Chapter 8

I did not feel at ease until the ship was well out of New York harbor; and, notwithstanding the repeated reassurances of my millionaire friend and my own knowledge of the facts in the case, I somehow could not rid myself of the sentiment that I was, in a great degree, responsible for the "widow's" tragic end. We had brought most of the morning papers aboard with us, but my great fear of seeing my name in connection with the killing would not permit me to read the accounts, although, in one of the papers, I did look at the picture of the victim, which did not in the least resemble her. This morbid state of mind, together with sea-sickness, kept me miserable for three or four days. At the end of that time my spirits began to revive, and I took an interest in the ship, my fellow passengers, and the voyage in general. On the second or third day out we passed several spouting whales, but I could not arouse myself to make the effort to go to the other side of the ship to see them. A little later we ran in close proximity to a large iceberg. I was curious enough to get up and look at it, and I was fully repaid for my pains. The sun was shining full upon it, and it glistened like a mammoth diamond, cut with a million facets. As we passed, it constantly changed its shape; at each different angle of vision it assumed new and astonishing forms of beauty. I watched it through a pair of glasses, seeking to verify my early conception of an iceberg--in the geographies of my grammar school days the pictures of icebergs always included a stranded polar bear, standing desolately upon one of the snowy crags. I looked for the bear, but if he was there, he refused to put himself on exhibition.

It was not, however, until the morning that we entered the harbor of Havre that I was able to shake off my gloom. Then the strange sights, the chatter in an unfamiliar tongue, and the excitement of landing and passing the customs officials caused me to forget completely the events of a few days before. Indeed, I grew so lighthearted that when I caught my first sight of the train which was to take us to Paris, I enjoyed a hearty laugh. The toy-looking engine, the stuffy little compartment cars, with tiny, old-fashioned wheels, struck me as being extremely funny. But before we reached Paris my respect for our train rose considerably. I found that the "tiny" engine made remarkably fast time, and that the old-fashioned wheels ran very smoothly. I even began to appreciate the "stuffy" cars for their privacy. As I watched the passing scenery from the car window, it seemed too beautiful to be real. The bright-colored houses against the green background impressed me as the work of some idealistic painter. Before we arrived in Paris, there was awakened in my heart a love for France which continued to grow stronger, a love which to-day makes that country for me the one above all others to be desired.

We rolled into the station Saint Lazare about four o'clock in the afternoon and drove immediately to the Hôtel Continental. My benefactor, humoring my curiosity and enthusiasm, which seemed to please him very much, suggested that we take a short walk before dinner. We stepped out of the hotel and turned to the right into the rue de Rivoli. When the vista of the Place de la Concorde and the Champs Élysées suddenly burst on me, I could hardly credit my own eyes. I shall attempt no such supererogatory task as a description of Paris. I wish only to give briefly the impressions which that wonderful city made upon me. It impressed me as the perfect and perfectly beautiful city; and even after I had been there for some time, and seen not only its avenues and palaces, but its most squalid alleys and hovels, this impression was not weakened. Paris became for me a charmed spot, and whenever I have returned there, I have fallen under the spell, a spell which compels admiration for all of its manners and customs and justification of even its follies and sins.

