The Atlantic Monthly Volume 14 No 84 October 1864 A Magazine Of

Chapter 10

Chapter 104,028 wordsPublic domain

It was at a _fête_ given by Lucien that Madame Récamier had her first and only interview with the First Consul. On entering the drawing-room, she mistook him for his brother Joseph, and bowed to him. He returned her salutation with _empressement_ mingled with surprise. Looking at her closely, he spoke to Fouché, who leaned over her chair and whispered, "The First Consul finds you charming." When Lucien approached, Napoleon, who was no stranger to his brother's passion, said aloud, "And I, too, would like to go to Clichy!" When dinner was announced, he rose and left the room alone, without offering his arm to any lady. As Madame Récamier passed out, Eliza (Madame Bacciocchi), who did the honors in the absence of Madame Lucien, who was indisposed, requested her to take the seat next to the First Consul. Madame Récamier did not understand her, and seated herself at a little distance, and on Cambacères, the Second Consul, occupying the seat by her side, Napoleon exclaimed, "_Ah, ah, citoyen consul, auprès de la plus belle_!" He ate very little and very fast, and at the end of half an hour left the table abruptly, and returned to the drawing-room. He afterward asked Madame Récamier why she had not sat next to him at dinner. "I should not have presumed," she said. "It was your place," he replied; and his sister added, "That was what I said to you before dinner." A concert following, Napoleon stood alone by the piano, but, not fancying the instrumental part of the performance, at the end of a piece by Jadin, he struck on the piano and cried, "Garat! Garat!" who then sang a scene from "Orpheus." Music always profoundly moved Madame Récamier, but whenever she raised her eyes she found those of the Consul fixed upon her with so much intensity that she became uncomfortable. After the concert, he came to her and said, "You are very fond of music, Madame," and would probably have continued the conversation, had not Lucien interrupted. Madame Récamier confessed that she was prepossessed by Napoleon at this interview. She was evidently gratified by his attentions, scanty and slight as they seem to us. Indeed, his whole conduct during the dinner and concert was decidedly discourteous, if not positively rude. Madame Lenormant attributes Napoleon's subsequent attempt to attach Madame Récamier to his court to the strong impression she made upon him at this interview, and gives Fouché as her authority. Still, if this were the case, it is rather strange that Napoleon did not follow up the acquaintance more speedily. It was not until five years afterwards that he made the overtures to which Madame Lenormant refers,--and then Madame Récamier had long been in the ranks of the Opposition. It was Napoleon's policy to conciliate, if possible, his political opponents. He had succeeded in gaining over Bernadotte, of whose intrigues against him Madame Récamier had been the _confidante_, and he concluded that she also could be as easily won. He accordingly sent Fouché to her, who, after several preliminary visits, proposed that she should apply for a position at court. As Madame Récamier did not heed his suggestions, he spoke more openly. "He protested that the place would give her entire liberty, and then, seizing with finesse upon the inducements most powerful with a generous spirit, he dwelt upon the eminent services she might render to the oppressed of all classes, and also the good influence so attractive a woman would exert over the mind of the Emperor. 'He has not yet,' he added, 'found a woman worthy of him, and no one knows what the love of Napoleon would be, if he attached himself to a pure person,--assuredly she would obtain a power over him which would be entirely beneficent.'" If Madame Récamier listened with politic calmness to these disgraceful overtures, she gave Fouché no encouragement. But he was not easily discouraged. He planned another interview with her at the house of the Princess Caroline, who added her persuasions to his. The conversation turning on Talma, who was then performing at the French theatre, the Princess put her box, which was opposite the Emperor's, at Madame Récamier's disposal; she used it twice, and each time the Emperor was present, and kept his glass so constantly in her direction that it was generally remarked, and it was reported that she was on the eve of high favor. Upon further persistence on the part of Fouché, Madame Récamier gave him a decided refusal. He was vehemently indignant, and left Clichy never to return thither. In the St. Helena Memorial, Napoleon attributes Madame Récamier's rejection of his overtures to personal resentment on account of her father. In 1800 Monsieur Bernard had been appointed _Administrateur des Postes_; being implicated in a Royalist conspiracy, he was imprisoned, but finally set at liberty through the intercession of Bernadotte. Napoleon believed that Madame Récamier resented her father's removal from office, but she was too thankful at his release from prison to expect any further favors. Her dislike of the Emperor was caused by his treatment of her friends, more particularly of the one dearest to her, Madame de Staël.

