Chapter 4

On a stormy night, in the tempestuous times of the French revolution, a young German was returning to his lodgings, at a late hour, across the old part of Paris. The lightning gleamed, and the loud claps of thunder rattled through the lofty, narrow streets—but I should first tell you something about this young German.

Gottfried Wolfgang was a young man of good family. He had studied for some time at Göttingen, but being of a visionary and enthusiastic character, he had wandered into those wild and speculative doctrines which have so often bewildered German students. His secluded life, his intense application, and the singular nature of his studies, had an effect on both mind and body. His health was impaired; his imagination diseased. He had been indulging in fanciful speculations on spiritual essences until, like Swedenborg, he had an ideal world of his own around him. He took up a notion, I do not know from what cause, that there was an evil influence hanging over him; an evil genius or spirit seeking to ensnare him and ensure his perdition. Such an idea working on his melancholy temperament produced the most gloomy effects. He became haggard and desponding. His friends discovered the mental malady preying upon him, and determined that the best cure was a change of scene; he was sent, therefore, to finish his studies amidst the splendours and gaieties of Paris.

Wolfgang arrived at Paris at the breaking out of the revolution. The popular delirium at first caught his enthusiastic mind, and he was captivated by the political and philosophical theories of the day: but the scenes of blood which followed shocked his sensitive nature; disgusted him with society and the world, and made him more than ever a recluse. He shut himself up in a solitary apartment in the _Pays Latin_, the quarter of students. There in a gloomy street not far from the monastic walls of the Sorbonne, he pursued his favourite speculations. Sometimes he spent hours together in the great libraries of Paris, those catacombs of departed authors, rummaging among their hoards of dusty and obsolete works in quest of food for his unhealthy appetite. He was, in a manner, a literary goul, feeding in the charnel house of decayed literature.

Wolfgang, though solitary and recluse, was of an ardent temperament, but for a time it operated merely upon his imagination. He was too shy and ignorant of the world to make any advances to the fair, but he was a passionate admirer of female beauty, and in his lonely chamber would often lose himself in reveries on forms and faces which he had seen, and his fancy would deck out images of loveliness far surpassing the reality.

While his mind was in this excited and sublimated state, a dream produced an extraordinary effect upon him. It was of a female face of transcendent beauty. So strong was the impression made, that he dreamt of it again and again. It haunted his thoughts by day, his slumbers by night; in fine, he became passionately enamoured of this shadow of a dream. This lasted so long, that it became one of those fixed ideas which haunt the minds of melancholy men, and are at times mistaken for madness.

Such was Gottfried Wolfgang, and such his situation at the time I mentioned. He was returning home late one stormy night, through some of the old and gloomy streets of the _Marais_, the ancient part of Paris. The loud claps of thunder rattled among the high houses of the narrow streets. He came to the Place de Grève, the square where public executions are performed. The lightning quivered about the pinnacles of the ancient Hôtel de Ville, and shed flickering gleams over the open space in front. As Wolfgang was crossing the square, he shrank back with horror at finding himself close by the guillotine. It was the height of the reign of terror, when this dreadful instrument of death stood ever ready, and its scaffold was continually running with the blood of the virtuous and the brave. It had that very day been actively employed in the work of carnage, and there it stood in grim array amidst a silent and sleeping city, waiting for fresh victims.

Wolfgang’s heart sickened within him, and he was turning shuddering from the horrible engine, when he beheld a shadowy form cowering as it were at the foot of the steps which led up to the scaffold. A succession of vivid flashes of lightning revealed it more distinctly. It was a female figure, dressed inblack. She was seated on one of the lower steps of the scaffold, leaning forward, her face hid in her lap, and her long dishevelled tresses hanging to the ground, streaming with the rain which fell in torrents. Wolfgang paused. There was something awful in this solitary monument of wo. The female had the appearance of being above the common order. He knew the times to be full of vicissitude, and that many a fair head, which had once been pillowed on down, now wandered houseless. Perhaps this was some poor mourner whom the dreadful axe had rendered desolate, and who sat here heartbroken on the strand of existence, from which all that was dear to her had been launched into eternity.

He approached, and addressed her in the accents of sympathy. She raised her head and gazed wildly at him. What was his astonishment at beholding, by the bright glare of the lightning, the very face which had haunted him in his dreams. It was pale and disconsolate, but ravishingly beautiful.

Trembling with violent and conflicting emotions, Wolfgang again accosted her. He spoke something of her being exposed at such an hour of the night, and to the fury of such a storm, and offered to conduct her to her friends. She pointed to the guillotine with a gesture of dreadful signification.

“I have no friend on earth!” said she.

“But you have a home,” said Wolfgang.

“Yes—in the grave!”

The heart of the student melted at the words.

