Stories That End Well

Part 7

Chapter 74,201 wordsPublic domain

By now they were rattling through the modern town of Heidelberg, the plain walls of which looked bare after the lawless pomp of carving and form on the old castle; they had not even the bizarre, affected grace of the architecture then decking American countrysides. But Margaret thought how homelike and honest the houses looked; staunch and trusty, like the German. Butler, just then, was praising American buggies, from which he made a general transition to the customs of society. "In America, is it not," says he, "the young ladies drive alone with young men?"

"Yes, very often. But not with you?"

"Oh, no, _mein fraulein_, this is the first time I am alone with a young lady!"

She had called herself old for so long that there was a distinct pleasure in being "a young lady" to him, and she had not time to remember it partook of the nature of deceit, because he sent a wave of confusion over her by continuing: "In America, also, one would propose marriage to a lady, herself, before to her father?"

"It is our custom," agreed Margaret, "but"--with her prim teacher's air--"your custom is far more decorous."

His face fell, then promptly brightened. "Perhaps it would be best to speak to both, so near the same time one can. But this is another thing you must explain me. How is it most preferable to the lady, that one shall write or shall come--"

"Oh, write," said Margaret quickly. How silly of her to suddenly feel so frightened; she wished that she were in a room and not in a carriage with him; involuntarily she shrank back into her own corner, and she found that she was playing with the soiled and frayed edges of a tear in the cloth of the side-curtain and watching her pearl-colored fingers. Those gloves she had put on new, that day. How reckless! But she had not the resolution to desist. His voice dragged a little, "Ah, yes, if she would refuse, but if--_not_?"

"In any case," said she.

"Look!" he exclaimed, "at the sunset. Ah, is it not lovely?"

Of a sudden they were looking, not at the sunset, but into each other's eyes; and all about them was that wonderful, transfiguring glow, and it seemed as if there were nothing in the whole world that he had not said.

"Is it to the right, Herr Captain?" asked the driver, turning on his seat to divide a benign and semi-intoxicated smile between them.

Then it was hardly a moment until the yellow stucco of the pension jumped at their eyes, around a corner; and there were the clergyman's widow and the teacher at the door. They fell upon the carriage in a clamor of explanation and sympathy; they were at her side when he bowed over her hand and kissed it, saying, "_Aufwiedersehen_."

That was all. There was never any more. He did not come again. Or if he came, she was not there, since the next day they were on their way to Bremen, summoned by cable to her sister's deathbed. She never heard from him or of him again. Yet she had left her American address with his aunt for any letters that might need to be forwarded, and a stiff little note of thanks and farewell--a perfectly neutral note such as any friend might give or receive. There followed weeks crowded with sorrow and business (the sister was a widow without children, and she shared her estate with her other sister); and Margaret imputed her deep depression to these natural and sufficient causes. She rated herself for vanity in reading her own meanings into a courteous young man's looks and his intelligent interest in national difference of manners. She fostered her shame with the New Englander's zest for self-torture. But one afternoon, without warning, there fell upon her a deep and hopeless peace. It was as if some invisible power controlled and changed all the currents of her thought. She _knew_ that her friend was not faithless or careless; he was dead. She began to weep gently, thinking pitifully of his old father with the loud voice, and his fragile mother and the sister and brother and the little nephew. "Poor people," she murmured, wishing, for the first time in her life, to make some sign of her sorrow for them to them, she who always paid her toll of sympathy, but dreaded it and knew that she was clumsy. She remembered the day at the castle, and went over again each word, each look. A sensation that she could not understand, full of awe and sweetness, possessed her. It was indescribable, unthinkable, but it was also irresistible. Under its impulse she went to a trunk in another room, from which she had not yet removed all the contents, and took out her Heidelberg photographs. She said to herself that she would look at the scenes of that day. In her search she came upon a package of her own pictures which had come the morning of the day that she had gone. She could not remember any details of receiving them, except that she had been at the photographer's the day before and paid for them. When they came she was in too great agitation (they were just packing) to more than fling them into a tray. She could not tell why she took the _cartes_ out of the envelope and ran them listlessly through her fingers; but at the last of the package she uttered a cry. The last _carte_ was a picture of Max, with the inscription in his own hand, "Thine for ever." It is not exact to say that with the finding of the picture her doubt of his affection for her vanished; for in truth, she had no doubts, the possession was too absolute. But the sight came upon her as the presence of a mortal being, alive and visible, comes on one when he enters a room. And there is no question that it was a comfort; if she had really loved Max, at this time, the knowledge of his death would have been her cruelest shock; for then she could have no hope to meet him again in the world--no hope of some explanation and the happiness of life together. But she was not in love with the young German, she was touched by his admiration, she admired him tenderly, she felt the moving of a subtle attraction which she called friendship and which might pass into a keener feeling; but she did not love him. Not then. Therefore, she felt a sweetness in her pain; she could respect herself once more; she had a new and mystical joy; for was she not beloved above women? Had not her lover come to her, through what strange paths who may know, to comfort her? This is the story of the picture. She could not tell it. Nor did she; but she hung Max's portrait on the walls of her little parlor; and she hung opposite a picture of the castle; and from that day, never a day passed that it did not influence her. She used to think her thoughts before it. She came to it with her grief for the loss of kindred and friends, with her loneliness, with her anxieties, with her aspirations, her plans, her cares for others, her slowly dawning interests and affections. She was a reticent woman, who might never have allowed her heart to expand to her husband himself, beyond a certain limit; but she hid nothing from Max. In time, she fell into the habit of talking to the picture. She called him Max. The first time she spoke his name she blushed. She made her toilets for him more than for the world; but whether Max could admire them or not, it is certain that the girls knew every change in her pretty gowns. Her sense of having been loved had its effect on her manner, and a deeper effect on her heart. At thirty she was a New England nun; at forty she was the woman who understands. The love which the shrinking and critical girl repelled at its first step toward her, without knowing, the woman who pitied and who understood, attracted, quite as unconsciously.

