Part 2

The other boys shouted themselves hoarse with delight. But Phatik was a little frightened. He knew what was coming. And, sure enough, MAekhan rose from Mother Earth blind as Fate and screaming like the Furies. He rushed at Phatik and scratched his face and beat him and kicked him, and then went crying home. The first act of the drama was over.

Phatik wiped his face, and sat down on the edge of a sunken barge by the river bank, and began to chew a piece of grass. A boat came up to the landing and a middle-aged man, with grey hair and dark moustache, stepped on shore. He saw the boy sitting there doing nothing and asked him where the Chakravortis lived. Phatik went on chewing the grass and said: "Over there," but it was quite impossible to tell where he pointed. The stranger asked him again. He swung his legs to and fro on the side of the barge and said: "Go and find out," and continued to chew the grass as before.

But now a servant came down from the house and told Phatik his mother wanted him. Phatik refused to move. But the servant was the master on this occasion. He took Phatik up roughly and carried him, kicking and struggling in impotent rage.

When Phatik came into the house, his mother saw him. She called out angrily: "So you have been hitting MAekhan again?"

Phatik answered indignantly: "No, I haven't! Who told you that?"

His mother shouted: "Don't tell lies! You have."

Phatik said sullenly: "I tell you, I haven't. You ask MAekhan!" But MAekhan thought it best to stick to his previous statement. He said: "Yes, mother. Phatik did hit me."

Phatik's patience was already exhausted. He could not bear this injustice. He rushed at MAekhan and hammered him with blows: "Take that," he cried, "and that, and that, for telling lies."

His mother took MAekhan's side in a moment, and pulled Phatik away, beating him with her hands. When Phatik pushed her aside, she shouted out: "What! you little villain! Would you hit your own mother?"

It was just at this critical juncture that the grey-haired stranger arrived. He asked what was the matter. Phatik looked sheepish and ashamed.

But when his mother stepped back and looked at the stranger, her anger was changed to surprise. For she recognized her brother and cried: "Why, Dada! Where have you come from?"

As she said these words, she bowed to the ground and touched his feet. Her brother had gone away soon after she had married; and he had started business in Bombay. His sister had lost her husband while he was there. Bishamber had now come back to Calcutta and had at once made enquiries about his sister. He had then hastened to see her as soon as he found out where she was.

The next few days were full of rejoicing. The brother asked after the education of the two boys. He was told by his sister that Phatik was a perpetual nuisance. He was lazy, disobedient, and wild. But MAekhan was as good as gold, as quiet as a lamb, and very fond of reading. Bishamber kindly offered to take Phatik off his sister's hands and educate him with his own children in Calcutta. The widowed mother readily agreed. When his uncle asked Phatik if he would like to go to Calcutta with him, his joy knew no bounds and he said: "Oh, yes, uncle!" in a way that made it quite clear that he meant it.

It was an immense relief to the mother to get rid of Phatik. She had a prejudice against the boy, and no love was lost between the two brothers. She was in daily fear that he would either drown MAekhan some day in the river, or break his head in a fight, or run him into some danger. At the same time she was a little distressed to see Phatik's extreme eagerness to get away.

Phatik, as soon as all was settled, kept asking his uncle every minute when they were to start. He was on pins and needles all day long with excitement and lay awake most of the night. He bequeathed to MAekhan, in perpetuity, his fishing-rod, his big kite, and his marbles. Indeed, at this time of departure, his generosity towards MAekhan was unbounded.

When they reached Calcutta, Phatik made the acquaintance of his aunt for the first time. She was by no means pleased with this unnecessary addition to her family. She found her own three boys quite enough to manage without taking any one else. And to bring a village lad of fourteen into their midst was terribly upsetting. Bishamber should really have thought twice before committing such an indiscretion.

