The American Printer: A Manual of Typography Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.

Part 30

Chapter 301,502 wordsPublic domain

[22] Mostly from the _Paper and Printing Trades Journal_, London.

[23] For other words beginning with _im_, _in_, _ir_, or _un_ negative, look for the simple word.

[24] Incapable of suffering.

[25] Capable of suffering.

[26] Published by E. C. Markley & Son, Philadelphia. An excellent book.

_ESTABLISHED, 1796._

_MacKellar, Smiths & Jordan Foundry, LETTER FOUNDERS, Nos. 606-614 Sansom Street, Philadelphia._

_This establishment, the oldest in America, has kept even pace with all the improvements in type-founding; and its productions at the present day, in beauty of style, accuracy of standing, and durability of material, are all that skill, ingenuity, and long experience have been able to effect. Neither pains nor expense will be withheld to maintain its reputation._

Book and Newspaper Faces.

Some are of light and dainty face, others of medium, and others again of broad and massive character. THE LIGHTFACE SERIES; the FRENCH-FACE SERIES; the celebrated SCOTCH-FACE SERIES, introduced by us many years ago; the BOOK SERIES; the LARGE-FACE SERIES; the CLASSIC SERIES; the NEWS SERIES; the BROADFACE SERIES; the MODERN SERIES; the ORIGINAL OLD STYLE SERIES; the BRADFORD SERIES; the BINNY SERIES; the RONALDSON SERIES; the MACKELLAR SERIES, and all others introduced by us, are kept constantly on hand, in large and small founts.

German Book and Newspaper Faces,

Of various styles, also kept on hand or furnished to order.

Elegant Scripts and other Note and Circular Types,

In great variety of styles, for all kinds of Notes, Blanks, and Circular Printing.

Greek, Hebrew and Music Type.

MUSIC TYPE without an equal in America, or a superior in the world. The sizes are Excelsior, or half-Nonpareil, Diamond, Agate, and Nonpareil. GREEK and HEBREW of all practical sizes.

Fancy and Ornamental Type,

Unrivalled for beauty, originality, extent, and variety. In this department, native and foreign genius and inventive skill are alike laid under contribution, and no other foundry in the world can furnish so complete and beautiful an assortment.

Borders, Flourishes, Corners and Ornaments,

For finest artistic and ornamental printing, to meet every requirement of the printer.

Cuts and Ornaments,

For general use, from more than three thousand subjects, many of them very fine.

Office Furnishings.

CABINETS of various kinds and prices. STANDS, double or single, or made in different styles to order, of walnut or poplar. CASES of all kinds. IMPOSING STONES of regular sizes constantly on hand; special sizes and styles got up to order. GALLEYS of all kinds, either wood or brass. STEREOTYPE BLOCKS, with or without rule borders. CHASES of wrought or cast iron. COMPOSING-STICKS of all kinds, large and small. RACKS for cases. INK STONES. Card, Paper, Lead and Rule Cutters. Labour-Saving Wood Rule. Labour-Saving Wood Furniture. Labour-Saving Curvatures. Furniture, Quoins, Mallets; Shooting-Sticks of brass, iron or dogwood; Planers, Bodkins, Ley and Washing Brushes, &c.

Eureka Cabinets.

Size to fit in space at left of double stand. Stained in imitation of cherry.

SORT-CASE CABINET.—Contains eight drawers, each divided into sixteen compartments. It will be found useful as a receptacle for quads, leaders or sorts.

HANDY CABINET.—Contains five drawers, arranged to hold twenty different sizes of spaces and quads, and eight blank drawers, for cuts or large type.

GALLEY CABINET.—No. 1, for twenty-four single and fourteen double column galleys. No. 2, for forty-eight single galleys. No. 3, for thirty-four double galleys.

INK CABINET.—Contains four compartments for ink, &c., and marble slab 18 × 20 inches on top, for mixing inks.

CHASE CABINET.—Arranged to contain one-eighth, one-quarter, and one-half medium chases. With or without ink stone.

COMBINATION CABINET.—No. 1, contains four blank drawers, three sort-case drawers, and four quad drawers. No. 2, contains four sort-case drawers and six quad drawers.

QUAD CABINET.—Contains twelve drawers, each divided into two compartments, suitable for quads or leaders.

Labour-Saving Leads and Slugs.

Two and three point (six and four-to-Pica) LEADS, from 48 to 300 points (4 to 25 ems Pica) in length; put up in any useful quantity. Six and twelve point (Nonpareil and Pica) SLUGS, cut to same lengths. Cases arranged specially for Labour-Saving Leads and Slugs.

Labour-Saving Quotation Furniture.

Accurately cast, and equally valuable either as furniture or as quotations. The pieces range from 48 to 240 points in length, and from 24 to 48 points in width, quadrate height, with suitable spaces.

Reversible Metal Furniture,

For imposition of forms and general blank-work. Cast to our standard 12 point body.

