Chapter 15

NEEDLEWORK IN COSTUME.--PART I.

"What neede these velvets, silkes, or lawne, Embrodery, feathers, fringe and lace."

Bp. Hall.

"Time was, when clothing sumptuous or for use, Save their own painted skins, our Sires had none. As yet black breeches were not."

Cowper.

Manifold indeed were the varieties in mode and material before that _beau ideal_ of all that is graceful and becoming--the "black breeches"--were invented. For though in many parts of the globe costume is uniform, and the vest and the turban of a thousand years ago are of much the same make as now, this is not the case in the more polished parts of Europe, where that "turncoat whirligig maniac, yclept Fashion," is the pole-star and beacon of the multitude of men, from him who has the "last new cut from Stultz," to him who is magnificent and happy in the "reg'lar bang-up-go" from the eastern parts of the metropolis.

It would seem that England is peculiarly celebrated for her devotion at Fashion's shrine; for we are told that "an Englishman, endevoring sometime to write of our attire, made sundrie platformes for his purpose, supposing by some of them to find out one stedfast ground whereon to build the summe of his discourse. But in the end (like an orator long without exercise) when he saw what a difficult peece of worke he had taken in hand, he gave over his travell, and onely drue the picture of a naked man, unto whome he gave a paire of sheares in the one hand, and a piece of cloth in the other, to the end he should shape his apparell after such fashion as himselfe liked, sith he could find no kind of garment that could please him anie while together, and this he called an Englishman. Certes this writer shewed himself herein not to be altogether void of iudgement, sith the phantasticall follie of our nation, even from the courtier to the carter, is such, that no forme of apparell liketh vs longer than the first garment is in the wearing, if it continue so long and be not laid aside, to receive some other trinket newlie devised.

"And as these fashions are diverse, so likewise it is a world to see the costlinesse and the curiositie; the excesse and the vanitie; the pompe and the brauerie; the change and the varietie; and, finallie, the ficklenesse and the follie that is in all degrees; insomuch that nothing is more constant in England than inconstancie of attire.

"In women, also, it in most to be lamented, that they doo now far exceed the lightnesse of our men (who nevertheless are transformed from the cap even to the verie shoo) and such staring attire as in time past was supposed meet for none but light housewives onlie, is now become a habit for chast and sober matrons.

"Thus _it is now come to passe, that women are become men, and men transformed into monsters_."

This ever-revolving wheel is still turning; and so all-important now is THE MODE that one half of the world is fully occupied in providing for the personal embellishment of the other half and themselves; and could we contemplate the possibility of a return to the primitive simplicity of our ancient "sires," we must look in the same picture on one half of the world as useless--as a drug on the face of creation. Why, what a desert would it be were all dyers, fullers, cleaners, spinners, weavers, printers, mercers and milliners, haberdashers and modistes, silk-men and manufacturers, cotton-lords and fustian-men, tailors and habit makers, mantuamakers and corset professors, exploded? We pass over pin and needle makers, comb and brush manufacturers, jewellers, &c. The ladies would have nothing to live for; (for on grave authority it has been said, that "woman is an animal that delights in the toilette;") the gentlemen nothing to solace them. "The toilette" is the very zest of life with both; and if ladies are more successful in the results of their devoirs to it, it is because "nous sommes faites pour embellir le monde," and not because gentlemen practice its duties with less zeal, devotion, or assiduity--as many a valet can testify when contemplating his modish patron's daily heap of "failures." Indeed to put out of view the more obvious, weighty, and important cares attached to the due selection and arrangement of coats, waistcoats, and indispensables, the science of "Cravatiana" alone is one which makes heavy claims on the time, talents, and energies of the thorough-going gentleman of fashion. He should be thoroughly versed in all its varieties--The Royal George: The Plain Bow: The Military: The Ball Room: The Corsican: The Hibernian Tie: The Eastern Tie: The Hunting Tie: The Yankee Tie: (the "alone original" one)--The Osbaldiston Tie: The Mail Coach Tie: The Indian Tie, &c. &c. &c.

