Chapter 13

Had he thus, in blind self-sacrifice to the whim of a foolish girl, cast himself into a pit? If so, what meant his light step and cheerful smile as soon as she was out of sight?

Mademoiselle Zoë, the Severed Lady, swung in half-person and sang her little song on a night a week or two afterwards, just as she had sung and swung many a night before. Wondering eyes of every kind were staring at her, and presently her foolish little heart gave a great bound. There before her, regarding her with infinite tenderness, was a divine pair of soft, pale, limpid amber eyes! (A woman in the audience happened also to see this extraordinary spectacle, and it frightened her so badly that she fainted, thinking she had seen a corpse.)

The amber eyes instantly disappeared, along with their owner, one Sampey. A thumpy little heart in a round, plump body knew that it was he; knew, therefore, that her destiny was come, and, most extraordinary of all, in the shape of her good father's literary bureau! Yet what shock there was next day, when the hero of her dreams came to her with his ordinary pale-gray eyes, blurred somewhat and inclined to humidity!

"Sampey!" she exclaimed in dismay, tumbled thus rudely from the clouds.

"Muggie!"

"Your eyes last night--then you were a hero; but to-day----"

"A hero!" innocently echoed Sampey.

"Why, yes! Last night you had amber eyes--such beautiful eyes--the hero-eyes of my dreams!"

"My dear child, you certainly were dreaming."

"Oh, no! I saw them! My heart jumped so! I knew you--I knew you--and your eyes were amber!"

Sampey smiled sadly and a little complacently, and with great modesty said:

"I can't doubt you, my dear child, but I assure you that I was unconscious of my amber eyes. I wish that I could feel at liberty to confess to you that lately I have had strange whisperings of heroism in my soul--but that would be boasting, and true heroism is always modest. Still, I ought not to be surprised that you discovered the actual presence before I was aware even of its existence; but such, indeed, my dear, is the peculiarity of the true hero--he is ever unaware of his own heroism." He took her hand languishingly and squeezed it. She blushed and fled.

Signor Castellani, besides being wealthy, was a man of business. His daughter should marry a man who had money sufficient to insure his worth. With perspicacity rare in a man, he had observed that the two singular men of this narrative admired his daughter. Now, Bat, being a freak, was making money rapidly, while Sampey was only a poor literary bureau! Castellani felt the need of a partner. Why should not a partner be a son-in-law? Surely Bat was much more desirable than Sampey!

Sampey was wise and Bat was foolish. On the other hand, Bat was courageous and Sampey was timid. Bat had the courage of a brute. Sampey knew that there were certain ways of frightening brave brutes--he had even seen a prize-fighter join a church. He prepared for Bat.

One day he entered the museum between exhibitions and sought the Wild Man of Milo. That worthy was leisurely smoking a cigarette in a quiet corner, and was making the smoke curl up gracefully over the hairy tuft on his nose. Sampey was paler than usual and a little nervous, for the business of his visit was tinged with hazard. Bat, who happened to feel good-natured, gave the first greeting.

"Hey!" he called out.

Sampey went straight to him.

"You lika da show, ha, Samp? You come effery day. Gooda place, ha, Samp?"

"A very good place, Bat," quietly answered Sampey, who tried hard to appear indifferent as he fumbled nervously in his pocket.

"Signor Castellani, he biga mon, reecha mon, gooda mon. You like 'im?"

"Very much." Sampey was acting strangely.

Bat's eyes twinkled a little dangerously.

"You lika da gal, too, ha, Samp?"

"The--ah--the tattooed woman? Yes, very well, indeed."

"Ha, you sly Samp! I spik about da leetle ploompa gal--da Mug."

"Oh! Muggie? Castellani's daughter?"

"Ha."

"Well, I don't know her so very well."

"You don' know da Mugga?" Bat's look was becoming dangerously fierce. He straightened himself up from his lounging posture, and his big muscles swelled. "You don' know da Mugga! You tink I no see. You loafa da Mugga! You wanta marry her! You tink 'er reecha, pooty. You miseraba sneaka!" Here Bat, who had worked himself into a fury, swore an eloquent Italian oath.

