Part 13

"May it please your Majesty,--As President of the Provisional Committee of the Royal Albert Hall of Arts and Sciences, it is my high privilege and gratification to report to your Majesty the successful completion of this Hall, an important feature of a long-cherished design of my beloved father, for the general culture of your people, in whose improvement he was always deeply interested. Encouraged by your Majesty's sympathies, and liberally supported by your subjects, we have been enabled to carry out the work without any aid from funds derived from public taxation. I am warranted in expressing our confidence that this building will justify the conviction we expressed in the report submitted on the occasion of your Majesty's laying its first stone, that by its erection we should be meeting a great public want. Your Majesty's Commissioners for the Exhibition of 1851 in further prosecution of my father's design for the encouragement of the Arts and Sciences, an object which he always had warmly at heart, are about to commence a series of Annual International Exhibitions, to the success of which this Hall will greatly contribute by the facilities which it will afford for the display of objects and for the meeting of bodies interested in the industries which will form the subjects of successive Exhibitions. The interest shown in the Hall by the most eminent musicians and composers of Europe strengthens our belief that it will largely conduce to the revival among all classes of the nation of a taste for the cultivation of music. Your Majesty will hear with satisfaction that results have justified the original estimate of the cost of the building, and that, aided by the liberal assistance of your Exhibition Commissioners, the corporation will commence its management unfettered by pecuniary liabilities, and under conditions eminently calculated to insure success. It is my grateful duty to return to your Majesty our humble thanks for the additional mark of your Royal favour which is conferred upon us by your auspicious presence on the present occasion when our labours as a Provisional Committee are drawing to a close. We venture to hope that when we shall have resigned our functions into the hands of the governing body, which will be elected under the provisions of the Royal Charter granted to us, your Majesty will continue to the Corporation that measure of support which has been always graciously given to us."

The Queen, who had listened to the address with the utmost interest and attention, said, in a voice clearly heard in every part of the vast building: "In handing you this answer, I wish to express my great admiration of this beautiful Hall, and my earnest wishes for its complete success."

The written answer to the address was not read, but it is here given to complete the record of the day's ceremony:--

"I thank you for the loyal address which, as President of the Provisional Committee of the Hall of Arts and Sciences, you have presented to me. In opening this spacious and noble Hall, it gives me pleasure to acknowledge the generous spirit which has been manifested in the completion, by voluntary effort, of a work promising so much public usefulness. I cordially concur in the hope you have expressed, that this Hall, forming as it does part of a plan in which I must ever take a deep and personal interest, may largely and permanently contribute to the promotion among my people of the love of art, as well as to the success of the annual exhibitions, which will bring successively into instructive competition the choicest products of the industries of all nations. These objects could not fail to commend themselves at all times and all places to my sympathy and interest, fraught as they are with recollections of him to whose memory this Hall is dedicated, and whose dearest aim was to inspire my people with a love of all that is good and noble, and, by closer knowledge and juster appreciation of each other, to cultivate a spirit of goodwill and concord among the inhabitants of all regions. I gladly give the assurance of my support to the corporation to which the Hall is about to be entrusted, and I earnestly hope that their efforts to promote the objects for which it has been constructed may be rewarded by a career of abiding success."

The Bishop of London, representing the Archbishop of Canterbury, offered a dedication prayer.

The Prince of Wales, after a minute's conference with Her Majesty, then said, "THE QUEEN DECLARES THIS HALL TO BE NOW OPENED."

The announcement was followed by immense cheering and the sound of trumpets; and while the choir sang the National Anthem, the Park guns boomed forth a loud accompaniment.

The opening ceremony being thus accomplished, the Queen and the Royal visitors proceeded to the Royal box, where they remained during the performance of a selection of music. The programme included a cantata, written for the occasion by Sir Michael Costa, and the Prince Consort's _Invocazione all'Armonia_, which was first performed when Her Majesty, in 1867, laid the foundation-stone of the Hall this day opened.

THE INTERNATIONAL EXHIBITION OF 1871.

_May 1st, 1871._

During the twenty years that had passed since the ever-memorable Exhibition of 1851, there had been many Exhibitions, one of which, that of 1862, might aspire to the title of Great, and proved fairly successful. But so numerous were the imitations of the first great example, to which, at home or abroad, none approached in romantic interest and universal popularity, that at length the idea which in 1851 charmed all the world, had come to be somewhat tiresome to the public. Inventors and manufacturers found it troublesome and expensive to exhibit, not without doubt whether there were not more disadvantages than advantages in such international displays. Some of the later Exhibitions were little better than huge bazaars or trade shows.

