Chapter 7

"I--I don't know," she hesitated doubtfully. "I'll bring the candies over, if you like, and I might be able to show you a little about the table then." And again she looked from the face of the girl who had been her childhood's most intimate friend and associate to that of the woman who had accepted so much at her childish hands.

"Why, I supposed you'd be here when I was giving the party, Ma'Lou," argued Ellen petulantly. "I don't see why not! Isn't it all right, mother?" she appealed sharply. "Shouldn't Ma'Lou come over this evening?"

For one desperate moment Mrs. Kendrick sought to shape a policy; Ellen's words sounded frightfully like an invitation to the party. Would Mary Louise accept them so? Her worried, resentful glance traveled over the tall, dignified figure, the correct, quiet costume. Oh, it had no business to be as hard as this! But she must make the girl understand; she could not run the risk of injury to Ellen's belated social opportunities.

"Why--you see--we--" she began, in an agony of embarrassment, "we can't--we can't--" Her voice failed her. She looked fleetingly at Mary Louise, who returned the gaze with a look hurt, accusing, difficult to meet. She drew her breath sharply, and began again with more resolution. "We'll have an extra maid in to help with the serving. If you don't mind staying in the dining room with her--" She ceased and waited hopefully, to see if the girl understood. There was an uncertain silence. She must finish. "Ma'Lou, if you'd stay in the dining room with Tillie, and wouldn't mind wearing a--cap--and apron like she does, why you could come over and look on."

Ellen Kendrick had seen somebody coming down the street. It was Emory Ford, and she flushed and dimpled and smiled as she bowed to him, forgetting everything else, including the departing Mary Louise, who, after one mute look at Mrs. Kendrick's flushed, disturbed face, turned and walked with hanging head toward the house on the corner.

Arrived at home, she went methodically to work upon the promised candies and the little baskets that were to contain them. Ezra Jackson's wife, noting the face of set misery, forbore long to question her as she brought out the novel materials and pursued her work.

The afternoon wore on. Mrs. Jackson was at work at her sewing-machine in the front hall; but she could not keep out of the kitchen, she made continual futile errands through it, giving anxious, sidelong glances at the child over whom her heart yearned.

Finally, when she could bear it no more, "Did--did something hurt your feelings over there, Ma'Lou?" she asked huskily.

She spoke behind her daughter's shoulder. The girl set the last finished basket in its place in the row before she turned to answer. Then she showed a face so much more cheerful and composed than the elder woman had dared hope for that the relief was almost revulsion.

"Sit down, mother," said Mary Lou, pushing a chair with her foot. "Sit there while I fill the baskets, and I'll tell you about it."

The mother sat and watched the deft brown fingers, and marveled at the girl's collected manner, her quiet, even voice. For Ezra Jackson's wife was shaken by alternate gusts of anger and hurt pride, of shame and fear, as, with a judicial fairness extraordinary in one of her years and sex, the girl went over the details of that unhappy visit. The old teamster had given his child a heritage of rare good sense. Early in the recital the woman broke in bitterly with:

"And yet you're making candies for her party? Such as that is all they want of you. I wouldn't do it. And I'd never step foot in their house again!"

"Why, mother, I'd certainly make these. I promised them," said Mary Louise mildly. She put the last tiny candy potato in place, pushed back the basket, wiped her hands, and turned fully to her mother. "But you're exactly right about not entering Judge Kendrick's house again," she said, with increasing emphasis. "I can't go in at the front door as a friend--that's true; I can't. I certainly sha'n't go in at the back door as a servant--and--I've thought it all out now--I see it plain--our people make a great mistake when they hang around the side doors of white folks. There's no way but----"

"Don't say it, honey!" gasped the mother "Wait a minute." This was the end, and she could not quite face it. She was to lose her youngest and dearest. Mary Lou was going back North to live among the white people. Her head went down on the table the convulsed face hidden in her arms. Then broke forth the cry of the blood:

"Oh, Lord! I reckon I'm just another fool nigger woman that's raised a child too good for her own color. I wish I was dead--I wish I was dead!"

