Some Zulu Customs and Folk-lore

Part 4

Chapter 43,509 wordsPublic domain

In common with other backward races the Zulus have faith in the power of the rain doctors to make, or to draw, rain, and also to prevent it from falling. The Zulu kings generally kept rain doctors; but as these men, when they did not make enough rain to please their royal masters, were in danger of being fined or even put to death, they were obliged to invent a good many excuses for their failures. The most common was that they felt sure somebody was practising witchcraft, that is to say, putting pegs dipped in medicine into the ground, or tying knots in the grass on the mountain-tops and sprinkling them with medicines, either of which proceedings would stop the rain. Then the king would send messengers round the country commanding his subjects to find out where pegs had been driven in, or knots tied in the grass, and the owner of the kraal in whose neighbourhood this was found to have been done was liable to be killed or fined, at the king’s discretion. In a dry season people were constantly in fear of this happening, for they knew that any who wished to injure them would drive in pegs near their kraals and then report them to the king for having done it.

Cetshwayo once had a rain doctor of whom he thought a great deal; but one year when there was a terrible drought he lost faith in him, and then someone accused him to the king of having wilfully prevented the rain from falling. Of course this made his majesty furiously angry, and he ordered the unfortunate man to be killed and thrown into the river, together with his hut and everything he possessed. No sooner was this order carried out than the rain fell in torrents. Such is the story told by the natives, but I cannot vouch for the truth of it.[6]

The Zulus used to consider the Basuto rain doctors the best of any, and the king sometimes engaged some of them to come to Zululand when rain was wanted. One year a large number of them arrived, laden with roots and other medicines, from Basutoland. Some carried calabashes filled with liquids, which were rolled about on the ground at the cattle-kraal to bring thunder, and bundles containing charms to bring lightning and rain were stuck upright in the ground. These performances went on for some weeks, until at last the rain came, and the Zulus were satisfied that it was caused by the hard work of the Basuto doctors. These men were kept well supplied with beef and beer all the time they were in the country, and handsome presents were given them when they left it to return to their own land.

Footnote 6:

This story scarcely seems to be consistent with Cetshwayo’s character. He was certainly a sceptic as regards witchcraft.—ED.

THE RAINBOW, LIGHTNING, AND ECLIPSES

The Zulus believe in a glorious being whom they call the Queen of Heaven, of great and wondrous beauty, and the rainbow is supposed to be an emanation of her glory. This “Queen of Heaven” (Inkosikazi) is a different person from the Heavenly Princess, to whom the young girls pray regularly once a year, as described on another page.[7]

Some believe that there is a gorgeously coloured animal at the point where the rainbow appears to come in contact with the earth, and that it would cause the death of any who caught sight of it.[8]

The natives as a rule are very superstitious about the lightning; if it has struck anything they say “the heavens did it,” they dare not speak of it by name. A person killed by lightning is buried without ceremony, and there is no mourning for him; a tree which has been struck may not be used for fuel; the flesh of any animal so killed is not to be eaten; huts which have been injured by lightning are abandoned, and very often the whole kraal is removed. Persons living in such a kraal may not visit their friends, nor may their friends visit them, until they have been purified and pronounced clean by the doctor. They are not allowed to dispose of their cattle until they also have been attended to by the doctor: even the milk is considered unclean, and people abstain from drinking it.

An eclipse or an earthquake foretells a great calamity, and the natives are terrified whenever an eclipse takes place. The defeat of Cetshwayo by Usibebu a few hours after an earthquake, which was felt all through Zululand in 1883, naturally confirmed them in the belief that it is an evil omen.[9]

Footnote 7:

The rainbow is called utingo lwenkosikazi, “The Queen’s Bow.” See Callaway, _Nursery Tales and Traditions of the Zulus_, p. 193. Utingo, however, is not “a bow” in our sense (at any rate not in current Zulu speech), but a bent stick or wattle, such as is used in making the framework of a hut. It is difficult to ascertain anything about this inkosikazi; but the Zulu women hold dances on the hills in honour of some Inkosazana—an echo, it may be, of the story of Jephtha’s daughter.