Having regard to these conditions, the Royal Commissioners of 1851, with the Prince of Wales as President, allowed matters to rest awhile, although still feeling under obligation to carry out the grand purposes which gave rise to the first and grandest display in Hyde Park.

It was resolved to open at South Kensington, in 1871, an "International Exhibition of the Fine Arts and of Industry;" to be the first of a series, each with some definite aim, and mainly confined to certain arts or industries, instead of forming a miscellaneous museum of all sorts of objects. As the Queen approved of this proposal, the opening of the Exhibition of 1871 was undertaken by the Prince of Wales on Her Majesty's behalf, and was made the occasion of an imposing State pageant. In the Court Circular of May 2nd, and in the journals of the same date, a full account is given of the ceremonies of the preceding day, with lists of the illustrious and notable persons present, and other details. The Prince made formal proclamation of the opening.

In all his labours in connection with various exhibitions, at home or abroad, the Prince has had most able lieutenants, such as Sir Philip Cunliffe Owen, K.C.B., but every detail of plan and of administration has been brought before his attention, and has received the sanction of his judgment and experience. It is no exaggeration to say that to his presidency was mainly due the success of the British Department of the great Paris Exhibition of 1878. This was testified in the address presented to the Prince by Earl Granville, signed by a thousand Englishmen who had witnessed the events of that memorable season in the Place de Trocadero.

ARTISTS' ORPHAN FUND.

_May 7th, 1871._

For the relief of distressed artists, their widows and orphans, provision is made, as far as funds allow, by the Artists' Benevolent Institution, which was established in 1814. In course of time it was found that the amount available for the support and education of the orphans of artists was very insufficient, and a separate fund was established in 1866, under the auspices of the Council of the Artists' Benevolent Institution. From time to time donations were received, and in 1871 it was resolved to make a more public appeal. The Prince of Wales cheerfully agreed to preside at a dinner in aid of the fund, which took place on the 7th of May, 1871, in the Freemasons' Hall.

The Prince was supported by a large number of artists, and of patrons and lovers of art. The usual loyal toasts were given, and the presence of members of the well-known "artist corps" led the Prince to make special reference to the Volunteers.

In giving "The Army, Navy, Militia, and Volunteers," His Royal Highness said:--

"This is a toast which is never left out at all great public dinners. By some it has been called a formal toast, but in my opinion it should never be so styled. It is a toast which we ought to drink warmly and heartily. Of that which we owe to our army and navy I shall not speak to you at length, for this is not a fitting occasion; but I may say that we are bound to those services by a deep debt of gratitude, and let us hope that we shall always have reason to be as proud of them as we are at the present moment. We must, at the same time, never forget that there is something wanting. Our army is small; smaller than those of other countries; it ought, therefore to be better in comparison. As to the navy, though a great many changes have been made in our ships, though they have been converted from wooden walls into iron batteries, I think we may confidently anticipate that the fame which attaches to our old wooden walls will be transferred to our iron fleet whenever it is called upon to meet an enemy. The Militia, too, ought never to be omitted from this toast, for I look upon it as our great army of reserve, and desire to see it honoured; while as to the Volunteers, I would remark that I think we may congratulate ourselves on the circumstance that the movement, which has now existed for eleven or twelve years, shows no sign that it is slackening. I have the more confidence in asking you to respond to this portion of the toast, because I see around me many members of the Artists' Corps, which has always maintained a high position in the Volunteer force."