We walked a short distance up the Champs Élysées and sat for a while in chairs along the sidewalk, watching the passing crowds on foot and in carriages. It was with reluctance that I went back to the hotel for dinner. After dinner we went to one of the summer theatres, and after the performance my friend took me to a large café on one of the Grands Boulevards. Here it was that I had my first glimpse of the French life of popular literature, so different from real French life. There were several hundred people, men and women, in the place drinking, smoking, talking, and listening to the music. My millionaire friend and I took seats at a table, where we sat smoking and watching the crowd. It was not long before we were joined by two or three good-looking, well-dressed young women. My friend talked to them in French and bought drinks for the whole party. I tried to recall my high-school French, but the effort availed me little. I could stammer out a few phrases, but, very naturally, could not understand a word that was said to me. We stayed at the café a couple of hours, then went back to the hotel. The next day we spent several hours in the shops and at the tailor's. I had no clothes except what I had been able to gather together at my benefactor's apartments the night before we sailed. He bought me the same kind of clothes which he himself wore, and that was the best; and he treated me in every way as he dressed me, as an equal, not as a servant. In fact, I don't think anyone could have guessed that such a relation existed. My duties were light and few, and he was a man full of life and vigor, who rather enjoyed doing things for himself. He kept me supplied with money far beyond what ordinary wages would have amounted to. For the first two weeks we were together almost constantly, seeing the sights, sights old to him, but from which he seemed to get new pleasure in showing them to me. During the day we took in the places of interest, and at night the theatres and cafés. This sort of life appealed to me as ideal, and I asked him one day how long he intended to stay in Paris. He answered: "Oh, until I get tired of it." I could not understand how that could ever happen. As it was, including several short trips to the Mediterranean, to Spain, to Brussels, and to Ostend, we did remain there fourteen or fifteen months. We stayed at the Hôtel Continental about two months of this time. Then my millionaire took apartments, hired a piano, and lived almost the same life he lived in New York. He entertained a great deal, some of the parties being a good deal more blasé than the New York ones. I played for the guests at all of them with an effect which to relate would be but a tiresome repetition to the reader. I played not only for the guests, but continued, as I used to do in New York, to play often for the host when he was alone. This man of the world, who grew weary of everything and was always searching for something new, appeared never to grow tired of my music; he seemed to take it as a drug. He fell into a habit which caused me no little annoyance; sometimes he would come in during the early hours of the morning and, finding me in bed asleep, would wake me up and ask me to play something. This, so far as I can remember, was my only hardship during my whole stay with him in Europe.

After the first few weeks spent in sight-seeing I had a great deal of time left to myself; my friend was often I did not know where. When not with him, I spent the day nosing about all the curious nooks and corners of Paris; of this I never grew tired. At night I usually went to some theatre, but always ended up at the big café on the Grands Boulevards. I wish the reader to know that it was not alone the gaiety which drew me there; aside from that I had a laudable purpose. I had purchased an English-French conversational dictionary, and I went there every night to take a language lesson. I used to get three or four of the young women who frequented the place at a table and buy beer and cigarettes for them. In return I received my lesson. I got more than my money's worth, for they actually compelled me to speak the language. This, together with reading the papers every day, enabled me within a few months to express myself fairly well, and, before I left Paris, to have more than an ordinary command of French. Of course, every person who goes to Paris could not dare to learn French in this manner, but I can think of no easier or quicker way of doing it. The acquiring of another foreign language awoke me to the fact that with a little effort I could secure an added accomplishment as fine and as valuable as music; so I determined to make myself as much of a linguist as possible. I bought a Spanish newspaper every day in order to freshen my memory of that language, and, for French, devised what was, so far as I knew, an original system of study. I compiled a list which I termed "Three hundred necessary words." These I thoroughly committed to memory, also the conjugation of the verbs which were included in the list. I studied these words over and over, much as children of a couple of generations ago studied the alphabet. I also practiced a set of phrases like the following: "How?" "What did you say?" "What does the word ---- mean?" "I understand all you say except ----." "Please repeat." "What do you call ----?" "How do you say ----?" These I called my working sentences. In an astonishingly short time I reached the point where the language taught itself--where I learned to speak merely by speaking. This point is the place which students taught foreign languages in our schools and colleges find great difficulty in reaching. I think the main trouble is that they learn too much of a language at a time. A French child with a vocabulary of two hundred words can express more spoken ideas than a student of French can with a knowledge of two thousand. A small vocabulary, the smaller the better, which embraces the common, everyday-used ideas, thoroughly mastered, is the key to a language. When that much is acquired the vocabulary can be increased simply by talking. And it is easy. Who cannot commit three hundred words to memory? Later I tried my method, if I may so term it, with German, and found that it worked in the same way.

I spent a good many evenings at the Opéra. The music there made me strangely reminiscent of my life in Connecticut; it was an atmosphere in which I caught a fresh breath of my boyhood days and early youth. Generally, in the morning after I had attended a performance, I would sit at the piano and for a couple of hours play the music which I used to play in my mother's little parlor.

