CHAPTER II. AUTHORSHIP AND CHARACTER OF THE FOURTH GOSPEL

The result of our inquiry into the evidence for the fourth Gospel is sufficiently decided to render further examination unnecessary. We have seen that, for some century and a half after the events recorded in the work, there is not only no testimony whatever connecting the fourth Gospel with the Apostle John, but no certain trace even of the existence of the Gospel. There has not been the slightest evidence in any of the writings of the Fathers which we have examined even of a tradition that the Apostle John had composed any evangelical work at all, and the claim advanced in favour of the Christian miracles to contemporaneous evidence of extraordinary force and veracity by undoubted eye-witnesses so completely falls to the ground, that we might here well bring this part of our inquiry to a close. There are, however, so many peculiar circumstances connected with the fourth Gospel, both in regard to its authorship and to its relationship with the three Synoptics, which invite further attention, that we propose briefly to review some of them. We must, however, carefully restrict ourselves to the limits of our inquiry, and resist any temptation to enter upon an exhaustive discussion of the problem presented by the fourth Gospel from a more general literary point of view.

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The endeavour to obtain some positive, or at least negative, information regarding the author of the fourth Gospel is facilitated by the fact that several other works in the New Testament Canon are ascribed to him. These works present such marked and distinct characteristics that, apart from the fact that their number extends the range of evidence, they afford an unusual opportunity of testing the tradition which assigns them all to the Apostle John, by comparing the clear indications which they give of the idiosyncrasies of their author with the independent data which we possess regarding the history and character of the Apostle. It is asserted by the Church that John the son of Zebedee, one of the disciples of Jesus, is the composer of no less than five of our canonical writings, and it would be impossible to select any books of our New Testament presenting more distinct features, or more widely divergent views, than are to be found in the Apocalypse on the one hand, and the Gospel and three Epistles on the other. Whilst a strong family likeness exists between the Epistles and the Gospel, and they exhibit close analogies both in thought and language, the Apocalypse, on the contrary, is so different from them in language, in style, in religious views and terminology, that it is almost impossible to believe that the writer of the one could be the author of the other. The translators of our New Testament have laboured, and not in vain, to eliminate as far as possible all individuality of style and language, and to reduce the various books of which it is composed to one uniform smoothness of diction. It is, therefore, impossible for the mere English reader to appreciate the immense difference which exists between the harsh and Hebraistic Greek of the Apocalypse and the polished

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elegance of the fourth Gospel, and it is to be feared that the rarity of critical study has prevented any general recognition of the almost equally striking contrast of thought between the two works. The remarkable peculiarities which distinguish the Apocalypse and Gospel of John, however, were very early appreciated, and almost the first application of critical judgment to the Canonical books of the New Testament is the argument of Dionysius Bishop of Alexandria, about the middle of the third century, that the author of the fourth Gospel could not be the writer of the Book of Revelation.(1) The dogmatic predilections which at that time had begun to turn against the Apocalypse, the nonfulfilment of the prophecies of which disappointed and puzzled the early Church, led Dionysius to solve the difficulty by deciding in favour of the authenticity of the Gospel, but at least he recognized the dilemma which has since occupied so much of biblical criticism.

It is not necessary to enter upon any exhaustive analysis of the Apocalypse and Gospel to demonstrate anew that both works cannot have emanated from the same mind. This has already been conclusively done by others. Some apologetic writers,--greatly influenced, no doubt, by the express declaration of the Church, and satisfied by analogies which could scarcely fail to exist between two works dealing with a similar theme,--together with a very few independent critics, have asserted the authenticity of both works.(2) The great majority of

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critics, however, have fully admitted the impossibility of recognizing a common source for the fourth Gospel and the Apocalypse of John.(1) The critical question regarding the two works has, in fact, reduced itself to the dilemma which may be expressed as follows, in the words of Llicke: "Either the Gospel and the first Epistle are genuine writings of the Apostle John, and in that case the Apocalypse is no genuine work of that Apostle, or the inverse."(2) After an elaborate comparison of the two writings, the same writer, who certainly will not be suspected of wilfully subversive criticism, resumes: "The difference between the language, way

