Part 64
"Item, the gentylman-ussher aught to forbede that no manner of man do sett eny dysshe upon the kynge's bedde, for fere of hurtying of the kynge's ryche counterpoynt that lyeth therupon. And that the sayd ussher take goode heede, that noo man wipe or rubbe their handes uppon none arras of the kynges, wherby they myght bee hurted, in the chambr where the kynge ys specially, and in all other."
ORIGIN OF SANDWICHES.
To the memory of "Lord Sandwich" belongs the name of that edible. Being, during his administration (as was very usual with him), at a gambling-house, he had, in the fascination of play, for more than five and twenty hours forgotten fatigue and hunger, when suddenly, feeling disposed to break his fast, though still riveted to the table, he called to bid some one bring anything that was to be had to eat, which happened to prove a slice of beef, and two pieces of bread. Placing them together for the sake of expedition, he devoured them with the greatest relish. The most ecstatic encomiums published his discovery, and giving it his name, bequeathed it as a memento to his country, as one of the most important acts of his administration.
THE TREATY-STONE AT LIMERICK.
The city of Limerick is very famous in history. Before it, in 1651, Ireton "sate down;" there he continued to "sit" for six months; and underneath its walls the fierce republican died of plague. Greater celebrity, and higher honour, were, however, obtained by Limerick in 1690. Early in August, William summoned it to surrender; the French general, Boileau, who commanded the garrison--"rather for the King of France than the King of England"--returned for answer, that "he was surprised at the summons, and thought the best way to gain the good opinion of the Prince of Orange was to defend the place for his master King James." The siege was at once commenced. The flower of the Irish army were within its walls, or in its immediate neighbourhood; the counties of Clare and Galway were open to them, from which to draw supplies; and a French fleet rode triumphantly in the Shannon. The garrison, however, were little disposed to act in concert: the jealousy of the commanders of the French and Irish had spread to their troops; and they cherished feelings of contempt or hatred towards each other, that argued ill for their success in opposing the steady and disciplined forces of William.
Yet the Irish succeeded; the siege was raised on the 30th of August. But, in the autumn of 1691, it endured a second, which occupied about six months; when the garrison, wearied of a struggle from which they could derive nothing but glory, on the 23rd of September, a cessation of hostilities took place; an amicable intercourse was opened between the two armies; and articles of capitulation were, after a few brief delays, agreed upon. The "violated treaty" was signed on the 3rd of October, 1691; it consisted of two parts, civil and military. It is said to have been signed by the several contracting parties on a large stone, near to Thomond Bridge, on the county of Clare side of the river. The stone remains in the position it occupied at the period, and is an object of curiosity to strangers, as well as of interest to the citizens of Limerick. We, therefore, thought it desirable to procure a drawing of the relic, which retains its name of "the Treaty Stone."
THE TEMPLARS' BANNER CALLED BEAUSEANT.
When Constantine the Great was on the eve of a battle with Maxentius, we are told that a luminous standard appeared to him in the sky with a cross upon it, and this inscription:--"_In hoc signo vinces_--By this sign you shall conquer;" and that this sign so encouraged Constantine and his soldiers that they gained the next day a great victory.
When Waldemar II. of Denmark was engaged in a great battle with the Livonians in the year 1219, it is said that a sacred banner fell from heaven into the midst of his army, and so revived the courage of his troops, that they gained a complete victory over the Livonians; and in memory of the event, Waldemar instituted an order of knighthood, called "St. Danebrog," or the strength of the Danes, and which is still the principal order of knighthood in Denmark. Now, taking these legends for as much as they are worth, and no more; what do they prove? Not that this miraculous standard and cross came to the assistance of Constantine; not that this miraculous banner came to the aid of Waldemar; but they prove that such was the paramount importance attached to the sacred banner among the forces, that wherever it was present, it was a great means of inspiriting the men with increased confidence and courage, and so contributed to the victory.
