Part 3
It is not easy, at all events for the traveller to whom Byzantine forms are still new, to fix the exact date of the Athenian churches. Nor can he find, at least off-hand, much to help him in easily accessible books. Messrs. Texier and Pullan have put out a splendid book, most valuable for the illustrations of the particular buildings which they think good to describe, but which is useless as a general view of Byzantine architecture, and which does not contain a single Athenian or other Greek example. Mr. J. M. Neale, in his _History of the Holy Eastern Church_, goes far more fully into the matter, though we are sometimes tempted to kick at the guidance of a writer who talks about “Arta in Ambracia,” and who attributes “a long and peaceful reign” to the Slayer of the Bulgarians. Of the periods into which he divides Byzantine art he places the metropolitan Church in the second, which reaches from 537 to 1003. This takes in the time of Eirênê, the Athenian Empress to whom Athenian tradition is fond of attributing the churches of her native city. But most of the Athenian churches, including the two which call for most special notice, he assigns to his third period, 1003-1453. This period, we do not exactly know why, is said to be one of Latin influence; but why should Latin influence come in in 1003 of all years? and what Latin influence is there to be seen in such buildings as the churches of St. Theodore and the Kapnikarea? These are, on the whole, the two most striking churches in Athens. They stand well in open places of the modern city, a relief, though a strange contrast, among its modern forms--a contrast indeed so strong that we have heard it whispered that their destruction has sometimes been dreamed of. If there is any Latin element in either, it is in the church of the Kapnikarea which has a kind of secondary church, with a cupola of its own, alongside of the main building, with its Greek cross and central cupola. This secondary church does not appear at St. Theodore, but the Kapnikarea has another feature which St. Theodore has not, in the form of a large _narthex_, which is surely a special sign of orthodoxy. The remembrance of Peterborough flashed across our mind as we saw this noble portico with its six arches, two wider and four narrower, crowned by four gables. It has suffered much in its effect from the glazing of some of the arches, as well as from the rising of the ground, which has covered the columns up to nearly half their height. This portico is indeed worthy of study; it is a legitimate translation into the language of an arched style of the old portico with its entablature, as the west front of Peterborough is a further translation into the language of a style, not only arched, but pointed. Joining on to the _narthex_ is also a porch on the north side, a porch clearly forming part of the same design, with arches resting on columns, and finished with three gabled faces. Instead of these features, St. Theodore has a simple west front, composed, like ordinary west fronts, of doors and windows. Its most marked external feature is the large bell-gable perched on the south transept. Within, the Kapnikarea has the advantage, as its cupola rests on columns with quasi-Corinthian capitals. Those of the portico have capitals of various forms, mostly unclassical. The material of both these churches is mainly that later form of the alternation of stone and brick which grew out of the earlier Roman masonry, and which we have already seen in Corfu. These churches, and a crowd of others, smaller and less striking, will not be passed unheeded by any one in whose eyes history, whether political or artistic, is one unbroken tale. They are, unless we may claim a place for their corrupt follower in the Turkish mosque, the latest among the antiquities of Athens, and they are not less worthy of study than the earliest. With them we will take our leave of the city of the violet crown, and of the land of which the wisdom of some præ-historic reformer made her more than the head. We pass from Athens and from Attica; one stage more, one bound rather, over the central sea of Greece, will lead us beyond the bounds of Hellas itself. One thought more comes across us as we pass from Athens, as we make ready to pass from Greece. Between the work of the earliest and of the latest Grecian heroes there is a strange likeness. Thêseus--that name will do as well as any other--brought together rival cities to form one abiding commonwealth, and thereby to create the Athens alike of archons, emperors, dukes, and kings. As rival cities forgot their rivalry in the presence of Thêseus, so rival party leaders forget their rivalries in the presence of Kanarês. The hero is gone; and while we write this, Greece, and those who care for Greece, are wondering who can fill his place. His place in truth no one can fill, but the lesson taught by the close of his life ought not to pass away. If rival leaders could work side by side at the bidding of the one man whom all were proud to own as their master, they may go on in the same unselfish path when the voice which calls them to union is no longer the voice of one man, however illustrious, but the voice of their country itself.
Marathôn.