The Prince, in proposing the next toast, "The Artists' Orphan Fund," said:--

"I have no doubt you will drink this toast in bumpers, particularly as this is the first dinner which has been given in aid of the Fund. I can assure you it has given me much pleasure to come here and explain to you some of the chief points connected with this excellent charity. Being a charity in aid of orphans it is, you will agree with me, worthy of peculiar sympathy. It recommends itself still more to our notice when we reflect that it proposes to help the children of those who have done so much to elevate and refine art among us, and whose beautiful pictures have so often delighted us. Many persons may imagine that it is not difficult to be a painter, but the distinguished artists whom I see around me will, I am sure, agree with me that that it is a great mistake. To be a good painter genius is by no means all that is required. Industry and perseverance must also be exercised just as much as in the case of eminent clergymen, lawyers, scientific men, philosophers, or the members of any other branch of human exertion which we can name. Again, we must remember that, although a man may have been a successful painter, although his genius may have been recognized in other countries besides his own, and although he may have accumulated money in the course of long, laborious years, yet, being laid on a bed of sickness, that money may have dwindled away, and his children may be left entirely destitute. This fund, then, is destined for the support of the orphans of such artists and for their education. No one particular school is to be set apart for education. The guardians of the children will be allowed to select the schools to which they shall go and no restrictions of any kind will be imposed upon them with respect to religion. I may add that the first idea of this fund came from a gentleman who offered to place a certain number of candidates in two schools which he himself established, and that he has since given to the charity the munificent donation of £900. My only regret is that, while we must all applaud the munificence of this gentleman, I am forbidden to mention his name. There is, however, another name with respect to which I need not be reticent, and which is well known to you all--I mean that of Sir W. Tite, who has given the large sum of £1000 to the fund. Now, I feel sure you will follow this good example, that you will support to the best of your ability this excellent charity, and that I need not urge upon you to sign freely the papers which have been placed before you. I may add that I am authorized by the Council to mention that a sum of £7000 has already been collected out of the £10,000 which are required, a result for which they beg to return their grateful thanks. But though the sum I have just named will enable them to carry out the immediate object of the fund, neither they nor any one else will have any objection to your adding considerably to that amount. I will not detain you longer, but while thanking you for your attention will again ask you to drink 'Prosperity and success to this most worthy charity.'"

The Prince of Wales then gave "Prosperity to the Royal Academy," stating that "the community at large took the greatest interest in that body of gentlemen, for to them we owe the elevated and cultivated taste with regard to painting and sculpture which now so widely prevailed in this country. The interests of the Royal Academy and of Art would, he felt sure, not suffer as long as they were confided to the care of Sir F. Grant, the distinguished President of that institution."

Sir F. Grant, in returning thanks, said the members of the Royal Academy were very glad to have it in their power to aid so excellent a charity, and that, in addition to the £500 which they had given last year to the orphanage in connection with it, they were ready to give on the present occasion a further donation of £1000. He begged, in conclusion, to propose "Prosperity to the other Art Societies." The toast was responded to by Mr. Clint, President of the Society of British Artists.

The Treasurer read a long list of subscriptions, amounting in all to £12,308, including a hundred guineas from the Royal Chairman.

ROYAL MASONIC INSTITUTION FOR GIRLS.

_May 8th, 1871._

The annual festival of the Royal Masonic Institution for Girls was held at Freemasons' Hall, Great Queen Street, on the 8th of May, 1871, His Royal Highness the Prince of Wales presiding. The whole assembly in the hall was Masonic, the ladies being limited to the gallery of the Temple. The Prince wore, besides his Royal and military Orders, the insignia of a Past Grand Master of the English craft, and around him, in full Masonic "clothing," according to their rank in the craft, were many distinguished members.

His Royal Highness the Prince of Wales, in proposing "The Queen," said:--

"The first toast which I have to give is the health of the patroness of our craft--Her Majesty the Queen, who has always identified herself so far with our Freemasonry as to extend her hand to all charities."

Sir Patrick Colquhoun, with the Grand Master's gavel, proposed the toast of "The Prince of Wales, the Princess of Wales, and the rest of the Royal Family." He referred in feeling and touching terms to the loss lately sustained by the Prince and Princess, the death of an infant son on Good Friday, April 7, and he expressed the deep thankfulness of the brotherhood that the Princess was recovering her health.

His Royal Highness the Prince of Wales, in responding for the toast, which had been received with loud applause, thanked the brethren, and said "it gave him the greatest pleasure to be there, surrounded by the brethren of the craft to which he was proud to belong. He assured them that it was a proud day indeed to him when he became a Mason, and he should always do his utmost to be a worthy brother among them. He expressed, too, on the part of the Princess, his personal thanks to Sir Patrick for his touching remarks, and his thanks to the brethren for their sympathy. He was glad to announce that the Princess was restored to her accustomed health, and in a short time would be among them. It might be fitting then to announce that the Princess had consented to be the patroness of the institution."