Sampey's time had come. The two men were alone,--Bat furious and desperate with jealousy; Sampey fearful, but determined; brutality against wit, strength against cunning, fury against patience, a bulldog matched with a mink, a game-cock pitted against an owl.

Sampey pretended to have dropped something accidentally. He stooped to pick it up, and some seconds elapsed before he pretended to have found it. While he was searching for it he approached nearer to Bat, and when he straightened up he brought his face very close to Bat's, and suddenly raised his eyes and stared steadily into those of the Wild Man of Milo.

Bat meanwhile had kept up an insulting tirade, his evident purpose being to force the gentle writer into a fight. But when Sampey raised his eyes and fixed them in a peculiar stare, Bat regarded him a moment in speechless wonder, and then sprang back with a livid face, and in terror cried out:

"Santa Maria!"

For half a minute he gazed, horrified, at the sight which confronted him, his mouth open, his eyes staring--fascinated, terror-stricken, and aghast. Sampey, the gentle, usually dove-eyed, was now transformed. Those were not the accustomed gray eyes with which Bat was familiar, nor yet the limpid, amber eyes which had set poor Zoë's heart bounding; Sampey gazed upon his victim with eyes that were a fierce and insurrectionary scarlet!

Bat, contumelious now no longer, dashed wildly away. He spread his wonderful tale. Castellani, whom it finally reached, frowned, thinking that Bat was drunk. The Tattooed Lady laughed outright. Zoë wondered and was troubled; but that night, just before the curtain of her gilt booth was drawn at the close of the exhibition, there stood her hero Sampey, gazing tenderly at her with eyes of a soft, pale, limpid amber. And she slept soundly after that.

When Sampey visited the museum next day, he was eyed with considerable curiosity by the freaks. Castellani asked him directly what Bat meant by his stories. Sampey had expected this question, and was ready for it. After binding the showman to everlasting secrecy, he said:

"I have made a great discovery, but it is impossible for me to go into all its details. It must be sufficient at present for me to say that after many years of scientific experiment I have learned the secret of changing the color of my eyes at will."

He said this very simply, as though unconscious of announcing one of the most extraordinary things to which the ages have given birth.

But Castellani was a study. Some great shock, resembling apoplexy, seemed to have invaded his system. Being a shrewd business man, he presently recovered his composure, and then in the most indifferent manner remarked that a person who could change the color of his eyes at will ought to be able, perhaps, if he should get started right, to make a little money, possibly, out of the accomplishment; and then he offered Sampey forty dollars a week to pose as a freak in the Great Oriental Dime Museum. Sampey, who knew that the Wild Man of Milo's salary was two hundred dollars a week (which, although large, was well earned, seeing that everybody had to pull the tuft on his nose to be sure that it grew there), asked time to consider the splendid offer, which to him was a fortune.

There was the certainty of losing Zoë when she should learn that his amber eyes were not really heroic. He went to a retired showman and asked him what salaries might be commanded by a man with a hair-tufted nose and a man who could change the color of his eyes to any other color at will. This showman answered:

"I've seen Castellani's man with the tuft. He gets two hundred dollars a week. That is pretty high. If you can bring me a man who can change the color of his eyes at will to any other color, I will pay him a thousand dollars a week and start in the business again."

Sampey slept not a wink that night.

Meanwhile a change had taken place in Zoë: she had suddenly become more charming than ever. Her gentleness and sweetness had become conspicuously augmented, and she was so kind and sweet-mannered to all, including the Wild Man of Milo (whom she had formerly avoided through instinctive fear), that Bat took greater heart and swore to win her, though he might have to wade through oceans of Sampey blood. Mark this: Stake not too much on a woman's condescension to _you_; it may come through love for another.

Zoë was innocent, honest, and confiding. Innocence measures the strength of faith. The charm of faith is its absurdity. Zoë believed in Sampey.