One night I went to hear _Faust_. I got into my seat just as the lights went down for the first act. At the end of the act I noticed that my neighbor on the left was a young girl. I cannot describe her either as to feature, or color of her hair, or of her eyes; she was so young, so fair, so ethereal, that I felt to stare at her would be a violation; yet I was distinctly conscious of her beauty. During the intermission she spoke English in a low voice to a gentleman and a lady who sat in the seats to her left, addressing them as father and mother. I held my program as though studying it, but listened to catch every sound of her voice. Her observations on the performance and the audience were so fresh and naïve as to be almost amusing. I gathered that she was just out of school, and that this was her first trip to Paris. I occasionally stole a glance at her, and each time I did so my heart leaped into my throat. Once I glanced beyond to the gentleman who sat next to her. My glance immediately turned into a stare. Yes, there he was, unmistakably, my father! looking hardly a day older than when I had seen him some ten years before. What a strange coincidence! What should I say to him? What would he say to me? Before I had recovered from my first surprise, there came another shock in the realization that the beautiful, tender girl at my side was my sister. Then all the springs of affection in my heart, stopped since my mother's death, burst out in fresh and terrible torrents, and I could have fallen at her feet and worshiped her. They were singing the second act, but I did not hear the music. Slowly the desolate loneliness of my position became clear to me. I knew that I could not speak, but I would have given a part of my life to touch her hand with mine and call her "sister." I sat through the opera until I could stand it no longer. I felt that I was suffocating. Valentine's love seemed like mockery, and I felt an almost uncontrollable impulse to rise up and scream to the audience: "Here, here in your very midst, is a tragedy, a real tragedy!" This impulse grew so strong that I became afraid of myself, and in the darkness of one of the scenes I stumbled out of the theatre. I walked aimlessly about for an hour or so, my feelings divided between a desire to weep and a desire to curse. I finally took a cab and went from café to café, and for one of the very few times in my life drank myself into a stupor.

It was unwelcome news for me when my benefactor--I could not think of him as employer--informed me that he was at last tired of Paris. This news gave me, I think, a passing doubt as to his sanity. I had enjoyed life in Paris, and, taking all things into consideration, enjoyed it wholesomely. One thing which greatly contributed to my enjoyment was the fact that I was an American. Americans are immensely popular in Paris; and this is not due solely to the fact that they spend lots of money there, for they spend just as much or more in London, and in the latter city they are merely tolerated because they do spend. The Londoner seems to think that Americans are people whose only claim to be classed as civilized is that they have money, and the regrettable thing about that is that the money is not English. But the French are more logical and freer from prejudices than the British; so the difference of attitude is easily explained. Only once in Paris did I have cause to blush for my American citizenship. I had become quite friendly with a young man from Luxemburg whom I had met at the big café. He was a stolid, slow-witted fellow, but, as we say, with a heart of gold. He and I grew attached to each other and were together frequently. He was a great admirer of the United States and never grew tired of talking to me about the country and asking for information. It was his intention to try his fortune there some day. One night he asked me in a tone of voice which indicated that he expected an authoritative denial of an ugly rumor: "Did they really burn a man alive in the United States?" I never knew what I stammered out to him as an answer. I should have felt relieved if I could even have said to him: "Well, only one."

When we arrived in London, my sadness at leaving Paris was turned into despair. After my long stay in the French capital, huge, ponderous, massive London seemed to me as ugly a thing as man could contrive to make. I thought of Paris as a beauty spot on the face of the earth, and of London as a big freckle. But soon London's massiveness, I might say its very ugliness, began to impress me. I began to experience that sense of grandeur which one feels when he looks at a great mountain or a mighty river. Beside London Paris becomes a toy, a pretty plaything. And I must own that before I left the world's metropolis I discovered much there that was beautiful. The beauty in and about London is entirely different from that in and about Paris; and I could not but admit that the beauty of the French city seemed hand-made, artificial, as though set up for the photographer's camera, everything nicely adjusted so as not to spoil the picture; while that of the English city was rugged, natural, and fresh.

How these two cities typify the two peoples who built them! Even the sound of their names expresses a certain racial difference. Paris is the concrete expression of the gaiety, regard for symmetry, love of art, and, I might well add, of the morality of the French people. London stands for the conservatism, the solidarity, the utilitarianism, and, I might well add, the hypocrisy of the Anglo-Saxon. It may sound odd to speak of the morality of the French, if not of the hypocrisy of the English; but this seeming paradox impresses me as a deep truth. I saw many things in Paris which were immoral according to English standards, but the absence of hypocrisy, the absence of the spirit to do the thing if it might only be done in secret, robbed these very immoralities of the damning influence of the same evils in London. I have walked along the terrace cafés of Paris and seen hundreds of men and women sipping their wine and beer, without observing a sign of drunkenness. As they drank, they chatted and laughed and watched the passing crowds; the drinking seemed to be a secondary thing. This I have witnessed, not only in the cafés along the Grands Boulevards, but in the out-of-the-way places patronized by the working classes. In London I have seen in the "pubs" men and women crowded in stuffy little compartments, drinking seemingly only for the pleasure of swallowing as much as they could hold. I have seen there women from eighteen to eighty, some in tatters, and some clutching babes in their arms, drinking the heavy English ales and whiskies served to them by women. In the whole scene, not one ray of brightness, not one flash of gaiety, only maudlin joviality or grim despair. And I have thought, if some men and women will drink--and it is certain that some will--is it not better that they do so under the open sky, in the fresh air, than huddled together in some close, smoky room? There is a sort of frankness about the evils of Paris which robs them of much of the seductiveness of things forbidden, and with that frankness goes a certain cleanliness of thought belonging to things not hidden. London will do whatever Paris does, provided exterior morals are not shocked. As a result, Paris has the appearance only of being the more immoral city. The difference may be summed up in this: Paris practices its sins as lightly as it does its religion, while London practices both very seriously.

