was also of winter bark, and the design on it showed a similar contrast in color. Even when the bark cover was not pieced out, the panel was formed by scraping all the cover except a panel amidships on each side. Old models indicate that the early Malecite canoes may have used decoration all over above the waterline (see p. 81) far more frequently than has been the recent custom. The decorations were a fiddlehead design in a complicated sequence so that it bore a faint resemblance to the hyanthus in a formal scroll, but the design apparently had no ceremonial significance; it was used for the same reason given Adney for so many forms of bark decoration, "it looked nice."

The drawings and plans on pages 71 to 87 will serve better than words to show these characteristic designs and decorations. It is doubtful that color, paint or pigment, was used in decorating the Malecite bark canoes before the coming of Europeans, but it was employed occasionally in the last half of the 19th century. The beauty of the Malecite canoe designs lay not in the barbaric display of color characteristic of the large fur-traders' canoes, but in the tasteful distribution of the scraped winter bark decoration along the sides of the hull. The workmanship exhibited by the Malecite in the construction of their canoes was generally very fine; indeed, they were perhaps the most finished craftsmen among Indian canoe-builders.

_St. Francis_

The tribal composition of the Abnaki Indians is somewhat uncertain. The group was certainly made up of a portion of the old Malecite group, the Kennebec and Penobscot, but later also included the whole or parts of the refugee Indians of other New England tribes who were forced to flee before the advancing white settlers. It is probable that among the refugees were the Cowassek (Coosuc), Pennacook, and the Ossipee. There were also some Maine tribes among these--the Sokoki, Androscoggin, (Arosaguntacook), Wewenoc, Taconnet, and Pequawket. It is probable that the tribal groups from southern and central New England were mere fragments and that the largest number to make up the Abnaki were Malecite. The latter in turn were driven out of their old homes on the lower Maine coast and drifted northwestward into the old hunting grounds of the Kennebec and Penobscot, northwestern Maine and eastern Quebec as far as the St. Lawrence. The chief settlement was finally on the St. Francis River in Quebec, hence the Abnaki were also known as the "St. Francis Indians." These tribesmen held a deep-seated grudge against the New Englanders and, by the middle of the 18th century, they had made themselves thoroughly hated in New England. Siding with the French, the St. Francis raided the Connecticut Valley and eastward, taking white children and women home with them after a successful raid, and as a result the later St. Francis had much white blood. They were generally enterprising and progressive.

Little is known about the canoes of these Abnaki during the period of their retreat northwestward. It is obvious that the Penobscot, at least, used the old form of the Malecite canoe. What the canoes of the other tribal groups were like cannot be stated. However, by the middle of the 19th century the St. Francis Indians had produced a very fine birch-bark canoe of distinctive design and excellent workmanship. These they began to sell to sportsmen, with the result that the type of canoe became a standard one for hunting and fishing in Quebec. When other tribal groups discovered the market for canoes, they were forced to copy the St. Francis model and appearance to a very marked degree in order to be assured of ready sales. It is obvious, from what is now known, that the St. Francis had adapted some ideas in canoe building from Indians west of the St. Lawrence, with whom they had come into close contact. However, they had also retained much of the building technique of their Malecite relatives. Hence, the St. Francis canoes usually represent a blend of building techniques as well as of models.

The St. Francis canoe of the last half of the 19th century had high-peaked ends, with a quick upsweep of the sheer at bow and stern. The end profile was almost vertical, with a short radius where it faired into the bottom. The rocker of the bottom took place in the last 18 or 24 inches of the ends, the remaining portion of the bottom being usually straight. The amount of rocker varied a good deal; apparently some canoes had only an inch or so while others had as much as four or five. A few canoes had a projecting "chin" end-profile; the top portion where it met the sheer was usually a straight line.

The midsection was slightly wall-sided, with a rather quick turn of the bilge. The bottom was nearly flat across, with very slight rounding until close to the bilges. The end sections were a ~U~-shape that approached the ~V~ owing to the very quick turn at the centerline. The ends of the canoe were very sharp, coming in practically straight at the gunwale and at level lines below it. The gunwales were longer than the bottom and so the St. Francis canoes were commonly built with a building-frame which was nearly as wide amidships as the gunwales but shorter in length.

At least one St. Francis canoe, built on Lake Memphremagog, was constructed with a tumble-home amidships the same as that of some Malecite canoes. The rocker of the bottom at each end started at the first thwart on each side of the middle and gradually increased toward the ends, which faired into the bottom without any break in the curves. The end profiles projected with a chin that was full and round up to the peaked stem heads. The sheer swept up sharply near the ends to the stem heads. This particular canoe represented a hybrid design not developed for sale to sportsmen, and the sole example, a full-size canoe formerly in The American Museum of Natural History at New York and measured by Adney in 1890, is now missing and probably has been broken up.

