The American Quarterly Review, No. 17, March 1831
Chapter 3
We have thus enumerated most of the reasons why travelling in England is preferable to that in France, yet there is one circumstance to be remarked in favour of the latter, which almost counterbalances every consideration of an unfavourable kind. We allude to the facility with which a stranger can make acquaintance with his fellow passengers, in the "gay, smiling land of social mirth and ease." In England he may journey from Plymouth to Berwick without speaking more than ten words to any persons who chance to be his companions in the coach, or hearing ten words spoken by them if they happen not to know each other; but in a French public conveyance, only a short time elapses before all its occupants are as much at ease, and upon as good terms with each other, as if they were familiar acquaintances. Many a pleasant hour have we spent in a diligence, in consequence of the conversations we have fallen into with individuals whom we have there encountered, some of which were of a highly ludicrous character. We shall never forget a series of interrogatories put to us by a loquacious fellow next to whom we were seated in the diligence in going from Rouen to Paris, and who was about as ignorant as he was garrulous. Hearing us say, in answer to a question of another person, that we were from the United States, he asked us how we liked Italy; and on our telling him we had never been there, inquired with a face of great surprise, whether the United States was not on the other side of Italy? After endeavouring to give him an idea of the situation of our country, he asked successively, if we had crossed the ocean in a steam-boat, if the United States belonged to England or to France, and if Philadelphia was not the place where the great revolt of the Negroes took place. But we must return to her Ladyship, with the wish that she would contrive to render her company more agreeable, that we might have less temptation to wander from her at this rate.
With regard to the English furniture of her Ladyship's apartments, and the English confectionaries and perfumeries which gave rise to the memorable adventures we have related above, we may remark that it may have been so ordained by fate that she should light upon one of the very few hotels, one of the very few confectionary shops, and one of the very few perfumery stores in Paris, in which matters are ordered in the English style; but to give us to understand, in consequence, that all the hotels are furnished in the same way, and that _bonbons_, _extraits_, &c. are not to be procured, is like the proceeding of the Hon. Frederick de Roos, R. N. who affirms, in his sapient work on the United States, that all the inhabitants in Philadelphia take tea on the steps before their doors in summer evenings, because, forsooth, he saw a family sitting on those of the house in which they lived, in order to enjoy a July twilight.
One of the first things that her Ladyship does on the morning subsequent to her arrival, is to give notice to her friends of that important event,--a gratuitous piece of kindness altogether, as it seems to us, for it must doubtless have been announced by as many portentous signs as accompanied the birth of Owen Glendower. Nevertheless, in order to make assurance doubly sure, she despatched 'cards to some, and notes to others, after the Parisian fashion,' but previously indulged in a very pretty sentimental fit. This was caused by the first name that met her eye as she opened her 'old Paris visiting book for 1818'--that of Denon, "the page, minister, and _gentilhomme de la chambre_ of Louis XV., the friend of Voltaire, the intimate of Napoleon, the traveller and historian of Modern Egypt, the director of the _Musee_ of France," &c. &c., who, we are informed, used always to be so particularly delighted with her Ladyship's visits to Paris, that he was wont to hail them with his hand, and welcome them with a cordial smile. Alas! death had overtaken him, notwithstanding his friendship with Lady Morgan; and she could no longer expect his salutations. "Other hands were now extended, other smiles beamed now as brightly; but his were dimmed for ever!" How kind her Ladyship is! Fearing her readers might be distressed by the idea, that, in consequence of the decease of Denon, she might have been in some want of welcoming, she has taken the precaution of setting them at ease upon that point, by the above ingenious sentence. In mentioning the reasons of her intimacy with Denon, she employs language of a very singular kind, which, if maliciously interpreted to the letter, might subject her to uncomfortable