"Mother--mother!" The girl flung herself on her knees beside the chair, and caught at the other's dress. "Don't take on that way. You don't understand. I'm--look around here--I'm glad of what happened over there to-day. It's shown me the truth about a good many things. We're all black people together. It's the only way for us now. I'm not going back to be Professor Sheridan's secretary--a black woman among white people. I'm going to marry Grant--he's everything to me; these people are nothing--and settle right down here in Watauga with him--and be happy and useful. Mother, you didn't make any mistake in the way you brought me up. I'll be a credit and a comfort to you yet."

***************************************************************** Vol. XXIII No. 1 JULY 1910

THE TRIAL BALANCE {pages 83-94}

By MAXIMILIAN FOSTER

Author of "Corrie Who?" etc.

Like so many others of her class, Stella Willoughby was a satisfied, confident woman, placidly aware of the station her husband's money assured to her. For Willoughby was accounted wealthy even in this lake town, where riches were so much in evidence; and if the wife betrayed a cool superiority because of his money, it was only natural, perhaps, since she and most of her associates knew no other means of gauging success, or worth, or the individual's place in life. Looking over her shoulder now, she glanced nonchalantly across the club dining-room.

"You mean those people--the Severances, Mrs. Kinsman?" There was a bland indifference in her tone that made the guest beside Mrs. Willoughby look at her curiously, for she knew that Severance had once been a suitor for Mrs. Willoughby's hand. "I believe we did know them before they dropped out. He lost everything, didn't he?--went to smash, as I vaguely remember."

Still with the same air of unconcern, she dipped the tips of her fingers in the finger-bowl, and prepared to rise. "Queer they should come back here, isn't it?" she commented idly; and then, as if the subject had passed from her mind with the observation, Mrs. Willoughby pushed back her chair in signal to her guests, and led the way from the room. In the hall, while the maid was putting on her wraps, she turned and looked back, still idly as before. Her eyes, traveling about, rested a moment on the man sitting at the distant table, and then, when he half rose from his place as if to bow, they journeyed on again, coolly unconcerned. A moment later, smiling gayly, she walked down the steps to her carriage, and, with her guests, was driven away to the theatre.

Yet, somehow, in spite of this sureness of speech and manner, the sight of her old-time suitor had wakened in Mrs. Willoughby the subtle discontent that occasionally affected her--the discontent of women who have only themselves to think about. One might have said that at these times she was subconsciously wearied of her form of life; that, in so many words, though ignorant of the fact, though, consciously, her vacuous life immensely satisfied her, she was BORED. But to-day, bluntly speaking, it was about her husband that her vague dissatisfaction centered; and when she had glanced coolly at her former suitor, it was for the purpose of comparison.

Willoughby was a fair type of the money-getter. Furthermore, what he had built had been raised by his own hands unaided; he was a self-made man, whose one boast was that he owed nothing to any one, not even so little as a debt of gratitude. One realized the fact, too, in the way he carried on his affairs; for in his business he was alert and determined, implacably pursuing his money-making as if it were a warfare, and considerate of none but those joined with him in the moment's harvesting venture. Perhaps his reasons were sufficient--who knows? Perhaps Willoughby was as well aware as they that the friends of to-day might reasonably become the enemies of to-morrow.

But at home the money gathered so ruthlessly elsewhere was thrown about with a lavish hand. Nothing that wealth could provide was denied Mrs. Willoughby or her boy; and though she had been poor when she married, money, in the mere crudity of having it to spend, had long since lost its novelty. To-day, beyond the pride of having it, and beyond the luxury and ostentation it could buy, money possessed for her a far greater significance in its power to make one powerful. In that she had already tasted the illogical enjoyment of one that can obtain power in no other way. And it was because of this place that his money had bought her that Mrs. Willoughby began to look on her husband with a critical eye.

For she was an ambitious woman, though one with definite limitations. Among different surroundings and in an atmosphere less sordidly striving and commonplace, she was fitted to have become, with some encouragement, an admirable and utterly inconspicuous wife and mother. But here, in this narrow, money-getting environment, many things prevented; among them, primarily, the way in which she had been brought up. For her father, too, had been driven by this lust for riches; and though he had failed, to the last he had been goaded on by his one eager, grasping hope. He had drummed into her head the single lesson that without money one is nothing.

