Chapter 34

Vergil's _Æneid_, iii, 571, and Tasso's _Jerusalem Delivered_, iv, 8.

406. A GOODLY TREE. Cf. _Genesis_, ii, 9, and _Revelation_, xxii, 2.

409. OVER ALL WERE RED, everywhere were spoken of.

414. Cf. _Genesis_, iii, 2. Adam and Eve were expelled from the garden lest they should eat and live forever.

434. DEADLY MADE, a creature of death, i.e. hell-born.

469. An imitation of an incident in the _Seven Champions_ in which a winged serpent attempts to swallow St. George; i, 1.

477. AND BACK RETYRD, and as it was withdrawn. A Gallicism.

490. WHICH SHE MISDEEM'D, in which she was mistaken. Una feared that the dragon was not dead.

QUESTIONS AND TOPICS

(Canto XI)

1. Describe the three days' fight between the Knight and the Dragon. 2. What advantages does each gain? 3. Study the Dragon as a type of the conventional monster of romance, contrasting his brutal nature with the intellectuality and strategy of the Knight. 4. Study the battle as an allegory of the victory of mind over matter, of virtue over vice, of Protestantism over Romanism. 5. By what devices does Spenser obtain the effects of _terror_? Mystery and terror are prime elements in romance. 6. Find examples of another romantic characteristic, _exaggeration_. 7. Do you think that in his use of hyperbole and impossibilities Spenser shows that he was deficient in a sense of humor? 8. Observe the lyric note in iii and liv. 9. How does the poet impress the reader with the size of the Dragon? 10. Which Muse does he invoke? 11. Spenser's poetry is richly _sensuous_: find passages in which he appeals to the sense of _sight_ (iv, viii, xiv), of _sound_ (iv, ix), of _touch_ (x, xi, vii), of _smell_ (xiii), of _taste_ (xiii), of _pain_ (xxxvii, xxvi, xxii), of _motion_ (x, xv, xviii). 12. Where do you find an allegory of baptism? Of regeneration? Of the resurrection of Christ (the three days)? 13. Analyze the descriptions of the coming of darkness and of dawn.