The great importance attached to the banner in the middle ages is not to be wondered at, when we consider that it was a kind of connecting link between the military and the clergy; it was a religious symbol applied to a military purpose, and this was the feeling which animated the Crusaders and the Templars in their great struggle against the enemies of Christianity. The contest then was between the crescent and the cross--between Christ and Mahomet. The Knights Templars had a very remarkable banner, being simply divided into black and white, the white portion symbolising peace to their friends, the black portion evil to their enemies, and their dreaded war cry, "BEAUSEANT."
SWORD-FISH _v._ WHALES.
So boundless is the sword-fish's rage and fury against whales in particular, that many observers imagine his sallies against rocks and timber to originate in an error of judgment, that all these lunges are intended to punish leviathan, and are only misdirected in consequence of the imperfect vision which prevents this scomber, like many of his family, from accurately distinguishing forms. Whenever a supposed whale is descried, our savage _sabreur_ rushes forward to intercept his progress, and suddenly flashing before his victim, either alone or in conjunction with some other unfriendly fish, instantly proceeds to the attack. Relations of such sea-fights, attested by credible eye-witnesses, are not uncommon; we content ourselves with the citation of one of unimpeachable accuracy. Captain Crow, cited by Mr. Yarrell, relates that in a voyage to Memel, on a calm night, just off the Hebrides, all hands were called up to witness a strange combat between some thrashers (carcharias vulpes) and a sword-fish leagued together against a whale; as soon as the back of the ill-starred monster was seen rising a little above the water, the thrashers sprang several yards into the air, and struck him with their descending tails, the reiterated percussions of which sounded, we are told, like a distant volley of musketry. The sword-fish meanwhile attacked the whale from below, getting close under his belly, and with such energy and effect that there could be little doubt of the issue of a fray, which the necessity of prosecuting their voyage prevented the crew from watching to its close. The sword-fish is not less remarkable for strength than pugnacity, the depot of its great physical powers being, as in most scombers, in the tail.
WEALTH OF SPAIN UNDER THE MOORS.
The Moors, whose conquest and expulsion were attended with such atrocities, and such triumphs to the Catholic church, were by far the most industrious and skilful part of the Spanish population, and their loss was a blow to the greatness and prosperity of that kingdom from which it has never recovered. The literary activity and commercial enterprise of the Arabs, which the wise policy of their Caliphs encouraged, contributed both to enrich and adorn their adopted country. Cordova, the seat of the Ommiades, was scarcely inferior, in point of wealth and magnitude, to its proud rival on the banks of the Tigris. A space of twenty-four miles in length, and six in breadth, along the banks of the Guadalquiver, was occupied with palaces, streets, gardens, and public edifices; and for ten miles the citizens could travel by the light of lamps along an uninterrupted extent of buildings. In the reign of Almansor it could boast of 270,000 houses, 80,455 shops, 911 baths, 3,877 mosques, from the minarets of which a population of 800,000 were daily summoned to prayers. The seraglio of the Caliph, his wives, concubines, and black eunuchs, amounted to 6,300 persons; and he was attended to the field by a guard of 12,000 horsemen, whose belts and scimitars were studded with gold. Granada was equally celebrated for its luxury and its learning. The royal demesnes extended to the distance of twenty miles, the revenues of which were set apart to maintain the fortifications of the city. Of the duty on grain, the king's exchequer received about L15,000 yearly, an immense sum at that time, when wheat sold at the rate of sixpence a bushel. The consumption of 250,000 inhabitants kept 130 water-mills constantly at work in the suburbs. The population of this small kingdom under the Moors is said to have amounted to 3,000,000, which is now diminished perhaps to one-fifth of that number. Its temples and palaces have shared the same decay. The Alhambra stands solitary, dismantled, and neglected. The interior remains of the palace are in tolerable preservation, and present a melancholy picture of the romantic magnificence of its former kings. Seville, which had continued nearly 200 years the seat of a petty kingdom, enjoyed considerable reputation as a place of wealth and commerce. The population in 1247 was computed at 300,000 persons, which, in the sixteenth century, had decreased one-third. It was one of the principal marts for olives in the Moorish dominions; and so extensive was the trade in this article alone that the _axarafe_, or plantations round the suburbs, employed farm-houses and olive-presses to the amount of 100,000, being more than is now to be found in the whole province of Andalusia.