The St. Francis canoes were usually small, being commonly between 12 and 16 feet overall; the 15-foot length usually was preferred by sportsmen. The width amidships was from 32 to 35 inches and the depth 12 to 14 inches. The 14-foot canoe usually had a beam of about 32 inches and was nearly 14 inches deep; if built for portaging the ends were somewhat lower than if the canoe was to be used in open waters. Canoes built for hunting might be as short as 10 or 11 feet and of only 26 to 28 inches beam; these were the true woods canoes of the St. Francis.

The gunwale structure of the St. Francis canoes followed Malecite design; it was often of slightly smaller cross section than that of a Malecite canoe of equal length, but both outwale and cap were of somewhat larger cross section. The stem-pieces were split and laminated in the same manner, but occasionally the lamination was at the bottom, due to the hard curve required where the stem faired into the bottom. Many such canoes had no headboards, the heavy outwales being carried to the sides of the stem pieces and secured there to support the main gunwales. If the headboard was used, it was quite narrow and was bellied toward the ends of the canoe. In some St. Francis canoes the bark cover in the rockered bottom near the ends showed a marked ~V~. In the canoe examined by Adney at the American Museum of Natural History, the ribs inside toward the end showed no signs of being "broken," so it is evident that the ~V~ was formed either by use of a shaped keel-piece in the sheathing or by an additional batten shaped to give this ~V~-form under the center strake. Since the ~V~ began where the rocker in the canoe started, in an almost angular break in the bottom, it is likely that a shaped batten had been used to form it. He could not verify this, however, as the area was covered by the frames and sheathing.

The sheathing was in short lengths with rounded ends which overlapped, and it was laid irregularly in the "thrown in" style found in many western birch-bark canoes. The ribs were commonly about 2 inches wide and nearly ⅜ inch thick, the width tapering to roughly 1¾ inches under the gunwales. The ends of the ribs were then sharply reduced in width to a chisel point about 1 inch wide; the sides of the sharply reduced taper being beveled, as well as the end. A 15-foot canoe usually had 46 to 50 ribs.

The thwarts, unlike those of the Micmac and some Malecite canoes, in which the thwarts were unequally spaced, were equally spaced according to a builder's formula. The ends of the thwarts, or crossbars, were tenoned into the main gunwales and lashed in place through the three lashing holes in the ends of each thwart, except the end ones, which usually had but two. In some small canoes, however, two lashing holes were placed in all thwart ends. The design of the St. Francis thwart was as a rule very plain, gradually increasing in width from the center outwards to the tenon at the gunwale in plan and decreasing in thickness in elevation in the same direction. The ends of the main gunwales were of the half-arrowhead form, and were covered with a bark _wulegessis_, but the flaps below the outwales were sometimes cut off, or they might be formed in some graceful outline.

The bark cover was sometimes in one piece; when it was pieced out for width, the harness-stitch was used. In most canoes, the bark along the gunwale was doubled by adding a long narrow strip, often left hanging free below the gunwales and stopping just short of the _wulegessis_, which it resembled. It was sometimes decorated. A few St. Francis canoes with nailed gunwales omitted this doubling piece. When used, the doubling piece, as well as the end cover, were folded down on top of the gunwale before being sewn into place. The decoration of the St. Francis canoes seems to have been scant and wholly confined to a narrow band along the gunwale, or to the doubling pieces. The marking of the _wulegessis_ had ceased long before Adney investigated this type of canoe and no living Indian knew of any old marks, if any ever had been used.

The ends were commonly lashed with a spiral or crossed stitch, but some builders used a series of short-to-long stitches that made groups generally triangular in appearance. The gunwale lashing was in groups about 2½ inches long, each having 5 to 7 turns through the bark. The groups were about 1½ to 1¼ inches apart near the ends and about 2 inches apart elsewhere. The groups were not independent but were made by bringing the last turn of each group over the top and inside the main gunwale in a long diagonal pass so as to come through the bark from the inside for the first pass of the new group. The caps were originally pegged, with a few lashings at the ends.

The ribs were bent green. After the bark cover had been sewn to the gunwales, the green ribs were fitted roughly inside the bark, with their ends standing above the gunwales, and were then forced into the desired shape and held there, usually by two wide battens pressed against them by 7 to 10 temporary cross struts. After being allowed to dry in place, the ribs were then removed, the sheathing was put into place, and the ribs, after a final fitting, were driven into their proper positions. Some builders put in the ribs by pairs in the shaping stage, one on top of the other, as this made easier the job of fitting the temporary battens. The forcing of the ribs to shape also served to shape the bark cover, and the canoe was placed on horses during the operation, so that the shape of the bottom could be observed while the bark was being moulded. Some builders used very thin longitudinal battens between the bark and the green ribs to avoid danger of bursting the bark.

The canoe was built on a level building bed, in most instances apparently, with the ends of the building frame blocked up about an inch. It seems possible, however, that narrow bottom canoes may have been built with the bed raised 2 or 3 inches in the middle, rather than employing a narrow building frame. The construction of the building frame was the same as among the western Indians and as described in