Category: Music

Studies in modern music, second series

The writer wishes to express his most cordial thanks to Mr E. W. Hennell, for permission to use the two portraits of Chopin; to Herr E. Mandyczewski, Librarian of the Gesellschaft der Musikfreunde at Vienna, for assistance in the study of newspaper records and other documents;...

Chapters

21. Part 21

And as we find an organic unity in the emotional aspect, so we find an organic diversity in the choice of keys. Except for the obvious principle, that first and last movements m...

8. Part 8

A few short weeks and the conqueror is in the dust. Nothing in all Chopin's life is more striking than the sudden and entire change which followed as a reaction from the excitem...

16. Part 16

At the same time we must remember that the racial element is only one among formative conditions, and that it is itself a factor in personal idiosyncrasy. 'Just what constitutes...

9. Part 9

By the middle of 1831 he had made up his mind to proceed to Paris. To return home would be merely to confess himself beaten: Italy was put out of the question by its political t...

2. Part 2

Third, and most vital of the three, is the rational or logical side, through which we appraise an artistic work, not by any test of sensuous pleasure or emotional stimulus, but...

12. Part 12

This want of manliness, moral and intellectual, marks the one great limitation of Chopin's province. It is, of course, wholly unreasonable to make it a subject of complaint; we...

20. Part 20

It is impossible, then, to estimate a composer without special reference to his historical conditions. For the whole of his work consists in expressing thought, which he origina...

18. Part 18

His first halting-place was the little town of Winterthur, between Zurich and Constance. German Switzerland had long shown a warm hospitality to musicians, and a cordial interes...

13. Part 13

At the bottom of the street a lane turns across toward the church, passing on its way a homestead which could take rank with an English farm-house of moderate pretension. An arc...

3. Part 3

Such examples of artistic failure are not always ignoble. It is quite possible that a man may be preoccupied with some scientific aspect of his art, that he may write not from t...

14. Part 14

Such was the cause in which Dvořák found himself enlisted when he closed behind him the door of the Organ School, and set forth boldly in quest of a career. At first, no doubt,...

19. Part 19

After this period of vigorous activity there followed two years of almost entire repose. In 1869, a couple of concert tours were projected--one in Holland and one in Russia, but...

7. Part 7

An atmosphere so heavy with adulation might well have poisoned a nature less lovable or less simple-hearted. But its only effect on Chopin was to increase still further his natu...

15. Part 15

But Dvořák could not wholly give up to mankind what was meant, in the first instance, for a patriotic party. The opening of the New Bohemian Theatre in 1881 recalled him from Le...

11. Part 11

In the latter part of February came the outbreak of the revolution, and Chopin's further stay in Paris was rendered impossible. At no time could he have heard the presage of war...

5. Part 5

This objection is only of force if it confines itself to the bare truism, that inspiration is not a matter which we can define. It breaks down if it goes on to infer that inspir...

10. Part 10

Never, since the days of the Ten Thousand, was there a more disastrous expedition. No doubt the scenery was magnificent enough to justify all Count Valdemosa's patriotism, but i...

1. Part 1

The writer wishes to express his most cordial thanks to Mr E. W. Hennell, for permission to use the two portraits of Chopin; to Herr E. Mandyczewski, Librarian of the Gesellscha...

4. Part 4

A complete discussion of musical structure would involve a history of the art from the year 1600. It must therefore suffice for the present purpose to note the main stages of de...

6. Part 6

The second objection is of more interest. Grant, it may be said, that our analysis enables us in some measure to explain the supreme masterpieces of Music, there will still rema...

17. Part 17

It was in 1847 that Brahms, at the age of fourteen, made his début before a Hamburg audience. His performance, which included a set of original variations on a Volkslied, was re...

22. Part 22

Beethoven, illustrations from, 7, 11, 20, 22, 24, 30, 33, 39, 42, 43, 46, 47, 51-53, 55, 64, 66-68, 70, 72, 80, 97, 98, 106, 149, 153, 156, 157, 163, 167, 168, 189, 221, 223, 22...

23. Part 23

'The writings of the author of "Studies in Modern Music" are invariably distinguished by learning and acuteness, and this little volume is no exception to a rule which has alrea...