THE FIRST OPERA.
The first composer who tried his hand at setting an opera to music was Francisco Bamirino, an Italian artist; and the piece to which he lent the charm of a melodious accompaniment, was the "Conversion of St. Paul," which was brought out at Rome in 1460.
RUINS OF EUROPA.
Lady Sheil, in her "Life in Persia," thus describes some wonderful ruins which she saw about thirty miles from Tehran:--
"From near Verameen a most remarkable antiquity still survives the lapse of twenty centuries, that is, if what we hear be true. It consists of an immense rampart, twenty or thirty feet in height, and of proportional thickness, including a space of about half a mile in length and nearly the same in breadth. It is in the form of a square; the rampart is continuous, and at short intervals is strengthened by bastions of prodigious size. The whole is constructed of unbaked bricks of large dimensions, and is in a state of extraordinary preservation. The traces of a ditch of great size, though nearly filled up, are evident in front of the rampart. No buildings are found inside, where nothing is visible excepting a few mounds,--not a single habitation or human being. The solitude of this striking vestige of antiquity adds to its solemnity. It stood alone; Elboorz, distant only a few miles, gazing down on its hoary walls, with Demawend, in its garments of snow, to complete the scene. From no place have I had a finer view of this grand mountain, which seemed to lie exactly to the north. I am informed that these magnificent ruins represent Europa, a city built by Seleucus, which, if true, would make it upwards of two thousand years old. On seeing the perfect state of the ruins, and the materials of which they are composed, one feels no hesitation in crediting so venerable an antiquity. Seleucus chose the spot well. The district of Verameen is renowned for its fertility, though not at this period for the salubrity of its climate. The surrounding country is covered with earthen mounds, denoting former edifices, which, if explored, might reveal objects worthy of the erudition and intellect of even Sir Henry Rawlinson."
CELEBRATED GUN.
The gun, of which the annexed is a sketch, is one of the many curiosities of the Londesborough Museum. It once formed part of the collection of Prince Potemkin, and was originally the property of Charles IX. of France; it is traditionally reported to have been the gun he used in firing on his Huguenot subjects, from one of the windows of the Louvre, during the massacre of St. Bartholomew. The barrel is richly chased in high relief, with a stag-hunt amid foliage. The stock is inlaid with ivory, sculptured into a series of hunting scenes, knights on horseback.
The dreadful massacre of Saint Bartholomew commenced at Paris on the night of the festival of that saint, August 24th, 1572. Above 500 persons of rank, and 10,000 of inferior condition, perished in Paris alone, besides those slaughtered in the provinces. The king, who had been persuaded that the destruction of the Huguenots to the last man was necessary to the safety of his throne, beheld the slaughter from a window, and being carried away by the example of those whose murderous doings he witnessed, ordered some long arquebusses to be brought, and on their being loaded, and handed to him one after another, he for some time continued to fire on the unfortunate fugitives as they passed, crying at the same time with a loud voice, "Kill, kill." He afterwards went and inspected the bodies of the slain, and expressed his satisfaction at the effective manner in which his orders had been executed.
TOMB OF RAFFAELLE.
