Part 59

Jesse, in his interesting "Gleanings in Natural History," gives the following remarkable instance of an extraneous substance being found imbedded in the solid timber of an ash:--"A person on whose accuracy and veracity I can place every reliance, informed me that hearing from some of his brother workmen, that in sawing up the butt of a large ash-tree, they had found a bird's nest in the middle of it; he immediately went to the spot, and found an ash cut in two longitudinally on the saw-pit, and the bird's nest nearly in the centre of the tree. The nest was about two-thirds of a hollow globe, and composed of moss, hair, and feathers, all seemingly in a fresh state. There were three eggs in it, nearly white and somewhat speckled. On examining the tree most minutely with several other workmen, no mark or protuberance was found to indicate the least injury. The bark was perfectly smooth and the tree quite sound." In endeavouring to account for this curious fact, we can only suppose that some accidental hole was made in the tree before it arrived at any great size, in which a bird had built its nest, and forsaken it after she had laid three eggs. As the tree grew larger, the bark would grow over the hole, and in process of time the nest would become embedded in the tree.

PORT COON CAVE.

The above is a sketch of a cave which well deserves a place among our collection of Wonders. It is called Port Coon Cave, and is in the line of rocks near the Giants' Causeway. It may be visited either by sea or by land. Boats may row into it to the distance of a hundred yards or more, but the swell is sometimes dangerous; and although the land entrance to the cave is slippery, and a fair proportion of climbing is necessary to achieve the object, still the magnificence of the excavation, its length, and the formation of the interior, would repay greater exertion; the stones of which the roof and sides are composed, and which are of a rounded form, and embedded, as it were, in a basaltic paste, are formed of concentric spheres resembling the coats of an onion; the innermost recess has been compared to the side aisle of a Gothic cathedral; the walls are most painfully slimy to the touch; the discharge of a loaded gun reverberates amid the rolling of the billows, so as to thunder a most awful effect; and the notes of a bugle, we are told, produced delicious echoes.

ANECDOTE IN PORCELAIN.

The finest specimens of Dresden porcelain were undoubtedly made previously to the Seven Years' War, when no expense was spared, and when any price might be obtained. Count Bruehl, the profligate minister of Augustus III., whose splendid palace and terrace is the great ornament of Dresden, was importuned by his tailor to be allowed to see the manufactory, admission to which was strictly prohibited. At length he consented, and the tailor upon his entrance was presented with the two last new pieces made, which were--one a grotesque figure, a portrait of himself mounted upon a he-goat, with the shears, and all his other implements of trade; and the other, his wife upon a she-goat, with a baby in swaddling clothes. The poor tailor was so annoyed with these caricatures, that he turned back without desiring to see more. These pieces, known as Count Bruehl's Tailor and his Wife, are now much sought after, from their historical interest. They were made in 1760, by Kaendler.

ANGLO-SAXON FEASTS.

It is a mark of Anglo-Saxon delicacy, that table-cloths were features at Anglo-Saxon feasts; but, as the long ends were used in place of napkins, the delicacy would be of a somewhat dirty hue, if the cloth were made to serve at a second feast. There was a rude sort of display upon the board; but the order of service was of a quality that would strike the "Jeameses" of the age of Victoria with inexpressible disgust. The meat was never "dished," and "covers" were as yet unknown. The attendants brought the viands into the dining-hall on the spits, knelt to each guest, presented the spit to his consideration; and, the guest having helped himself, the attendant went through the same ceremony with the next guest. Hard drinking followed upon these same ceremonies; and even the monasteries were not exempt from the sins of gluttony and drunkenness. Notwithstanding these bad habits, the Anglo-Saxons were a cleanly people; the warm bath was in general use. Water, for hands and feet, was brought to every stranger on entering a house wherein he was about to tarry and feed; and, it is said that one of the severest penances of the church was the temporary denial of the bath, and of cutting the hair and nails.

