Part 1

STELLAR SHOWBOAT

By MALCOLM JAMESON

A drama more fantastic than any the stage had ever produced was being plotted behind the curtains of the Showboat of Space. And between its presentation and inter-world disaster, waiting for his cue, stood only the lone figure of Investigator Neville.

[Transcriber's Note: This etext was produced from Planet Stories Fall 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

Special Investigator Billy Neville was annoyed, and for more reasons than one. He had just done a tedious year in the jungles of Venus stamping out the gooroo racket and then, on his way home to a well-deserved leave and rest, had been diverted to Mars for a swift clean-up of the diamond-mine robbery ring. And now, when he again thought he would be free for a while, he found himself shunted to little Pallas, capital of the Asteroid Confederation. But clever, patient Colonel Frawley, commandant of all the Interplanetary Police in the belt, merely smiled indulgently while Neville blew off his steam.

"You say," said Neville, still ruffled, "that there has been a growing wave of blackmail and extortion all over the System, coupled with a dozen or so instances of well-to-do, respectable persons disappearing without a trace. And you say that that has been going on for a couple of years and several hundred of our crack operatives have been working on it, directed by the best brains of the force, and yet haven't got anywhere. And that up to now there have been no such cases develop in the asteroids. Well, what do you want _me_ for? What's the emergency?"

The colonel laughed and dropped the ash from his cigar, preparatory to lying back in his chair and taking another long, soothing drag. The office of the Chief Inspector of the A.C. division of the I.P. was not only well equipped for the work it had to do, but for comfort.

"I am astonished," he remarked, "to hear an experienced policeman indulge in such loose talk. Who said anything about having had the _best_ brains on the job? Or that no progress had been made? Or that there was no emergency? Any bad crime situation is always an emergency, no matter how long it lasts. Which is all the more reason why we have to break it up, and quickly. I tell you, things are becoming very serious. Lifelong partners in business are becoming suspicious and secretive toward each other; husbands and wives are getting jittery and jealous. Nobody knows whom to trust. The most sacred confidences have a way of leaking out. Then they are in the market for the highest bidder. No boy, this thing is a headache. I never had a worse."

"All right, all right," growled Neville, resignedly. "I'm stuck. Shoot! How did it begin, and what do you know?"

* * * * *

The colonel reached into a drawer and pulled out a fat jacket bulging with papers, photostats, and interdepartmental reports.

"It began," he said, "about two years ago, on Io and Callisto. It spread all over the Jovian System and soured Ganymede and Europa. The symptoms were first the disappearances of several prominent citizens, followed by a wave of bankruptcies and suicides on both planetoids. Nobody complained to the police. Then a squad of our New York men picked up a petty chiseler who was trying to gouge the Jovian Corporation's Tellurian office out of a large sum of money on the strength of some damaging documents he possessed relating to a hidden scandal in the life of the New York manager. From that lead, they picked up a half-dozen other small fry extortionists and even managed to grab their higher-up--a sort of middleman who specialized in exploiting secret commercial information and scandalous material about individuals. There the trail stopped. They put him through the mill, but all he would say is that a man approached him with the portfolio, sold him on its value for extortion purposes, and collected in advance. There could be no follow up for the reason that after the first transaction what profits the local gang could make out of the dirty work would be their own."

"Yes," said Neville, "I know the racket. When they handle it that way it's hard to beat. You get any amount of minnows, but the whales get away."

"Right. The disturbing thing about the contents of the portfolio was the immense variety of secrets it contained and that it was evidently prepared by one man. There were, for example, secret industrial formulas evidently stolen for sale to a competitor. The bulk of it was other commercial items, such as secret credit reports, business volume, and the like. But there was a good deal of rather nasty personal stuff, too. It was a gold mine of information for an unscrupulous blackmailer, and every bit of it originated on Callisto. Now, whom do you think, could have been in a position to compile it?"