The friendship between these women was highly honorable to both, though the sacrifices were chiefly on Madame Récamier's side. She espoused Madame de Staël's cause with zeal and earnestness; and when the latter was banished forty leagues from Paris, she found an asylum with her. Among the few fragments of autobiography preserved by Madame Lenormant is this account of the first interview between the friends.

"One day, which I count an epoch in my life, Monsieur Récamier arrived at Clichy with a lady whom he did not introduce, but whom he left alone with me while he joined some other persons in the park. This lady came about the sale and purchase of a house. Her dress was peculiar. She wore a morning-robe, and a little dress-hat decorated with flowers. I took her for a foreigner, and was struck with the beauty of her eyes and of her expression. I cannot analyze my sensations, but it is certain I was more occupied in divining who she was than in paying her the usual courtesies, when she said to me, with a lively and penetrating grace, that she was truly enchanted to know me; that her father, Monsieur Necker.... At these words, I recognized Madame de Staël! I did not hear the rest of her sentence. I blushed. My embarrassment was extreme. I had just read with enthusiasm her letters on Rousseau, and I expressed what I felt more by my looks than by my words. She intimidated and attracted me at the same time. I saw at once that she was a perfectly natural person, of a superior nature. She, on her side, fixed upon me her great black eyes, but with a curiosity full of benevolence, and paid me compliments which would have seemed too exaggerated, had they not appeared to escape her, thus giving to her words an irresistible seduction. My embarrassment did me no injury. She understood it, and expressed a wish to see more of me on her return to Paris, as she was then on the eve of starting for Coppet. She was at that time only an apparition in my life, but the impression was a lively one. I thought only of Madame de Staël, I was so much affected by her strong and ardent nature."

The sweet serenity of Madame Récamier's nature soothed the more restless and tumultuous spirit of her friend. The unaffected veneration, too, of one so beautiful touched and gratified the woman of genius. Still, this intimacy was not unmixed with bitterness for Madame de Staël. But it troubled only her own heart, not the common friendship. She continually contrasted Madame Récamier's beauty with her own plain appearance, her friend's power of fascination with her own lesser faculty of interesting, and she repeatedly declared that Madame Récamier was the most enviable of human beings. But in comparing the lives of the two, as they now appear to us, Madame de Staël seems the more fortunate. If her married life was uncongenial, she had children to love and cherish, to whom she was fondly attached. Madame Récamier was far more isolated. Years had made her entirely independent of her husband, and she had no children upon whom to lavish the wealth of her affection. Her mother's death left her comparatively alone in the world, for she had neither brother nor sister, and her father seems to have had but little hold on her heart, all her love being lavished on her mother. She had a host of friends, it is true, but the closest friendship is but a poor substitute for the natural ties of affection. Both these women sighed for what they had not. The one yearned for love, the other for the liberty of loving. Madame Récamier was dependent for her enjoyments on society, while Madame de Staël had rich and manifold resources within herself, which no caprice of friends could materially affect, and no reverse of fortune impair. Her poetic imagination and creative thought were inexhaustible treasures. Solitude could never be irksome to her. Her genius brought with it an inestimable blessing. It gave her a purpose in life,--consequently she was never in want of occupation; and if at intervals she bitterly felt that heart-loneliness which Mrs. Browning has so touchingly expressed in verse,--