“If a stranger dare make an offer,” said he, “without danger of being misunderstood, I would offer my humble dwelling as a shelter; myself as a devoted friend. I am friendless myself in Paris, and a stranger in the land; but if my life could be of service, it is at your disposal, and should be sacrificed before harm or indignity should come to you.”

There was an honest earnestness in the young man’s manner that had its effect. His foreign accent, too, was in his favour; it showed him not to be a hackneyed inhabitant of Paris. Indeed there is an eloquence in true enthusiasm that is not to be doubted. The homeless stranger confided herself implicitly to the protection of the student.

He supported her faltering steps across the Pont Neuf, and by the place where the statue of Henry the Fourth had been overthrown by the populace. The storm had abated, and the thunder rumbled at a distance. All Paris was quiet; that great volcano of human passion slumbered for a while, to gather fresh strength for the next day’s eruption. The student conducted his charge through the ancient streets of the _Pays Latin_, and by the dusky walls of the Sorbonne to the great, dingy hotel which he inhabited. The old portress who admitted them stared with surprise at the unusual sight of the melancholy Wolfgang with a female companion.

On entering his apartment, the student, for the first time, blushed at the scantiness and indifference of his dwelling. He had but one chamber—an old fashioned saloon—heavily carved and fantastically furnished with the remains of former magnificence, for it was one of those hotels in the quarter of the Luxembourg palace which had once belonged to nobility. It was lumbered with books and papers, and all the usual apparatus of a student, and his bed stood in a recess at one end.

When lights were brought, and Wolfgang had a better opportunity of contemplating the stranger, he was more than ever intoxicated by her beauty. Her face was pale, but of a dazzling fairness, set off by a profusion of raven hair that hung clustering about it. Her eyes were large and brilliant, with a singular expression approaching almost to wildness. As far as her black dress permitted her shape to be seen, it was of perfect symmetry. Her whole appearance was highly striking, though she was dressed in the simplest style. The only thing approaching to an ornament which she wore was a broad, black band round her neck, clasped by diamonds.

The perplexity now commenced with the student how to dispose of the helpless being thus thrown upon his protection. He thought of abandoning his chamber to her, and seeking shelter for himself elsewhere. Still he was so fascinated by her charms, there seemed to be such a spell upon his thoughts and senses, that he could not tear himself from her presence. Her manner, too, was singular and unaccountable. She spoke no more of the guillotine. Her grief had abated. The attentions of the student had first won her confidence, and then, apparently, her heart. She was evidently an enthusiast like himself, and enthusiasts soon understand each other.

In the infatuation of the moment Wolfgang avowed his passion for her. He told her the story of his mysterious dream, and how she had possessed his heart before he had even seen her. She was strangely affected by his recital, and acknowledged to have felt an impulse towards him equally unaccountable. It was the time for wild theory and wild actions. Old prejudices and superstitions were done away; every thing was under the sway of the “Goddess of Reason.” Among other rubbish of the old times, the forms and ceremonies of marriage began to be considered superfluous bonds for honourable minds. Social compacts were the vogue. Wolfgang was too much of a theorist not to be tainted by the liberal doctrines of the day.

“Why should we separate?” said he: “our hearts are united; in the eye of reason and honour we are as one. What need is there of sordid forms to bind high souls together?”

The stranger listened with emotion: she had evidently received illumination at the same school.

“You have no home nor family,” continued he; “let me be every thing to you, or rather let us be every thing to one another. If form is necessary, form shall be observed—there is my hand. I pledge myself to you for ever.”

“For ever?” said the stranger, solemnly.

“For ever!” repeated Wolfgang.

The stranger clasped the hand extended to her: “Then I am yours,” murmured she, and sank upon his bosom.

The next morning the student left his bride sleeping, and sallied forth at an early hour to seek more spacious apartments, suitable to the change in his situation. When he returned, he found the stranger lying with her head hanging over the bed, and one arm thrown over it. He spoke to her, but received no reply. He advanced to awaken her from her uneasy posture. On taking her hand, it was cold—there was no pulsation—her face was pallid and ghastly.—In a word—she was a corpse.

Horrified and frantic, he alarmed the house. A scene of confusion ensued. The police was summoned. As the officer of police entered the room, he started back on beholding the corpse.

“Great heaven!” cried he, “how did this woman come here?”

“Do you know any thing about her?” said Wolfgang, eagerly.

“Do I?” exclaimed the police officer: “she was guillotined yesterday!”

He stepped forward; undid the black collar round the neck of the corpse, and the head rolled on the floor!

The student burst into a frenzy. “The fiend! the fiend has gained possession of me!” shrieked he: “I am lost for ever!”