Though of these and their numberless offshoots, the Yankee Tie lays most claim to originality, the Ball Room one is considered the most exquisite, and requires the greatest practice. It is thus described by a "talented" professor:--

"The cloth, of virgin white, well starched and folded to the proper depth, should be made to sit easy and graceful on the neck, neither too tight nor loose; but with a gentle pressure, curving inwards from the further extension of the chin, down the throat to the centre dent in the middle of the neck. This should be the point for a slight dent, extending from under each ear, between which, more immediately under the chin, there should be another slight horizontal dent just above the former one. It has no tie; the ends, crossing each other in broad folds in front, are secured to the braces, or behind the back, by means of a piece of white tape. A brilliant broach or pin is generally made use of to secure more effectually the crossing, as well as to give an additional effect to the neckcloth."

What a world of wit and invention--what a fund of fancy and taste--what a mine of zeal and ability would be lost to the world, "if those troublesome disguises which we wear" were reduced to their old simplicity of form and material! Industry and talent would be at discount, for want of materials whereon to display themselves; and money would be such a drug, that politicians would declaim on the miseries of being _without_ a national debt. Commerce, in many of its most important branches, would be exploded; the "manufacturing districts" would be annihilated; the "agricultural interest" would, consequently and necessarily, be at a "very low ebb;" and the "New World," the magnificent and imperial empress (that is to be) of the whole earth, might sink again to the embraces of those minute and wonderful artificers from whom, I suppose, she at first proceeded--the coral insects; for who would want cotton! No, no. Selfish preferences, individual wishes, must merge in the general good of the human race; and however "their own painted skins" might suffice our "sires," clothing, "sumptuous," as well as "for use," must decorate ourselves.

To whom, then, are the fullers, the dyers, the cleaners--to whom are the spinners and weavers, and printers and mercers, and milliners and haberdashers, and modistes, and silk-men and manufacturers, cotton lords and fustian men, mantuamakers and corset professors, indebted for that nameless grace, that exquisite finish and appropriateness, which gives to all their productions their charm and their utility?--To the NEEDLEWOMAN, assuredly. For though the raw materials have been grown at Sea Island and shipped at New York,--have been consigned to the Liverpool broker and sold to the Manchester merchant, and turned over to the manufacturer, and spun and woven, and bleached and printed, and placed in the custody of the warehouseman, or on the shelf of the shopkeeper--of what good would it be that we had a fifty-yard length of calico to shade our oppressed limbs on a "dog-day," if we had not the means also to render that material agreeably available? Yet not content with merely rendering it available, this beneficent fairy, the needlewoman, casts, "as if by the spell of enchantment, that ineffable grace over beauty which the choice and arrangement of dress is calculated to bestow." For the love of becoming ornament--we quote no less an authority than the historian of the 'State of Europe in the Middle Ages,'--"is not, perhaps, to be regarded in the light of vanity; it is rather an instinct which woman has received from Nature to give effect to those charms which are her defence." And if it be necessary to woman with her charms, is it not tenfold necessary to those who--Heaven help them!--have few charms whereof to boast? For, as Harrison says, "it is now come to passe that men are transformed into monsters."

"Better be out of the world than out of the fashion," is a proverb which, from the universal assent which has in all ages been given to it, has now the force of an axiom. It was this self evident proposition which emboldened the beau of the fourteenth century, in spite of the prohibitions of popes and senators,--in spite of the more touching personal inconvenience, and even risk and danger, attendant thereupon--to persist in wearing shoes of so preposterous a length, that the toes were obliged to be fastened with chains to the girdle ere the happy votary of fashion could walk across his own parlour! Happy was the favourite of Croesus, who could display chain upon chain of massy gold wreathed and intertwined from the waistband to the shoe, until he seemed almost weighed down by the burthen of his own wealth. Wrought silver did excellently well for those who could not produce gold; and for those who possessed not either precious metal, and who yet felt they "might as well be out of the world as out of the fashion," latteen chains, silken cords, aye, and cords of even less costly description, were pressed into service to tie up the _crackowes_, or piked shoes. For in that day, as in this, "the squire endeavours to outshine the knight, the knight the baron, the baron the earl, the earl the king, in dress." To complete the outrageous absurdity of these shoes, the upper parts of them were cut in imitation of a church-window, to which fashion Chaucer refers when describing the dress of Absalom, the Parish Clerk. He--

"Had Paul 'is windowes corven on his shose."