"'My father!'--thou hast knowledge, only thou! How dreary 't is for women to sit still On winter nights by solitary fires, And hear the nations praising them far off, Too far! ay, praising our quick sense of love, Our very heart of passionate womanhood, Which could not beat so in the verse without Being present also in the unkissed lips, And eyes undried because there's none to ask The reason they grew moist,"--

in the excitement and ardor of composition such feelings slumbered, while in the honest and pure satisfaction of work well done they were for the time extinguished. Madame Récamier, though beautiful and beloved, had no such precious compensations. She depended for her happiness upon her friends, and they who rely upon others for their chief enjoyments must meet with bitter and deep disappointments. Madame Récamier had great triumphs which secured to her moments of rapture. When the crowd worshipped her beauty, she probably experienced the same delirium of joy, the same momentary exultation, that a _prima donna_ feels when called before an excited and enthusiastic audience. But satiety and chagrin surely follow such triumphs, and she lived to feel their hollowness.

In a letter to her adopted daughter, she says,--"I hope you will be more happy than I have been"; and she confessed to Sainte-Beuve, that more than once in her most brilliant days, in the midst of _fêtes_ where she reigned a queen, she disengaged herself from the crowd surrounding her and retired to weep in solitude. Surely so sad a woman was not to be envied.

Another friend of Madame Récamier's youth, whose friendship in a marked degree influenced her life, was Matthieu de Montmorency. He was seventeen years older than she, and may with emphasis be termed her best friend. A devout Roman Catholic, he awakened and strengthened her religious convictions, and constantly warned her of the perils surrounding her. Much as he evidently admired and loved her, he did not hesitate to utter unwelcome truths. Vicomte, afterward Duc de Montmorency, belonged to one of the oldest families of France, but, espousing the Revolutionary cause, he was the first to propose the abolition of the privileges of the nobility. He was married early in life to a woman without beauty, to whom he was profoundly indifferent, and soon separated from her, though from family motives the tie was renewed in after-years. In his youth he had been gay and dissipated; but the death of a favorite brother, who fell a victim to the Revolution, changed and sobered him. From an over-sensibility, he believed himself to be the cause of his brother's death on account of the part he had taken in hastening the Revolution, and he strove to atone for this mistake, as well as for his youthful follies, by a life of austerity and piety. While his letters testify his great affection for Madame Récamier, they are entirely free from those lover-like protestations and declarations of eternal fidelity so characterise of her other masculine correspondents. He always addressed her as "_amiable amis_", and his nearest approach to gallantry is the expression of a hope that "in prayer their thoughts had often mingled, and might continue so to do." He ends a long letter of religious counsel with this grave warning:--"Do what is good and amiable, what will not rend the heart or leave any regrets behind. But in the name of God renounce all that is unworthy of you, and which under no circumstances can ever render you happy."

Adrien de Montmorency, Duke of Laval, if not so near and dear a friend, was quite as devoted an admirer of Madame Récamier as his cousin Matthieu. His son also wore her chains, and frequently marred the pleasure of his father's visits by his presence. In reference to the family's devotion, Adrien wrote to her,--"My son is fascinated by you, and you know that I am so also. It is the fate of the Montmorencys,--

"'Ils ne mouraient pas tous, mais tout étaient frappés.'"

Adrien was a man of wit, and he had more ability than Matthieu. "Of all your admirers," writes Madame de Staël, in a letter given in Châteaubriand's Memoirs, "you know that I prefer Adrien de Montmorency. I have just received one of his letters, which is remarkable for wit and grace, and I believe in the durability of his affections, notwithstanding the charm of his manners. Besides, this word durability is becoming in me, who have but a secondary place in his heart. But you are the heroine of all those sentiments out of which grow tragedies and romances."