"The biggest corporation lawyer there, I should guess," said Neville. "Priests and doctors know a lot of personal secrets, but a good lawyer manages to learn most everything."

"Right. Very right. We sent men to Callisto and learned that some months earlier the most prominent lawyer of the place had announced one day he must go over to Io to arrange some contracts. He went to Io, all right, but was never seen again after he stepped out of the ship. It was shortly after, that the wave of Callistan suicides and business failures took place."

"All right," agreed Neville, "so what? It has happened before. Even the big ones go wrong now and then."

"Yes, but wait. That fellow had nothing to go wrong about. He was tremendously successful, rich, happily married, and highly respected for his outstanding integrity. Yet he could hardly have been kidnaped, as there has never been a ransom demand. Nor has there ever been such a demand in any of the other cases similar to it.

"The next case to be partially explained was that of the disappearance of the president of the Jupiter Trust Company at Ionopolis. All the most vital secrets of that bank turned up later in all parts of the civilized system. We nabbed some peddlers, but it was the same story as with the first gang. The facts are all here in this jacket. After a little you can read the whole thing in detail."

"Uh, huh," grunted Neville, "I'm beginning to see. But why _me_, and why at Pallas?"

"Because you've never worked in the asteroids and are not known here to any but the higher officers. Among other secrets this ring has, are a number of police secrets. That is why setting traps for them is so difficult. I haven't told you that one of their victims seems to have been one of us. That was Jack Sarkins, who was district commander at Patroclus. He received an apparently genuine ethergram one day--and it was in our most secret code--telling him to report to Mars at once. He went off, alone, in his police rocket. He never got there. As to Pallas, the reason you are here is because the place so far is clean. Their system is to work a place just once and never come back. They milk it dry the first time and there is no need to. Since we have no luck tracing them after the crime, we are going to try a plant and wait for the crime to come to it. You are the plant."

"I see," said Neville slowly. He was interested, but not enthusiastic. "Some day, somehow, someone is coming here and in some manner force someone to yield up all the local dirt and then arrange his disappearance. My role is to break it up before it happens. Sweet!"

"You have such a way of putting things, Neville," chuckled the colonel, "but you do get the point."

He rose and pushed the heavy folder toward his new aide.

"Bone this the rest of the afternoon. I'll be back."

* * * * *

It was quite late when Colonel Frawley returned and asked Neville cheerily how he was getting on.

"I have the history," Neville answered, slamming the folder shut, "and a glimmering of what you are shooting at. This guy Simeon Carstairs, I take it, is the local man you have picked as the most likely prospect for your Master Mind crook to work on?"

"He is. He is perfect bait. He is the sole owner of the Radiation Extraction Company which has a secret process that Tellurian Radiant Corporation has made a standing offer of five millions for. He controls the local bank and often sits as magistrate. In addition, he has substantial interests in Vesta and Juno industries. He probably knows more about the asteroids and the people on them than any other living man. Moreover, his present wife is a woman with an unhappy past and who happens also to be related to an extremely wealthy Argentine family. Any ring of extortionists who could worm old Simeon's secrets out of him could write their own ticket."

"So I am to be a sort of private shadow."

"Not a bit of it. _I_ am his bodyguard. We are close friends and lately I have made it a rule to be with him part of the time every day. No, your role is that of observer from the sidelines. I shall introduce you as the traveling representative of the London uniform house that has the police contract. That will explain your presence here and your occasional calls at headquarters. You might sell a few suits of clothes on the side, or at least solicit them. Work that out for yourself."

Neville grimaced. He was not fond of plainclothes work.

"But come, fellow. You've worked hard enough for one day. Go up to my room and get into cits. Then I'll take you over to the town and introduce you around. After that we'll go to a show. The showboat landed about an hour ago."

"Showboat? What the hell is a showboat?"