In itself it suggested to the few a plausible reason why she had married Willoughby. There had been nothing openly unhappy in their life together. Still, as others saw, Willoughby was much older than his wife, radically without her social instincts, and, furthermore, when she had accepted him, it had been pretty generally understood that Severance had won her heart.

And now, as she sat back in her carriage, remembrance came rapping like an unwelcome, unadmitted visitant. She tried to put it away by chattering smartly; the theatre-wagon rolled along to the clicking of hoofs on the asphalt; but through it all the troublous knocking persistently recurred. For this was one of the few times when she had lingered upon a thought of that first romance of hers; and now, coupled with her hardening criticism of Willoughby, it brought forth insistent questions.

Whether she had really loved her husband when she married him, or whether she had not instead been dazzled by his peculiar abilities remained in doubt.

Severance had come first; he had a little money to begin, and he was doing well with it and seemed on the road to do better. Therefore, her friends were secure in the belief that she would marry him, when Willoughby had made his appearance.

He went at this love-making of his as he went at all his affairs--implacably bold and ruthlessly sweeping aside whoever or whatever came into his way. The fact that he and Severance were considered friends seemed to have counted little; and when, a few months later, it was learned that she had dropped one to take the other, it was also learned that Severance had played at ducks and drakes with his money. Briefly, he had become bankrupt in a mining deal. He and others, Willoughby among them, had gone into a Wyoming copper prospect--the Teton Sisters Company--and while Willoughby apparently got off without damage, Severance had dropped everything. How, was never clearly understood. Severance and his sister had parted with their home to satisfy his creditors, and then moved away.

In the twelve years of the Willoughbys' married life, the tide of money had kept steadfastly on the flood. Nothing his hands touched seemed to fail him. He had his fingers in every kind of venture--mines and mills, foundries and furnaces, steam roads, trolley lines and public utilities; and to each and every one of these promotions, the name of Willoughby affixed the hall-mark of success. Now his dollars jingled in every state of the Union--and they jingled in his own home, too, almost as the only evidences that the home was his. For Willoughby, pursuing money everywhere, seemed to have lost interest in all else but his money-grubbing, just as Willoughby's wife, excepting for the same money-grubbing, seemed to have lost all interest in him.

And now she had looked at Severance; her eyes had rested on him long enough to make comparisons--Severance much improved, cool, suave, presentable, and deferential; her husband big and masterful, a brooding, preoccupied man, and a kind of Orson to be kept denned in his money caves. She sighed to herself regretfully.

Some minutes after Mrs. Willoughby had found her seat in the theatre box she was aware of another party coming down the aisle. "Hello!" exclaimed the man beside her, "here come Hudson Mills and his wife with Case Severance. I didn't know he was in town."

Mrs. Willoughby laid a gloved finger to her lips and affected to yawn, though she stole a glance out of the corner of her eye. Her guest was now nodding over her shoulder at the arrivals in the seats below.

"Severance has made a ten-strike, I hear," he volunteered, in an expressive, if inelegant, idiom of the money game; "there's a story going the rounds that Mills and Severance have been gunning together and that some one else got burned. Anyway, I hear they've lined their pockets. Severance is rich again."

This mixed metaphor affected Mrs. Willoughby with a curious interest. "Oh, is he!" she exclaimed, and, glancing down, she looked unexpectedly into Severance's watching eyes.

But she seemed not in the least disconcerted. Severance was just turning away, mindful of the previous snub, when, with a reassuring smile, she bowed, and then smiled again. For why not? Severance's position had been reestablished in her world.

It was late that night when Mrs. Willoughby returned home. There was a light in her husband's library, and before going to her room she stopped and tapped at the door. Willoughby, with a pile of papers stacked before him, sat with his chin in his hand, staring absently at the wall. As the door opened, he turned for a moment, and then, seeing who it was, thrust his hands into his pockets and slouched down in his chair. "Well?" he murmured, absently.