Other admirers succeeded the Montmorencys. The masked balls, fashionable under the Empire, were occasions for fresh conquests. Madame Récamier attended them regularly under the protection of an elder brother of her husband, and had many piquant adventures. Prince Metternich was devoted to her one season, and when Lent put an end to festivity, he visited her privately in the morning, that he might not incur the Emperor's displeasure. Napoleon's animosity had now become marked and positive. On one occasion, when three of his ministers met accidentally at her house, he heard of it, and asked petulantly how long since had the council been held at Madame Récamier's? He was especially jealous of foreign ministers, and treated with so much haughtiness any who frequented her _salon_, that, as a matter of prudence, they saw her only in society or visited her by stealth. The Duke of Mecklenburg, whom she met at one of the masked balls, was extremely anxious to keep up her acquaintance. She declined the honor, alleging the Emperor's jealousy as reason for her refusal. He persuaded her, however, to grant him an interview, and she appointed an evening when she did not generally receive visitors. Stealing into the house in an undignified manner, the Duke was collared by the _concierge_, who mistook him for a thief. This ill-fortune did not deter him, however, from visiting her frequently. Years after, he wrote,--"Among the precious souvenirs which I owe to you is one I particularly cherish. It is the eminently noble and generous course you pursued toward me, when Napoleon had said openly, in the _salon_ of the Empress Josephine, that he 'should regard as his personal enemy any foreigner who frequented the _salon_ of Madame Récamier.'"

Madame Récamier was to feel yet more severely the effects of the Emperor's displeasure. In the autumn of 1806 the banking-house of Monsieur Récamier became embarrassed, through financial disorders in Spain. Their difficulties would have been temporary, had the Bank of France granted them a loan on good security. This favor was refused, and the house failed. While the decision of the bank was yet uncertain, Monsieur Récamier confided to his wife the desperate state of his affairs, and deputed her to do, the next day, the honors of a large dinner-party, which could not be postponed, lest suspicion should be excited. He went into the country, completely overwhelmed, and awaited there the result of his application. Madame Récamier forced herself to appear as usual. No one suspected the agony of her mind. She afterwards said that she felt the whole evening as though she were a prey to some horrible nightmare. In contrasting the conduct of the husband and wife, Madame Lenormant is scarcely just to the former. Acutely as Madame Récamier dreaded the impending ruin, it could not be to her what it was to her husband. A fearful responsibility rested upon him. The failure of his house was not only disaster and possible dishonor, but the ruin of thousands who had confided in him. A strong intellect might well be bowed down under the apprehension of such a catastrophe. Women, too, are proverbially calmer in such emergencies than men. To them it simply means sacrifice, but to men it is infinitely more than that.

When the blow fell, Monsieur Récamier met it manfully. He gave up everything to his creditors, who had so much confidence in his integrity that they put him at the head of the settlement of liquidation. Madame Récamier was equally honorable. She sold all her jewels. They disposed of their plate, and offered the house in the Rue Mont Blanc for sale. As a purchaser could not immediately be found, they removed to the ground-floor and let the other stories. This reverse of fortune involved more than personal sacrifices. Madame Récamier was both generous and charitable, and had dispensed her benefits with an open hand. She had, with the aid of friends, founded a school for orphans, and had numerous claims upon her bounty. To be restricted in her charities must have been a sore trial. Further mortifications she was spared, for she was treated with greater deference than ever. Her friends redoubled their attentions, her door was besieged by callers, who vied with each other in showing sympathy and respect. Junot was one of her firmest friends at this crisis. Witnessing, in Paris, the attentions she received, he spoke of them to the Emperor, when he rejoined him in Germany. He was checked by Napoleon, who pettishly remarked that they could not have paid more homage to the widow of a marshal of France fallen on the field of battle.

Junot was not the only general of the Emperor who was concerned at her reverse of fortune. Bernadotte, whom Sainte-Beuve numbers among her lovers, and whose letters confirm this idea, wrote to her from Germany, expressing his sympathy. Madame de Staël was sensibly afflicted. "Dear Juliette," she writes, "we have enjoyed the luxury which surrounded you. Your fortune has been ours, and I feel ruined because you are no longer rich."