remarks, though we are sure it is nothing but an effusion of gurgling vanity. It is an instance, however, to what a degree that sentiment, when extreme, gets the better of all sense of propriety and decorum. She says, that even if Denon had not been such a person as she describes him, "still, _he suited me, I suited him_. There was between us that sympathy, in spite of the disparity of years and talents, which, whether in trifles or essentials,--between the frivolous or the profound,--makes the true basis of _those ties, so sweet to bind, so bitter to break_!" It is well for Sir Charles Morgan's peace of mind, that he is acquainted, as he must be, with his wife's frivolity and egotism. How, indeed, he could have allowed her to come before the world with such phraseology in her mouth, we cannot imagine, unless on the supposition that he is such a husband as La Bruyere has described. "_Il ne sert dans sa famille qu' a montrer l'exemple, d'un silence timide et d'une parfaite soumission. Il ne lui est du ni douaire ni conventions; mais a cela pres, et qu'il n'accouche pas, il est la femme, et elle le mari._"
After her Ladyship had "shuddered," and "felt as if she was throwing earth upon Denon's grave whilst drawing her pen across his precious and historical name," she spent about half an hour in weeping, "like a fair flower surcharged with dew," over the names of others of her departed friends, Guinguene, Talma, Langlois, Lanjuinais, &c., until she fortunately recollected that the climate of Paris is one that "developes a sensibility prompt, not deep." Lucky thought! She immediately threw down the visiting-book, threw up the window to let in the climate, wiped from her eyes the tears "which parted thence, as pearls from diamonds dropp'd," and began to think of "all that death had left her, of the 'greater still behind,'--of friends, each in his way, a specimen of that genius and virtue, which, in all regions, and in all ages, make the _ne plus ultra_ of human excellence." Admire the delicacy of the method by which Miladi lets us into the secret of her being a _ne plus ultra_; it is not by a bold assertion, but by a modest inuendo. She keeps company with _ne plus ultras_--birds of the same feather flock together--ergo, she is a _ne plus ultra_ herself. And so she is, but in her own way. "_Il y a malheureusement_," observes a French writer of the present day "_plus d'une maniere de se rendre celebre_,"--"there is, unfortunately, more than one method of becoming celebrated,"--and as this writer is an acquaintance of Lady Morgan, we are half inclined to think he committed that sentence to paper after returning from a visit to _her_ Celebrityship.
We may as well cite here a few more instances of her ingenuity in communicating, obliquely, how distinguished a personage she is,--a quality she possesses in a degree that we do not recollect ever to have seen rivalled. We copy _verbatim_.
"The other day I dined in the Chaussee d'Antin, in that house where it is always such a privilege to dine; where the wit of the host, like the _menus_ of his table, combines all that is best in French or Irish peculiarity; _and where the society is chosen with reference to no other qualities than merit and agreeability_."
Speaking of the weekly assemblies at an eminent individual's house, at which she was a constant attendant, she says, they
"Are among the most select and remarkable in Paris. Inaccessible to _commonplace mediocrity and pushing pretension_, their visitor must be _ticketted_ in some way or another" (by writing a "France," or an "Italy," for instance,) "to obtain a presentation."
With regard to another circle of which she was a large segment, she observes,--
"It is sufficient to have merit, agreeability, or the claims of old acquaintance to belong to it, but, truth to tell, it is still so far exclusive, that what Madame Roland calls _l'universelle mediocrite_, gains no admission there."
Again:--
"I happened one night at Gen. La Fayette's to say that I should remain at home on the following morning, and the information brought us a numerous circle of morning visitors; others dropped in by chance, and some by appointment. From twelve till four, my little salon was a congress composed of the representatives of every vocation of arts, letters, science, _bon ton_," (the Congress of Vienna was nothing to this,) "and philosophy, in which, as in the Italian opera-boxes of Milan and Naples, the comers and goers succeeded each other, as the narrow limits of the space required that the earliest visitor should make room for the last arrival."
We might fill pages with similar specimens of her modesty, but we must proceed.