HOUSEHOLD RULES IN THE SIXTEENTH CENTURY.

From Sir J. Harrington's (the translator of Ariosto) rules for servants, we obtain a very clear conception of the internal government of a country gentleman's house in 1566.

A servant who is absent from prayers to be fined. For uttering an oath, 1d.; and the same sum for leaving a door open.

A fine of 2d., from Lady Day to Michaelmas, for all who are in bed after six, or out after ten.

The same fine, from Michaelmas to Lady Day, for all who are in bed after seven, or out after nine.

A fine of 1d. for any bed unmade, fire unlit, or candle-box uncleaned after eight.

A fine of 4d. for any man detected teaching the children obscene words.

A fine of 1d. for any man waiting without a trencher, or who is absent at a meal.

For any one breaking any of the butler's glass, 12d.

A fine of 2d. for any one who has not laid the table for dinner by half-past ten, or the supper by six.

A fine of 4d. for any one absent a day without leave.

For any man striking another, a fine of 1d.

For any follower visiting the cook, 1d.

A fine of 1d. for any man appearing in a foul shirt, broken hose, untied shoes, or torn doublet.

A fine of 1d, for any stranger's room left for four hours after he be dressed.

A fine of 1d. if the hall be not cleansed by eight in winter and seven in summer.

The porter to be fined 1d. if the court-gate be not shut during meals.

A fine of 3d. if the stairs be not cleaned every Friday after dinner.

All these fines were deducted by the steward at the quarterly payment of the men's wages. If these laws were observed, the domestic discipline must have been almost military in it.

THE QUEEN OF SHEBA.

Belkis, according to the Arabs, was the famous Queen of Sheba or Saba, who visited, and afterwards married, Solomon, in the twenty-first year of her reign. Tabari has introduced her story with such gorgeous embellishments as to resemble a fairy tale rather than episode in serious narrative. She is said to have been subdued by the Jewish monarch, who discovered her retreat among the mountains, between Hejaz and Yemen by means of a lapwing, which he had despatched in search of water during his progress through Arabia. This princess is called Nicolaa by some writers. The Abyssinians claim the same distinction for one of their queens; and have preserved the names of a dynasty alleged to have been descended from her union with Solomon.

SUPERSTITION IN FRANCE.

In France, superstition at this day is even more prevalent than it is in England. Garinet, in his history of Magic and Sorcery in that country, cites upwards of twenty instances which occurred between the years 1805 and 1818. In the latter year no less than three tribunals were occupied with trials originating in this humiliating belief: we shall cite only one of them. Julian Desbourdes, aged fifty-three, a mason, and inhabitant of the village of Thilouze, near Bourdeaux, was taken suddenly ill, in the month of January 1818. As he did not know how to account for his malady, he suspected at last that he was bewitched. He communicated this suspicion to his son-in-law Bridier, and they both went to consult a sort of idiot, named Boudouin, who passed for a conjuror or _white-witch_. This man told them that Desbourdes was certainly bewitched, and offered to accompany them to the house of an old man named Renard, who, he said, was undoubtedly the criminal. On the night of the 23rd of January all three proceeded stealthily to the dwelling of Renard, and accused him of afflicting persons with diseases by the aid of the devil. Desbourdes fell on his knees and earnestly entreated to be restored to his former health, promising that he would take no measures against him for the evil he had done. The old man denied in the strongest terms that he was a wizard; and when Desbourdes still pressed him to remove the spell from him, he said he knew nothing about the spell, and refused to remove it. The idiot Boudouin, the _white-witch_, now interfered, and told his companions that no relief for the malady could ever be procured until the old man confessed his guilt. To force him to confession they lighted some sticks of sulphur which they had brought with them for the purpose, and placed them under the old man's nose. In a few moments he fell down suffocated and apparently lifeless. They were all greatly alarmed; and thinking that they had killed the man, they carried him out and threw him into a neighbouring pond, hoping to make it appear that he had fallen in accidentally. The pond, however, was not very deep, and the coolness of the water reviving the old man, he opened his eyes and sat up. Desbourdes and Bridier, who were still waiting on the bank, were now more alarmed than before, lest he should recover and inform against them. They therefore waded into the pond, seized their victim by the hair of the head, beat him severely, and then held him under water till he was drowned.

