Ten Tales

Chapter 5

Chapter 54,170 wordsPublic domain

He knew--none better than he--how everything in this environment--the charm of the women, the wit of the men, the glittering table, the furnishing of the hall, to the exquisite wine which he had just touched to his lips--how everything was choice and rare, and he rejoiced that a concourse of things so lovely and so harmonious existed. He was plunged in a bath of optimism; it seemed to him good that there should be, sometimes and somewhere in the weary world, beings almost happy. Provided that they were accessible to pity, charitable--and these happy people probably were that--who could distress them? what could injure them? Ah, beautiful and consoling chimera to believe that for such as these life is pleasant; that they retain always--or almost always--that gay, happy light in the eye, that half-blossomed smile upon the lips; that they have blotted out, as far as possible, from their existence, imperious and discreditable desires and abject infirmities.

He whom we will call the Dreamer was pursuing that train of thought, when the _maître d'hôtel_--the superb _maître d'hôtel_--entered with solemnity, carrying in a great silver plate a turbot of fabulous dimensions--one of those phenomenal fish which are only seen in the old paintings representing the miraculous draught of fish, or perhaps in the window of Chevet, before a row of astonished street-boys who flatten their noses against the glass window.

* * * * *

Dinner is served. But when the Dreamer had before him on his plate a portion of the monstrous turbot, the light odor of the sea evoked in his mind, prone to unexpected suggestions, that corner of Breton, that poor village of sailors, where he had been belated the other autumn until the equinox, and where he had rendered assistance in some dreadful storms. He suddenly called to mind that terrible night when the fishing-boats could not come back to port, the night that he had passed on the mole amid a group of frightened women, standing where the sea-spray streamed down his face, and the cold and furious wind seemed striving to tear his clothes from his back. What a life was theirs, those poor men! Down there how many widows, young and old, wearing always the black shawl, went at break of day, with their swarms of children, to earn their bread--oh, nothing but bread!--working in the sickening smell of hot oil in the sardine factories! He saw again in memory the church above the village, half-way up the cliff, the steeple painted white to show to the distant boats the passage between the reefs; and he saw, also, in the short grass of the cemetery nibbled by the sheep, the gravestones on which this sinister inscription was so often repeated: "_Lost at sea._" "_Lost at sea._" "_Lost at sea._"

The enormous turbot was of savory and delicate taste, and the shrimp sauce with which it was served proved that the _chef_ of the comte had followed a course in cooking at the Café Anglais and profited by it. For our refined civilization reaches even this point. One takes degrees in culinary science. There are doctors in roasts and bachelors in sauces. All of the guests eat as if they appreciated, and with delicate gestures, but without showing special favor for exceptional dishes, through good form and because they were habituated to exquisite food.

* * * * *

The Dreamer himself had no appetite. He was still in thought with the Bretons, with the sons of the sea, who had caught, perhaps, this magnificent turbot. He remembered the day that followed the tempest--that morning, rainy and gray--when, walking by the heavy, leaden sea, he had found a body at his feet and recognized it as that of an old sailor, the father of a family, who had been lost at sea three days before--mournful jetsam, stranded in the wrack and foam, so heart-rending to see, with the gray hair of the drowned full of sand and shells!

A shudder passed over his heart.

But the lackeys had already removed the plates; every trace of the giant fish had disappeared, and while they were serving another course, the diners, elegant triflers, had taken up their chat again. Hunger being already somewhat appeased, they were more animated, they spoke with more abandon--light laughs ran round. Oh, charming and gracious company!

* * * * *

Then the Dreamer, the silent guest, was seized with an infinite sadness; for all the work and distress that were required to create this comfort and well-being came surging on his imagination.

That these men of the world might wear light dress-coats in mid-December, that these women might expose their arms and their shoulders, the temperature of the room was that of a spring morning. And who furnished the coal? The poor devils of the black country, the subterranean workmen who lived in hellish mines. How white and fresh is the complexion of that young woman against her corsage of pink satin! But who had woven that satin? The human spider of Lyons, the weaver, always at his trade in the leprous houses of the Croix Rousse. She wears in her tiny ears two beautiful pearls. What brilliancy! what opaline transparence! Almost perfect spheres! The pearl which Cleopatra dissolved in vinegar and swallowed, and which was worth ten thousand sesterces, was not more pure. But does she know, that young woman, that in far-off Ceylon, on the pearl-oyster banks of Arripo and Condatchy, the Indians of the Indian Company plunge heroically down in twelve fathoms of water, one foot in the heavy stone weight which drags them down to the bottom, a knife in the left hand for defence against the shark?

* * * * *

But what of that? One is lovely and coquettish. The air of the dining-hall is warm and perfumed. There one can dine gaily, adorned and half nude, flirting with one's neighbors. What has one to do, I ask you, with a dark workman, who digs fifty feet under the ground, with a weaver sitting with stiffened joints before the loom, with a savage who emerges from the sea and sometimes reddens it with his blood? Why should one think of things so sad, so ugly? What an absurdity!