Sampey, grown surprisingly bold and self-reliant, named his terms to Castellani--a half-interest in the business--and Castellani, swear and bully and bluster as he might, must accept. This made Sampey a rich man at once. Castellani, exceedingly gracious and friendly after the signing of the compact, proposed a quiet supper in his private apartments in celebration of the new arrangement, and presently he and Zoë and Sampey were enjoying a very choice meal. Zoë was dazzlingly radiant and pretty, but a certain strange constraint sat between her and Sampey. Once, when she dropped her napkin and Sampey picked it up, his hand accidentally touched one of her daintily slippered feet, and his blushes were painful to see.

While they were thus engaged, Bat, without ceremony, burst in upon them, his face aglow and his eyes flashing triumph. He carried in his hand a small box, which he rudely thrust under their noses. When Sampey saw it he turned deathly pale and shrank back, powerless to move or speak.

"I ketcha da scound!" exclaimed Bat, shaking his finger in the cowering Sampey's face. "I watch 'im; I ketcha da scound! He play you da dirtee tr-r-icks!"

The Wild Man of Milo placed the box on the table and raised the lid. Within appeared a number of curious, small, cup-shaped trinkets of opaque white glass, each marked in the centre with an annular band of color surrounding a centre of clear glass, the range of colors being great, and the trinkets arranged in pairs according to color. There were also a vial labelled "cocaine" and a small camel's-hair brush.

"You looka me," resumed Hoolagaloo, greatly excited. "I maka mine eye changa colah, lika da scounda Samp."

With that he dipped the brush into the vial and applied it to his eyes. Then he picked up two of the curious little glass cups, and slipped them, one at a time, over his eyeballs and under his eyelids, where they fitted snugly. They were artificial eyes which Sampey had had made to cover his natural eyeballs on occasion. Bat struck a mock-tragic attitude and hissed:

"Diavolo!"

By a strange accident he had picked out two which were not mates. One of his eyes was a soft, pale, limpid amber and the other a fierce and insurrectionary red. These, with his tufted nose and his tragic attitude, gave him an appearance so grotesque and hideous that Zoë, after springing to her feet and throwing her arms wildly aloft, fell in a dead faint into Sampey's arms.

Bat gloated over his rival; Castellani was dumfounded. Presently Sampey's nerve returned with his wits.

"Well," he remarked, contemptuously, drawing Zoë closer and holding her with a tender solicitude--"well, what of it?"

His insolence enraged Hoolagaloo. "H--hwat of eet! Santa Maria! Da scound! Ha, ha! Da gal no marry you now!"

Sampey deliberately moved Zoë so that he might reach his watch, and after looking calmly at it a moment he said:

"Muggie and I have been married just thirty hours."

The announcement stunned the Wild Man. Castellani himself had a hard mental struggle to realize the situation, and then, with his accustomed equanimity and his old-time air of authority, he said:

"Well, phat is oll the row aboot, annyhow? D'ye want to shpile th' mon's thrick, Misther Bat? An' thin, Misther Bat, it's a domned gude wan, it is; an' more'n thot, me gintlemanly son-in-law is me partner, too, Misther Bat, I'd have ye know, an' he's got aut'ority in this show."

That finished the Wild Man of Milo. He staggered out, shaved his nose, bought an axe, and fled to the mountains to chop wood again, leaving the Mysterious Man with the Spectre Eyes to become the happiest husband and the most prosperous freak and showman in the world.

The Faithful Amulet

A quaint old rogue, who called himself Rabaya, the Mystic, was one of the many extraordinary characters of that odd corner of San Francisco known as the Latin Quarter. His business was the selling of charms and amulets, and his generally harmless practices received an impressive aspect from his Hindu parentage, his great age, his small, wizened frame, his deeply wrinkled face, his outlandish dress, and the barbaric fittings of his den.