Mrs. Willoughby, slipping out of her wrap, dropped into a convenient seat.

"Are you still at it? It's nearly one o'clock, Harmon." Yawning slightly, she wriggled her feet out of her carriage slippers and kicked them under her chair. Willoughby looked up, silently watching her, and a momentary small shadow crept into his face. Yet the shadow, small as it was, could not have been because of any flaw in his wife's appearance. Mrs. Willoughby was still young and fair to look upon, clear-eyed and almost girlish, her rounded, regular features set off picturesquely by her hat and its flowing purple plumes, even though both hat and plumes were extravagant in size. Willoughby must have known another reason to frown.

"Where've you been?" he demanded, heavily, his voice bare of any interest. He was a large, florid man, heavily built, square-jawed, and with the deep, scrutinous eyes of one aware of his own power and accustomed to enforce it. But now his eyes seemed listless, as if weary of the strain that had kept them so long on the alert.

"I? At the club," she answered, briefly. Though her own home was large and amply appointed, few were ever asked there to anything more formal than a luncheon or an afternoon at bridge. Home hospitality and the housekeeping it involved had long since become a bore to her; like many others in her set, she had learned to square her obligations through the convenience of her husband's club. The hospitality there entailed no other bother than paying the bills. "Just dinner at the club, and the theatre afterward."

She stripped off her long gloves and dropped them to the floor beside her carriage slippers. Again her husband studied her, almost covertly, one might have thought.

"Any one there?" Willoughby began absently to pick at the edges of the papers on his desk.

She shook her head. "No one you'd care about, I think. There were only three tables besides mine. Mrs. Chardon and her daughter with some of her young friends, and then--" Mrs. Willoughby closely inspected one of her rubies. "The Severances are back in town, Harmon. He and his sister were there with Hudson Mills and his wife."

"Severance--with MILLS!" cried her husband, lifting his head alertly. It was not often that Mrs. Willoughby's talk with him evoked such instant attention. "See here, Stella, are you sure it was Severance?"

"Sure? Sure whether it was Severance? Why, of course I am!" she answered petulantly. She and her husband had never discussed the man, and it seemed a late day now to begin. "What in the world is--?" she began, and then desisted. Willoughby, slouched down in his chair again, had dropped his chin on his breast and was nervously gnawing his lip.

His wife leaned over and gathered up slippers and gloves. "I think I'll go to bed," she murmured carelessly, and wandered toward the door. Willoughby made no response, and she turned and slowly came back. A calendar hanging from the gas bracket had fallen a little aslant, and she reached up and critically straightened it. "Harmon, I hear Case Severance is rich again. I wonder how he managed it."

"Hey? Who?" Willoughby jerked up his head as if startled from a dream--and not a very pretty dream, either, if one might judge from his countenance. "Oh, you mean HIM," he uttered thickly. "How do I know. I suppose he's been up to some of his games again." An almost savage dislike and contempt evidenced themselves in his tone, and pushing back his chair, he picked up his papers and arose. "You'd better go to bed Stella," he suggested brusquely, averting his eyes from her quick scrutiny; "I've got a lot of work here."

She laid a hand on his arm. "What's wrong with you?" she asked intently. There was alertness in the question, rather than responsive softness. Willoughby drew a hand across his mouth. "Nothing's wrong Stella. I've had a hard day. Aren't you going?"

"Yes--in just a moment." She had moved toward the door again, and now was standing with her hand on the knob. "It's Willard's birthday next Wednesday." Willard was their boy. "He'll be eleven, an he wants an electric runabout. The Doane boys have one, and he's just crazy about it We'd better let him have it."

Willoughby frowned, and irritably ruffled the papers in his hand. "A runabout. No; he sha'n't have it. He's too young, and besides----"

"Oh, nonsense, Harmon!"

Willoughby fluttered his papers more irritably than before.