The toast of "Earl de Grey, the Grand Master," was then proposed by the Royal President, and Lord Clonmell proposed "The Past Grand Master, the Earl of Zetland." "The Deputy-Grand Master's Health" was proposed by Mr. C. Sykes, M.P., who dwelt upon the great zeal and ability the Earl of Carnarvon had shown in following Masonry.

His Royal Highness the Prince of Wales, in proposing the toast of the evening, said, "in general he felt diffidence in asking for subscriptions for charities over which he sometimes presided, but he had not such a feeling on that occasion, when he looked round and saw on all sides the brethren of the craft, for he knew that one of the main principles inculcated in the minds of Freemasons was charity. He knew that the brethren composing the vast assemblage before him had come with one object, to support this excellent institution. A very full and able report had been drawn up, and therefore it was not necessary for him to address them at any length. He might say, however, that the institution was founded for the clothing, maintenance, and education of the daughters of decayed Freemasons, and it provided that the daughters of trustworthy Freemasons should not be left to the pangs of misery and ignorance. One important point was that it was supported entirely by voluntary contributions, and since its foundation in 1788 it had educated, clothed, and maintained nearly 1000 girls.

"It was specially interesting for him to be connected with that institution, as his grand-uncle, George IV., when Prince of Wales, was an earnest supporter of it, and was present at its foundation.

"It had been the great object of the committee to give the girls a good, sound, simple, and useful education--not what it had become the fashion to consider education, but an education without any 'padding.' In these days education was more thought of than it was fifty years ago, and, indeed, it was the great topic of the day. But before this time the Freemasons were among the first to set a good example, and having set this good example early, it was their duty to keep it up. The committee, in order to test the standard of education given in those schools, entered some of the names of pupils for the Cambridge Local Examinations, and, with very few exceptions, these girls so entered had passed the examinations with credit to themselves and to the institution. The institution was flourishing in every respect. During the past year 100 girls had been received into the institution, and as many had gone forth ready to take their place in the every-day life of men and women, well instructed in all the duties of the positions they would be called upon to fill. He urged that it had become necessary to build afresh, and as he had himself found that building could not be carried out for nothing, the subscriptions of the brethren were looked for to assist the committee."

The secretary read the list of subscriptions, which included 100 guineas from His Royal Highness the Prince, and 25 guineas from the Princess, and though forty lists were not given in the subscriptions already received amounted to £5000. On a later page will be found the record of another anniversary, when the Prince presided, and when the subscriptions were about £50,000.

The year 1888 is the centenary of the Institution, which flourishes, at St. John's Hill, Battersea Rise. The girls are admitted at eight years of age, and maintained until sixteen. There are nearly 250 in the school. The annual revenue, from all sources, is about £15,500.

EARLSWOOD ASYLUM FESTIVAL.

_May 17th, 1871._

In the summer of 1870 the foundation-stone of a new wing to the splendid edifice of the Earlswood Asylum for Idiots, had been laid by the Prince and Princess of Wales. The Prince further showed his interest in the institution by presiding at the anniversary festival, held at the London Tavern on the 17th of May, 1871. The Asylum, originally established at Highgate in 1847, was incorporated by Royal Charter in 1862. Her Majesty is patroness of the charity.

On the removal of the cloth the Prince gave the toast of "Her Majesty the Queen, as the Patroness of the Institution," which was received with every mark of respect, as was also that of "The Prince and Princess of Wales, and the rest of the Royal Family," proposed by the Duke of Wellington.

His Royal Highness, in proposing the toast of "The Army, Navy, Militia, and Volunteers," expressed a hope that "the great name which the Army and Navy bore in English history would always remain unsullied in days to come. We were now at peace, thank God, but we might never know from one day to another what might occur, and, therefore, we ought always to be prepared."

Later in the evening, His Royal Highness, in proposing the toast of the evening: "Prosperity to the Earlswood Idiot Asylum," said, "he felt convinced there was no charity which had a greater demand on the public sympathy and support than it, appealing as it did on behalf of the idiot classes, afflicted by the will of Providence, and unable for the most part to help themselves. The institution was happily in a highly flourishing condition, to the great praise of those who had all along interested themselves in its prosperity. In 1853 his lamented father, who was always ready to assist the afflicted and needy, laid the foundation-stone of the present institution; in 1866 the Princess of Wales and himself interested themselves in a bazaar for raising funds for the erection of a new wing to the building, and in 1869 Her Royal Highness and himself inaugurated that new wing.