Despite the decrees of councils, the bulls of the Pope, and the declamations of the Clergy, this ridiculous fashion was in vogue near three centuries.

And the party-coloured hose, which were worn about the same time, were a fitting accompaniment for the crackowes. We feel some difficulty in realising the idea that gentlemen, only some half century ago, really dressed in the gay and showy habiliments which are now indicative only of a footman; but it is more difficult to believe, what was nevertheless the fact, that the most absurd costume in which the "fool" by profession can now be decked on the stage, can hardly compete in absurdity with the _outré_ costume of a beau or a belle of the fourteenth century. The shoes we have referred to: the garments, male or female, were divided in the middle down the whole length of the person, and one half of the body was clothed in one colour, the other half in the most opposite one that could be selected. The men's garments fitted close to the shape; and while one leg and thigh rejoiced in flaming yellow or sky-blue, the other blushed in deep crimson. John of Gaunt is portrayed in a habit, one half white, the other a dark blue; and Mr. Strutt has an engraving of a group assembled on a memorable occasion, where one of the figures has a boot on one leg and a shoe on the other. The Dauphiness of Auvergne, wife to Louis the Good, Duke of Bourbon, born 1360, is painted in a garb of which one half all the way down is blue, powdered with gold fleurs-de-lys, and the other half to the waist is gold, with a blue fish or dolphin (a cognizance, doubtless) on it, and from the waist to the feet is crimson, with white "fishy" ornaments; one sleeve is blue and gold, the other crimson and gold.

In addition to these absurd garments, the women dressed their heads so high that they were obliged to wear a sort of curved horn on each side, in order to support the enormous superstructure of feathers and furbelows. And these are what are meant by the "horned head-dresses" so often referred to in old authors. It is said that, when Isabel of Bavaria kept her court at Vincennes, A.D. 1416, it was necessary to make all the doors of the palace both higher and wider, to admit the head-dresses of the queen and her ladies, which were all of this horned kind.

This high bonnet had been worn, under various modifications, ever since the fashion was brought from the East in the time of the Crusades. Some were of a sugar-loaf form, three feet in height; and some cylindrical, but still very high. The French modistes of that day called this formidable head-gear _bonnet à la Syrienne_. But our author says, if female vanity be violently restrained in one point, it is sure to break out in another; and Romish anathemas having abolished curls from shading fair brows, so much the more attention was paid to head-gear, that the bonnets and caps increased every year most awfully in height and size, and were made in the form of crescents, pyramids, and horns of such tremendous dimensions, that the old chronicler Juvenal des Ursins makes this pathetic lamentation in his History of Charles VI.:--

"Et avoient les dames et damoyselles de chacun costé, deux grandes oreilles si larges, que quand elles vouloient passer par l'huis d'une chambre il fallait qu'elles se tournassent de costé et baisassent, ou elles n'eussent pu passer:" that is, "on every side old ladies and young ladies were seen with such high and monstrous ears (or horns), that when they wanted to enter a room they were obliged perforce to stoop and crouch sideways, or they could not pass." At last a regular attack was made on the high head-gear of the fifteenth century by a popular monk, in his sermons at Nôtre Dame, in which he so pathetically lamented the sinfulness and enormities of such a fashion, that the ladies, to show their contrition, made _auto da fés_ of their Syrian bonnets in the public squares and market-places; and as the Church fulminated against them all over Europe, the example of Paris was universally followed.

Many attempts had previously been made by zealous preachers to effect this alteration. In the previous century a Carmelite in the province of Bretagne preached against this fashion, without the power to annihilate it: all that the ladies did was to change the particular shape of the huge coiffures after every sermon. "No sooner," says the chronicler, "had he departed from one district, than the dames and damoyselles, who, like frightened snails, had drawn in their horns, shot them out again longer than ever; for nowhere were the _hennins_ (so called, abbreviated from _gehinnin_, incommodious,) larger, more pompous or proud, than in the cities through which the Carmelite had passed.