Meanwhile the Dreamer pursued his train of thought.

An instant ago, without taking thought, mechanically he crumbled on the cloth a bit of the gilded bread which was placed near his napkin. As a viand, a mere bit of fancy, insignificant in such a repast, it made him think of the _naïf_ phrase of the great lady concerning the starving wretches--"Let them eat cake." Nevertheless, this little cake is bread all the same--bread made of flour, which in turn is made of wheat. Great heaven! yes, it is bread, simply bread, like the loaf of the peasant, like the bran-roll of the soldier; and that it might be here, on the table of the rich, required the patient labor of many poor.

The peasant labored, sowed, reaped. He pushed his plough or led his harrow across the fertile field, under the cold needles of the autumn rain; he started from sleep, full of terror for his crop, when it thundered by night; he trembled, seeing the passage of great violet clouds charged with hail; he went forth, dissatisfied and gloomy, to the heavy work and exhausting labor of harvest.

And when the old miller, twisted by rheumatism which he has caught in the river fogs, has sent the flour to Paris, the market-porters with the great white hats have carried the crushing sacks on their broad backs, and last night, even, in the baker's cellar the workmen toiled until morning.

Verily, yes! It has cost all these efforts, all these pains--the bit of bread carelessly broken by the white hands of these patricians.

And now the incorrigible Dreamer was possessed by these things. The delicacies of the repast only recalled to him the suffering of humanity. Presently, when the butler poured for him a glass of Chambertin, did he not remember that certain glass-blowers became consumptive through blowing bottles?

Let it pass--it is absurd. He well knows that so the world is made. An economist would have laughed in his face. Would he become a Socialist, perhaps? There will always be rich and poor, as there will always be well-formed men and hunchbacks.

Besides, the fortunates before him were not unjustly so. These were not vulgar favorites of the Gilded Calf--parvenus gross and conceited. The nobleman who presides at the table bears with honor and dignity a name associated with all the glories of France; the general with the gray mustache is a hero, and charged at Rezonville with the intrepidity of a Murat; the painter, the poet, have faithfully served Art and Beauty; the chemist, a self-made man who began life as a shop-boy in a drug-store, and to whom the learned world listens to-day as to an oracle, is simply a man of genius; these high-born dames are generous and good, and they will often dip their fair hands courageously in the depth of misfortune. Why should not these members of the _élite_ have exceptional enjoyment?

The Dreamer said to himself that he had been unjust. These were old sophisms--good, at the best, for the clubs of the faubourgs, which had been awakened in his memory, and by which he had been duped. Is it possible? He was ashamed of himself.

But the dinner neared its end; and while the lackeys refilled for the last time the champagne-glasses, the table grew silent--the guests felt the apathy of digestion. The Dreamer looked at them, one after the other, and all the faces had satiated, _blasé_ expressions which disturbed and disquieted him. A sentiment, obscure, inexplicable, but so bitter! protested even from the depth of his soul against that repast; and when they rose at last from the table, he repeated softly and stubbornly to himself:

"Yes; they are within their rights. But do they know, do they understand, that their luxury is made from many miseries? Do they think of it sometimes? Do they think of it as often as they should? Do they think of it?"

AN ACCIDENT.

I.

Saint Medard, the old church of the Rue Mouffetard, once well known as the scene of the Convulsionnaires, is a very poor parish. The "Faubourg Marceau," as they call it there, has not much religion, and the vestry-board must have hard work to make both ends meet. On Sundays, at the hours of service, there are but few there, and they are for the most part women: some twenty of the folk of the quarter and some servants in their round caps. As for the men, there are not at the most more than three or four--old men in peasant jackets, who kneel awkwardly on the stone floor, near a pillar, their caps under their arms, rolling a great chaplet of beads between their fingers, moving their lips, and raising their eyes towards the arched roof, with an air as if they had given the stained-glass windows. On week days, nobody. On Thursdays, in the winter, the aisles resounded for an instant with the clang of wooden shoes, when the students of the catechism came and went. Sometimes a poor woman, leading one or two children and carrying a baby in her arms, came to burn a little candle on the stand at the chapel of the Virgin, or perhaps one heard by the baptismal font the wailing of a new-born babe; or, more often, the funeral of some poor wretch: a deal box, covered with a black cloth and resting on two trestles, hastily blessed by the priest, before a little group of women, the men being free-thinkers, and waiting the conclusion of the ceremony in the drinking-shop across the way, where they played bagatelle for drinks.