Mr. Dudley Kidd (_The Essential Kafir_, p. 112) seems to have confused her with Nomkubulwana, who, as Miss Samuelson expressly tells us, is not the same person. It is not clear whether she is identical with the mysterious being called “Inkosazana,” of whom the late Bishop Callaway says: “The following superstition ... appears to be the relic of some very old worship” (_Religious System of the Amazulu_, p. 253).

She was supposed to appear, or rather to be heard speaking (for she was never seen), in lonely places, and predicted the future, or gave directions which had to be obeyed by the people. “It is she who introduces many fashions among black men. She orders the children to be weaned earlier than usual.... Sometimes she orders much beer to be made and poured out on the mountain. And all the tribes make beer, each chief and his tribe; the beer is poured on the mountain; and they thus free themselves from blame.... I never heard that they pray to her for anything, for she does not dwell with men, but in the forest, and is unexpectedly met with by a man who has gone out about his own affairs, and he brings back her message.”—ED.

Footnote 8:

The Congo people believe the rainbow to be a snake (chama) as do the Yorubas (Oshumare). (See Mr. Dennett’s _At the Back of the Black Man’s Mind_ (p. 142), and _Nigerian Studies_ (p. 217).—ED.

Footnote 9:

The earthquake referred to took place in 1883, during the night which preceded Cetshwayo’s defeat by Usibebu at Ulundi. My sister (Mrs. Faye) and I were camped out some ten miles from Melmoth, when, about midnight, the wagonette in which we were sleeping was shaken and began to move down hill, but was fortunately stopped after a few yards by a block of wood lying in the grass. The natives who were near us exclaimed that it meant a calamity to the Zulu nation. And in the morning, when we got down from the wagonette, we found a great number of men sitting about looking sad, with their arms over their shoulders (meaning “we are lost”). They told us that Cetshwayo had been killed by Usibebu; in fact, the latter had made a clean sweep of the royal kraal and all the king’s men. In less than an hour later we saw numbers of people, some running, some limping, some crawling past us, who had just managed to escape with their lives. Cetshwayo, wounded badly in the leg, was saved, and taken for protection to Eshowe, where he died early in the following year. (See Mr. Gibson’s _The Story of the Zulus_, p. 256, new edition.)

UKUKALEL ’AMABELE (PRAYING FOR THE CORN)

A description of an old Zulu custom which is now slowly dying out may be found interesting. It is generally observed at the season when the mealies and mabele (Kafir corn) are coming into flower.

The Zulus believe that there is a certain Princess in Heaven, who bears the name of Nomkubulwana (Heavenly Princess), and who occasionally visits their cornfields and causes them to bear abundantly. For this princess they very often set apart a small piece of cultivated land as a present, putting little pots of beer in it for her to drink when she goes on her rounds. They often sprinkle the mealies and mabele with some of the beer, for luck to the harvest.

There is one day appointed specially for girls, when they go out fasting on to the hills, and spend the whole day weeping, fasting, and praying, as they think that the more they fast and weep the more likely they are to be pitied by the princess. On that day they have to wear men’s clothing (umutsha) made of skins, and all men and boys are to keep out of their way, neither speaking to them nor looking at them.

They start very early, as by sunrise they must be by the riverside, ready to begin praying and weeping.[10]

Digging deep holes in the sand, they make two or three little girls sit in them, and fill them in again, till nothing but their heads are left showing above ground. There they must remain, weeping and praying for some time. Girls about six years old are generally chosen for this purpose, as they cry the most (rather from fright than anything else), and so are most likely to catch the ear of the heavenly princess.

When the older girls think the poor little things have done their fair share, they help them out and let them run home.

The big girls then go to the mountains and weep; after that to their gardens, round which they walk, screaming to the heavenly princess to have pity on them and give them a good harvest.