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of expression, and mode of thought and doctrine of the Apocalypse and the rest of the Johannine writings, is so comprehensive and intense, so individual and so radical; the affinity and agreement, on the contrary, are so general, and in details so fragmentary and uncertain (zuruckweichend), that the Apostle John, if he really he the author of the Gospel and of the Epistle--which we here assume--cannot have composed the Apocalypse either before or after the Gospel and the Epistle. If all critical experience and rules in such literary questions are not deceptive, it is certain that the Evangelist and Apocalyptist are two different persons of the name of John,"(l) &c.

De Wette, another conservative critic, speaks with equal decision. After an able comparison of the two works, he says: "From all this it follows (and in New Testament criticism no result is more certain), that the Apostle John, if he be the author of the fourth Gospel and of the Johannine Epistles, did not write the Apocalypse, or, if the Apocalypse be his work, that he is not the author of the other writings."(2) Ewald is equally positive: "Above all," he says, "we should err in tracing this work (the Gospel) to the Apostle, if the Apocalypse of the New Testament were by him. That this much earlier writing cannot have been composed by the author of the later is an axiom which I consider I have already, (in 1826-28) so convincingly demonstrated, that it would be superfluous now to return to it, especially as, since then, all men capable of forming a judgment are of the same opinion, and what has been brought forward by a few writers against it too clearly depends upon

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influences foreign to science."(1) We may, therefore, consider the point generally admitted, and proceed very briefly to discuss the question upon this basis.

The external evidence that the Apostle John wrote the Apocalypse is more ancient than that for the authorship of any book of the New Testament, excepting some of the Epistles of Paul, and this is admitted even by critics who ultimately deny the authenticity of the work.(2) Passing over the very probable statement of Andrew of Caesarea,(3) that Papias recognized the Apocalypse as an inspired work, and the inference drawn from this fact that he referred it to the Apostle, we at once proceed to Justin Martyr, who affirms in the clearest and most positive manner the Apostolic origin of the work. He speaks to Tryphon of "a certain man whose name was John, one of the Apostles of Christ, who prophesied by a revelation made to him," of the Millennium, and subsequent general resurrection and judgment.(4) The statement of Justin is all the more important from the fact that he does not name any other writing of the New Testament, and that the Old Testament was still for him the only Holy Scripture. The genuineness of this

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testimony is not called in question by any one. Eusebius states that Melito of Sardis wrote a work on the Apocalypse of John,(1) and Jerome mentions the treatise.(2) There can be no doubt that had Melito thrown the slightest doubt on the Apostolic origin of the Apocalypse, Eusebius, whose dogmatic views led him to depreciate that writing, would have referred to the fact. Eusebius also mentions that Apollonius, a Presbyter of Ephesus, quoted the Apocalypse against the Montanists, and there is reason to suppose that he did so as an Apostolic work.(3) Eusebius further states that Theophilus of Antioch made use of testimony from the Apocalypse of John;(4) but although, as Eusebius does not mention anything to the contrary, it is probable that Theophilus really recognized the book to be by John the Apostle, the uncritical haste of Eusebius renders his vague statement of little value. We do not think it worth while to quote the evidence of later writers. Although Irenaeus, who repeatedly assigns the Apocalypse to John, the disciple of the Lord,(5) is cited by Apologists as a very important witness, more especially from his intercourse with Polycarp, we do not attribute any value to his testimony, both from the late date at which he wrote, and from the uncritical and credulous character of his mind. Although he appeals to the testimony of those "who saw John face to face" with regard to the number of the name of the Beast, his own utter ignorance of the interpretation shows how little information he can have derived from Polycarp.(6) The same remarks apply still more strongly to Tertullian, who, however, most

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unhesitatingly assigns the Apocalypse to the Apostle John.(1) It would be useless more particularly to refer to later evidence, however, or quote even the decided testimony in its favour of Clement of Alexandria,(2) or Origen.(3)