"Well, he can't have it; that's all I have to say." Ordinarily, he gave to her and the boy what they wished, never questioning the cost or character of what they bought "Eleven, and wants an automobile!" he commented, sullenly. "When I was his age I was working day and night to support my----"

"Yes, I know, Harmon," interrupted Mrs. Willoughby, affecting to stifle a yawn "but Willard, fortunately, doesn't have to think of that."

Mrs. Willoughby gave her gloves a disdainful, careless twirl, and went on her way to her room. To her astonishment, a few moments later, she heard the front door slam. Willoughby had gone out.

He was away for nearly a week; and when he returned, his eyes were heavy and blood-shot, his face was pallid and wearily drawn.

"Well, so you are back. What have you been doing?" Mrs. Willoughby asked, perfunctorily. Though it was late in the morning she was still in bed, sitting up in a dressing sack, and turning the pages of a weekly publication that dealt in news of local high life. Its chief item, to-day, was the announcement of a dance she was to give shortly--at the club, as usual--and she had just finished for the second time the commentator's glib and unctuous phrasing.

He answered evasively, "Oh, just away on business." As he walked to the window and looked out, she carelessly turned the pages. "Stella, what did you do for the boy's birthday?" he asked, slowly pacing back to the foot of the bed.

She turned another page. "The boy? Oh, I gave him some money, and sent him down-town with the coachman. I was too busy." Smiling lightly, she went on glancing through the paper. "I suspect he stuffed himself on candy."

But there was no answering smile on Willoughby's face. "On candy? How much did you give him?"

Without looking up, she answered as lightly as before. "Oh, I can't remember now. Let me think." Then she vaguely named an amount, and Willoughby pressed his lips together.

"Stella," he said slowly, after a moment's darkening of his eyes, "do you know that amounts to a week's salary of more than one of my clerks? Don't you think it was a great deal to give a boy?"

She looked up now, astonished--a little vexed, too; for this was the second time he had questioned her use of money. "Well, what of it? It seems of little consequence." She buried her face in the paper again after this shot, and Willoughby stared at her.

"No," he murmured, reflectively, an alarming bitterness in his voice; "nothing seems of any consequence."

As she glanced casually over the top of her paper, she saw him draw a hand across his face; but, still vexed, she took no warning from the sign. "Well, there's no need of making a fuss, is there?" she asked, rebukingly. Thus showing how distasteful the subject had become, and, having had her say, she instantly changed the topic. "You're coming home Thursday night, aren't you?"

Willoughby watched her absorbedly. "I don't know. Why?"

"Oh, I just wanted to find out. It's the night of my dance, you know."

"A dance? Your dance?" He drew in his breath, and his hands, gripping the bed's footboard, closed a little tighter. "I'd forgotten that. Yes, your dance, and I----"

He broke off wearily, his lips framing a mere wraith of a smile, and in its gravity she still saw no warning of deep waters stirring troublously. "A dance--you're giving a dance!" he repeated, and there came into his eyes a subtle hint of mockery that, coupled with the words, gave them almost the significance of a jeer.

"Oh, for heaven's sake, Harmon!" Mrs. Willoughby threw down her paper irritably, aware only of the unspoken protest in his manner, and disdaining to analyze it. "See here--are you going to make a fuss about that, too? Or are you still growling about the boy? I should think a man with your money would be above----"

It seemed unnecessary to round out the sentence; in itself the fragment, sharply uttered, peevish and fretful, conveyed more than enough. "You wouldn't let him have what he wanted; so what's the use of making it any worse? He swallowed his disappointment; but if you're getting ready to complain about me now, I'll----"

"Yes, I've thought there was good stuff in the boy," he interrupted, the slow words cutting short her vehement protest. "Where is he now?" he added abruptly. " I think I'd like to see him."

Mrs. Willoughby flounced down among the pillows. "I don't know--at school, I suppose. Aren't you going to your office to-day?"

Willoughby shook his head. He turned to the door, moving heavily; and there, at last, in his sunken head, his shoulders wearily bent, she caught some hint of the man's hidden emotion. Astonishment at first ousted all else from her thought, and she gaped at him in wonder. Then came a small, chilling touch of fear.

"HARMON!" At the swift call he looked back at her. "Harmon! Has anything happened?"