"All the world was totally reversed and disordered by these fashions, and above all things by the strange accoutrements on the heads of the ladies. It was a portentous time, for some carried huge towers on their foreheads an ell high; others still higher caps, with sharp points, like staples, from the top of which streamed long crapes, fringed with gold, like banners. Alas, alas! ladies, dames, and demoiselles were of importance in those days! When do we hear, in the present times, of Church and State interfering to regulate the patterns of their bonnets?"[95]

It is no wonder that fashions so very extreme and absurd should call forth animadversion from various quarters. Thus wrote Petrarch in 1366:--

"Who can see with patience the monstrous, fantastical inventions which the people of our times have invented to deform, rather than adorn, their persons? Who can behold without indignation their long pointed shoes; their caps with feathers; their hair twisted and hanging down like tails; the foreheads of young men, as well as women, formed into a kind of furrows with ivory-headed pins; their bellies so cruelly squeezed with cords, that they suffer as much pain from vanity as the martyrs suffered for religion? Our ancestors would not have believed, and I know not if posterity will believe, that it was possible for the wit of this vain generation of ours to invent so many base, barbarous, horrid, ridiculous fashions (besides those already mentioned) to disfigure and disgrace itself, as we have the mortification to see every day."

And thus Chaucer, a few years later:--

"Alass! may not a man see as in our daies the sinnefull costlew array of clothing, and namely in too much superfluite, or else in too disordinate scantinese: as to the first, not only the cost of embraudering, the disguysed indenting, or barring, ounding, playting, wynding, or bending, and semblable waste of clothe in vanitie." The common people also "were besotted in excesse of apparell, in wide surcoats reaching to their loines, some in a garment reaching to their heels, close before and strowting out on the sides, so that on the back they make men seem women, and this they called by a ridiculous name, _gowne_," &c. &c.

Before this time the legislature had interfered, though with little success: they passed laws at Westminster, which were said to be made "to prevent that destruction and poverty with which the whole kingdom was threatened, by the outrageous, excessive expenses of many persons in their apparel, above their ranks and fortunes."

Sumptuary edicts, however, are of little avail, if not supported in "influential quarters." King Richard II. affected the utmost splendour of attire, and he had one coat alone which was valued at 30,000 marks: it was richly embroidered and inwrought with gold and precious stones. It is not in human nature, at least in human nature of the "more honourable" gender, to be outdone, even by a king. Gorgeous and glittering was the raiment adopted by the satellites of the court, and, heedless of "that destruction and poverty with which the whole kingdom was threatened," they revelled in magnificence. Of one alone, Sir John Arundel, it is recorded, that he had at one time fifty-two suits of cloth of gold tissue. At this time, says the old Chronicle,

"Cut werke was great bothe in court and tounes, Bothe in mens hoddes, and also in their gounes, Brouder and furres, and gold smith werke ay newe, In many a wyse, eche day they did renewe."

Unaccountable as it may seem, this rage of expense and show in apparel reached even the (then) poverty-stricken sister country Scotland; and in 1457 laws were enacted to suppress it.

It is told of William Rufus, that one morning while putting on his new boots he asked his chamberlain what they cost; and when he replied "three shillings," indignantly and in a rage he cried out, "you--how long has the king worn boots of so paltry a price? Go, and bring me a pair worth a mark of silver." He went, and bringing him a much cheaper pair, told him falsely that they cost as much as he had ordered: "Ay," said the king, "these are suitable to royal majesty."

This is merely a specimen of the monarch's shallow-headed extravagance; but the costume of his time and that immediately preceding it was infinitely superior in grace and dignity to that of the fantastical period we have been describing. The English at this period were admired by all other nations, and especially _by the French_, from whom in subsequent periods _we_ have copied so servilely, for the richness and elegance of their attire. With a tunic simply confined at the waist, over this, when occasion required, a full and flowing mantle, with a veil confined to the back of the head with a golden circlet, her dark hair simply braided over her beautiful and intelligent brow and waving on her fair throat, the wife of the Conqueror looked every inch a queen, and what was more, she looked a modest, a dignified, and a beautiful woman.

The male attire was of the same flowing and majestic description: and the "brutal" Anglo-Saxons and the "barbarous" Normans had more delicacy than to display every division of limb or muscle which nature formed, and more taste than to invent divisions where, Heaven knows, nature never meant them to be. The simple _coiffure_ required little care and attendance, but if a fastening did happen to give way, the Anglo-Norman lady could raise her hand to fasten it if she chose. The arm was not pinioned by the fiat of a _modiste_.