"I forget," said the colonel, "that your work has been mostly on the heavy planets where they have plenty of good playhouses in the cities. Out here among these little rocks the diversions are brought around periodically and peddled for the night. The showboat, my boy, is a floating theater--a space ship with a stage and an auditorium in it, a troupe of good actors and a cracking fine chorus. This one has been making the rounds quite a while, though it never stopped here before until last year. They say the show this year is even better. It is the "Lunar Follies of 2326," featuring a chorus of two hundred androids and with Lilly Fitzpatrick and Lionel Dustan in the lead. Tonight, for a change, you can relax and enjoy yourself. We can get down to brass tacks tomorrow."

"Thanks, chief," said Neville, grinning from ear to ear. The description of the showboat was music to his ears, for it had been a long time since he had seen a good comedy and he felt the need of relief from his sordid workaday life.

"When you're in your makeup," the colonel added, "come on down and I'll take you over in my copter."

* * * * *

It did not take Billy Neville long to make his transformation to the personality of a clothing drummer. Every special cop had to be an expert at the art of quick shifts of disguise and Neville was rather better than most. Nor did it take long for the little blue copter to whisk them halfway around the knobby little planetoid of Pallas. It eased itself through an airlock into a doomed town, and there the colonel left it with his orderly.

The town itself possessed little interest for Neville though his trained photographic eye missed few of its details. It was much like the smaller doomed settlements on the Moon. He was more interested in meeting the local magnate, whom they found in his office in the Carstairs Building. The colonel made the introductions, during which Neville sized up the man. He was of fair height, stockily built, and had remarkably frank and friendly eyes for a self-made man of the asteroids. Not that there was not a certain hardness about him and a considerable degree of shrewdness, but he lacked the cynical cunning so often displayed by the pioneers of the outer system. Neville noted other details as well--the beginning of a set of triple chins, a little brown mole with three hairs on it alongside his nose, and the way a stray lock of hair kept falling over his left eye.

"Let's go," said the colonel, as soon as the formalities were over.

Neville had to borrow a breathing helmet from Mr. Carstairs, for he had not one of his own and they had to walk from the far portal of the dome across the field to where the showboat lay parked. He thought wryly, as he put it on, that he went from one extreme to another--from Venus, where the air was over-moist, heavy and oppressive from its stagnation, to windy, blustery Mars, and then here, where there was no air at all.

As they approached the grounded ship they saw it was all lit up and throngs of people were approaching from all sides. Flood lamps threw great letters on the side of the silvery hull reading, "Greatest Show of the Void--Come One, Come All--Your Money Back if Not Absolutely Satisfied." They went ahead of the queue, thanks to the prestige of the colonel and the local tycoon, and were instantly admitted. It took but a moment to check their breathers at the helmet room and then the ushers had them in tow.

"See you after the show, Mr. Allington," said the colonel to Neville, "I will be in Mr. Carstairs box."

* * * * *

Neville sank into a seat and watched them go. Then he began to take stock of the playhouse. The seats were comfortable and commodious, evidently having been designed to hold patrons clad in heavy-dust space-suits. The auditorium was almost circular, one semi-circle being taken up by the stage, the other by the tiers of seats. Overhead ranged a row of boxes jutting out above the spectators below. Neville puzzled for a long time over the curtain that shut off the stage. It seemed very unreal, like the shimmer of the aurora, but it affected vision to the extent that the beholder could not say with any certainty _what_ was behind it. It was like looking through a waterfall. Then there was eerie music, too, from an unseen source, flooding the air with queer melodies. People continued to pour in. The house gradually darkened and as it did the volume and wildness of the music rose. Then there was a deep bong, and lights went completely out for a full second. The show was on.

