The American Encyclopedia of History, Biography and Travel Comprising Ancient and Modern History: the Biography of Eminent Men of Europe and America, and the Lives of Distinguished Travelers.

Part 107

Chapter 1073,080 wordsPublic domain

We can give no better sketch of Mr. Rantoul’s life than to quote from Hon. Charles Sumner’s eulogy pronounced in congress. He was born August 13th, 1805, at Beverly, in the county of Essex, the home of Nathan Dane. Here under happy auspices of family and neighborhood, he commenced life. His excellent father, honored for his public services, venerable also in years and flowing silver locks, yet lives to mourn his last surviving son. The sad fortune of Burke is renewed. He who should have been as posterity, is now to this father in the place of ancestry. Mr. Rantoul was early a member of the legislature of Massachusetts, and there won his first fame. For many years he occupied a place in the board of education in that state. He was also, for a time, collector of the port of Boston, and afterwards attorney of the United States for Massachusetts. During a brief period he held a seat in the senate, and finally, in 1851, by the choice of his native district, remarkable for its intelligence and public spirit, he became a representative in the other branch of our national legislature. In all these spheres he performed most acceptable service, and the future promised opportunities of a higher character, to which his abilities, industry and fidelity would have amply responded. By fitness, by study, knowledge and experience, he was formed for public service, but he was no stranger to other pursuits. Early devoted to the profession of the law, he followed it with assiduity and success. In the antiquities of our jurisprudence, few were more learned, and his arguments at the bar, were thorough. Nor were his intelligence and promptness in all emergencies of a trial easily surpassed. Literature, neglected by many under the pressure of professional duties, was always cultivated by him. His taste for books was enduring. He was a constant student, amidst his manifold labors, professional and public. He was a reformer in the warfare with evil. He was enlisted earnestly and openly as a soldier for life. As such, he did not hesitate to encounter opposition, to meet obloquy, and to brave his enemies. His conscience, pure as goodness, sustained him in every trial, even that sharpest of all, the desertion of friends; and yet while earnest in his cause, his zeal was tempered beyond that of the common reformer. He knew well the difference between the ideal and the actual, and sought by practical means, in harmony with public sentiment, to promote the public interest. Recognizing in the social and political system the essential elements of stability and progress, he discerned the office of the conservative and the reformer; but he saw, also, that a blind conservatism was not less destructive than a blind reform. He was the faithful supporter of common schools, the glory of New England. By word and example he sustained the cause of temperance. Some of his most devoted labors, commencing in the legislature of Massachusetts, were for the abolition of capital punishment. With its final triumph, in the progress of civilization, his name will be indissolubly connected. In harmony with these noble reforms was the purity of his private life; there he was blameless. In manners, he was modest, simple and retiring. In conversation, he was disposed to listen rather than to speak, though all were well pleased when he broke silence, and in apt language declared his glowing thoughts. But in the public assembly, before the people, he was bold and triumphant. As a debater, he rarely met his equal. Fluent, earnest, rapid, incisive, his words at times came forth like a flashing scimitar. Few could stand against him; he always understood his subjects, and then clear, logical, and determined, seeing his point before him, pressed forward with unrelenting power. His speeches were enriched by study, and contained passages of beauty――but he was most truly at home in dealing with practical questions arising from exigencies of life. Few had studied public affairs more intelligibly. As a constant and effective member of the democratic party, he had become conspicuous by the championship of its doctrines. There was no topic of national moment that did not interest him. Northwestern and Western interests were near his heart.

In person, Mr. Rantoul was of medium height, of spare figure, and restless activity both of mind and body. His manner of speaking was peculiar to himself; with great rapidity of utterance, his sentences were simple in their construction, and his language selected less with reference to ornament than to strength. Devoted to his profesion and studies, of abstemious habits, great purity of character, the friend of all moral movements of society, he was snatched away in the prime of life, when his talents, matured by earnest study, were unfolding themselves to the world with much power.

FRANKLIN PIERCE.