And the material of a dress of those days was as rich as the mode was elegant. Silk indeed was not common; the first that was seen in the country was in 780, when Charlemagne sent Offa, King of Mercia, a belt and two vests of that beautiful material; but from the particular record made of silk mantles worn by two ladies at a ball at Kenilworth in 1286, we may fairly infer that till this period silk was not often used but as

"------a robe pontifical, Ne'er seen but wonder'd at."

Occasionally indeed it was used, but only by persons of the highest rank and wealth. But the woollens were of beautiful texture, and Britain was early famous in the art of producing the richest dyes. The Welsh are still remarkable for extracting beautiful tints from the commonest plants, such most probably as were used by the Britons anciently; and it is worthy of note that the South Sea cloths, manufactured from the inner bark of trees, have the same stripes and chequers, and indeed the identical patterns of the Welsh, and, as supposed, of the ancient Britons. Linen was fine and beautiful; and if it had not been so, the rich and varied embroidery with which it was decorated would have set off a coarser material.

Furs of all sorts were in great request, and a mantle of regal hue, lined throughout with vair or sable, and decorated with bands of gold lace and flowers of the richest embroidery, interspersed with pearls, clasped on the shoulder with the most precious gems, and looped, if requisite, with golden tassels, was a garment at which a nobleman, even of these days, need not look askance.

Robert Bloet, second bishop of Lincoln, made a present to Henry I. of a cloak of exquisitely fine cloth, lined with black sables with white spots, which cost a sum equivalent to £1500 of our money. The robes of females of rank were always bordered with a belt of rich needlework; their embroidered girdles were inlaid, or rather inwrought, with gold, pearls, and precious stones, and from them was usually suspended a large purse or pouch, on which the skill of the most accomplished needlewomen was usually expended.

This rich and becoming mode of dress was gradually innovated upon until caprice reigned paramount over the national wardrobe. For "fashion is essentially caprice; and fashion in dress the caprice of milliners and tailors, with whom _recherche_ and exaggeration supply the place of education and principle." That this modern definition applied as accurately to former times as these, an instance may suffice to show. Richard I. had a cloak made, at enormous cost, with precious and shining metals inlaid _in imitation of the heavenly bodies_; and Henry V. wore, on a very memorable occasion, when Prince of Wales, a mantle or gown of rich blue satin, full of small eyelet-holes, as thickly as they could be put, and a needle hanging by a silk thread _from every hole_.

The following incident, quoted from Miss Strickland's Life of Berengaria, will show the esteem in which a rich, and especially a furred garment was held. Richard I. quarrelled with the virtuous St. Hugh, bishop of Lincoln, on the old ground of exacting a simoniacal tribute on the installation of the prelate into his see. Willing to evade the direct charge of selling the see, King Richard intimated that a present of a fur mantle worth a thousand marks might be a composition. St. Hugh said he was no judge of such gauds, and therefore sent the king a thousand marks, declaring, if he would devour the revenue devoted to the poor, he must have his wilful way. But as soon as Richard had pocketed the money he sent for the fur mantle. St. Hugh set out for Normandy to remonstrate with the king on this double extortion. His friends anticipated that he would be killed; but St. Hugh said, "I fear him not," and boldly entered the chapel where Richard was at mass, when the following scene took place:--

"Give me the embrace of peace, my son," said St. Hugh.

"That you have not deserved," replied the king.

"Indeed I have," said St. Hugh, "for I have made a long journey on purpose to see my son."

So saying, he took hold of the king's sleeve and drew him on one side. Richard smiled and embraced the old man. They withdrew to the recess behind the altar and sate down.

"In what state is your conscience?" asked the bishop.

"Very easy," said the king.

"How can that be, my son," said the bishop, "when you live apart from your virtuous queen, and are faithless to her; when you devour the provision of the poor, and load your people with heavy exactions? Are those light transgressions, my son?"

The king owned his faults, and promised amendment; and when he related this conversation to his courtiers he added, "Were all our prelates like Hugh of Lincoln, both king and barons must submit to their righteous rebukes."

Furs were much used now as coverings for beds; and they were considered a _necessary_ part of dress for a very considerable period.

