Chapter 5

As I leave Dublin, the houses grow larger and handsomer; and as I draw near the Avenue, the Mansard-roofs look down upon me with their dormer-windows, and welcome me back to the American community. There are fences about all the houses, inclosing ampler and ampler dooryards; the children, which had swarmed in the thriftless and unenlightened purlieus of Dublin, diminish in number and finally disappear; the chickens have vanished; and I hear--I hear the pensive music of the horse-car bells, which in some alien land, I am sure, would be as pathetic to me as the Ranz des Vaches to the Swiss or the bagpipes to the Highlander: in the desert, where the traveller seems to hear the familiar bells of his far-off church, this tinkle would haunt the absolute silence, and recall the exile's fancy to Charlesbridge; and perhaps in the mocking mirage he would behold an airy horse-car track, and a phantasmagoric horse-car moving slowly along the edge of the horizon, with spectral passengers closely packed inside and overflowing either platform.

But before I reach the Avenue, Dublin calls to me yet again, in the figure of an old, old man, wearing the clothes of other times, and a sort of ancestral round hat. In the act of striking a match he asks me the time of day, and, applying the fire to his pipe, he returns me his thanks in a volume of words and smoke. What a wrinkled and unshorn old man! Can age and neglect do so much for any of us? This ruinous person was associated with a hand-cart as decrepit as himself, but not nearly so cheerful; for though he spoke up briskly with a spirit uttered from far within the wrinkles and the stubble, the cart had preceded him with a very lugubrious creak. It groaned, in fact, under a load of tin cans, and I was to learn from the old man that there was, and had been, in his person, for thirteen years, such a thing in the world as a peddler of buttermilk, and that these cans were now filled with that pleasant drink. They did not invite me to prove their contents, being cans that apparently passed their vacant moments in stables and even manure-heaps, and that looked somehow emulous of that old man's stubble and wrinkles. I bought nothing, but I left the old peddler well content, seated upon a thill of his cart, smoking tranquilly, and filling the keen spring evening air with fumes which it dispersed abroad, and made to itself a pleasant incense of.

I left him a whole epoch behind, as I entered the Avenue and lounged homeward along the stately street. Above the station it is far more picturesque than it is below, and the magnificent elms that shadow it might well have looked, in their saplinghood, upon the British straggling down the country road from the Concord fight; and there are some ancient houses yet standing that must have been filled with exultation at the same spectacle. Poor old revolutionaries! they would never have believed that their descendants would come to love the English as we do.

The season has advanced rapidly during my progress from Dublin to the Avenue; and by the time I reach the famous old tavern, not far from the station, it is a Sunday morning of early summer, and the yellow sunlight falls upon a body of good comrades who are grooming a marvelous number of piebald steeds about the stable-doors. By token of these beasts--which always look so much more like works of art than of nature--I know that there is to be a circus somewhere very soon; and the gay bills pasted all over the stable-front tell me that there are to be two performances at the Port on the morrow. The grooms talk nothing and joke nothing but horse at their labor; and their life seems such a low, ignorant, happy life, that the secret nomad lurking in every respectable and stationary personality stirs within me and struggles to strike hands of fellowship with them. They lead a sort of pastoral existence in our age of railroads; they wander over the continent with their great caravan, and everywhere pursue the summer from South to North and from North to South again; in the mild forenoons they groom their herds, and in the afternoons they doze under their wagons, indifferent to the tumult of the crowd within and without the mighty canvas near them,--doze face downwards on the bruised, sweet-smelling grass; and in the starry midnight rise and strike their tents, and set forth again over the still country roads, to take the next village on the morrow with the blaze and splendor of their “Grand Entree.” The triumphal chariot in which the musicians are borne at the head of the procession is composed, as I perceive by the bills, of four colossal gilt swans, set tail to tail, with lifted wings and curving necks; but the chariot, as I behold it beside the stable, is mysteriously draped in white canvas, through which its gilding glitters only here and there. And does it move thus shrouded in the company's wanderings from place to place, and is the precious spottiness of the piebalds then hidden under envious drapery? O happy grooms,--not clean as to shirts, nor especially neat in your conversation, but displaying a Wealth of art in India-ink upon your manly chests and the swelling muscles of your arms, and speaking in every movement your freedom from all conventional gyves and shackles, _“seid umschlungen!”_--in spirit; for the rest, you are rather too damp, and seem to have applied your sudsy sponges too impartially to your own trousers and the horses' legs to receive an actual embrace from a _dilettante_ vagabond.