I should not neglect to mention what impressed me most forcibly during my stay in London. It was not St. Paul's nor the British Museum nor Westminster Abbey. It was nothing more or less than the simple phrase "Thank you," or sometimes more elaborated, "Thank you very kindly, sir." I was continually surprised by the varied uses to which it was put; and, strange to say, its use as an expression of politeness seemed more limited than any other. One night I was in a cheap music hall and accidentally bumped into a waiter who was carrying a tray-load of beer, almost bringing him to several shillings' worth of grief. To my amazement he righted himself and said: "Thank ye, sir," and left me wondering whether he meant that he thanked me for not completely spilling his beer, or that he would thank me for keeping out of his way.

I also found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.

My millionaire was not so long in growing tired of London as of Paris. After a stay of six or eight weeks we went across into Holland. Amsterdam was a great surprise to me. I had always thought of Venice as the city of canals; it had never entered my mind that I should find similar conditions in a Dutch town. I don't suppose the comparison goes far beyond the fact that there are canals in both cities--I have never seen Venice--but Amsterdam struck me as being extremely picturesque. From Holland we went to Germany, where we spent five or six months, most of the time in Berlin. I found Berlin more to my taste than London, and occasionally I had to admit that in some things it was superior to Paris.

In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms. It was in Berlin that my inspiration was renewed.

One night my millionaire entertained a party of men composed of artists, musicians, writers, and, for aught I know, a count or two. They drank and smoked a great deal, talked art and music, and discussed, it seemed to me, everything that ever entered man's mind. I could only follow the general drift of what they were saying. When they discussed music, it was more interesting to me; for then some fellow would run excitedly to the piano and give a demonstration of his opinions, and another would follow quickly, doing the same. In this way, I learned that, regardless of what his specialty might be, every man in the party was a musician. I was at the same time impressed with the falsity of the general idea that Frenchmen are excitable and emotional, and that Germans are calm and phlegmatic. Frenchmen are merely gay and never overwhelmed by their emotions. When they talk loud and fast, it is merely talk, while Germans get worked up and red in the face when sustaining an opinion, and in heated discussions are likely to allow their emotions to sweep them off their feet.

My millionaire planned, in the midst of the discussion on music, to have me play the "new American music" and astonish everybody present. The result was that I was more astonished than anyone else. I went to the piano and played the most intricate ragtime piece I knew. Before there was time for anybody to express an opinion on what I had done, a big bespectacled, bushy-headed man rushed over, and, shoving me out of the chair, exclaimed: "Get up! Get up!" He seated himself at the piano, and, taking the theme of my ragtime, played it through first in straight chords; then varied and developed it through every known musical form. I sat amazed. I had been turning classic music into ragtime, a comparatively easy task; and this man had taken ragtime and made it classic. The thought came across me like a flash--It can be done, why can't I do it? From that moment my mind was made up. I clearly saw the way of carrying out the ambition I had formed when a boy.

I now lost interest in our trip. I thought: "Here I am a man, no longer a boy, and what am I doing but wasting my time and abusing my talent? What use am I making of my gifts? What future have I before me following my present course?" These thoughts made me feel remorseful and put me in a fever to get to work, to begin to do something. Of course I know now that I was not wasting time; that there was nothing I could have done at that age which would have benefited me more than going to Europe as I did. The desire to begin work grew stronger each day. I could think of nothing else. I made up my mind to go back into the very heart of the South, to live among the people, and drink in my inspiration firsthand. I gloated over the immense amount of material I had to work with, not only modern ragtime, but also the old slave songs--material which no one had yet touched.