In Sir John Cullum's Hawsted, mention is made that in 1281 Cecilia, widow of William Talmache, died, and, amongst other bequests, left "to Thomas Battesford, for black coats for poor people, xxx_s._ in part." "To John Camp, of Bury St. Edmunds, furrier, for furs for the black coats, viij_s._ xj_d._" On which the reverend and learned author remarks, "We should now indeed think that a black coat bestowed on a poor person wanted not the addition of fur: such, however, was the fashion of the time; and a sumptuary law of Edward III. allows handicraft and yeomen to wear no manner of furre, nor of bugg,[96] but only lambe, coney, catte, and foxe."

The distinction in rank was expressly shown by the kind of fur displayed on the dress, and these distinctions were regulated by law and rigidly enforced. By a statute passed in 1455, for regulating the dress of the Scottish lords of parliament, the gowns of the earls are appointed to be furred with ermine, while those of the other lords are to be lined with "criestay, gray, griece, or purray."

The more precious furs, as ermine and sable, were reserved exclusively for the principal nobility of both sexes. Persons of an inferior rank wore the _vair_ or _gris_ (probably the Hungarian squirrel); the citizens and burgesses, the common squirrel and lamb skins; and the peasants, cat and badger skins. The mantles of our kings and peers, and the furred robes of the several classes of our municipal officers, are the remains of this once universal fashion.

Furs often formed an important part of the ransom of a prisoner of rank:--

"Sir," quoth Count Bongars, "war's disastrous hour Hath cast my lot within my foeman's power. Name ransome as you list; gold, silver bright, Palfreys, or dogs, or falcons train'd to flight; Or choose you _sumptuous furs, of vair or gray_; I plight my faith the destin'd price to pay."[97]

Certain German nobles who had slain a bishop were enjoined, amongst other acts of penance, "ut varium, griseum, ermelinum, et pannos coloratos, non portent."

The skin of the wild cat was much used by the clergy. Bishop Wolfstan preferred lambskin; saying in excuse, "Crede mihi, nunquam audivi, in ecclesia, cantari _catus_ Dei, sed _agnus_ Dei; ideo calefieri agno volo."

The monk of Chaucer had

"------his sleeves purfiled, at the hond, With gris, and that the finest of the lond."

It is not till about the year 1204 that there is any specific enumeration of the royal apparel for festival occasions. The proper officers are appointed to bring for the king on this occasion "a golden crown, a red satin mantle adorned with sapphires and pearls, a robe of the same, a tunic of white damask; and slippers of red satin edged with goldsmith's work; a balbrick set with gems; two girdles enamelled and set with garnets and sapphires; white gloves, one with a sapphire and one with an amethist; various clasps adorned with emeralds, turquois, pearls, and topaz; and sceptres set with twenty-eight diamonds."[98]

So much for the king:--And for the queen--oh! ye enlightened legislators of the earth, ye omnipotent and magisterial lords of creation, look on that picture--and on this.

"For our lady the queen's use, sixty ells of fine linen cloth, forty ells of dark green cloth, a skin of minever, a _small brass pan_, and _eight towels_."

But John, who in addition to his other amiable propensities was the greatest and most extravagant fop in Europe, was as parsimonious towards others as selfish and extravagant people usually are. Whilst even at the ceremony of her coronation he only afforded his Queen "three cloaks of fine linen, one of scarlet cloth, and one grey pelisse, costing together 12_l._ 5_s._ 4_d._;" he himself launched into all sorts of expenditure. He ordered the minutest articles for himself and the queen; but the wardrobe accounts of the sovereigns of the middle ages prove that they kept a royal warehouse of mercery, haberdashery, and linen, from whence their officers measured out velvets, brocades, sarcenets, tissue, gauzes, and trimmings, of all sorts. A queen, says Miss Strickland, had not the satisfaction of ordering her own gown when she obtained leave to have a new one; the warlike hand of her royal lord signed the order for the delivery of the materials from his stores, noting down with minute precision the exact quantity to a quarter of a yard of the cloth, velvet, or brocade, of which the garment was composed.