One of his most constant customers was James Freeman, the half-piratical owner and skipper of the "Blue Crane." This queer little barkentine, of light tonnage but wonderful sailing qualities, is remembered in every port between Sitka and Callao. All sorts of strange stories are told of her exploits, but these mostly were manufactured by superstitious and highly imaginative sailors, who commonly demonstrate the natural affinity existing between idleness and lying. It has been said not only that she engaged in smuggling, piracy, and "blackbirding" (which is kidnapping Gilbert Islanders and selling them to the coffee-planters of Central America), but that she maintained special relations with Satan, founded on the power of mysterious charms which her skipper was supposed to have procured from some mysterious source and was known to employ on occasion. Beyond the information which his manifests and clearance papers divulged, nothing of his supposed shady operations could be learned either from him or his crew; for his sailors, like him, were a strangely silent lot--all sharp, keen-eyed young fellows who never drank and who kept to themselves when in port. An uncommon circumstance was that there were never any vacancies in the crew, except one that happened as the result of Freeman's last visit to Rabaya, and it came about in the following remarkable manner:

Freeman, like most other men who follow the sea, was superstitious, and he ascribed his fair luck to the charms which he secretly procured from Rabaya. It is now known that he visited the mystic whenever he came to the port of San Francisco, and there are some to-day who believe that Rabaya had an interest in the supposed buccaneering enterprises of the "Blue Crane."

Among the most intelligent and active of the "Blue Crane's" crew was a Malay known to his mates as the Flying Devil. This had come to him by reason of his extraordinary agility. No monkey could have been more active than he in the rigging; he could make flying leaps with astonishing ease. He could not have been more than twenty-five years old, but he had the shrivelled appearance of an old man, and was small and lean. His face was smooth-shaved and wrinkled, his eyes deep-set and intensely black and brilliant. His mouth was his most forbidding feature. It was large, and the thin lips were drawn tightly over large and protruding teeth, its aspect being prognathous and menacing. Although quiet and not given to laughter, at times he would smile, and then the expression of his face was such as to give even Freeman a sensation of impending danger.

It was never clearly known what was the real mission of the "Blue Crane" when she sailed the last time from San Francisco. Some supposed that she intended to loot a sunken vessel of her treasure; others that the enterprise was one of simple piracy, involving the killing of the crew and the scuttling of the ship in mid-ocean; others that a certain large consignment of opium, for which the customs authorities were on the lookout, was likely about to be smuggled into some port of Puget Sound. In any event, the business ahead must have been important, for it is now known that in order to ensure its success Freeman bought an uncommonly expensive and potent charm from Rabaya.

When Freeman went to buy this charm he failed to notice that the Flying Devil was slyly following him; neither he nor the half-blind charm-seller observed the Malay slip into Rabaya's den and witness the matter that there went forward. The intruder must have heard something that stirred every evil instinct in him. Rabaya (whom I could hardly be persuaded to believe under oath) years afterwards told me that the charm which he sold to Freeman was one of extraordinary virtue. For many generations it had been in the family of one of India's proudest rajahs, and until it was stolen the arms of England could not prevail over that part of the far East. If borne by a person of lofty character (as he solemnly informed me he believed Freeman to be) it would never fail to bring the highest good fortune; for, although the amulet was laden with evil powers as well as good, a worthy person could resist the evil and employ only the good. Contrariwise, the amulet in the hands of an evil person would be a most potent and dangerous engine of harm.

It was a small and very old trinket, made of copper and representing a serpent twined grotesquely about a human heart; through the heart a dagger was thrust, and the loop for holding the suspending string was formed by one of the coils of the snake. The charm had a wonderful history, which must be reserved for a future story; the sum of it being that as it had been as often in the hands of bad men as of good, it had wrought as many calamities as blessings. It was perfectly safe and useful--so Rabaya soberly told me--in the hands of such a man as Freeman.

Now, as no one knows the soundings and breadth of his own wickedness, the Flying Devil (who, Rabaya explained, must have overheard the conversation attending its transference to Freeman) reflected only that if he could secure possession of the charm his fortune would be made; as he could not procure it by other means, he must steal it. Moreover, he must have seen the price--five thousand dollars in gold--which Freeman paid for the trinket; and that alone was sufficient to move the Malay's cupidity. At all events, it is known that he set himself to steal the charm and desert from the barkentine.