Franklin Pierce, president of the United States, is the son of Benjamin Pierce, who rose to the rank of brigade-major in the American army during the revolutionary war, and held several political offices in the state of New Hampshire. Franklin Pierce was born in the western part of that state, in the town of Hillsborough in 1804, and after completing his academical studies, entered Bowdoin college, Maine. Immediately on leaving college he commenced his legal studies with Judge Howe, of Northampton, Mass., but subsequently returned to his native state and, finally finished his studies at Amherst Mass. He was admitted to the bar and commenced the practice of his profession in his native town; but before the end of two years he was elected a representative in the state legislature, and during his second year’s service was chosen speaker of the house. In 1833 he was elected to congress, and remained a member of the house of representatives for four years. During this period, General Pierce, although a firm supporter of democratic measures, seldom distinguished himself as a debater, being modest and unassuming in his character, and rather quick to hear and slow to speak. In 1837 he was elected a member of the United States senate, but, after five years’ service in that body, resigned his seat, intending to devote himself wholly to his profession. He had been more than ten years in public life and he felt the necessity of giving his attention to his private affairs, which had suffered in his absence. He accordingly settled in Concord, the capital of his native state, and resumed his practice at the bar, with a firm resolution to be withdrawn for the future from public life. He rose to high distinction as an advocate, being considered one of the ablest lawyers in New Hampshire. He firmly adhered to his resolution of accepting no political office; he declined to be a candidate for governor of the state, or United States senator, and he also refused the offices of attorney-general and secretary of war, which were tendered him by President Polk. On the breaking out of the Mexican war, however, General Pierce, deeming that his services were required in the cause of his country, enrolled himself as a private soldier in the New England regiment, but President Polk sent him a colonel’s commission, and subequently raised him to the rank of brigadier-general in March, 1847. His command consisted of 2,500 men, with whom he landed at Vera Cruz, June 28, 1847. He distinguished himself in most of the battles which were fought between Vera Cruz and the city of Mexico, and made himself highly popular with the men under his command. On the restoration of peace between the two countries, he resigned his commission, and returned home, where he met with a brilliant reception from his fellow-citizens. He was elected president of the United States in 1852.

SAMUEL FINLEY BREESE MORSE.

Samuel Finley Breese Morse, an American artist, better known, perhaps, as the inventor of the electric telegraph, is the eldest son of the Rev. Jedediah Morse, the first American geographer, and was born in Charlestown, Massachusetts, April 27, 1791. He was educated at Yale College, where he graduated in 1810. He had from a very early age determined to be a painter; and his father finding his passion for art incorrigible, consented to indulge him in his wishes; and he accordingly sailed for England, under the charge of Mr. Allston, and arrived in London, in August, 1811. Here he formed an intimacy with C. R. Leslie, and the first portraits of either of these artists painted in London were likenesses of each other. Mr. Morse made rapid progress in his profession. In 1813, he exhibited at the Royal Academy his picture of “The Dying Hercules,” of colossal size, which received high praise from the connoisseurs, and the plaster model which he made of the same subject, to assist him in his picture, received the prize in sculpture, the same year. Encouraged by this success, the artist determined to contend for the premium in historical composition offered by the academy the following year. The picture, the subject of which was, “The Judgment of Jupiter, in the case of Apollo, Marpessa, and Idas,” was completed in time, but Mr. Morse was obliged to leave England before the premiums were to be adjudged, and was consequently excluded from the privilege of competing for the prize. Mr. West afterward assured him that he would undoubtedly have won it. On his return to America, he settled in Boston, but he met with so little encouragement, that he removed to New Hampshire, where he found employment in painting portraits at $15 per head. He was induced by his friends to remove to Charleston, South Carolina, and there his art proved more profitable. About 1822, he took up his residence in New York, where he found his works and talents more justly appreciated, and his skill as an artist put into requisition. Under a commission from the corporation, he painted a full length portrait of Lafayette, then on a visit to the United States. It was shortly after this, that Mr. Morse formed that association of artists which resulted in the establishment of the National Academy of Design, of which he was elected president; and it is worthy of note, that the first course of lectures on the subject of art read in America, was delivered by him before the New York Athenæum, and afterward repeated to the students of the academy. In 1829, he paid a second visit to Europe, and remained abroad three years. On his return from Europe, in the packet-ship Sully, in 1832, a gentleman, in describing the experiments that had just been made in Paris with the electro-magnet, the question arose as to the time occupied by the electric fluid in passing through the wire, stated to be about one hundred feet in length. On the reply that it was instantaneous (recollecting the experiments of Franklin,) he suggested that it might be carried to any distance, and that the electric spark could be a means of conveying and recording intelligence. This suggestion, which drew some casual observation of assent from the party, took deep hold of Professor Morse, who undertook to develop the idea which he had originated; and, before the end of the voyage, he had drawn out and written the general plan of the invention with which his name will be inseparably connected. His main object was to effect a communication by means of the electro magnet that would leave a permanent record by signs answering for the alphabet, and which, though carried to any distance, would communicate with any place that might be on the line. His first idea was to pass a strip of paper, saturated with some chemical preparation that would be decomposed when brought in connection with the wire, along which the electric current was passing, and thus form an alphabet by marks, varying in width and number, that could be made upon the paper at the will of the operator, and by this means avoid separating the wire at the different points of communication. On his return to New York, he resumed his profession, still devoting all his spare time, under great disadvantages, to the perfection of his invention. Finding his original plan impracticable, he availed himself of the action of the electro-magnet upon the lever as a mode of using pens and ink, as in the ruling machine. Of these he had five, with the idea of securing the required characters from one of the pens. These he abandoned for pencils, and after a trial of various means for obtaining the end desired, and finding by experiment he could obtain any requisite force from the lever, he adopted the stylus or steel point for indenting the paper, and it is this he has since used. After great difficulty and much discouragement, Professor Morse in 1835 demonstrated the practicability of his invention by completing and putting in operation in the New York university, a model of his ‘Recording Electric Telegraph’――the whole apparatus, with the exception of a wooden clock which formed part of it, having been made by himself. In 1837, he abandoned his profession, with great regret, hoping to make his invention a means of resuming it, under easier and more agreeable circumstances. In the same year, he filed his caveat at the patent-office in Washington; and it is somewhat singular that, during this year (1837), Wheatstone, in England, and Steinheil, in Bavaria, both invented a magnetic telegraph, differing from the American and from each other. Wheatstone’s is very inferior, not being a recording telegraph, but requiring to be watched by one of the attendants――the alphabet being made by the deflection of the needle. Steinheil’s, on the contrary, is a recording telegraph, but from its complicated and delicate machinery, has been found impracticable for extended lines. At a convention held in 1851 by Austria, Prussia, Saxony, Wurtemberg, and Bavaria, for the purpose of adopting a uniform system of telegraphing for all Germany, by the advice of Steinheil, Professor Morse’s was the one selected. From the sultan of Turkey he received the first foreign acknowledgment of his invention in the bestowal of a _nishan_, or order――the ‘order of glory:’ a diploma to that effect was transmitted to him with the magnificent decoration of that order in diamonds. The second acknowledgment was from the king of Prussia, being a splendid gold snuffbox, containing in its lid the Prussian gold medal of scientific merit. The latest acknowledgment is from the king of Wurtemberg, who transmitted to him (after the adoption of the Telegraph treaty by the convention above mentioned) the ‘Wurtemberg Gold Medal of Arts and Sciences.’ In 1838, he went to England, for the purpose of securing a patent there, but was refused through the influence of Wheatstone and his friends, under the pretense that his invention had already been published there. All that could be adduced in proof of this was the publication in an English scientific periodical of an extract copied from the New York ‘Journal of Commerce,’ stating the results of his invention, without giving the means by which they were produced. In the following spring, he returned to this country, and in 1840 perfected his patent at Washington, and set about getting his telegraph into practical operation. In 1844, the first electric telegraph was completed in the United States, between Baltimore and Washington; and the first intelligence of a public character which passed over the wires was the announcement of the nomination of James K. Polk, as the democratic candidate for the presidency, by the Baltimore convention. Since then, he has seen its wires extend all over the country, to the length of more than fifteen thousand miles――an extent unknown elsewhere in the civilized world. His success has led to the invasion of his patent rights by others, whom he has finally succeeded in defeating, after an expensive and protracted litigation. Professor Morse still clings to the idea of resuming his early profession of painting, to which he is strongly attached, and in the progress of which he has always taken a deep interest. As an artist, he has always enjoyed a very high reputation. His tastes inclined to historical painting, but circumstances did not often permit him to indulge in it; he was mainly engaged in the painting of portraits. In 1820, he painted a large picture of the interior of the house of representatives, with portraits of the members, which passed into the possession of an English gentleman; and in 1832, while in Paris, he made a beautiful picture of the Louvre gallery, copying in miniature the most valuable paintings. He resides at Locust Grove, two miles south of Poughkeepsie, on the banks of the Hudson river.