The first doubt cast upon the authenticity of the Apocalypse occurs in the argument of Dionysius of Alexandria, one of the disciples of Origen, in the middle of the third century. He mentions that some had objected to the whole work as without sense or reason, and as displaying such dense ignorance, that it was impossible that an Apostle or even one in the Church, could have written it, and they assigned it to Cerinthus, who held the doctrine of the reign of Christ on earth.(4) These objections, it is obvious, are merely dogmatic, and do not affect to be historical. They are in fact a good illustration of the method by which the Canon was formed. If the doctrine of any writing met with the approval of the early Church, it was accepted with unhesitating faith, and its pretension to Apostolic origin was admitted as a natural consequence; but if, on the other hand, the doctrine of the writing was not clearly that of the community, it was rejected without further examination. It is an undeniable fact, that not a single trace exists of the application of historical criticism to any book of the New Testament in the early ages of Christianity. The case of the Apocalypse is most intelligible:--so long as the expectation and hope of a second advent and of a personal reign of the risen and glorified Christ, of the prevalence of which we have abundant testimony in the Pauline Epistles and other early works, continued to animate the Church, the

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Apocalypse which excited and fostered them was a popular volume: but as years passed away and the general longing of Christians, eagerly marking the signs of the times, was again and again disappointed, and the hope of a Millennium began either to be abandoned or indefinitely postponed, the Apocalypse proportionately lost favour, or was regarded as an incomprehensible book misleading the world by illusory promises. Its history is that of a highly dogmatic treatise esteemed or contemned in proportion to the ebb and flow of opinion regarding the doctrines which it expresses.

The objections of Dionysius, resting first upon dogmatic grounds and his inability to understand the Apocalyptic utterances of the book, took the shape we have mentioned of a critical dilemma:--The author of the Gospel could not at the same time be the author of the Apocalypse. Dogmatic predilection decided the question in favour of the apostolic origin of the fourth Gospel, and the reasoning by which that decision is arrived at has, therefore, no critical force or value. The fact still remains that Justin Martyr distinctly refers to the Apocalypse as the work of the Apostle John and, as we have seen, no similar testimony exists in support of the claims of the fourth Gospel.

As another most important point, we may mention that there is probably not another work of the New Testament the precise date of the composition of which, within a very few weeks, can so positively be affirmed. No result of criticism rests upon a more secure basis and is now more universally accepted by all competent critics than the fact that the Apocalypse was written in A.D. 68-69.(1) The writer distinctly and repeatedly mentions his name: i. 1, "The revelation of Jesus Christ....

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unto his servant John;"(1) i. 4, "John to the seven churches which are in Asia;"(2) and he states that the work was written in the island of Patmos where he was "on account of the Word of God and the testimony of Jesus."(3) Ewald, who decides in the most arbitrary manner against the authenticity of the Apocalypse and in favour of the Johannine authorship of the Gospel, objects that the author, although he certainly calls himself John, does not assume to be an Apostle, but merely terms himself the servant [------] of Christ like other true Christians, and distinctly classes himself amongst the Prophets(4) and not amongst the Apostles.(5) We find, however, that Paul, who was not apt to waive his claims to the Apostolate, was content to call himself: "Paul a servant [------] of Jesus Christ, called to be an Apostle," in writing to the Romans; (i. 1) and the superscription of the Epistle to the Philippians is: "Paul and Timothy servants [------] of Christ Jesus."(6) There was, moreover, reason why

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the author of the Book of Revelation, a work the form of which was decidedly based upon that of Daniel and other Jewish Apocalyptic writings, should rather adopt the character of Prophet than the less suitable designation of Apostle upon such an occasion. It is clear that he counted fully upon being generally known under the simple designation of "John," and when we consider the unmistakeable terms of authority with which he addresses the Seven Churches, it is scarcely possible to deny that the writer either was the Apostle, or distinctly desired to assume his personality. It is not necessary for us here to enter into any discussion regarding the "Presbyter John," for it is generally admitted that even he could not have had at that time any position in Asia Minor which could have warranted such a tone. If the name of Apostle, therefore, be not directly assumed--and it was not necessary to assume it--the authority of one is undeniably inferred.