They were all three apprehended on the charge of murder a few days afterwards. Desbourdes and Bridier were found guilty of aggravated manslaughter only, and sentenced to be burnt on the back, and to work in the galleys for life. The _white-witch_ Boudouin was acquitted on the ground of insanity.

HELMET OF SIR JOHN CROSBY.

We here present our readers with a sketch of the helmet of Sir John Crosby, as it originally appeared when suspended over his tomb in St. Helen's Church, Bishopsgate. He was an eminent merchant of London; but is represented upon his tomb in a full suit of armour. He died in 1475. The extreme height of the crown of the helmet resembles that on the tomb of the Earl of Warwick, in the Beauchamp Chapel at Warwick; and was intended to support the crest of the wearer, the holes for affixing it being still visible.

EARTHQUAKE PANIC.

A panic terror of the end of the world seized the good people of Leeds and its neighbourhood in the year 1806. It arose from the following circumstances. A hen, in a village close by, laid eggs, on which were inscribed the words, "_Christ is coming_." Great numbers visited the spot, and examined these wondrous eggs, convinced that the day of judgment was near at hand. Like sailors in a storm, expecting every instant to go to the bottom, the believers suddenly became religious, prayed violently, and flattered themselves that they repented them of their evil courses. But a plain tale soon put them down, and quenched their religion entirely. Some gentlemen, hearing of the matter, went one fine morning and caught the poor hen in the act of laying one of her miraculous eggs. They soon ascertained beyond doubt that the egg had been inscribed with some corrosive ink, and cruelly forced up again, into the bird's body. At this explanation, those who had prayed, now laughed, and the world wagged as merrily as of yore.

OLD ENGLISH SACK-POT.

Sack was such a national beverage of the jolly old England of the seventeenth century, that we are sure our readers will thank us for giving them an idea of the vessel in which it was commonly used. The bottle here engraved, and inscribed "Sack," was found in Old Tabley Hall, Cheshire, and is a veritable specimen of the sort of vessel from which the topers of the "good old times" poured into their cups the drink with which they so loved to warm their heart-strings. It is of a dull-white, with blue letters, and it is in the possession of the Hon. Robert Curzon, jun., author of the interesting work on the Monasteries of the Levant. Two old English bottles of similar character, one lettered Sack, the other Claret, dated 1646, were sold at Strawberry Hill.

AGE OF TREES.

Mr. Twining was engaged, in the year 1827, in measuring and inspecting a large lot of hemlock timber cut from the north-eastern slope of East Rock, New Haven (America), and destined for the foundation of a wharf. While thus employed he took particular notice of the successive layers, each of which constitutes a year's growth of the tree, and which in that kind of wood are very distinct. These layers were of various breadths, and plainly showed that in some seasons the trees made a much greater advance than in others, some of the layers being five or six times broader than others. Every tree had thus preserved a _record of the seasons_ for the period of its growth, whether thirty years or two hundred--and what was worthy of notice, _every tree told the same story_. Thus, by beginning at the outer layer of two trees, the one young the other old, and counting back twenty years, if the young tree indicated, by a full layer, a _growing season_ for that kind of timber, the other tree indicated the same.