The old tavern is old only comparatively; but in our new and changeful life it is already quaint. It is very long, and low-studded in either story, with a row of windows in the roof, and a great porch, furnished with benches, running the whole length of the ground-floor. Perhaps because they take the dust of the street too freely, or because the guests find it more social and comfortable to gather in-doors in the wide, low-ceiled office, the benches are not worn, nor particularly whittled. The room has the desolate air characteristic of offices which have once been bar-rooms; but no doubt, on a winter's night, there is talk worth listening to there, of flocks, and herds and horse-trades, from the drovers and cattle-market men who patronize the tavern; and the artistic temperament, at least, could feel no regret if that sepulchrally penitent bar-room then developed a secret capacity for the wickedness that once boldly glittered behind the counter in rows of decanters.

The house was formerly renowned for its suppers, of which all that was learned or gifted in the old college town of Charlesbridge used to partake; and I have heard lips which breathe the loftiest song and the sweetest humor--let alone being “dewy with the Greek of Plato”--smacked regretfully over the memory of those suppers' roast and broiled. No such suppers, they say, are cooked in the world any more; and I am somehow made to feel that their passing away is connected with the decay of good literature.

I hope it may be very long before the predestined French-roof villa occupies the tavern's site, and turns into lawns and gardens its wide-spreading cattle-pens, and removes the great barn that now shows its broad, low gable to the street. This is yet older and quainter-looking than the tavern itself; it is mighty capacious, and gives a still profounder impression of vastness with its shed, of which the roof slopes southward down almost to a man's height from the ground, and shelters a row of mangers, running back half the length of the stable, and serving in former times for the baiting of such beasts as could not be provided for within. But the halcyon days of the cattle-market are past (though you may still see the white horns tossing above the fences of the pens, when a newly arrived herd lands from the train to be driven afoot to Brighton), and the place looks now so empty and forsaken, spite of the circus baggage-wagons, that it were hard to believe these mangers could ever have been in request, but for the fact that they are all gnawed, down to the quick as it were, by generations of horses--vanished forever on the deserted highways of the past--impatient for their oats or hungering for more.

The day must come, of course, when the mangers will all be taken from the stable-shed, and exposed for sale at that wonderful second-hand shop which stands over against the tavern. I am no more surprised than one in a dream, to find it a week-day afternoon by the time I have crossed thither from the circus-men grooming their piebalds. It is an enchanted place to me, and I am a frequent and unprofitable customer there, buying only just enough to make good my footing with the custodian of its marvels, who is, of course, too true an American to show any desire to sell. Without, on either side of the doorway, I am pretty sure to find, among other articles of furniture, a mahogany and hair-cloth sofa, a family portrait, a landscape painting, a bath-tub, and a flower-stand, with now and then the variety of a boat and a dog-house; while under an adjoining shed is heaped a mass of miscellaneous movables, of a heavier sort, and fearlessly left there night and day, being on all accounts undesirable to steal. The door of the shop rings a bell in opening, and ushers the customer into a room which Chaos herself might have planned in one of her happier moments. Carpets, blankets, shawls, pictures, mirrors, rocking-chairs, and blue overalls hang from the ceiling, and devious pathways wind amidst piles of ready-made clothing, show-cases filled with every sort of knick-knack and half hidden under heaps of hats and boots and shoes, bookcases, secretaries, chests of drawers, mattresses, lounges, and bedsteads, to the stairway of a loft similarly appointed, and to a back room overflowing with glassware and crockery. These things are not all second-hand, but they are all old and equally pathetic. The melancholy of ruinous auction sales, of changing tastes or changing fashions, clings to them, whether they are things that have never had a home and have been on sale ever since they were made, or things that have been associated with every phase of human life.

Among other objects, certain large glass vases, ornamented by the polite art of potichomanie, have long appealed to my fancy, wherein they capriciously allied themselves to the history of aging single women in lonely New England village houses,--pathetic sisters lingering upon the neutral ground between the faded hopes of marriage and the yet unrisen prospects of consumption. The work implies an imperfect yet real love of beauty, the leisure for it a degree of pecuniary ease: the thoughts of the sisters rise above the pickling and preserving that occupied their heartier and happier mother; they are in fact in that aesthetic, social, and intellectual mean, in which single women are thought soonest to wither and decline. With a little more power, and in our later era, they would be writing stories full of ambitious, unintelligible, self-devoted and sudden collapsing young girls and amazing doctors; but as they are, and in their time, they must do what they can. A sentimentalist may discern on these vases not only the gay designs with which they ornamented them, but their own dim faces looking wan from the windows of some huge old homestead, a world too wide for the shrunken family. All April long the door-yard trees crouch and shudder in the sour east, all June they rain canker-worms upon the roof, and then in autumn choke the eaves with a fall of tattered and hectic foliage. From the window the fading sisters gaze upon the unnatural liveliness of the summer streets through which the summer boarders are driving, or upon the death-white drifts of the intolerable winter. Their father, the captain, is dead; he died with the Calcutta trade, having survived their mother, and left them a hopeless competency and yonder bamboo chairs; their only brother is in California; one, though she loved, had never a lover; her sister's betrothed married West, whither he went to make a home for her,--and ah! is it vases for the desolate parlor mantel they decorate, or funeral urns? And when in time, they being gone, the Californian brother sends to sell out at auction the old place with the household and kitchen furniture, is it withered rose-leaves or ashes that the purchaser finds in these jars?