The visitor to Athens, even if he has not time to examine every historic spot in Attica, must at least visit the most historic spot of all, the spot where it was fixed that Attica should remain Attica and that Europe should remain Europe. Mr. Lowe, we may well believe, stood alone in looking on the fight of Marathôn as a matter of small importance, because the day which fixed the destiny of the world saw only a comparatively small amount of slaughter. Mr. Lowe of course really knew better; but there are those who really seem not to know better, those who measure things only by their physical bigness, and cannot take in either their results or their moral greatness. There has often been far more blood shed to decide which of two Eastern despots should have the mastery than was shed to decide that Europe should not fall under the dominion of Eastern despots. Never surely did the future fate of the world hang in the same way on the will of a single man as when the arguments of Miltiadês won over the Polemarch Kallimachos to give his vote for immediate battle. That vote was, as it were, the very climax of European constitutional life. All rested on the voice of one man, not because all authority was vested in one man, but because it was vested in many. When the ten generals were equally divided, Kallimachos gave the casting vote, and Europe remained Europe. It is inconceivable that, if Athenian freedom had been then crushed when it was still in its first childhood, the course of the world’s history could have been what it has been. Enslaved Greece could never have been what free Greece was. Athens and Megalopolis could have been no more than an Ephesos or Milêtos. It may well be that, even if the Eastern peninsula had been rent away from the Western world, the central peninsula might still have stood its ground. The barbarian might still have been checked, and checked for ever, by the hands of Romans or Samnites or Lucanians. The Roman power might still have been spread over the world; the Teuton and the Slave might still have come to discharge their later mission within the Roman world; but a Roman world, untutored by Greece, could never have been what the Roman world of actual history was and is. The men who fought at Marathôn fought as the champions of every later generation of European man. If on the Akropolis of Mykênê we feel that we have some small share, the share of distant kinsmen, in the cradle of the oldest European civilisation, the subject of the oldest European literature--so, as we stand on the barrow of the one hundred and ninety-two who died at Marathôn, we feel that we have a nearer claim, the claim of men who come on pilgrimage to the resting-place of men who died that European lands and European men should be all that they have been.
In fact, on the plain of Marathôn, the famous saying of Johnson becomes clothed with a fuller meaning than its author is likely to have thought of. “That man is little to be envied whose patriotism would not gain force upon the plain of Marathôn.” The saying is true, if we think merely of association, of example, of analogy. It becomes true in a yet higher sense, if we look on the day of Marathôn as being all that it truly is, as having fixed, not only the destiny of Athens, but the destiny of Europe. And we may look on that spot from another point of view, less wide indeed than this, but wider than that which looks on it simply as the scene of a single event of the year 490 before our era. Even setting aside the event which has made Marathôn famous with an undying fame, Marathôn would still have a considerable history, mythical and real--a history some chapters of which come within the memory of many of us. We must remember that, besides the view which looks on Greece as being almost in her first youth on the day of Marathôn, there is another view which looks on Greece as being then already in her decline. The one view is true, if we think only of Athenian democracy, of Athenian art, of Athenian poetry; the other view is no less true in the general history of the Greek nation. When the fight of Marathôn was fought, the bondage of the Greek nation had already begun; the work which was ended by Mahomet the Conqueror had been already begun by Crœsus and Cyrus. Asiatic Greece was already enslaved; the fight of Marathôn was fought in order that European Greece might not be enslaved like it. It may also flash across the minds of some who tread the plain of Marathôn that the fight which Miltiadês waged there in the cause of Hellenic freedom was not the last fight which has been waged on the same ground in the same cause. On that same plain, where the Athenians of one age fought to save Greece from coming under the yoke of the Persian, the Athenians of another age fought to free enslaved Greece from the yoke of the Turk. The modern fight of Marathôn, the fight of July, 1824, hardly ranks among the great events of the War of Independence, as its leader certainly does not rank among the purest heroes of the War of Independence. Yet when Gouras smote the janissaries of Omar of Karystos on the same ground on which Miltiadês had smitten the hosts of Datis and Artaphernês, to an eye which takes in the whole range of Grecian and European history, the fact has something more about it than mere association, than mere coincidence. The two fights of Marathôn were in truth only two stages in one long tale, the tale of the undying struggle between civilisation and the freedom of the West and the barbarian despotism of the Eastern world.