"I had then before me," (says this intelligent observer) "two or three hundred _meteorological tables_, all of them as unerring as nature; and by selecting one tree from the oldest, and sawing out a thin section from its trunk, I might have preserved one of the number to be referred to afterwards. It might have been smoothed on the one side by the plane, so as to exhibit its record to the eye with all the neatness and distinctness of a drawing. On the opposite side might have been minuted in indelible writing the locality of the tree, the kind of timber, the year and month when cut, the soil where it grew, the side and point which faced the north, and every other circumstance which can possibly be supposed ever to have the most remote relation to the value of the table in hand. The lover of science will not be backward to incur such trouble, for he knows how often, in the progress of human knowledge, an observation or an experiment has lost its value by the disregard of some circumstance connected with it, which at the time was not thought worthy of notice. Lastly, there might be attached to the same section a written meteorological table compiled from the observations of some scientific person, if such observations had been made in the vicinity. This being done, why, in the eye of science, might not this _natural_, _unerring_, _graphical_ record of seasons past deserve as careful preservation as a curious mineral, or a new form of crystals?"

THE CAMEL AS A SCAPE-GOAT.

A very singular account of the use to which a camel is sometimes put, is given by the traveller Bruce. He tells us that he saw one employed to appease a quarrel between two parties, something in the same way as the scape-goat was used in the religious services of the Jewish people. The camel being brought out was accused by both parties of all the injuries, real or supposed, which belonged to each. All the mischief that had been done, they accused this camel of doing. They upbraided it with being the cause of all the trouble that had separated friends, called it by every opprobious epithet, and finally killed it, and declared themselves reconciled over its body.

SUSPENDED VOLITION.

A young lady, an attendant of the Princess ----, after having been confined to her bed for a great length of time with a violent nervous disorder, was at last, to all appearance, deprived of life. Her lips were quite pale, her face resembled the countenance of a dead person, and the body grew cold.

She was removed from the room in which she lay, was put in a coffin, and the day of her funeral fixed on. The day arrived, and, according to the custom of the country, funeral songs and hymns were sung before the door. Just as the people were about to nail on the lid of the coffin, a kind of perspiration was observed to appear on the surface of her body. It grew greater every moment, and at last a kind of convulsive motion was observed in the hands and feet of the corpse. A few minutes after, during which time fresh signs of returning life appeared, she at once opened her eyes and uttered a most pitiable shriek. Physicians were quickly procured, and in the course of a few days she was considerably restored.

The description which she gave of her situation is extremely remarkable, and forms a curious and authentic addition to psychology.

She said it seemed to her, as if in a dream, that she was really dead; yet she was perfectly conscious of all that happened around her in this dreadful state. She distinctly heard her friends speaking, and lamenting her death, at the side of her coffin. She felt them pull on the dead-clothes, and lay her in them. This feeling produced a mental anxiety which is indescribable. She tried to cry, but her soul was without power, and could not act on her body. She had the contradictory feeling as if she were in her body, and yet not in it, at one and the same time. It was equally impossible for her to stretch out her arm or to open her eyes, or to cry, although she continually endeavoured to do so. The internal anguish of her mind was, however, at its utmost height when the lid of the coffin was about to be nailed on. The thought that she was to be buried alive was the one that gave activity to her soul, and caused it to operate on her corporeal frame.

FASHIONS FOR THE DEAD.

The following advertisement appeared in a Glasgow paper about the middle of the last century. "James Hodge, who lives in the first close above the Cross, on the west side of the street, Glasgow, continues to sell burying Crapes ready made; and his wife's niece, who lives with him, dresses dead Corpses at as cheap a rate as was formerly done by her aunt, having been educated by her, and perfected at Edinburgh, from whence she is lately arrived, and has all the newest and best fashions."

COMMON USE OF PLATE IN THE TIME OF HENRY VIII.

A writer in the early part of the sixteenth century tells us that in his time, in the reign of Henry the Eighth, the luxury of the table had descended even to citizens, and that there were few whose tables were not daily provided with spoons, cups, and a salt-cellar of silver. Those of a higher sphere affected a greater profusion of plate; but the quantity accumulated by Cardinal Wolsey, though the precious metals are now so copious, still continues to excite our surprise. At Hampton Court, where he feasted the French ambassadors and their splendid retinue in 1528, two cupboards, extending across the banquet chambers, were piled to the top with plate and illuminated; yet, without encroaching on these ostentatious repositories, a profuse service remained for the table. Two hundred and eighty beds were provided for the guests; every chamber had a bason and ewer of silver, beside other utensils.