The great painter Raffaelle died at Rome, April 7th 1520, at the early age of thirty-seven. He was buried in the Pantheon, in a chapel which was afterwards called Raffaelle's Chapel. For more than a century and a half his tomb had only a plain epitaph, but Carlo Maratti desired to place a more striking memorial of Raffaelle's resting-place than the simple inscription, and accordingly, in the year 1764, a marble bust of the painter, executed by Paolo Nardini, was placed in one of the oval niches on each side of the chapel. The epitaph to Maria Bibiena (Raffaelle's betrothed) was removed to make way for Maratti's new inscription; and it was currently believed that the skull of Raffaelle was removed; at least such was the history given of a skull shown as the painter's, religiously preserved by the Academy of St. Luke, and descanted on by phrenologists as indicative of all the qualities which "the divine painter" possessed. But scepticism played its part; doubts of the truth of this story led to doubts of Vasari's statement respecting the exact locality of Raffaelle's tomb. Matters were brought to a final issue by the discovery of a document proving this skull to be that of Don Desiderio de Adjutorio, founder of the society called the Virtuosi, in 1542. Thereupon, this society demanded the head of its founder from the Academy of St. Luke; but they would neither abandon that, nor the illusion that they possessed the veritable skull of the great artist. Arguments ran high, and it was at length determined to settle the question by an examination of the spot, which took place on the 13th of September 1833, in the presence of the Academies of St. Luke and of Archaeology, the Commission of the Fine Arts (including Overback and others), the members of the Virtuosi, the governor of Rome (Monsignor Grimaldi), and the Cardinal Zurla, the representative of the pope.
The result will be best given in the words of an eye-witness, Signor Nibby (one of the Commission of Antiquities and Fine Arts), who thus described the whole to M. Quatremere de Quincy, the biographer of Raffaelle:--"The operations were conducted on such a principle of exact method as to be chargeable with over nicety. After various ineffectual attempts in other directions, we at length began to dig under the altar of the Virgin itself, and taking as a guide the indications furnished by Vasari, we at length came to some masonry of the length of a man's body. The labourers raised the stone with the utmost care, and having dug within for about a foot and a half, came to a void space. You can hardly conceive the enthusiasm of us all, when, by a final effort, the workmen exhibited to our view the remains of a coffin, with an entire skeleton in it, lying thus as originally placed, and thinly covered with damp dust. We saw at once quite clearly that the tomb had never been opened, and it thus became manifest that the skull possessed by the Academy of St. Luke was not that of Raffaelle. Our first care was, by gentle degrees, to remove from the body the dust which covered it, and which we religiously collected, with the purpose of placing it in a new sarcophagus. Amongst it we found, in tolerable preservation, pieces of the coffin, which was made of deal, fragments of a painting which had ornamented the lid, several bits of Tiber clay, formations from the water of the river, which had penetrated into the coffin by infiltration, an iron stelletta, a sort of spur, with which Raffaelle had been decorated by Leo X, several _fibulae_, and a number of metal _anelli_, portions of his dress." These small rings had fastened the shroud; several were retained by the sculptor Fibris, who also took casts of the head and hand, and Camuccini took views of the tomb and its precious contents; from one of these our cut is copied.
On the following day the body was further examined by professional men: the skeleton was found to measure five feet seven inches, the narrowness of the coffin indicated a slender and delicate frame. This accords with the contemporary accounts, which say he was of a refined and delicate constitution; his frame was all spirit; his physical strength so limited that it was a wonder he existed so long as he did. The investigation completed, the body was exhibited to the public from the 20th to the 24th, and then was again placed in a new coffin of lead, and that in a marble sarcophagus presented by the pope, and taken from the antiquities in the Museum of the Vatican. A solemn mass was then announced for the evening of the 18th of October. The Pantheon was then illuminated, as for a funeral; the sarcophagus, with its contents, was placed in exactly the same spot whence the remains had been taken. The presidents of the various academies were present, with the Cavalier Fabris at their head. Each bore a brick, which he inserted in the brickwork with which the sepulchre was walled in. And so the painter awaits "the resurrection of the just," and the fellowship of saints and angels, of which his inspired pencil has given us the highest realisation on earth.
ANTIMONY.
