The Art and Practice of Silver Printing

CHAPTER XX.

Chapter 20504 wordsPublic domain

PRINTING ON GELATINO-CHLORIDE EMULSION PAPER.

Mr. W. T. Wilkinson has recently brought forward the notion of using gelatine instead of albumen as a medium for holding the silver chloride in printing. He uses the following formula:--

Barium chloride 2,440 grains Gelatine 2,000 " Water 20 ounces

The gelatine is allowed to swell in the water, and, by the aid of heat, is dissolved; the barium chloride is then added. Next he prepares--

Silver nitrate 1,700 grains Water 5 ounces

and adds this to the former, little by little, in a large bottle with much shaking, or pours it slowly into the former in a large jar, stirring briskly the whole time. This makes an emulsion of silver chloride, and is used without washing. When required for use, the gelatine, which will have set when cold, is swelled by placing the jar containing it in hot water, and is then transferred to a dish. The dish should be kept warm by being placed, supported on small blocks, in a tin tray (about two inches larger in dimensions every way than the dish) filled with hot water, the temperature of which should be about 150° F. to commence with. Saxe or Rive paper may be coated by rolling the sheet face outwards, and placing the edge of the roll upon the gelatine. The two corners of the paper in contact with the solution are then taken hold of by the fingers, and raised. The paper will unroll of itself, and take up a thin layer of the gelatine emulsion. The sheet of paper is then suspended to dry. All these operations are, of course, conducted in the dark room. The behaviour of the paper in the printing-frame is precisely the same as albumenized paper, and the washing and toning are conducted in the same way. For a fixing bath is used--

Sodium hyposulphite 2 ounces Water 20 "

The washing after fixing is more rapid than with albumenized paper. It is washed in ten or twelve changes of water for ten minutes, and then placed for five minutes in an alum bath made as follows:--

Potash alum 5 ounces Water 20 "

The print is washed in a few changes of water, and the prints are ready for drying and mounting. The advantage of the alum bath is that the hyposulphite is destroyed into harmless products, and the gelatine is rendered insoluble by it. In the formula given there is large excess of chloride, and we recommend that instead of using 2,440 grains of barium chloride, 2,050 grains be used. (Mr. Wilkinson has used that amount of the barium salt that would be required exactly to convert 1,700 grains of silver nitrate into silver chloride, if the formula for barium chloride were BaCl_{3} instead of BaCl_{2}.) It will be seen that whichever formula is used, there is no silver left to combine with the gelatine, and hence the image will be entirely formed by metallic silver, and not an organic salt of silver.