Marathôn, like Eleusis, gives us the usual lesson in Greek geography, and makes us better understand the greatness of that wonderful change which fused all the towns of Attica into a single commonwealth. We see at once that Marathôn--the name was, at least in later use, extended to the whole Tetrapolis--was, no less than Eleusis, designed, according to the common laws of Greek political geography, to form a separate state, distinct from Athens. Indeed it is more thoroughly cut off than Eleusis. In the view from the Akropolis, Pentelikos altogether hides the Marathônian plain; while, though Eleusis is actually kept out of sight by Aigaleôs, Kithairôn and the other greater heights beyond it suggest the existence of the Thriasian plain. Marathôn therefore, naturally enough, has a long mythical history distinct from that of Athens. Not only Thêseus, but Hêraklês and the Hêrakleidai figure in it, and legend tells of a fight of Marathôn earlier than either of those which history records. Hêraklês remained in historical times the chief object of local worship, and it was by his sanctuary that the Athenian host encamped before, what we suppose we must call, the second battle. Athênê too, as on other spots of Attic soil, was not without her temple by the marsh. Marathôn does not appear in the Catalogue any more than Eleusis, and for the same reason as Eleusis. But its name appears in the Odyssey in a passage which may suggest some geographical reflections:
Ὤς ἄρα Φωνήσασ’ ἀπέβη γλαυκῶπις Ἀθήνη Πὸντον ἐπ’ ἀτρύγετον· λίπε δὲ Σχερίην ἐρατεινήν· Ἴκετο δ’ ἐς Μαραθῶνα καὶ εὐρυάἈγυιαν Ἀθήνην, Δῦνε δ’ Ἐρεχθῆος πυκινὸν δόμον·
If Scheriê really be Corfu, this may seem a most unexpected route to Athens, and yet it is hardly more wonderful than the route by Syra by which the modern traveller often actually goes. In history the first appearance of Marathôn is when Peisistratos lands there on his return from exile. The second is when the son of Peisistratos led the Persian host thither, as a fitting place for the use of the cavalry which after all they seemed not to have used. No battle in history has been more minutely examined, and that in some cases by men who united technical military knowledge with a thorough knowledge of the country. Colonel Leake, to mention only one inquirer, has done all that the union of both qualities could do, though one is amazed at his constantly referring to Herodotus as a contemporary writer. Yet, after all his labours, after all the labours of Mr. Finlay and others, everybody complains that the narrative of Herodotus is unsatisfactory. The comments of Dean Blakesley strike us as among the most acute that have been made. One may doubt whether Herodotus had ever been there; he certainly shows no knowledge of the ground. He makes no mention of the marshes which form so marked a feature in the character of the Marathônian plain. The marshes lie between the sea and the fighting-ground, as the fighting-ground lies between the marsh and the mountains. The marsh is not only not mentioned by Herodotus, but his account seems almost inconsistent with its existence. But Pausanias saw the picture in the Poikilê which showed the Persians falling into the marsh. It is like appealing to the Bayeux Tapestry from the later accounts of the battle of Senlac. Pausanias, though he lived so many ages after, was in this way really nearer to the time than Herodotus. The picture commemorated the fact; Herodotus tells the story as it had grown up a generation later. By that time, as Dean Blakesley says, the story had come under the operation of the law by which “popular tradition rapidly drops all those particulars of a battle which evince strategic genius, and substitutes for them exaggerated accounts of personal bravery.” Miltiadês, as a good general, took advantage of the ground, and largely owed his success to the nature of the ground. Popular tradition made everything be done by sheer hard fighting.
In short, almost every detail of this memorable fight seems shrouded in uncertainty. It is hard to fix the exact position of either army, and the very name of Marathôn has perhaps shifted its place. The site of the old town seems quite as likely to be, not at the modern Marathôn, but, as Colonel Leake puts it, at Brana. Yet, amid all this doubt, there is essential certainty. Of the work that was done that day, of the general site, there is no doubt, and the most living and speaking monument of all is there to bear its witness. We stand, not, as the poet puts it, on the Persians’ grave, but on the mound which covers the ashes of the men of Athens who fell that day. Within the space between the bay with its blue waters and the hills which fence in the plain, the fate of Europe was fixed. We stand on the mound; the eye passes over the hills, from Probalinthos to the cape of Kynosoura. We look on the older and the newer candidate of the name of Marathôn; we look on the hill where older legends fixed the home of Pan, and where the later name of Drakonera speaks of some older or later dragon myth. We know that it was within these bounds that the might of Asia was broken by the force of two Hellenic cities. Standing on that mound, instead of dreaming, as the poet dreamed in the days of enslaved Greece, we may call to mind how, in the cycle of human things, another triumph of Europe over Asia was won on the same spot, and if there be, as other poets tell us, two special voices which call to freedom, no spot could be better chosen for the work that was done there than the Marathônian plain. Once that land was said to be
Unchanged in all except its foreign lord.