Neville sat back and enjoyed it. He could not have done otherwise, for the sign on the hull had not been an empty plug. It was the best show in the void--or anywhere else, for that matter. A spectral voice that seemed to come from everywhere in the house announced the first number--The Dance of the Wood-sprites of Venus. Instantly little flickers of light appeared throughout the house--a mass of vari-colored fireflies blinking off and on and swirling in dizzy spirals. They steadied and grew, coalesced into blobs of living fire--ruby, dazzling green, ethereal blue and yellow. They swelled and shrank, took on human forms only to abandon them; purple serpentine figures writhed among them, paling to silvery smoke and then expiring as a shower of violet sparks. And throughout was the steady, maddening rhythm of the dance tune, unutterably savage and haunting--a folk dance of the hill tribes of Venus. At last, when the sheer beauty of it began to lull the viewers into a hypnotic trance, there came the shrill blare of massed trumpets and the throb of mighty tom-toms culminating in an ear-shattering discord that broke the spell.

The lights were on. The stage was bare. Neville sat up straighter and looked, blinking. It was as if he were in an abandoned warehouse. And then the scenery began to grow. Yes, grow. Almost imperceptible it was, at first, then more distinct. Nebulous bodies appeared, wisps of smoke. They wavered, took on shape, took on color, took on the appearance of solidity. The scent began to have meaning. Part of the background was a gray cliff undercut with a yawning cave. It was a scene from the Moon, a hangout of the cliffdwellers, those refugees from civilization who chose to live the wild life of the undomed Moon rather than submit to the demands of a more ordered life.

Characters came on. There was a little drama, well conceived and well acted. When it was over, the scene vanished as it had come. A comedy team came out next and this time the appropriate scenery materialized at once as one of them stumbled over an imaginary log and fell on his face. The log was not there when he tripped, but it was there by the time his nose hit the stage, neatly turning the joke on his companion who had started to laugh at his unreasonable fall.

On the show went, one scene swiftly succeeding the next. A song that took the fancy of the crowd was a plaintive ballad. It ran:

_They tell me you did not treat me right,_ _Nor are grateful for all I've done._ _I fear you're fickle as a meteorite_ _Though my love's constant as the Sun._

There was a ballet in which a witch rode a comet up into the sky, only to turn suddenly into a housewife and sweep all the cobwebs away. The featured stars came on with the chorus, and Lilly Fitzpatrick sang the big hit song, "You're a Big, Bad Nova to Burn Me Up This Way!" Then a novelty quartet appeared, to play on the curious Callistan _bourdelangs_, those reeds of that planet that grow in bundles. When dried and cut properly, they make multiple-barreled flutes with a tonal quality that makes the senses quiver. The show closed with a grand finale and flooded the house with the Nova song.

It was over. The stage was bare and the shimmering curtain that was not a curtain was back in place. People began to rise and stream into the aisles.

* * * * *

"La-deez and gen-tul-men!"

The voice boomed out and people stopped where they stood. A man in evening clothes had stepped through the curtain and was calling for attention.

"You have seen our regular performance. We hope it has pleased you and you will come again next year. But if you will kindly remain in your seats, the ushers will pass around with tickets for the after-show. We have prepared for your especial delectation a little farce entitled, 'It Happens on Pallas.' Now, ladeez and gen'men, I assure you that this sketch was prepared solely for your entertainment and any resemblance of any character in it to any real person is purely coincidental. It is all in fun, and no offense intended. I thank you."

Billy Neville was bolt upright in his seat by then and his eyes glinted hard through narrow slits. Something had rung the bell in his memory, but he did not know what. He would have sworn he had never seen that announcer before, and yet....

The man stepped backward into the curtain and appeared to vanish. The audience were grinning widely and resuming their seats.

"This is going to be good," said the man next to him as he dug for the required fee. "It is their specialty. It beats the regular show, I think."

Neville paid the usher, too, and sat where he was. He shot a glance upward at the box and saw Mr. Carstairs and the colonel in animated conversation and apparently having a grand time. Presently the ushers had done their work. The hall began to darken and the scenery come up. The scene was the main street of New Athens, as some called Pallas' principal town. Neville relaxed and forgot his recent sudden tension for a moment.