Therefore, the old Abbé Faber, one of the vicars of the parish, is sure that twice out of three times he will find no penitent before his confessional, and has only to hear, for the most part of the time, the uninteresting confession of some good women. But he is conscientious, and on Tuesdays, Thursdays, and Saturdays, at seven o'clock precisely, he betakes himself regularly to the chapel of St. John, only to make a short prayer and return should there be nobody there.

II.

One day last winter, struggling against a heavy wind with his open umbrella, the Abbé Faber toiled painfully up the Rue Mouffetard, on the way to his parish, and, almost certain that his toil was useless, he regretted to himself the warm fire he had just quitted in his little room in the Rue D'homond, and the folio _Bollandiste_ which he had left lying on the table, with his eye-glasses on its open pages. But it was Saturday night, the day when certain old widows, who earned their scant income in the neighboring boarding-houses, sometimes sought absolution for the morrow's communion. The honest priest could not, therefore, excuse himself from entering his oak box and opening, with the punctuality of a cashier, that wicket where the devotees, for whom the confessional is a spiritual savings-bank, make a weekly deposit of their venial sins.

The Abbé Faber was the more sorry to go out, because that particular Saturday was pay-day, and on such occasions the Rue Mouffetard swarmed with people, and a people not well disposed toward his cloth. However good a man one may be, it is far from agreeable to be forced to lower the eyes to avoid malevolent looks, and to stop the ears against insolent words heard in passing. There was a certain drinking-shop which the abbé particularly dreaded--a shop brilliant with gas and exhaling an odor of alcohol through its open doors, through which one could see a perspective of barrels labelled: "Absinthe," "Bitter," "Madère," "Vermouth," etc. Here, leaning against the bar, were always a band of loafers in long blouses and high hats, who saluted the poor abbé, walking quickly along the pavement, with ribald jests.

However, on this night the streets were deserted on account of the bad weather, and the abbé reached his church without interruption. He dipped his finger in the holy water, crossed himself, made a brief reverence before the grand altar, and went towards his confessional. At least he had not come for nothing. A penitent was waiting.

III.

A male penitent! a rare and exceptional thing at Saint Médard. But, distinguishing by the red light of the lamp hanging from the roof of the chapel the short white jacket and the heavy nailed shoes of the kneeling man, the Abbé Faber believed him to be some workman who had kept his rustic faith and his early habits of religious observance. Without doubt the confession that he was about to hear would be as stupid as that of the cook of the Rue Monge, who, after having accused himself of petty thefts, exclaimed loudly against a single word of restitution. The priest even smiled to himself as he remembered the formal confession of one of the inhabitants of the faubourg, who came to ask for a billet of confession that he might marry. "I have neither killed or robbed. Ask me about the rest." And so the vicar entered very tranquilly into his confessional, and, after having taken a copious pinch of snuff, opened without emotion the little curtain of green serge which closed the wicket.

"Monsieur le curé," stammered a rough voice, which was making an effort to speak low.

"I am not a curé, my friend. Say your _confiteor_, and call me father."

The man, whose face the abbé could not see among the shadows, stumbled through the prayer, which he seemed to have great difficulty in recalling, and he began again in a hoarse whisper:

"Monsieur le curé--no--my father--excuse me if I do not speak properly, but I have not been to confession for twenty-five years--no, not since I quitted the country--you know how it is--a man in Paris, and yet I have not been worse than other people, and I have said to myself, 'God must be a good sort of fellow.' But to-day what I have on my conscience is too heavy to carry alone, and you must hear me, monsieur le curé: I have killed a man!"

The abbé half rose from his seat. A murderer! There was no longer any question of his mind wandering from the duties of his office, of half annoyance at the garrulity of the old women, to whom he listened with a half attentive ear, and whom he absolved in all confidence. A murderer! That head which was so near his had conceived and planned such a crime! Those hands, crossed on the confessional, were perhaps still stained with blood! In his trouble, perhaps not unmixed with a certain amount of fear, the Abbé Faber could only speak mechanically.

"Confess yourself, my son. The mercy of God is infinite."