In this world of human affairs there is no worse nuisance than a boy at the age of fourteen. He is neither ornamental nor useful. It is impossible to shower affection on him as on a little boy; and he is always getting in the way. If he talks with a childish lisp he is called a baby, and if he answers in a grown-up way he is called impertinent. In fact any talk at all from him is resented. Then he is at the unattractive, growing age. He grows out of his clothes with indecent haste; his voice grows hoarse and breaks and quavers; his face grows suddenly angular and unsightly. It is easy to excuse the shortcomings of early childhood, but it is hard to tolerate even unavoidable lapses in a boy of fourteen. The lad himself becomes painfully self-conscious. When he talks with elderly people he is either unduly forward, or else so unduly shy that he appears ashamed of his very existence.

Yet it is at this very age when, in his heart of hearts, a young lad most craves for recognition and love; and he becomes the devoted slave of any one who shows him consideration. But none dare openly love him, for that would be regarded as undue indulgence and therefore bad for the boy. So, what with scolding and chiding, he becomes very much like a stray dog that has lost his master.

For a boy of fourteen his own home is the only Paradise. To live in a strange house with strange people is little short of torture, while the height of bliss is to receive the kind looks of women and never to be slighted by them.

It was anguish to Phatik to be the unwelcome guest in his aunt's house, despised by this elderly woman and slighted on every occasion. If ever she asked him to do anything for her, he would be so overjoyed that he would overdo it; and then she would tell him not to be so stupid, but to get on with his lessons.

The cramped atmosphere of neglect oppressed Phatik so much that he felt that he could hardly breathe. He wanted to go out into the open country and fill his lungs with fresh air. But there was no open country to go to. Surrounded on all sides by Calcutta houses and walls, he would dream night after night of his village home and long to be back there. He remembered the glorious meadow where he used to fly his kite all day long; the broad river-banks where he would wander about the live-long day singing and shouting for joy; the narrow brook where he could go and dive and swim at any time he liked. He thought of his band of boy companions over whom he was despot; and, above all, the memory of that tyrant mother of his, who had such a prejudice against him, occupied him day and night. A kind of physical love like that of animals, a longing to be in the presence of the one who is loved, an inexpressible wistfulness during absence, a silent cry of the inmost heart for the mother, like the lowing of a calf in the twilight,--this love, which was almost an animal instinct, agitated the shy, nervous, lean, uncouth and ugly boy. No one could understand it, but it preyed upon his mind continually.

There was no more backward boy in the whole school than Phatik. He gaped and remained silent when the teacher asked him a question, and like an overladen ass patiently suffered all the blows that came down on his back. When other boys were out at play, he stood wistfully by the window and gazed at the roofs of the distant houses. And if by chance he espied children playing on the open terrace of any roof, his heart would ache with longing.

One day he summoned up all his courage and asked his uncle: "Uncle, when can I go home?"

His uncle answered: "Wait till the holidays come."

But the holidays would not come till October and there was a long time still to wait.

One day Phatik lost his lesson book. Even with the help of books he had found it very difficult indeed to prepare his lesson. Now it was impossible. Day after day the teacher would cane him unmercifully. His condition became so abjectly miserable that even his cousins were ashamed to own him. They began to jeer and insult him more than the other boys. He went to his aunt at last and told her that he had lost his book.

His aunt pursed her lips in contempt and said: "You great clumsy, country lout! How can I afford, with all my family, to buy you new books five times a month?"

That night, on his way back from school, Phatik had a bad headache with a fit of shivering. He felt he was going to have an attack of malarial fever. His one great fear was that he would be a nuisance to his aunt.

The next morning Phatik was nowhere to be seen. All searches in the neighbourhood proved futile. The rain had been pouring in torrents all night, and those who went out in search of the boy got drenched through to the skin. At last Bishamber asked help from the police.

At the end of the day a police van stopped at the door before the house. It was still raining and the streets were all flooded. Two constables brought out Phatik in their arms and placed him before Bishamber. He was wet through from head to foot, muddy all over, his face and eyes flushed red with fever and his limbs trembling. Bishamber carried him in his arms and took him into the inner apartments. When his wife saw him she exclaimed: "What a heap of trouble this boy has given us! Hadn't you better send him home?"