DIOGENES IN A PITHOS, NOT TUB.

A pithos is a description of earthen vessel or jar, distinguished from the amphora by its large mouth, and comparatively flattened base. Its shape was more that of a gourd, or pot; its size large enough to have rendered it applicable to the purposes of a cistern, or water butt. Such, indeed, appear in some instances to have been its dimensions, that it has long been a matter of dispute amongst the learned whether, if Diogenes dwelt in a tub at all (a point by no means settled), his humble habitation were of wood or earthenware. Brougniart adopts the latter opinion, and has illustrated it by a partial copy from a print in Winckelmann. In the original, the philosopher is shown holding his well-known chat with Alexander the Great, at the gate of the Metroum, or Temple of the Mother of the Gods at Athens; but his tub has there the addition of a dog lying on the outside, above his master's head, evidently on the watch to defend him, if necessary, against any attack from the royal warrior. Winckelmann's engraving, which we here present, is taken from a bas-relief discovered in the Villa Albani; in which the cynic's tub is clearly of earthenware, having a large fracture on one side, which has been repaired with some other material dovetailed across the crack. This, Winckelmann concludes to have been lead (commesso col piombo), simply, however, upon the authority of the following lines in Juvenal:--

"Si Fregeris, altera fiet Cras domus, aut eadem plumbo commissa manebit."

_Sat._ xiv 310.

Be all this, however, as it may, the controversy is not without its value in connexion with the ceramic productions of the period. If the "dolia" and "[Greek: pithakne]." of the ancients had not been of sufficient capacity, however kennel-like, to have served as a dwelling, or shelter, for the philosopher, the tale would hardly have existed. Nor does it seem probable that Juvenal, in allusion to the story, would have used the term _testa_ (testa cum vidit in illa magnum habitatorem), or have dwelt upon their fragility, or have said that they would not burn (dolia nudi non ardent Cynici), if vessels of the sort had not been commonly of earthenware. These vessels, both ancient and modern, have a thickness and strength which enables them to be rolled on a ladder to and from the top of the kiln, where they are baked, without injury.

CHINESE SCHOOL.

The annexed engraving is a curiosity both in itself and in what it represents. It is taken from a sketch by a native Chinese artist, and depicts the internal arrangements of a native Chinese school. The extraordinary nature of the Chinese language renders it impossible for a schoolmaster to instruct more than a very few scholars at a time, since the meaning of the words actually depends on their correct intonation. Every vocable in the language is capable of being pronounced in six different tones of voice, and of conveying six meanings, totally different from each other, according to the tone given to it. Pronounced in one tone, it conveys one meaning, and is represented by one written character; pronounced in another tone, it conveys an entirely distinct meaning, and is represented in writing by another character altogether different. The correct and distinct enunciation of these tones is the chief difficulty in learning to speak the language. These tones are stereotyped and fixed, and must be learned, as part of the word, at the same time that its form and signification are mastered. Moreover, they are all arranged upon system, like the notes in a gamut, and when thoroughly mastered, the theory of the tones is really beautiful. If a wrong tone, then, is given to a word in reading or in conversation, it grates upon a Chinese ear like a false note in playing the fiddle. Further, if the voice be not correctly modulated, and the words correctly intoned, not only is a jarring note pronounced, but actually a wrong word is uttered, and a different meaning conveyed from what was intended. A missionary to the Chinese, therefore, should be possessed of a musical ear. Without this, the acquisition of the spoken language will be attended by very arduous labour; and, perhaps, after years of toil, he will find that he still frequently fails in correctly conveying his meaning.

LONDON LOCALITIES IN THE SIXTEENTH CENTURY.