Now the foreign lord is gone, and for the rest no change is needed. The mountains are there, the sea is there, and, almost as imperishable as themselves, the mound of the fallen heroes is there also. At no great distance from the mound, some stones remain which are held to mark the separate monument of the leader of that day’s battle. Standing there, by the grave of Miltiadês, we think of that day only. On the plain of Marathôn, we will not think either of Paros or of Chersonêsos.
While we write, perhaps no inopportune moment, the news comes that Greece has lost the last and the noblest of her later heroes. The man of other times in whom all his countrymen trusted--the man before whom the chiefs of contending parties could lay their jealousies aside--is taken away from his country in the moment of her utmost need. One tie which binds us to the past is rudely snapped, when the last of the heroes of the past, the last of the ἡμιθέων γένος ἀνδρῶν, passes away from the work to which his county had again called him. After a life of ninety years and more--a life in which the severest of censors, whose scourge spared neither Greek nor Englishman, could not find a single flaw--the hero of the fire-ships is no more. The name of Constantine Kanarês is added to the same roll of departed worthies as Miaoulês and Botzarês, as Church and Hastings. And in the long list of men who for so many ages have done honour to the Hellenic name, among the chosen few whose glory no speck tarnishes, along with Phormiôn and Kallikratidas, men of his own calling and his own element, the pen of history will engrave no nobler name than the name of him who has just gone, of him who has as truly died in the service of his country as if he had fallen fifty years back, like Kynaigeiros himself by the shore of Marathôn.
The Saronic Gulf.
Travelling in Greece has in some measure to be done backwards. The stranger who reaches Athens, as it will often be convenient to reach it, by way of Syra, and who does not mean to cross the bounds of the Greek kingdom, will naturally take Athens on his way homewards. The voyage from Syra to Athens is a voyage made from the rising to the setting sun. In the like sort Athens itself is the practical centre for many points which lie to the west of it, and which geographically form further steps on the return journey. To a traveller of the age of Pausanias, one of the earliest of antiquarian travellers in the modern sense, Athens might have seemed a strange centre for a journey in the Argolic land, with Mykênê as its main object. Mykênê was in his day as desolate as it is now, but Argos and Corinth were in a very different case. In his day Argos and Corinth were united by a carriage road, as there is hope that they may before long be united again. The sea was then less thoroughly the highway of Hellas than it had been in earlier times, or than it has become again in later times. Now the traveller who has not a frame of extra hardihood will most likely look on Mykênê and what naturally goes with Mykênê as an excursion to be done from the capital, an excursion as great a part of which as possible is to be made by water. That is to say, the most natural approach to the Argolic land will be to most travellers by sea from Peiraieus to Nauplia. The traveller will thus begin his researches with one of those charming voyages among islands and peninsulas which form so special a feature in Greek travel. The voyage from Peiraieus to Nauplia strongly brings out some of the characteristics of Greek geography and history. As Sulpicius remarked long ago, famous cities lie close together. We better understand the nature of Greek politics and Greek warfare when we fully take in the fact that so many of the contending powers lay within sight of one another. This feeling comes strongly into the mind when we look down from such a point as the hill of Brescia and see the commonwealths of Lombardy grouped as it were in order before us. But there is a wide difference between commonwealths thus grouped, almost as it were in regular array, marked each by its tower rising from the boundless plain, and commonwealths the site of each of which forms a marked natural feature, an island, a promontory, an inland hill. We see why the duration of the Greek commonwealths was far longer than those of Lombardy, and why they were not in the same way easily brought together under the hands of a few powerful lords. Mr. Mahaffy, who occasionally arrives at untrustworthy conclusions on things which he has not sufficiently studied, but who yields to few in keenness of observation on the things which he has really studied, has some good remarks on the geographical separation between state and state which was brought about by the physical features of the country, above all by the mountain ranges. Athens and Thebes were, as modern states go, very near to one another, but Athens and Thebes had real difficulties in getting at one another. The sea indeed was, whether for peaceful or for war-like purposes, not a barrier but a highway, but just as the physical position of the Greek commonwealths gave them a more distinct national being, so the long and winding coasts of the islands and peninsulas on which so many of them were placed gave them, near as they lay together, an actual extent of territory altogether out of proportion to their nearness. Thus, short as the life of the commonwealths of ancient Greece seems to us, it was at least far longer than the life of the commonwealths of mediæval Italy. Of the last, the few that survived were just those whose geographical position enabled them to survive. Venice and Genoa speak for themselves; so does Ragusa on the other side of the great gulf. Lucca too, it has been well observed, was, just like Athens and Thebes, cut from its neighbour Pisa by mountains which hindered either of the once rival states from seeing each other.