"It is very queer, Max," she said, "that in my old age men should want to marry me. But I like you best."

Only the day before, she had said that; and she had said, "I am happy, Max. Isn't it strange! But I am." Only yesterday--and now there was nothing. The Max that she had grown to love, with the gradual, imperceptible advance of affection, sweet to her shy nature--that Max had never been. No doubt all the while, over in Germany, a stout and phlegmatic German landlord had been caring for his vineyards and playing the war lord in the landwehr and living very comfortably with the doughfaced German girl whose hair was lighter than her complexion, whom the countess wanted him to marry; a man as unlike the high-souled knight of her fancy as--as she, herself, was unlike the girl's image! Worst of all was her own weak, false behavior. "No," she cried, in an access of bitterness, "the worst is that I can't feel _that_ the worst; I can only feel I have lost him, for ever! I don't seem to mind that I have lost myself!"

Now she began to pace the room, trying to think clearly. Was it her duty to tell Florence the story and let her tell the girls? The red-hot agony of the idea seemed to her excited conscience an intimation that it _was_ her duty from which she shrank because she was a selfish, hysterical, dishonorable coward. Horrible as such abasement would be, if it were her duty, she could do it; what she could not, what she _would_ not do, was to tear the veil from that pure and mystical passion which had been the flower of her heart. "Not if it cost me my soul," she said, with the frozen quiet of despair; "it is awful, but I can't do it!" One thing did remain; she could remove the picture. That false witness of what had never been should go. No eyes should ever fall on it again. It should never deceive more. She walked toward it firmly. She lifted her hand--and it fell. "I can't!" she moaned. "I'll do it to-morrow." She could not remember, in years, so weak a compromise offered her conscience.

But she felt a sense of respite, almost relief, once having decided, and she recovered her composure enough to go to her chamber and bathe her eyes. While she was thus engaged she heard a knock. "It is he," she said quietly; "well, the sooner the better."

It was he; he had come earlier than he expected, he explained; he was most grateful for Miss Wing's kind message. He looked like his uncle, as the members of a family will look alike. He was not so tall; he was not so handsome. Perhaps most people would call him more graceful. And his English was faultless; he must have spoken it from his childhood. In the midst of his first sentences, before they had permitted him to take a chair, his eyes traveled past Miss Wing's face. She perceived that he saw the picture; she knew that she grew pale; but, to her amazement, a calm like the calm which had wrapped her senses on the day of her finding the picture, closed about her again. "I beg pardon?" said he.

"Yes, that is Count von Butler's portrait," said she, in a clear voice, without emotion. He was not so composed. "Then it _was_ you," he said. Following her example, he took a chair and looked earnestly at the pictured face. "When Miss Raimund spoke of you so warmly, I noticed that the name was the same, and I determined to inquire, but it seemed to me unlikely. Yet it is. Miss Wing, I have a message to you, from my uncle."

She noticed that there were gold motes in the air; and his pleasant, blond face seemed to wander through them; the room was full of sunlight.

"I was with him when he died."

That was a strange thing to hear when the message of his uncle's death had come to him in another country; she hoped that her brain was not going to play her false.

"It was fifteen years ago last July, you know. I never knew how many details you received, or only the bare fact in the papers."

Fifteen years! fifteen years! What was that date he was giving? That was the day on which she sailed for America, the day after--what was that story he was telling of a visit and a fire and a child rescued and an accident? But still she listened with the same iron composure. The next words she heard distinctly.