They are empty now; and I wonder how came they here? How came the show-case of Dr. Merrifield, Surgeon-Chiropodist here? How came here yon Italian painting?--a poor, silly, little affected Madonna, simpering at me from her dingy gilt frame till I buy her, a great bargain, at a dollar. From what country church or family oratory, in what revolution, or stress of private fortunes,--then from what various cabinets of antiquities, in what dear Vicenza, or Ferrara, or Mantua, earnest thou, O Madonna? Whose likeness are you, poor girl, with your everyday prettiness of brows and chin, and your Raphaelesque crick in the neck? I think I know a part of your story. You were once the property of that ruined advocate, whose sensibilities would sometimes consent that a _valet de place_ of uncommon delicacy should bring to his ancestral palace some singularly meritorious foreigner desirous of purchasing from his rare collection,--a collection of rubbish scarcely to be equaled elsewhere in Italy. You hung in that family-room, reached after passage through stately vestibules and grand stairways; and O, I would be cheated to the bone, if only I might look out again from some such windows as were there, upon some such damp, mouldy, broken-statued, ruinous, enchanted garden as lay below! In that room sat the advocate's mother and hunchback sister, with their smoky _scaldini_ and their snuffy priest; and there the wife of the foreigner, self-elected the taste of his party, inflicted the pang courted by the advocate, and asked if you were for sale. And then the ruined advocate clasped his hands, rubbed them, set his head heart-brokenly on one side, took you down, heaved a sigh, shrugged his shoulders, and sold you--you! a family heirloom! Well, at least you are old, and you represent to me acres of dim, religious canvas in that beloved land; and here is the dollar now asked for you: I could not have bought you for so little at home.

The Madonna is neighbored by several paintings, if the kind called Grecian for a reason never revealed by the inventor of an art as old as potichomanie itself. It was an art by which ordinary lithographs were given a ghastly transparency, and a tone as disagreeable as chromos; and I doubt if it could have been known to the Greeks in their best age. But I remember very well when it passed over whole neighborhoods in some parts of this country, wasting the time of many young women, and disfiguring parlor walls with the fruit of their accomplishment. It was always taught by Professors, a class of learned young men who acquired their title by abandoning the plough and anvil, and, in a suit of ready-made clothing, travelling about the country with portfolios under their arms. It was an experience to make loafers for life of them: and I fancy the girls who learnt their art never afterwards made so good butter and cheese.

“Non-ragioniam di lor, ma guarda e passa.”

Besides the Grecian paintings there are some mezzotints; full length pictures of presidents and statesmen, chiefly General Jackson, Henry Clay, and Daniel Webster, which have hung their day in the offices or parlors of country politicians. They are all statesmanlike and presidential in attitude; and I know that if the mighty Webster's lips had language, he would take his hand out of his waistcoat front, and say to his fellow mezzotints: “Venerable men! you have come down to us from a former generation, bringing your household furniture and miscellaneous trumpery of all kinds with you.”

Some old-fashioned entry lanterns divide my interest with certain old willow chairs of an hour-glass pattern, which never stood upright, probably, and have now all a confirmed droop to one side, as from having been fallen heavily asleep in, upon breezy porches, of hot summer afternoons. In the windows are small vases of alabaster, fly-specked Parian and plaster figures, and dolls with stiff wooden limbs and papier-maché heads, a sort of dolls no longer to be bought in these days of modish, blue-eyed blondes of biscuit and sturdy india-rubber brunettes. The show-case is full of an incredible variety, as photograph albums, fishing-hooks, socks, suspenders, steel pens, cutlery of all sorts, and curious old colored prints of Adelaide, and Kate, and Ellen. A rocking-horse is stabled near amid pendent lengths of second-hand carpeting, hat-racks, and mirrors; and standing cheek-by-jowl with painted washstands and bureaus are some plaster statues, aptly colored and varnished to represent bronze.