Phatik heard her words and sobbed out loud: "Uncle, I was just going home; but they dragged me back again."

The fever rose very high, and all that night the boy was delirious. Bishamber brought in a doctor. Phatik opened his eyes, flushed with fever, and looked up to the ceiling and said vacantly: "Uncle, have the holidays come yet?"

Bishamber wiped the tears from his own eyes and took Phatik's lean and burning hands in his own and sat by him through the night. The boy began again to mutter. At last his voice became excited: "Mother!" he cried, "don't beat me like that.... Mother! I _am_ telling the truth!"

The next day Phatik became conscious for a short time. He turned his eyes about the room, as if expecting some one to come. At last, with an air of disappointment, his head sank back on the pillow. He turned his face to the wall with a deep sigh.

Bishamber knew his thoughts and bending down his head whispered: "Phatik, I have sent for your mother."

The day went by. The doctor said in a troubled voice that the boy's condition was very critical.

Phatik began to cry out: "By the mark--three fathoms. By the mark--four fathoms. By the mark----." He had heard the sailor on the river-steamer calling out the mark on the plumb-line. Now he was himself plumbing an unfathomable sea.

Later in the day Phatik's mother burst into the room, like a whirlwind, and began to toss from side to side and moan and cry in a loud voice.

Bishamber tried to calm her agitation, but she flung herself on the bed, and cried: "Phatik, my darling, my darling."

Phatik stopped his restless movements for a moment. His hands ceased beating up and down. He said: "Eh?"

The mother cried again: "Phatik, my darling, my darling."

Phatik very slowly turned his head and without seeing anybody said: "Mother, the holidays have come."

WORDS TO BE STUDIED

=proposal.= From the Latin word "ponere," to place. Compare _position_, _post_, _depose_, _impose_, _component_, _composition_, _repose_.

=unanimously.= From the Latin "unus," one, and "animus," mind. Compare _magnanimous_, _pusillanimous_.

=philosopher.= From the Greek "philos," a friend, and "sophia," wisdom. Compare _philology_, _philanthropy_, _theosophy_.

=moustache.= A French word which has found its home in English. French is frequently giving to English new words. Compare, in this story, _manA"uvre_, _discomfit_, _mischief_.

=juncture.= From the Latin "jungere," to join. Compare _junction_, _conjunction_, _subjunctive_, _adjunct_.

=unattractive.= From the negative "un," meaning "not," and the root "tract-," meaning to draw. Compare _traction_, _tractor_, _attract_, _extract_, _subtract_.

=atmosphere.= From the Greek word "atmos," the air, and "sphaira," a "globe." Compare _sphere_, _hemisphere_, _photosphere_.

=wistfulness.= Probably from the English word "wish," wishfulness. Several, however, regard it as coming from an old word "whist" or "wist," meaning silent. The vernacular word "udAes" has the same meaning.

=abjectly.= From the Latin word "jacere," to throw. Compare _ad-jec-tive_, _subject_, _object_, _project_, _inject_, _reject_.

=neighbourhood.= From a Saxon word meaning near, nigh; "hood" or "head" is a common addition to Saxon words denoting the quality or character. Compare _knighthood_, _manhood_, _boyhood_, _womanhood_.

=holidays.= This word is made up of two words, "holy" and "days." The religious days of the Church were those on which no one worked and thus they got the meaning of holidays as opposed to working days.

ONCE THERE WAS A KING

III

ONCE THERE WAS A KING

"Once upon a time there was a king."

When we were children there was no need to know who the king in the fairy story was. It didn't matter whether he was called Shiladitya or Shaliban, whether he lived at Kashi or Kanauj. The thing that made a seven-year-old boy's heart go thump, thump with delight was this one sovereign truth, this reality of all realities: "Once there was a king."