Labour-Saving Rule,

(Matching our standard type bodies,) Single, Double, Parallel, Dotted, and Triple faces. Cut accurately of various lengths. It will be found of vast utility in tabular and job work, rendering the use of shears and file entirely unnecessary. Cases furnished specially adapted to it.

Brass Circles and Ovals,

Of various sizes and faces, for label and stamp borders.

Slotted Brass Corners,

Of beautiful original patterns, matching our brass rules.

Hollow Quadrates,

For the easy formation of Circles, Ellipses, &c., made in sizes to suit our Brass Circles and Ovals, from Nos. 1 to 13.

Corner Quadrates,

On 12 point and 6 point Metal and 2 point Brass bodies.

Printing Presses and Ink.

Presses of the most celebrated makers in the United States, as well as all varieties and colours of American and Foreign PRINTING INKS, SIZES, BRONZES, VARNISHES, &c. at manufacturers’ prices.

Roller Composition.

Glue for Rollers, and the various Patent Compositions, furnished to order at manufacturers’ prices.

Electrotyping

Of Almanacs, Jobs, Wood-Cuts, Labels, Binders’ Stamps, &c.

Wood Engraving.

Cuts designed and engraved to order in the finest style of art.

Outfits for Printing Offices.

Estimates given in detail (with the cost) of all the materials required for either Newspaper or Job Offices.

_MACKELLAR, SMITHS & JORDAN FOUNDRY, Nos. 606-614 Sansom Street, Philadelphia._

PRINTERS’ TEXT-BOOKS.

A Manual of Typography, containing Practical Directions for Managing all Departments of a Printing Office, as well as Complete Instructions for Apprentices. Eighteenth Edition. Revised and Enlarged. Price, $2.00. By mail, $2.10.

“Most successful of the books of this class known to me.”—_Correspondent of the Archiv für Buchdruckerkunst_, Leipzig.

“Any intelligent person will find this work a serviceable companion.”—_Journal of Commerce_, Chicago.

“A neat volume, beautifully printed.”—_L’Imprimerie_, Paris.

“The most complete work on the subject.”—_Daily Free Press_, Atchison, Kansas.

“A great amount of curious information, historical and illustrative.”—_Evening Post_, New York.

“The result of intelligent research and considerable personal experience.”—_The Nation_, New York.

“This is taken as the standard American treatise on practical printing, and is eminently worthy the high reputation it has attained.”—_Springer’s History and Mystery of Printing._

Wilson’s Punctuation.

A Treatise on Punctuation, designed for Printers, Letter-Writers, Authors, and Correctors of the Press. Price, $1.50. By mail, $1.60.

“It is an excellent work for schools and academies, and for those who would become self-taught.”—_Christian Freeman._

“We have never before met with any work on Punctuation which gave us so great satisfaction as this.”—_The Student._

“This is a useful and valuable work on English Punctuation, and every one can read it with profit and pleasure.”—_Boston Daily Atlas._

“It contains all the necessary directions for self-taught writers and editors.”—_American Whig Review._

American Encyclopædia of Printing.

Comprising (with plates) 550 imperial octavo pages, giving more than sixteen hundred definitions, descriptions, and articles relating to the History, Implements, Processes, Products, and auxiliary Arts of Printing; splendidly Illustrated by more than two hundred Chromo-Lithographs, Lithographs, Wood Engravings, Imitations of Water-Marks, Embossed and Ruled Pages, etc. Edited by J. Luther Ringwalt. Price, $6.00.

Typographic Advertiser.

Elegantly printed, and furnished free to all Printing Offices. Needful to those who desire to keep up with the improvements in Typography.

“This grand journal, the oldest in the country, maintains its place in the van against all comers. Its typographic appearance is unequalled in the world of printing, and a careful study of its peerless specimen pages will do more to advance the beautiful in job composition and presswork than all the tawdry imitations of lithography, and badly designed and worse executed rule work that has been thrust upon a suffering art from Caxton to to-day. Its editorial management is as good as its typography is handsome and artistic.”—_Springer’s History and Mystery of Printing._

Money spent for good books is well invested; and in this day of typographical progress, no active-minded printer can really afford not to have the above works in his office library. Address all orders to

_MACKELLAR, SMITHS & JORDAN FOUNDRY, Nos. 606-614 Sansom Street, Philadelphia._

Transcriber’s Note

List of changes made to the text:

Page 273, “pressman” changed to “pressmen” (Many pressmen take a dozen proofs)

Page 358, “Felonius” changed to “Felonious” (Felonious intent.)

Letter sounds in the alphabet tables were usually but not always italicised—italic font has been added where it seemed needed to standardise.

Inconsistent use of hyphens and old-fashioned spelling are left unchanged.

ന is used to represent a symbol described as “the Gothic M”. ⊏ and ⊐ are used to represent the primitive square-cornered forms of the Roman numeral Ⅽ and its reverse Ↄ.

₰ is used for the proofreader’s “dele” mark, which inexplicably still doesn’t have its own Unicode codepoint.

[symb] is used for characters which have no sufficiently close Unicode equivalent, and these are included as illustrations in the HTML version.