From this point on to the catastrophe my information is somewhat hazy. I cannot say, for instance, just how the theft was committed, but it is certain that Freeman was not aware of it until a considerable time had passed. What did concern him particularly was the absence of the Malay when the barkentine was weighing anchor and giving a line for a tow out to sea. The Malay was a valuable sailor; to replace him adequately was clearly so impossible a task that Freeman decided, after a profitless and delaying search of hours, to leave port without him or another in his place. It was with a heavy heart, somewhat lightened by a confident assumption that the amulet was safe in his possession, that Freeman headed down the channel for the Golden Gate.

Meanwhile, the Flying Devil was having strange adventures. In a hastily arranged disguise, the principal feature of which was a gentleman's street dress, in which he might pass careless scrutiny as a thrifty Japanese awkwardly trying to adapt himself to the customs of his environment, he emerged from a water-front lodging-house of the poorer sort, and ascended leisurely to the summit of Telegraph Hill, in order to make a careful survey of the city from that prominent height; for it was needful that he know how best to escape. From that alluring eminence he saw not only a great part of the city, but also nearly the whole of the bay of San Francisco and the shores, towns, and mountains lying beyond. His first particular attention was given to the "Blue Crane," upon which he looked nearly straight down as she rolled gently at her moorings at the foot of Lombard Street. Two miles to the west he saw the trees which conceal the soldiers' barracks, and the commanding general's residence on the high promontory known as Black Point, and these invited him to seek concealment in their shadows until the advent of night would enable him to work his way down the peninsula of San Francisco to the distant blue mountains of San Mateo. Surmising that Freeman would make a search for him, and that it would be confined to the docks and their near vicinity, he imagined that it would not be a difficult matter to escape.

After getting his bearings the Malay was in the act of descending the hill by its northern flank, when he observed a stranger leaning against the parapet crowning the hill. The man seemed to be watching him. Not reflecting that his somewhat singular appearance might have accounted for the scrutiny, his suspicions were roused; he feared, albeit wrongly, that he was followed, for the stranger had come up soon after him. Assuming an air of indifference, he strolled about until he was very near the stranger, and then with the swiftness and ferocity of a tiger he sprang and slipped a knife-blade between the man's ribs. The stranger sank with a groan, and the Malay fled down the hill.

It was a curious circumstance that the man fell in front of one of the openings which neglect had permitted the rains to wash underneath the parapet. He floundered as some dying men will, and these movements caused him to work his body through the opening. That done, he started rolling down the steep eastern declivity, the speed of his flight increasing with every bound. Many cottages are perched precariously on this precipitous slope. Mrs. Armour, a resident of one of them, was sitting in a rear room near the window, sewing, when she was amazed to see a man flying through the sash close beside her. He came with so great violence that he tore through a thin partition into an adjoining room and landed in a shapeless heap against the opposite wall. Mrs. Armour screamed for help. A great commotion ensued, but it was some time before the flight of the body was connected with a murder on the parapet. Nevertheless, the police were active, and presently a dozen of them were upon the broad trail which the murderer had left in his flight down the hill.

In a short time the Malay found himself in the lumber-piles of the northern water-front. Thence, after gathering himself together, he walked leisurely westward in the rear of the wire-works, and traversed a little sand-beach where mothers and nurses had children out for an airing. The desperate spirit of perversity which possessed the man (and which Rabaya afterwards explained by the possession of the amulet), made reckless by a belief that the charm which he carried would preserve him from all menaces, led him to steal a small hand-satchel that lay on the beach near a well-dressed woman. He walked away with it, and then opened it and was rejoiced to find that it contained some money and fine jewelry. At this juncture one of the children, who had observed the Malay's theft, called the woman's attention to him. She started in pursuit, raising a loud outcry, which emptied the adjacent drinking-saloons of a pursuing crowd.