But the readers of this modern age are far more exact and exacting. When they hear such an opening to a story, they are at once critical and suspicious. They apply the searchlight of science to its legendary haze and ask: "Which king?"

The story-tellers have become more precise in their turn. They are no longer content with the old indefinite, "There was a king," but assume instead a look of profound learning and begin: "Once there was a king named Ajatasatru."

The modern reader's curiosity, however, is not so easily satisfied. He blinks at the author through his scientific spectacles and asks again: "Which Ajatasatru?"

When we were young, we understood all sweet things; and we could detect the sweets of a fairy story by an unerring science of our own. We never cared for such useless things as knowledge. We only cared for truth. And our unsophisticated little hearts knew well where the Crystal Palace of Truth lay and how to reach it. But to-day we are expected to write pages of facts, while the truth is simply this:

"There was a king."

I remember vividly that evening in Calcutta when the fairy story began. The rain and the storm had been incessant. The whole of the city was flooded. The water was knee-deep in our lane. I had a straining hope, which was almost a certainty, that my tutor would be prevented from coming that evening. I sat on the stool in the far corner of the verandah looking down the lane, with a heart beating faster and faster. Every minute I kept my eye on the rain, and when it began to diminish I prayed with all my might: "Please, God, send some more rain till half-past seven is over." For I was quite ready to believe that there was no other need for rain except to protect one helpless boy one evening in one corner of Calcutta from the deadly clutches of his tutor.

If not in answer to my prayer, at any rate according to some grosser law of nature, the rain did not give up.

But, alas, nor did my teacher!

Exactly to the minute, in the bend of the lane, I saw his approaching umbrella. The great bubble of hope burst in my breast, and my heart collapsed. Truly, if there is a punishment to fit the crime after death, then my tutor will be born again as me, and I shall be born as my tutor.

As soon as I saw his umbrella I ran as hard as I could to my mother's room. My mother and my grandmother were sitting opposite one another playing cards by the light of a lamp. I ran into the room, and flung myself on the bed beside my mother, and said:

"Mother, the tutor has come, and I have such a bad headache; couldn't I have no lessons to-day?"

I hope no child of immature age will be allowed to read this story, and I sincerely trust it will not be used in text-books or primers for junior classes. For what I did was dreadfully bad, and I received no punishment whatever. On the contrary, my wickedness was crowned with success.

My mother said to me: "All right," and turning to the servant added: "Tell the tutor that he can go back home."

It was perfectly plain that she didn't think my illness very serious, as she went on with her game as before and took no further notice. And I also, burying my head in the pillow, laughed to my heart's content. We perfectly understood one another, my mother and I.

But every one must know how hard it is for a boy of seven years old to keep up the illusion of illness for a long time. After about a minute I got hold of Grandmother and said: "Grannie, do tell me a story."

I had to ask this many times. Grannie and Mother went on playing cards and took no notice. At last Mother said to me: "Child, don't bother. Wait till we've finished our game." But I persisted: "Grannie, do tell me a story." I told Mother she could finish her game to-morrow, but she must let Grannie tell me a story there and then.

At last Mother threw down the cards and said: "You had better do what he wants. I can't manage him." Perhaps she had it in her mind that she would have no tiresome tutor on the morrow, while I should be obliged to be back at those stupid lessons.

As soon as ever Mother had given way, I rushed at Grannie. I got hold of her hand, and, dancing with delight, dragged her inside my mosquito curtain on to the bed. I clutched hold of the bolster with both hands in my excitement, and jumped up and down with joy, and when I had got a little quieter said: "Now, Grannie, let's have the story!"

Grannie went on: "And the king had a queen."

That was good to begin with. He had only one!

It is usual for kings in fairy stories to be extravagant in queens. And whenever we hear that there are two queens our hearts begin to sink. One is sure to be unhappy. But in Grannie's story that danger was past. He had only one queen.

We next hear that the king had not got any son. At the age of seven I didn't think there was any need to bother if a man had no son. He might only have been in the way.