There is nothing here but has a marked character of its own, some distinct yet intangible trait acquired from former circumstances; and doubtless all these things have that lurking likeness to former owners which clothes and furniture are apt to take on from long association, and which we should instantly recognize could they be confronted with their late proprietors. It seems, in very imaginative moments, as if the strange assemblage of incongruities must have a consciousness of these latent resemblances, which the individual pieces betray when their present keeper turns the key upon them, and abandons them to themselves at night; and I have sometimes fancied such an effect in the late twilight, when I have wandered into their resting-place, and have beheld them in the unnatural glare of a kerosene lamp burning before a brightly polished reflector, and casting every manner of grotesque shadow upon the floor and walls. But this may have been an illusion; at any rate I am satisfied that the bargain-driving capacity of the storekeeper is not in the least affected by a weird quality in his wares; though they have not failed to impart to him something of their own desultory character. He sometimes leaves a neighbor in charge when he goes to meals, and then, if I enter, I am watchfully followed about from corner to corner, and from room to room, lest I pocket a mattress or slip a book-case under my coat. The storekeeper himself never watches me; perhaps he knows that it is a purely professional interest I take in the collection; that I am in the trade and have a secondhand shop of my own, full of poetical rubbish, and every sort of literary odds and ends, picked up at random, and all cast higgledy-piggledy into the same chaotic receptacle. His customers are as little like ordinary shoppers as he is like common tradesmen. They are in part the Canadians who work in the brickyards, and it is surprising to find how much business can be transacted, and how many sharp bargains struck without the help of a common language. I am in the belief, which may be erroneous, that nobody is wronged in these trades. The taciturn storekeeper, who regards his customers with a stare of solemn amusement as Critturs born by some extraordinary vicissitude of nature to the use of a language that practically amounts to deafness and dumbness, never suffers his philosophical interest in them to affect his commercial efficiency; he drops them now and then a curt English phrase, or expressive Yankee idiom; he knows very well when they mean to buy and when they do not; and they equally wary and equally silent, unswayed by the glib allurements of a salesman, judge of price and quality for themselves, make their solitary offer, and stand or fall by it.

I am seldom able to conclude a pedestrian tour without a glance at the wonderful interior of this cheap store, and I know all its contents familiarly. I recognize wares that have now been on sale there for years; I miss at first glance such accustomed objects as have been parted with between my frequent visits, and hail with pleasure the additions to that extraordinary variety. I can hardly, I suppose, expect the reader to sympathize with the joy I felt the other night, in discovering among the latter an adventurous and universally applicable sign-board advertising This House and Lot for Sale, and, intertwined with the cast-off suspenders which long garlanded a coffee-mill pendent from the roof, a newly added second-hand india-rubber ear-trumpet. Here and there, however, I hope a finer soul will relish, as I do, the poetry of thus buying and offering for sale the very most recondite, as well as the commonest articles of commerce, in the faith that one day the predestined purchaser will appear and carry off the article appointed him from the beginning of time. This faith is all the more touching, because the collector cannot expect to live until the whole stock is disposed of, and because, in the order of nature, much must at last fall to rein unbought, unless the reporter's Devouring Element appears and gives a sudden tragical turn to the poem.

It is the whistle of a train drawing up at the neighboring station that calls me away from the second-hand store; for I never find myself able to resist the hackneyed prodigy of such an arrival. It cannot cease to be impressive. I stand beside the track while the familiar monster writhes up to the station and disgorges its passengers,--suburbanly packaged, and bundled, and bagged, and even when empty-handed somehow proclaiming the jaded character of men that hurry their work all day to catch the evening train out, and their dreams all night to catch the morning train in,--and then I climb the station-stairs, and “hang with grooms and porters on the bridge,” that I may not lose my ever-repeated sensation of having the train pass under my feet, and of seeing it rush away westward to the pretty blue hills beyond,--hills not too big for a man born in a plain-country to love. Twisting and trembling along the track, it dwindles rapidly in the perspective, and is presently out of sight. It has left the city and the suburbs behind, and has sought the woods and meadows; but Nature never in the least accepts it, and rarely makes its path a part of her landscape's loveliness. The train passes alien through all her moods and aspects; the wounds made in her face by the road's sharp cuts and excavations are slowest of all wounds to heal, and the iron rails remain to the last as shackles upon her. Yet when the rails are removed, as has happened with a non-paying track in Charlesbridge, the road inspires a real tenderness in her. Then she bids it take or the grace that belongs to all ruin; the grass creeps stealthily over the scarified sides of the embankments; the golden-rod, and the purple-topped iron-weed, and the lady's-slipper, spring up in the hollows on either side, and--I am still thinking of that deserted railroad which runs through Charlesbridge--hide with their leafage the empty tomato-cans and broken bottles and old boots on the ash-heaps dumped there; Nature sets her velvety willows a waving near, and lower than their airy tops plans a vista of trees arching above the track, which is as wild and pretty and illusive a vista as the sunset ever cared to look through and gild a board fence beyond.