Ewald, however, argues that, on the contrary, the author could not more clearly express that he was not one of the Twelve, than when he imagines (Apoc. xxi. 14) the names of the 'twelve apostles of the Lamb' shining upon the twelve foundation stones of the wall of the future heavenly Jerusalem. He considers that no intelligent person could thus publicly glorify himself or anticipate the honour which God alone can bestow. "And can any one seriously believe," he indignantly inquires, "that one of the Twelve, yea, that even he whom we know as the most delicate and refined amongst them could have written this of himself?"(1) Now, in the first place, we must remark that in this discussion

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it is not permissible to speak of our knowing John the Apostle as distinguished above all the rest of the Twelve for such qualities. Nowhere do we find such a representation of him except in the fourth Gospel, if even there, but, as we shall presently see, rather the contrary, and the fourth Gospel cannot here be received as evidence. We might, by way of retort, point out to those who assert the inspiration of the Apocalypse, that the symbolical representation of the heavenly Jerusalem is held to be practically objective, a revelation of things that "must shortly come to pass," and not a mere subjective sketch coloured according to the phantasy of the writer. Passing on, however, it must be apparent that the whole account of the heavenly city is typical, and that in basing its walls upon the Twelve, he does not glorify himself personally, but simply gives its place to the idea which was symbolised when Jesus is represented as selecting twelve disciples, the number of the twelve tribes, upon whose preaching the spiritual city was to be built up. The Jewish belief in a special preference of the Jews before all nations doubtless suggested this, and it forms a leading feature in the strong Hebraistic form of the writer's Christianity. The heavenly city is simply a glorified Jerusalem; the twelve Apostles, representatives of the twelve tribes, set apart for the regeneration of Israel, are the foundation-stones of the New City with its twelve gates, on which are written the names of the twelve tribes of Israel(1) for whom the city is more particularly provided. For 144,000 of Israel are first sealed, 12,000 of each of the twelve tribes before the Seer beholds the great multitude of all nations and tribes and peoples.(2) The whole description is a

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mere allegory characterized by the strongest Jewish dogmatism, and it is of singular value for the purpose of identifying the author.

Moreover, the apparent glorification of the Twelve is more than justified by the promise which Jesus is represented by the Synoptics(l) as making to them in person. When Peter, in the name of the Twelve, asks what is reserved for those who have forsaken all and followed him, Jesus replies: "Verily I say unto you that ye which have followed me, in the regeneration when the Son of Man shall sit in the throne of his glory, ye also shall be set upon twelve thrones judging the twelve tribes of Israel."(2) Ewald himself, in his distribution of the materials of our existing first Synoptic to the supposed original sources, assigns this passage to the very oldest Gospel.(3) What impropriety is there, and what improbability, therefore, that an Apostle, in an apocalyptic allegory, should represent the names of the twelve Apostles as inscribed upon the twelve foundation stones of the spiritual Jerusalem, as the names of the twelve tribes of Israel were inscribed upon the twelve gates of the city? On the contrary, we submit that it is probable under the circumstances that an Apostle should make such a representation, and in view of the facts regarding the Apostle John himself which we have from the Synoptics, it is particularly in harmony with his character, and these characteristics directly tend to establish his identity with the author.

"How much less is it credible of the Apostle John," says Ewald, elsewhere, pursuing the same argument, "who, as a writer, is so incomparably modest and

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delicate in feeling, and does not in a single one of the writings really emanating from him name himself as the author, or even proclaim his own praise."(l) This is merely sentimental assumption of facts to which we shall hereafter allude, but if the "incomparable modesty" of which he speaks really existed, nothing could more conclusively separate the author of the fourth Gospel from the son of Zebedee whom we know in the Synoptics, or more support the claims of the Apocalypse. In the first place, we must assert that, in writing a serious history of the life and teaching of Jesus, full of marvellous events and astounding doctrines, the omission of his name by an Apostle can not only not be recognized as genuine modesty, but must be condemned as culpable neglect. It is perfectly incredible that an Apostle could have written such a work without attaching his name as the guarantee of his intimate acquaintance with the events and statements he records. What would be thought of a historian who published a history without a single reference to recognized authorities, and yet who did not declare even his own name as some evidence of his truth? The fact is, that the first two Synoptics bear no author's name because they are not the work of any one man, but the collected materials of many; the third Synoptic only pretends to be a compilation for private use; and the fourth Gospel bears no simple signature because it is neither the work of an Apostle, nor of an eye-witness of the events and hearer of the teaching it records.