The notes and cards being all despatched, authentic intelligence is at length diffused throughout Paris of her arrival, and such a commotion is forthwith excited as had never been seen even in that city of commotions, since the time the Giraffe made her entree into it, and said to the gaping multitude, "_Mes amis, il n'y a qu'une bete de plus._" Perhaps the sensation might be excepted which was created by "Messieurs les Osages," the American deputation whose "France" has not yet, we believe, appeared in either hemisphere. The Rue de Rivoli was instantly crowded with "old friends" and "intimate acquaintances," _ne plus ultras_ included, besides various others anxious for the honour of an introduction, all striving who should get first into the "_Hotel de la Terrasse_;" and such was the press of visits, dinner-parties, suppers, balls, &c. &c. that for a period her Ladyship could not, as she says, "find leisure to register a single impression for her own amusement, or haply for that of a world, which, it must be allowed, is not very difficult to amuse." In this sentiment we request leave, before going further, to record our unqualified concurrence, and also to state, that we know of no one from whom it could proceed with more propriety and weight than from Miladi. It has been, doubtless, expressed before, by various other book-makers, but never, we feel confident, by one whose career affords fuller evidence of its correctness, or who could adduce more forcible proofs in support of it, should they be required. In such case, the simple fact need only be cited, that "France in 1830" is the work of the same hand which indited "Ida of Athens," some twenty years previous, and which, during that interval, has furnished the world almost annually, with quartos, octavos, or duodecimos.
The accounts that her Ladyship gives of the various festive entertainments of which she partook, constitute the matter of a large number of her pages. If it be true, however, that in order to observe well, one ought to screen one's self from observation, she could have had little opportunity of obtaining acquaintance with the constitution of French society; for, if we believe her own story, there was no social assemblage of any kind to which she went, where she was not the observed of every one, the centre of attraction, the nucleus of excellence. And what information is to be derived from her relation of a ball here, or a _soiree_ there, beyond the very interesting, highly important, and most credible intelligence, that as soon as the announcement of Lady Morgan's name falls upon the ears of the company, everything else is forgotten; a dead silence instantaneously takes place of the conversational hum that before prevailed; all eyes are directed towards the door; LADY MORGAN ENTERS; a buzz of admiration succeeds; she advances with a dignified air towards the hostess, or rather the hostess runs eagerly forward to meet her; she drops a romantic curtesy; she sits down; and thenceforward nothing is thought of by any of the guests but Miladi, and the pearls that fall from her lips. As the French are fond of forming _queues_, or files, for the purpose of avoiding confusion, when there is any great earnestness among a large collection of persons with regard to any object of curiosity, we can imagine the whole assemblage falling into one as soon as she takes her seat, and thus enjoying, each in turn, the coveted delight.--But we mistake; other information respecting French society is communicated, unwittingly however, by her Ladyship. It is this: that they are as fond of ridicule in 1830, as they were in 1816, and as they have ever been. We have little difficulty in believing, that her Ladyship received a vast deal of attention in Paris; still, we must confess, that it appears to us impossible not to be convinced, from her own story, that it was owing to a very different reason from the one to which it is attributed by her self-love. If there is any feature in the French character peculiarly salient or prominent, it is the love of ridicule. "Take care," said a lady to her son, who was on the eve of departure for his travels, "of the Inquisition at Madrid, of the mob at London, and of ridicule at Paris." Nothing that is at all calculated to excite an ironical smile or a sarcastic remark, escapes a "fasting Monsieur's" observation, and even the greatest virtues and genius, if combined with any quality which can afford matter for a joke, will scarcely prevent their possessor from being made a laughing-stock. Napoleon was so well aware of this propensity of his subjects, that he was prevented by it from placing his own figure in the car which surmounts the triumphal arch erected between the Court of the Tuileries and the Place du Carousal, being apprehensive that the wags would avail themselves of the opportunity thus afforded of punning at his expense--_le char le tient_--_le charlatan_. What a delectable tit-bit, consequently, for this appetite of the Parisians, must be a darling little philosopher in petticoats, (not quite sexagenary,) who dabbles in all sciences and arts, and is at the same time a pretender to the pretty affectations and hoydenish manners of a youthful belle! Such a person, especially if she possess that happy opinion of herself, which prevents her from having the slightest suspicion that she can be the object of anything but admiration with all, is regarded by them as a legitimate subject for a _mystification,_ which, in our vernacular, means _hoax_,--_elle se prete au ridicule_, as they say, she lends herself, as it were, to ridicule; and to be convinced that they know how to take consummate advantage of the loan, it is only necessary to glance over "France in 1830." Every one who does so will, we feel confident, understand in the same manner as ourselves, the meaning of that "brilliant welcome," which Miladi, with so much complacency, informs us she received "in the capital of European intellect." From beginning to end, these volumes afford almost continued specimens of perfection in the art of "quizzing," and may therefore be particularly indicated to such as are anxious to acquire proficiency in that way. We are glad that we have at length discovered a description of persons to whom we can conscientiously recommend the work we are reviewing, as calculated to afford desirable information.