Nor are we greatly excited when we hear that the king has gone away into the forest to practise austerities in order to get a son. There was only one thing that would have made me go into the forest, and that was to get away from my tutor!

But the king left behind with his queen a small girl, who grew up into a beautiful princess.

Twelve years pass away, and the king goes on practising austerities, and never thinks all this while of his beautiful daughter. The princess has reached the full bloom of her youth. The age of marriage has passed, but the king does not return. And the queen pines away with grief and cries: "Is my golden daughter destined to die unmarried? Ah me, what a fate is mine!"

Then the queen sent men to the king to entreat him earnestly to come back for a single night and take one meal in the palace. And the king consented.

The queen cooked with her own hand, and with the greatest care, sixty-four dishes. She made a seat for him of sandal-wood and arranged the food in plates of gold and cups of silver. The princess stood behind with the peacock-tail fan in her hand. The king, after twelve years' absence, came into the house, and the princess waved the fan, lighting up all the room with her beauty. The king looked in his daughter's face and forgot to take his food.

At last he asked his queen: "Pray, who is this girl whose beauty shines as the gold image of the goddess? Whose daughter is she?"

The queen beat her forehead and cried: "Ah, how evil is my fate! Do you not know your own daughter?"

The king was struck with amazement. He said at last: "My tiny daughter has grown to be a woman."

"What else?" the queen said with a sigh. "Do you not know that twelve years have passed by?"

"But why did you not give her in marriage?" asked the king.

"You were away," the queen said. "And how could I find her a suitable husband?"

The king became vehement with excitement. "The first man I see to-morrow," he said, "when I come out of the palace shall marry her."

The princess went on waving her fan of peacock feathers, and the king finished his meal.

The next morning, as the king came out of his palace, he saw the son of a Brahman gathering sticks in the forest outside the palace gates. His age was about seven or eight.

The King said: "I will marry my daughter to him."

Who can interfere with a king's command? At once the boy was called, and the marriage garlands were exchanged between him and the princess.

At this point I came up close to my wise Grannie and asked her eagerly: "When then?"

In the bottom of my heart there was a devout wish to substitute myself for that fortunate wood-gatherer of seven years old. The night was resonant with the patter of rain. The earthen lamp by my bedside was burning low. My grandmother's voice droned on as she told the story. And all these things served to create in a corner of my credulous heart the belief that I had been gathering sticks in the dawn of some indefinite time in the kingdom of some unknown king, and in a moment garlands had been exchanged between me and the princess, beautiful as the Goddess of Grace. She had a gold band on her hair and gold earrings in her ears. She had a necklace and bracelets of gold, and a golden waist-chain round her waist, and a pair of golden anklets tinkled above her feet.

If my grandmother were an author, how many explanations she would have to offer for this little story! First of all, every one would ask why the king remained twelve years in the forest? Secondly, why should the king's daughter remain unmarried all that while? This would be regarded as absurd.

Even if she could have got so far without a quarrel, still there would have been a great hue and cry about the marriage itself. First, it never happened. Secondly, how could there be a marriage between a princess of the Warrior Caste and a boy of the priestly Brahman Caste? Her readers would have imagined at once that the writer was preaching against our social customs in an underhand way. And they would write letters to the papers.

So I pray with all my heart that my grandmother may be born a grandmother again, and not through some cursed fate take birth as her luckless grandson.

With a throb of joy and delight, I asked Grannie: "What then?"

Grannie went on: Then the princess took her little husband away in great distress, and built a large palace with seven wings, and began to cherish her husband with great care.

I jumped up and down in my bed and clutched at the bolster more tightly than ever and said: "What then?"

Grannie continued: The little boy went to school and learnt many lessons from his teachers, and as he grew up his class-fellows began to ask him: "Who is that beautiful lady living with you in the palace with the seven wings?"

The Brahman's son was eager to know who she was. He could only remember how one day he had been gathering sticks and a great disturbance arose. But all that was so long ago that he had no clear recollection.