If it be considered incredible, however, that an Apostle could, even in an Allegory, represent the names of the Twelve as written on the foundation stones of the New Jerusalem, and the incomparable modesty and delicacy

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of feeling of the assumed author of the fourth Gospel be contrasted with it so much to the disadvantage of the writer of the Apocalypse, we ask whether this reference to the collective Twelve can be considered at all on a par with the self-glorification of the disguised author of the Gospel, who, not content with the simple indication of himself as John a servant of Jesus Christ, and with sharing distinction equally with the rest of the Twelve, assumes to himself alone a pre-eminence in the favour and affection of his Master, as well as a distinction amongst his fellow disciples, of which we first hear from himself, and which is anything but corroborated by the three Synoptics? The supposed author of the fourth Gospel, it is true, does not plainly mention his name, but he distinguishes himself as "the disciple whom Jesus loved," and represents himself as "leaning on Jesus' breast at supper."(1) This distinction assumed to himself, and this preference over the other disciples in the love of him whom he represents as God, is much greater self-glorification than that of the author of the Apocalypse. We shall presently see how far Ewald is right in saying, moreover, that the author does not clearly indicate the person for whom at least he desires to be mistaken.

We must conclude that these objections have no weight, and that there is no internal evidence whatever against the supposition that the "John" who announces himself as the author of the Apocalypse was the Apostle. On the contrary, the tone of authority adopted throughout, and the evident certainty that his identity would everywhere be recognized, denote a position in the Church which no other person of the name of John could well have held at the time when the Apocalypse was written.

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The external evidence, therefore, which indicates the Apostle John as the author of the Apocalypse is quite in harmony with the internal testimony of the book itself. We have already pointed out the strong colouring of Judaism in the views of the writer. Its imagery is thoroughly Jewish, and its allegorical representations are entirely based upon Jewish traditions, and hopes. The heavenly City is a New Jerusalem; its twelve gates are dedicated to the twelve tribes of Israel; God and the Lamb are the Temple of it; and the sealed of the twelve tribes have the precedence over the nations, and stand with the Lamb on Mount Zion (xiv. 1) having his name and his Father's written on their foreheads. The language in which the book is written is the most Hebraistic Greek of the New Testament, as its contents are the most deeply tinged with Judaism. If, finally, we seek for some traces of the character of the writer, we see in every page the impress of an impetuous fiery spirit, whose symbol is the Eagle, breathing forth vengeance against the enemies of the Messiah and impatient till it be accomplished, and the whole of the visions of the Apocalypse proceed to the accompaniment of the rolling thunders of God's wrath.

We may now turn to examine such historical data as exist regarding John the son of Zebedee, and to inquire whether they accord better with the character and opinions of the author of the Apocalypse or of the Evangelist. John and his brother James are represented by the Synoptics as being the sons of Zebedee and Salome. They were fishermen on the sea of Galilee, and at the call of Jesus they left their ship and their father and followed him.(1) Their fiery and impetuous character led

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Jesus to give them the surname of [------]: "Sons of thunder,"(1) an epithet justified by several incidents which are related regarding them. Upon one occasion, John sees one casting out devils in his master's name, and in an intolerant spirit forbids him because he did not follow them, for which he is rebuked by Jesus.(2) Another time, when the inhabitants of a Samaritan village would not receive them, John and James angrily turn to Jesus and say: "Lord, wilt thou that we command fire to come down from heaven, and consume them, even as Elijah did?"(3) A remarkable episode will have presented itself already to the mind of every reader, which the second Synoptic Gospel narrates as follows: Mark