The origin of the use of _anti-moine_, or antimony, is a remarkable circumstance. Basil Valentin, superior of a college of religionists, having observed that this mineral fattened the pigs, imagined that it would produce the same effect on the holy brotherhood. But the case was seriously different; the unfortunate fathers, who greedily made use of it, died in a short time, and this is the origin of its name, according to the pure French word. In spite of this unfortunate beginning, Paracelsus resolved to bring this mineral into practice; and by mixing it with other preparations make it useful. The Faculty at Paris were on this occasion divided into two parties, the one maintaining that antimony was a poison; the other affirmed that it was an excellent remedy. The dispute became more general, and the Parliament and the College of the Sorbonne interfered in the matter; but sometime afterwards people began to judge rightly concerning this excellent mineral; and its wonderful and salutary effects have occasioned the Faculty to place it among their best medicines.
PERSONAL APPEARANCE OF MAHOMET.
For the personal appearance and private life of Mahomet, we must rely on the Arabian writers, who dwell with fond and proud satisfaction on the graces and intellectual gifts with which nature had endowed him. He was of a middle stature, of a clear, fair skin, and ruddy complexion. His head and features, though large, were well proportioned; he had a prominent forehead, large dark-brown eyes, an aquiline nose, and a thick bushy beard. His mouth, though rather wide, was handsomely formed, and adorned with teeth white as pearls, the upper row not closely set, but in regular order--which appeared when he smiled, and gave an agreeable expression to his countenance. He had a quick ear, and a fine sonorous voice. His dark eyebrows approached each other without meeting. His hair fell partly in ringlets about his temples, and partly hung down between his shoulders. To prevent whiteness, the supposed effect of Satanic influence, he stained it, as the Arabs often do still, of a shining reddish colour. His frame was muscular and compact--robust rather than corpulent. When he walked, he carried a staff, in imitation of the other prophets, and had a singular affectation of being thought to resemble Abraham. The assertion of the Greeks and Christians, that he was subject to epilepsy, must be ascribed to ignorance or malice.
STIRRUPS.
From every information we have been able to collect, we believe that the appendage of stirrups were not added to saddles before the sixth century. It is said, that previous to the introduction of stirrups, the young and agile used to mount their horses by vaulting upon them, which many did in an expert and graceful manner; of course, practice was essential to this perfection. That this should be afforded, wooden horses were placed in the Campus Martius, where this exercise was performed of mounting or dismounting on either side; first, without, and next with arms. Cavalry had also occasionally a strap of leather, or a metallic projection affixed to their spears, in or upon which the foot being placed, the ascent became more practicable. Respecting the period of this invention, Montfaucon has presumed that the invention must have been subsequent to the use of saddles; however, opposed to this opinion, an ingenious argument has been offered, that it is possible they might have been anterior to that invention; because, it is said, they might have been appended to a girth round the body of the horse. Both Hippocrates and Galen speak of a disease to which the feet and ancles were subject, from long riding, occasioned by suspension of the feet without a resting-place. Suetonius, the Roman, informs us that Germanicus, the father of Caligula, was wont to ride after dinner, to strengthen his ancles, by the action of riding affording the blood freer circulation in the part.
THE GREAT SHOEMADOO PAGODA.
The Buddhist temple of which we here give an engraving is the great Shoemadoo Pagoda at Pegu. Among other things it is interesting as being one of the earliest attempts at that class of decoration, which consists in having at the base of the building a double range of small pagodas, a mode of ornamentation that subsequently became typical in Hindu architecture; their temples and spires being covered, and indeed composed of innumerable models of themselves, clustered together so as to make up a whole.
The building stands on two terraces, the lower one about 10 ft. high, and 1391 ft. square: the upper one, 20 ft. in height, is 684 ft. square; from the centre of it rises the pagoda, the diameter of whose base is 395 ft. The small pagodas are 27 ft. high, and 108 or 110 in number; while the great pagoda itself rises to the height of 331 ft. above its terrace, or 361 ft. above the country, thus reaching a height nearly equal to St. Paul's Cathedral; while the side of the upper terrace is only 83 ft. less than that of the great Pyramid.