"Blessed be the memory of King Edward III. and Philippa of Hainault his queen, who first invented clothes," was, we are told, the grateful adjuration of a monkish historian, who referred probably not to the first assumption of apparel, but to the charter which was granted first by that monarch to the "cutters and linen armourers," subsequently known as the merchant-tailors, who at that period were usually the makers of all garments, silk, linen, or woollen. Female fingers had sufficient occupation in the finer parts of the work; in the "silke broiderie" with which every garment of fashion was embellished; in the tapestry; in the spinning of wool and flax, every thread of which was drawn by female hands, and in the weaving of which a great portion was also executed by them.

In the forty-fourth year of this king, "as the book of Worcester reporteth, they began to use cappes of divers coloures, especially red, with costly lynings; and in the year 1372, the forty-seventh of the above prince, they first began to wanton it in a new round curtall weede, which they call a cloake, and in Latin _armilausa_, as only covering the shoulders, and this notwithstanding the king had endeavoured to restrain all these inordinances and expenses in clothing; as appears by the law by Parliament established in the thirty-sixth year of his reign. All ornaments of gold or silver, either on the daggers, girdles, necklaces, rings, or other ornaments for the body, were forbid to all that could not spend ten pounds a-year; and farther, that no furre or pretious and costly apparel, should be worne by any but men possessed of 100_l._ a year."

Besides the rigid enactments of the law, and the anathemas of divines, other and gentler means were from time to time resorted to as warnings from that sin of dress which seems inherent in our nature, or as inducements to a more becoming one. We quote a specimen of both:--

"There was a lady whiche had her lodgynge by the chirche. And she was alweye accustomed for to be longe to araye her, and to make her freshe and gay, insomuch that it annoyed and greued moche the parson of the chirche, and the parysshens. And it happed on a Sonday that she was so longe, that she sent to the preeste that he shod tarye for her, lyke as she had been accustomed. And it was thenne ferforthe on the day. And it annoyed the peple. And there were somme that said, How is hit? shall not this lady this day be pynned ne wel besene in a Myrroure? And somme said softely, God sende to her an evyll syght in her myrroure that causeth us this day and so oftymes to muse and to abyde for her. And thene as it plesyd God for an ensample, as she loked in the myrroure she sawe therein the Fende, whiche shewed hymselfe to her so fowle and horryble, that the lady wente oute of her wytte, and was al demonyak a long tyme. And after God sente to her helthe. And after she was not so longe in arayeng but thanked God that had so suffered her to be chastysed."[99]

The 'Garment of Gude Ladyis' is a lecture of a most beguiling kind, and an exquisite picture.

"Wald my gud lady lufe me best, And wirk after my will, I suld ane garment gudliest Gar mak hir body till.

"Of he honour suld be her hud, Upoun hir heid to weir, Garneist with governance so gud, Na demyng[100] suld hir deir.[101]

"Hir kirtill suld be of clene constance, Lasit with lesum lufe, The mailyeis[102] of continwance For nevir to remufe.

"Her gown suld be of gudliness, Weill ribband with renowne, Purfillit[103] with plesour in ilk place, Furrit with fyne fassoun.[104]

"Her belt suld be of benignitie, About hir middill meit; Hir mantill of humilitie, To tholl[105] bayth wind and weit.

"Hir hat suld be of fair having[106], And her tepat of trewth, Hir patelet[107] of gude pansing, Hir hals-ribbane of rewth.

"Hir slevis suld be of esperance, To keip hir fra dispair; Hir gluvis of the gud govirnance, To hyd hir fingearis fair.

"Hir schone suld be of sickernes[108] In syne that scho nocht slyd; Hir hois of honestie, I ges, I suld for hir provyd.

"Wald scho put on this garmond gay, I duret sweir by my seill, That scho woir nevir grene nor gray That set hir half so weill."

FOOTNOTES:

[95] Lady's Magazine.

[96] Bugg--buge, lamb's furr.--Dr. Jamieson.

[97] Ancassin and Nicolette.

[98] The first instance in which the name of this stone is found.--Miss Lawrence.

[99] The Knyght of the Toure.

[100] _Demyng_--censure.

[101] _Deir_--dismay.

[102] _Mailyeis_--network.

[103] _Purfillit_--furbelowed.

[104] _Fassoun_--address, politeness.

[105] _Tholl_--endure.

[106] _Having_--behaviour.

[107] _Patelet_--run.

[108] _Sickernes_--steadfastness.