"Listen to my whole story," said the man, with a voice trembling with profound grief. "I am a workingman, and I came to Paris more than twenty years ago with a fellow-countryman, a companion from childhood. We robbed birds'-nests, and we learned to read in school together--almost a brother, sir. He was called Philip; I am called Jack, myself. He was a fine big fellow; I have always been heavy and ill-formed. There was never a better workman than he--while I am only a 'botcher'--and so generous and good-natured, wearing his heart on his sleeve. I was proud to be his friend, to walk by his side--proud when he clapped me on the back and called me a clumsy fellow. I loved him because I admired him, in fact. Once here, what an opportunity! We worked together for the same employer, but he left me alone in the evenings more than half the time. He preferred to amuse himself with his companions--natural enough, at his age. He loved pleasure, he was free, he had no responsibilities. All this was impossible for me. I was forced to save my money, for at that time I had an invalid mother in the country, and I sent her all my savings. As for me, I stayed at the fruiterer's where I lodged, and who kept a lodging-house for masons. Philip did not dine there; he used to go somewhere else, and, to tell the truth, the dinners were not particularly good. But the fruiterer was a widow, far from happy, and I saw that my payments were of help to her; and then, to be frank, I fell at once in love with her daughter. Poor Catherine! You will soon know, monsieur le curé, what came from it all. I was there three years without daring to tell her of the love I had for her. I have told you that I am not a good workman, and the little that I gained hardly sufficed for me and for the support of my mother. There could be no thought of marrying. At last my good mother left this world for a better. I was somewhat less pressed for money, and I began to save, and when it seemed to me that I had enough to begin with, I told Catherine of my love. She said nothing at first--neither yes nor no. Well, I knew that no one would fall upon my neck; I am not attractive. In the mean time Catherine consulted her mother, who thought well of me as a steady workman, as a good fellow, and the marriage was decided upon. Ah, I had some happy weeks! I saw that Catherine barely accepted me, and that she was by no means carried away with me; but as she had a good heart, I hoped that she would love me some day--I would make her love me. As a matter of course, I told everything to Philip, whom I saw every day at the work-yard, and as Catherine and I were engaged, I wanted him to meet her. Perhaps you have already guessed the end, monsieur le curé. Philip was handsome, lively, good-tempered--everything that I was not; and without attempting it, innocently enough, he fascinated Catherine. Ah, Catherine had a frank and honest heart, and as soon as she recognized what had happened she at once told me everything. Ah, I can never forget that moment! It was Catherine's birthday, and in honor of it I had bought a little cross of gold which I had arranged in a box with cotton. We were alone in the back shop, and she had just brought me my soup. I took my box from my pocket, and, opening it, I showed her the jewel. Then she burst into tears.

"'Forgive me, Jack,' she said, 'and keep that for her whom you will marry. As for me, I can never become your wife. I love another--I love Philip.'

IV.

"Believe me, I had trouble enough then, monsieur le curé; my soul was full of it. But what could I do, since I loved them both? Only what I believed was for their happiness--let them marry. And as Philip had always lived freely, and spent as he made, I lent him my hoard to buy the furniture.

"Then they were married, and for a while all went well. They had a little boy, and I stood sponsor for him and named him Camille, in remembrance of his mother. It was a little after the birth of the baby that Philip began to go wrong. I was mistaken in him--he was not made for marriage; he was too fond of frivolity and pleasure. You live in a poor quarter, monsieur le curé, and you must know the sad story by heart--the workman who glides little by little from idleness into drunkenness, who is off on a spree for two or three days, who does not bring home his week's wages, and who only returns to his home, broken up by his spree, to make scenes and to beat his wife. In less than two years Philip became one of these wretches. At first I tried to reform him, and sometimes, ashamed of himself, he would attempt to do better; but that did not last long. Then my remonstrances only irritated him; and when I went to his house, and he saw me look sadly around the chamber made bare by the pawn-shop, at poor Catherine, thin and pale with grief, he became furious. One day he had the audacity to be jealous of me on account of his wife, who was as pure as the blessed Virgin, reminding me that I was once her lover and accusing me of still being so, with slanders and infamies that I should be ashamed to repeat. We almost flew at each other's throats. I saw what I must do. I would see Catherine and my godson no more; and as for Philip, I would only meet him when by chance we worked on the same job.

"Only, you will understand, I loved Catherine and little Camille too well to lose sight of them entirely. On Saturday evenings, when I knew that Philip was drinking up his wages with his comrades, I used to prowl about the quarter, and chat with the boy when I found him; and if it was too miserable at home, he did not return with empty hands, you know. I believe that the wretched Philip knew that I was helping his wife, and that he closed his eyes to the fact, finding it rather convenient. I will hurry on, for the story is too miserable. Some years have passed; Philip plunging deeper in vice; but Catherine, whom I had helped all I could, has educated her son, who is now a fellow of twenty years, good and courageous like herself. He is not a workman; he is educated; he has learned to draw at the evening schools, and he is now with an architect, where he gets good wages. And though the house is saddened by the presence of the drunkard, things go fairly well, for Camille is a great comfort to his mother; and for a year or two, when I see Catherine--she is so changed, the poor woman!--leaning on the arm of her manly son, it warms my heart.

"But yesterday evening, coming out of my cook-shop, I met Camille; and shaking hands with him--oh, he is not ashamed of me, and he doesn't blush at a blouse covered with plaster--I saw that something was the matter.

"'Let's see--what's the matter now?'

"'I drew the lot yesterday,' he replied, 'and I drew the number ten--a number that sends you to die with fever in the colonies with the marines. That will, at all events, send me there for five years, to leave mother alone, without resources, with father, who has never been drinking so much, who has never been so wicked. And it will kill her--it will kill her! How cursed it is to be poor!'