"It was like him to lose his life that way; and he did not grudge it. Yet it was hard that I should be the only one of his blood with him. He could speak with difficulty when he told me to take a lock of hair and his signet ring to you. He dictated the address, himself, to me. 'You must be sure and take it,' he said. 'It is to the lady that I hoped would be my betrothed; you must tell grandmamma about it, too. She has my picture and she knows--but tell her'--and then, I think his mind must have wandered a little, for he smiled brightly at me, saying, '_I'll_ tell her, myself,' and then the doctors came. He said nothing more, only once, they told me, he murmured something about his betrothed. But I had the ring; he took it off his finger and kissed it and gave it to me. Child as I was, I knew that it was sacred. I wrapped it in the paper, and afterward I put the lock of hair beside it. So soon as I could, I went to Heidelberg, to the pension. You had gone and there was no address, no trace--"

"I left my address with the countess--"

"My aunt is dead," said the young German gravely. "I would not criticize her, but she had her own choice of a wife for my uncle; I do not think one could trust her with addresses."

"We all gave ours to her to give to Frau Mueller."

"That is why, then, I could not find you. My grandmother also tried. But you were gone. I thought of the banks, long after, but I found nothing. Often it has seemed dreadful that you should learn of this only through the papers. But I could not tell whether--_anything_. When I came to America, I confess it was always in my mind. I always carried my uncle's little packet with me. I will have it sent to you."

"Excuse me," said Miss Wing gently. "Will you please bring me the glass of water--I--am afraid--I can't walk to it."

But she would not let him pour the water on his handkerchief to bathe her head. She sipped the water, and very pale, but quite herself, brought him back to his own matters. She found that it was a cousin, miscalled an uncle, in the German manner, who had died. It did not seem to her that Max's nephew could be unworthy of any girl; yet she conscientiously questioned him regarding his worldly affairs, for Florence was an only daughter whose father had great possessions and a distrust of adventurers, and at last she sent him forth to walk in the grove with his sweetheart. "And speak to her," she said, with a look that sank into his heart; "it is the American way; don't wait to write, the American way is best."

So, at last, she was alone. Alone with her lover who had always been true; whose love many waters could not quench, and it was stronger than death. She often pondered, afterward, whether there had not been some note written to her and sent with the photographs; whether the countess might not have tampered with the package, taking the note, but not suspecting the picture. But none of these puzzles troubled her to-day. She stood in front of the picture. All the years, an obscure and virginal shyness had withheld her from ever overstepping her first attitude. She told him every thought of her heart in regard to others and herself. He was her dearest friend. She called him "Max" and "my friend." Recalling the French use of the latter term, she used it sometimes with a little flutter of the heart. But those innocent endearments that a woman keeps for her lover's portrait--to make amends for not proffering them of free will to the poor fellow himself--these it would have shocked her to imagine. She never touched the picture, save reverently to dust it, to take it down when she went away, to replace it in its station when she returned. But now, trembling, yet not blushing, she took the picture into her hands. She looked long into its eyes; she kissed it with a light and timid kiss, and swiftly hid the smiling face against her heart, pressing the frame in both hands, and touching it with her cheek bent over it, while she whispered: "You _did_ tell me. You came back and told me. I love you. Max, my knight--my husband!"

THE STOUT MISS HOPKINS' BICYCLE

There was a skeleton in Mrs. Margaret Ellis' closet; the same skeleton abode also in the closet of Miss Lorania Hopkins.

The skeleton--which really does not seem a proper word--was the dread of growing stout. They were more afraid of flesh than of sin. Yet they were both good women. Mrs. Ellis regularly attended church, and could always be depended on to show hospitality to convention delegates, whether clerical or lay; she was a liberal subscriber to every good work; she was almost the only woman in the church aid society that never lost her temper at the soul-vexing time of the church fair; and she had a larger clientele of regular pensioners than any one in town, unless it were her friend, Miss Hopkins, who was "so good to the poor" that never a tramp slighted her kitchen. Miss Hopkins was as amiable as Mrs. Ellis, and always put her name under that of Mrs. Ellis, with exactly the same amount, on the subscription papers. She could have given more, for she had the larger income; but she had no desire to outshine her friend, whom she admired as the most charming of women.

Mrs. Ellis, indeed, was agreeable as well as good, and a pretty woman to the bargain, if she did not choose to be weighed before people. Miss Hopkins often told her that she was not really stout; she merely was a plump, trim little figure. Miss Hopkins, alas! was really stout. The two waged a warfare against the flesh equal to the apostle's in vigor, although so much less deserving of praise.

Mrs. Ellis drove her cook to distraction with divers dieting systems, from Banting's and Doctor Salisbury's to the latest exhortations of some unknown newspaper prophet. She bought elaborate gymnastic appliances, and swung dumbbells and rode imaginary horses and propelled imaginary boats. She ran races with a professional trainer, and she studied the principles of Delsarte, and solemnly whirled on one foot and swayed her body and rolled her head and hopped and kicked and genuflected in company with eleven other stout and earnest matrons and one slim and giggling girl who almost choked at every lesson. In all these exercises Miss Hopkins faithfully kept her company, which was the easier, as Miss Hopkins lived in the next house, a conscientious Colonial mansion with all the modern conveniences hidden beneath the old-fashioned pomp.