There is another cause, besides this fondness for ridicule, to which the _mystification_ of her Ladyship may be attributed. Whoever is at all acquainted with her writings, must be aware that she pretends to be a great republican, and to entertain a most orthodox horror of royalism and the appendages thereof, and that she has called the royalist party in France all the hard names she could find in the most approved collection of opprobrious epithets. This circumstance, it is easy to imagine, may have excited a slight desire of revenge in the breasts of some of the younger members of that party.
In her very preface, we have an evidence of her having been the victim of as well concerted and admirably conducted a hoax, as was ever played off upon any one--it surpasses that which was put upon poor Malvolio in "Twelfth Night." After making the remark upon which we have already commented, that a second work on France from her pen could "alone be justified by the novelty of its matter, or by the merit of its execution," she says--
"It may serve, however, as an excuse, and an authentication of the attempt, that I was called to the task by some of the most influential organs of public opinion, in that great country. They relied upon my impartiality (for I had proved it, at the expense of proscription abroad, and persecution at home); and, desiring only to be represented as they are, they deemed even my humble talents not wholly inadequate to an enterprise whose first requisite was the honesty that tells the truth, the whole truth, and nothing but the truth."
Oh you wicked wags! If the abolition of capital punishment be effected in France, we hope you will be specially excepted as unworthy of mercy for this cruel plot to make Miladi Morgan expose herself thus to the sneers of an ill-natured world. We think we see you in conclave, laughing and joking over an epistle you have just concocted and signed with the names of half a dozen of the leaders of the liberals, in which her Ladyship is earnestly conjured to cross the Irish and the English channels and hasten to Paris, in order to dispel by the effulgence of her intellectual rays, the mists and darkness that the fiend of ultraism had spread over the political horizon. Seriously speaking, we cannot divine any other than this or a similar manner of accounting for her Ladyship's assertion, that "she was called to the task by some of the most influential organs of public opinion in France;"--she would not certainly affirm what she knew to be false, and the idea that she did receive a bona fide request of the above purport from such individuals, is too absurd to command belief for a moment. Would any one in his senses, who is "desirous of being represented as he is," put in requisition the pencil of an artist by which he would be sure to be caricatured?
The "persecution at home," that her Ladyship affects to have suffered, refers, we suppose, to sundry articles in the Quarterly Review and other Journals, in which she was rather roughly handled. We all know, however, what a pleasant thing it is to deem ourselves the objects of persecution, when it does not interfere with our profit--it is a flattering unction we love to lay to the soul, as it seems to augment our importance--and Miladi appears to have been highly delighted with the persecutions she has encountered. She is continually alluding to the attacks of the Quarterly, and whenever an opportunity occurs, favours us with extracts from them, and now and then she slips in some satirical observation concerning herself from the _Journal des Debats_. The different manner in which she has been treated by the Edinburgh and Quarterly Reviews, is an exemplification of the potent influence which party spirit exercises over those journals. In the latter, one or two of her works have been criticised with overwhelming power, and in a tone and spirit superlatively bitter. In the former, on the contrary, she is spoken of with studied lenity, although the Reviewer is obliged to confess that he is not one of her particular admirers, and seems to be perpetually restraining himself from indulging in the language of raillery and sarcasm. We need hardly add that the political principles which her Ladyship professes to entertain, are the main cause of this discrepancy. For our own part, we conscientiously believe that the English journal has not gone half so far beyond the truth as its Scotch rival has fallen short of it, in their respective strictures. With regard to the republican bursts of Lady Morgan, we cannot help suspecting that there is more affectation and cant in them than sincerity:--she is too anxious to let it be known that she is caressed every where by the _ne plus ultras_ of aristocracy and rank, as well as by those of intellect, and, at the same time, there is too much parade and ostentatious vehemence in her explosions against the royalist party.