They tried to soothe him, but in vain. He was possessed with the frightful belief that an evil spirit had reanimated the dead body to ensnare him. He went distracted, and died in a madhouse.

Here the old gentleman with the haunted head finished his narrative.

“And is this really a fact?” said the inquisitive gentleman.

“A fact not to be doubted,” replied the other. “I had it from the best authority. The student told it me himself. I saw him in a madhouse at Paris.”

THE ADVENTURE OF THE MYSTERIOUS PICTURE

As one story of the kind produces another, and as all the company seemed fully engrossed by the topic, and disposed to bring their relatives and ancestors upon the scene, there is no knowing how many more ghost adventures we might have heard, had not a corpulent old fox-hunter, who had slept soundly through the whole, now suddenly awakened, with a loud and long-drawn yawn. The sound broke the charm; the ghosts took to flight as though it had been cock-crowing, and there was a universal move for bed.

“And now for the haunted chamber,” said the Irish captain, taking his candle.

“Aye, who’s to be the hero of the night?” said the gentleman with the ruined head.

“That we shall see in the morning,” said the old gentleman with the nose: “whoever looks pale and grizzly will have seen the ghost.”

“Well, gentlemen,” said the Baronet, “there’s many a true thing said in jest. In fact, one of you will sleep in a room to-night—”

“What—a haunted room? a haunted room? I claim the adventure—and I—and I—and I,” cried a dozen guests, talking and laughing at the same time.

“No—no,” said mine host, “there is a secret about one of my rooms on which I feel disposed to try an experiment. So, gentlemen, none of you shall know who has the haunted chamber, until circumstances reveal it. I will not even know it myself, but will leave it to chance and the allotment of the housekeeper. At the same time, if it will be any satisfaction to you, I will observe, for the honor of my paternal mansion, that there’s scarcely a chamber in it but is well worthy of being haunted.”

We now separated for the night, and each went to his allotted room. Mine was in one wing of the building, and I could not but smile at its resemblance in style to those eventful apartments described in the tales of the supper table. It was spacious and gloomy, decorated with lamp-black portraits, a bed of ancient damask, with a tester sufficiently lofty to grace a couch of state, and a number of massive pieces of old-fashioned furniture. I drew a great claw-footed arm-chair before the wide fire-place; stirred up the fire; sat looking into it, and musing upon the odd stories I had heard; until, partly overcome by the fatigue of the day’s hunting, and partly by the wine and wassail of mine host, I fell asleep in my chair.

The uneasiness of my position made my slumber troubled, and laid me at the mercy of all kinds of wild and fearful dreams; now it was that my perfidious dinner and supper rose in rebellion against my peace. I was hag-ridden by a fat saddle of mutton; a plum pudding weighed like lead upon my conscience; the merry thought of a capon filled me with horrible suggestions; and a devilled leg of a turkey stalked in all kinds of diabolical shapes through my imagination. In short, I had a violent fit of the nightmare. Some strange indefinite evil seemed hanging over me that I could not avert; something terrible and loathsome oppressed me that I could not shake off. I was conscious of being asleep, and strove to rouse myself, but every effort redoubled the evil; until gasping, struggling, almost strangling, I suddenly sprang bolt upright in my chair, and awoke.

The light on the mantel-piece had burnt low, and the wick was divided; there was a great winding sheet made by the dripping wax, on the side towards me. The disordered taper emitted a broad flaring flame, and threw a strong light on a painting over the fire-place, which I had not hitherto observed.

It consisted merely of a head, or rather a face, that appeared to be staring full upon me, and with an expression that was startling. It was without a frame, and at the first glance I could hardly persuade myself that it was not a real face, thrusting itself out of the dark oaken pannel. I sat in my chair gazing at it, and the more I gazed the more it disquieted me. I had never before been affected in the same way by any painting. The emotions it caused were strange and indefinite. They were something like what I have heard ascribed to the eyes of the basilisk; or like that mysterious influence in reptiles termed fascination. I passed my hand over my eyes several times, as if seeking instinctively to brush away this allusion—in vain—they instantly reverted to the picture, and its chilling, creeping influence over my flesh was redoubled.

I looked around the room on other pictures, either to divert my attention, or to see whether the same effect would be produced by them. Some of them were grim enough to produce the effect, if the mere grimness of the painting produced it—no such thing. My eye passed over them all with perfect indifference, but the moment it reverted to this visage over the fire-place, it was as if an electric shock darted through me. The other pictures were dim and faded; but this one protruded from a plain black ground in the strongest relief, and with wonderful truth of coloring. The expression was that of agony—the agony of intense bodily pain; but a menace scowled upon the brow, and a few sprinklings of blood added to its ghastliness. Yet it was not all these characteristics—it was some horror of the mind, some inscrutable antipathy awakened by this picture, which harrowed up my feelings.