And yet, despite these struggles and self-denials, it must be told that Margaret Ellis and Lorania Hopkins were little thinner for their warfare. Still, as Shuey Cardigan, the trainer, told Mrs. Ellis, there was no knowing what they might have weighed had they not struggled.

"It ain't only the fat that's _on_ ye, moind ye," says Shuey, with a confidential sympathy of mien; '"it's what ye'd naturally be getting in addition. And first ye've got to peel off that, and then ye come down to the other."

Shuey was so much the most successful of Mrs. Ellis' reducers that his words were weighty. And when at last Shuey said, "I got what you need," Mrs. Ellis listened. "You need a bike, no less," says Shuey.

"But I never could ride one!" said Margaret, opening her pretty brown eyes and wrinkling her Grecian forehead.

"You'd ride in six lessons," pronounced Shuey.

"But how would I _look_, Cardigan?"

"You'd look noble, ma'am!"

"What do you consider the best wheel, Cardigan?"

Fear of being accused of advertising prevents my giving Cardigan's answer; it is enough that the wheel glittered at Mrs. Ellis' door the very next day, and that a large pasteboard box was delivered by the expressman the very next week. He went on to Miss Hopkins', and delivered the twin of the box, with a similar yellow printed card bearing the impress of the same great firm on the inside of the box cover. For Margaret had hied her to Lorania Hopkins the instant Shuey was gone. She presented herself breathless, a little to the embarrassment of Lorania, who was sitting with her niece before a large box of cracker-jack.

"It's a new kind of candy; I was just _tasting_ it, Maggie," faltered she, while the niece, a girl of nineteen, with the inhuman spirits of her age, laughed aloud.

"You needn't mind me," said Mrs. Ellis cheerfully; "I'm eating potatoes now!"

"Oh, Maggie!" Miss Hopkins breathed the words between envy and disapproval.

Mrs. Ellis tossed her brown head airily, not a whit abashed. "And I had beer for luncheon, and I'm going to have champagne for dinner."

"Maggie, how do you dare? Did they--did they taste good?"

"They tasted _heavenly_, Lorania. Pass me the candy. I am going to try something new--the thinningest thing there is. I read in the paper of one woman who lost forty pounds in three months, and is losing still!"

"If it is obesity pills, I--"

"It isn't; it's a bicycle. Lorania, you and I must ride! Sibyl Hopkins, you heartless child, what are you laughing at?"

Lorania rose; in the glass over the mantel her figure returned her gaze. There was no mistake (except that, as is often the case with stout people, _that_ glass always increased her size), she was a stout lady. She was taller than the average of women, and well proportioned, and still light on her feet; but she could not blink away the records; she was heavy on the scales. Did she stand looking at herself squarely, her form was shapely enough, although larger than she could wish; but the full force of the revelation fell when she allowed herself a profile view, she having what is called "a round waist," and being almost as large one way as another. Yet Lorania was only thirty-three years old, and was of no mind to retire from society, and have a special phaeton built for her use, and hear from her mother's friends how much her mother weighed before her death.

"How should _I_ look on a wheel?" she asked, even as Mrs. Ellis had asked before; and Mrs. Ellis stoutly answered, "You'd look _noble_!"

"Shuey will teach us," she went on, "and we can have a track made in your pasture, where nobody can see us learning. Lorania, there's nothing like it. Let me bring you the bicycle edition of _Harper's Bazar_."

Miss Hopkins capitulated at once, and sat down to order her costume, while Sibyl, the niece, revelled silently in visions of a new bicycle which should presently revert to her. "For it's ridiculous, auntie's thinking of riding!" Miss Sibyl considered. "She would be a figure of fun on a wheel; besides, she can never learn in this world!"

Yet Sibyl was attached to her aunt, and enjoyed visiting Hopkins Manor, as Lorania had named her new house, into which she moved on the same day that she joined the Colonial Dames, by right of her ancestor the great and good divine commemorated by Mrs. Stowe. Lorania's friends were all fond of her, she was so good-natured and tolerant, with a touch of dry humor in her vision of things, and not the least a Puritan in her frank enjoyment of ease and luxury. Nevertheless, Lorania had a good, able-bodied New England conscience, capable of staying awake nights without flinching; and perhaps from her stanch old Puritan forefathers she inherited her simple integrity, so that she neither lied nor cheated--even in the small whitewashed manner of her sex--and valued loyalty above most of the virtues. She had an innocent pride in her godly and martial ancestry, which was quite on the surface, and led people who did not know her to consider her haughty.