Another anxiety now weighed heavily upon Madame Récamier. Her mother's health had long been failing, and the misfortunes of her son-in-law were more than her shattered constitution could bear. She died six months after the failure, leaving her fortune to her daughter, though her husband was still living. To the last she was devoted to dress and society. Throughout her illness she insisted upon being becomingly dressed every day, and supported to a couch, where she received her friends for several hours.

After Madame Bernard's death, her daughter passed six months in retirement, but, her grief affecting her health, she was induced by Madame de Staël to visit her at Coppet. Here she met the exiled Prince Augustus of Prussia, nephew of Frederick the Great. We find in the "Seaforth Papers," lately published in England, an allusion to this Prince, who visited London in the train of the allied sovereigns in 1814. A lady writes, "All the ladies are desperately in love with him,--his eyes are so fine, his moustaches so black, and his teeth so white." Madame Lenormant describes him as extremely handsome, brave, chivalric, and loyal. He was twenty-four when he fell passionately in love with Madame de Staël's beautiful guest, to whom he at once proposed a divorce and marriage. We give Madame Lenormant's account of his attachment.

"Three months passed in the enchantments of a passion by which Madame Récamier was profoundly touched, if she did not share it. Everything conspired to favor Prince Augustus. The imagination of Madame de Staël, easily seduced by anything poetical and singular, made her an eloquent auxiliary of the Prince. The place itself, those beautiful shores of Lake Geneva, peopled by romantic phantoms, had a tendency to bewilder the judgment. Madame Récamier was moved. For a moment she welcomed an offer of marriage which was not only a proof of the passion, but of the esteem of a prince of a royal house, deeply impressed by the weight of its own prerogatives and the greatness of its rank. Vows were exchanged. The tie which united the beautiful Juliette to Monsieur Récamier was one which the Catholic Church itself proclaimed null. Yielding to the sentiment with which she inspired the Prince, Juliette wrote to Monsieur Récamier, requesting the rupture of their union. He replied that he would consent to a divorce, if it was her wish, but he made an appeal to her feelings. He recalled the affection he had shown her from childhood. He even expressed regret at having respected her susceptibilities and repugnances, thus preventing a closer bond of union, which would have made all thoughts of a separation impossible. Finally he requested, that, if Madame Récamier persisted in her project, the divorce should not take place in Paris, but out of France, where he would join her to arrange matters."

This letter had the desired effect. Madame Récamier concluded not to abandon her husband, and returned to Paris, but without undeceiving the Prince, who started for Berlin. According to her biographer, Madame Récamier trusted that absence would soften the disappointment she had in store for him; but, if this was the case, the means she took to accomplish it were very inadequate. She sent him her portrait soon after her return to Paris, which the Prince acknowledged in a letter, of which the following is an extract:--

"_April 24th_, 1808.

"I hope that my letter of the 31st has already been received. I could only very feebly express to you the happiness I felt on the receipt of your last, but it will give you some idea of my sensations when reading it, and in receiving your portrait. For whole hours I looked at this enchanting picture, dreaming of a happiness which must surpass the most delicious reveries of imagination. What fate can be compared to that of the man whom you love?"

When Madame Récamier subsequently wrote to him more candidly, the Prince was astonished. "Your letter was a thunderbolt," he replied; but he would not accept her decision, and claimed the right of seeing her again. Three years passed in uncertainty, and in 1811 Madame Récamier consented to meet him at Schaffhausen; but she did not fulfil her engagement, giving the sentence of exile which had just been passed upon her as an excuse. The Prince, after waiting in vain, wrote indignantly to Madame de Staël, "I hope I am now cured of a foolish love, which I have nourished for four years." But when the news of her exile reached him, he wrote to her expressing his sympathy, but at the same time reproaching her for her breach of faith. "After four years of absence I hoped to see you again, and this exile seemed to furnish you with a pretext for coming to Switzerland. But you have cruelly deceived me. I cannot conceive, if you could not or would not see me, why you did not condescend to tell me so, and I might have been spared a useless journey of three hundred leagues."