M. DAGUERRE.

This far-famed Frenchman, who has given his name to the art which he first discovered, the Daguerreotype, died not long since, at his residence, near Paris. The likeness which we present herewith, is from an original, taken after his own style and invention, and is necessarily correct. It would be superfluous for us to enlarge upon the merits of an art so familiar to all. Daguerre was an artist, a painter, and also possessed considerable chemical talent and taste; and it was while experimenting for other purposes, that he discovered the art which now bears his name. It was destined, however, to be wonderfully improved by other hands, and it is said that the Americans have produced by far the most perfect and beautiful specimens of the art that have ever yet been exhibited. Daguerre was favorably known to the world before the announcement of his discovery of the Daguerreotype. His attempts to improve panoramic paintings, and the production of dioramic effects, were crowned with the most eminent success. His pictures attracted much attention at the time of their exhibition. In them the alternate effects of night and day――of storm and sunshine――were beautifully produced. To these effects of light were added others, arising from the decomposition of form, by means of which, for example, in the ‘Midnight Mass,’ figures appeared where the spectators had just beheld seats, altars, etc.; or, again, as in ‘The Valley of Goldau,’ in which rocks tumbling from the mountains replaced the prospect of a smiling valley. He was in the 62d year of his age at the time of his death, and is represented to have been an extremely modest and worthy man, and one devoted to his profession of the fine arts.

VICTOR HUGO.