I tried to persuade myself that this was chimerical; that my brain was confused by the fumes of mine host’s good cheer, and, in some measure, by the odd stories about paintings which had been told at supper. I determined to shake off these vapors of the mind; rose from my chair, and walked about the room; snapped my fingers; rallied myself; laughed aloud. It was a forced laugh, and the echo of it in the old chamber jarred upon my ear. I walked to the window; tried to discern the landscape through the glass. It was pitch darkness, and howling storm without; and as I heard the wind moan among the trees, I caught a reflection of this accursed visage in the pane of glass, as though it were staring through the window at me. Even the reflection of it was thrilling.

How was this vile nervous fit, for such I now persuaded myself it was, to be conquered? I determined to force myself not to look at the painting but to undress quickly and get into bed. I began to undress, but in spite of every effort I could not keep myself from stealing a glance every now and then at the picture; and a glance was now sufficient to distress me. Even when my back was turned to it, the idea of this strange face behind me, peering over my shoulder, was insufferable. I threw off my clothes and hurried into bed; but still this visage gazed upon me. I had a full view of it from my bed, and for some time could not take my eyes from it. I had grown nervous to a dismal degree.

I put out the light, and tried to force myself to sleep;—all in vain! The fire gleaming up a little, threw an uncertain light about the room, leaving, however, the region of the picture in deep shadow. What, thought I, if this be the chamber about which mine host spoke as having a mystery reigning over it?—I had taken his words merely as spoken in jest; might they have a real import? I looked around. The faintly lighted apartment had all the qualifications requisite for a haunted chamber. It began in my infected imagination to assume strange appearances. The old portraits turned paler and paler, and blacker and blacker; the streaks of light and shadow thrown among the quaint old articles of furniture, gave them singular shapes and characters. There was a huge dark clothes-press of antique form, gorgeous in brass and lustrous with wax, that began to grow oppressive to me.

Am I then, thought I, indeed, the hero of the haunted room? Is there really a spell laid upon me, or is this all some contrivance of mine host, to raise a laugh at my expense? The idea of being hag-ridden by my own fancy all night, and then bantered on my haggard looks the next day was intolerable; but the very idea was sufficient to produce the effect, and to render me still more nervous. Pish, said I, it can be no such thing. How could my worthy host imagine that I, or any man would be so worried by a mere picture? It is my own diseased imagination that torments me. I turned in my bed, and shifted from side to side, to try to fall asleep; but all in vain. When one cannot get asleep by lying quiet, it is seldom that tossing about will effect the purpose. The fire gradually went out and left the room in darkness. Still I had the idea of this inexplicable countenance gazing and keeping watch upon me through the darkness. Nay, what was worse, the very darkness seemed to give it additional power, and to multiply its terrors. It was like having an unseen enemy hovering about one in the night. Instead of having one picture now to worry me, I had a hundred. I fancied it in every direction. And there it is, thought I,—and there, and there,—with its horrible and mysterious expression, still gazing and gazing on me. No if I must suffer this strange and dismal influence, it were better face a single foe, than thus be haunted by a thousand images of it.

Whoever has been in such a state of nervous agitation must know that the longer it continues, the more uncontrollable it grows; the very air of the chamber seemed at length infected by the baleful presence of this picture. I fancied it hovering over me. I almost felt the fearful visage from the wall approaching my face,—it seemed breathing upon me. This is not to be borne, said I, at length, springing out of bed. I can stand this no longer. I shall only tumble and toss about here all night; make a very spectre of myself, and become the hero of the haunted chamber in good earnest. Whatever be the consequence. I’ll quit this cursed room, and seek a night’s rest elsewhere. They can but laugh at me at all events, and they’ll be sure to have the laugh upon me if I pass a sleepless night and show them a haggard and wo-begone visage in the morning.

All this was half muttered to myself, as I hastily slipped on my clothes; which having done, I groped my way out of the room, and down-stairs to the drawing-room. Here, after tumbling over two or three pieces of furniture, I made out to reach a sofa, and stretching myself upon it determined to bivouac there for the night.

The moment I found myself out of the neighborhood of that strange picture, it seemed as if the charm were broken. All its influence was at an end. I felt assured that it was confined to its own dreary chamber, for I had, with a sort of instinctive caution, turned the key when I closed the door. I soon calmed down, therefore, into a state of tranquillity; from that into a drowsiness, and finally into a deep sleep; out of which I did not awake, until the housemaid, with her besom and her matin song, came to put the room in order. She stared at finding me stretched upon the sofa; but I presume circumstances of the kind were not uncommon after hunting dinners, in her master’s bachelor establishment; for she went on with her song and her work, and took no farther heed of me.