But it was only for a moment. For an instant later he was sitting up straight again, watching the development of the act with cold intentness. For the two main characters were comedy parodies of Mr. Carstairs and Colonel Frawley. At first glance they _were_ Mr. Carstairs and the colonel, but a second look showed it was only an impression. The police inspector's strutting walk was overdone, as were his other mannerisms, and the same was true of the magnate's character. Their makeup was also exaggerated, Mr. Carstair's mole being much enlarged and a great deal made of his plumpness. Yet the takeoff was deliriously funny and the audience rolled with laughter. Neville stole another look upward and could make out that both the subjects of the sketch were grinning broadly.

It was a silly, frothy skit about a dog, a lost dog. It seems that Mr. Carstairs had a dog and it strayed. He asked the police to help him find it and they helped. The inspector brought out the whole force. It was excruciatingly funny, and Neville roared at times along with the rest, though there were many local references that he did not understand, nor did he know some of the minor characters were so splittingly entertaining. The man next to him writhed in spasms of delight and almost strangled at one episode.

"Oh, dear," he managed to gasp, "what a scream ... ho, ho, ho, ho, ... gup! It happened ... just like that ... he _did_ lose a dog and all the cops on Pallas couldn't find it ... oh me, oh my...." Peals of laughter drowned out the rest.

The postlude came to its merry end. This time, the show was over for keeps and the audience began trooping out. Neville got up and looked around for his friend, but the box was empty. So he strolled down the aisle and had a closer look at the illusion of a curtain. He understood some of the effects achieved that night, but the curtain was a new one to him. After standing there a moment he discovered that he could hear voices through it. One was Colonel Frawley's. He was saying:

"Certainly I am not offended. I enjoyed it. I would like to meet the man and congratulate him on the takeoff."

Neville climbed up onto the stage and walked boldly through the curtain. There was a brief tingly feeling, and then he was backstage. Most of the actors had gone to their dressing rooms, but several stood about chatting with the colonel and Mr. Carstairs.

At that moment the man who had made the announcement came on the stage and spoke to Colonel Frawley.

"I dislike interrupting you, Inspector," he said obsequiously, "but one of our patrons is making trouble in the wash-room. She claims her pocket was picked. Would you come?"

"Nonsense!" exclaimed the colonel. "I stationed an operative there to prevent that very thing. No doubt it is a mistake. However, I'll do what I can."

He excused himself and hurried off. Then the man in black turned to Neville and said in an icy voice, "And you, sir--what is it you wish?"

* * * * *

Neville's mind worked instantly. He did not want to express interest in Mr. Carstairs, nor did he care to reveal to the showman his acquaintance with the colonel. So he said quickly:

"The curtain ... I was curious as to how it worked ... you see, once I...."

"Joe," called the man, wheeling, "explain the curtain to the gentleman."

Joe came. He led the way to the switchboard and began a spiel about its intricacies. Neville looked on, understanding it only in the high spots, for the board was a jumble of gadgets and doodads, and it was not long before he began to suspect that the long-winded explanation was a unique variety of double-talk.

"See?" finished the man, "it's as simple as that. Clever, eh?"

"Yes, indeed. Thanks."

Neville started back to the stage, but the announcer barred his way.

"The exit is right behind you, sir," he said in a chilly voice. The words and intonation were polite, but the voice had that iron-hand-in-velvet-glove quality used by tough bouncers in night clubs when handling obstreperous members of the idle rich. They were accompanied as well by a glance so uncanny and so charged with malignancy that Neville was hard put to keep on looking him in the eye and murmur another "Thank you."

But before Neville reached the exit, Colonel Frawley came through.

"Oh, hello. Where is Carstairs?"

Neville shook his head.

"A moment ago he was talking with his impersonator," offered the announcer, seeming to lose all interest in Neville's departure. "I'll see if he is still here. He may have gone into the actor's dressing room."