After this they sprinkle the gardens with beer, and set little pots of it here and there for the princess.

About sunset the ceremonies are over, and they all go back to the river to bathe, after which they return to their homes and break their fast. Any girls refusing to join with the others on Nomkubulwana’s day would lose caste, unless prevented by illness. Of course Christian girls are not expected to join, this being an entirely heathen rite.

Footnote 10:

Cf. an account of this custom (umtshopi) in Colenso’s _Zulu Dictionary_, p. 614. A similar observance, intended to avert disease, is described by Mrs. Hugh Lancaster Carbutt in the (South African) _Folk-Lore Journal_ for January, 1880 (Vol. II., p. 12), as follows: “Among the charms to prevent sickness from visiting a kraal is the umkuba, or custom of the girls herding the cattle for a day. [Umkuba means “custom,” it is not the name of this particular rite.] No special season of the year is set apart for this custom. It is merely enacted when diseases are known to be prevalent. On such an occasion all the girls and unmarried women of a kraal rise early in the morning, dress themselves entirely in their brothers’ skins [_i.e._, skin kilts (umutsha)], and, taking their knobkerries and sticks, open the cattle-pen or kraal, and drive the cattle away from the vicinity of the homestead, none of these soi-disant herds returning home, or going near a kraal, until sunset, when they bring the cattle back. No one of the opposite sex dare go near the girls on this day, or speak to them.”—We have reproduced the passage in full, as the periodical which contains it is now very scarce. It should be noted that at ordinary times it would be contrary to custom—indeed, highly improper, if not sacrilegious—for any woman or girl to approach the cattle-kraal, to say nothing of herding the cattle. The idea is, no doubt, to compel the assistance of the Unseen by some flagrant outrage on decency, actual or threatened.—ED.

OLD WIVES’ TALES

In addition to the many beliefs amongst the Zulus, of which I have given some examples, which may be properly called superstitious, there are a large number of curious half-beliefs and traditions, something of the nature of “old wives’ tales,” to which allusion is made more or less seriously in the ordinary course of Zulu conversation, and which often come as a surprise to the uninitiated European. I remember being much struck with some of these many years ago (as far back as in 1872), when my father took me as a child for a journey through Zululand on a visit to the great kraal of the celebrated King Mpande. On the way, as I was getting somewhat tired, a friendly Zulu told me to press my foot on an aloe (icena), and I should not be tired any longer. I saw no particular harm in obeying the injunction, and whether it was from the effect of the “icena,” or a thought cure wrought by the friendly Zulu, I certainly managed to get on.

On the same journey I was struck by a curious idea the Zulus have (somewhat akin to our “watched pot never boils”) as to disturbing the ordinary processes of the vegetable kingdom. I noticed some fine varieties of pumpkins, melons, and marrows, and, being curious to know their names, I pointed my finger at them. “Musa, musa” (don’t, don’t), shouted my native conductor, “they will never ripen if you point at them. You ought always to bend your fingers and point with your knuckles towards vegetables.” “Oh,” said I, “you might perhaps pick me that pumpkin (indicating one of the best), as it is the only one I pointed at, and it will prevent its rotting,” and he at once fell in with my suggestion, adding a few marrows growing near the pumpkin, which had also been in peril. Some of our mistakes in dealing with the Zulus might at times lead to serious consequences; but fortunately, as a rule they take them good naturedly, and attribute them to our ignorance.

It is rather curious, and perhaps a little humiliating, to civilized and superior people, to find one of their favourite nursery tactics—the threat of the black man coming down the chimney—in vogue (mutatis mutandis) among the Zulus. Fond Zulu mothers used to reduce their refractory offspring to order by the threat, “I’ll take you away to be eaten up by the white men,” and in the old times of which I am now speaking the threat always had the desired effect, though, let us hope in the present day, the notion of our being cannibals, if not bogies, no longer exists, even among the Zulus.

I well remember the day when we were graciously admitted to an audience with King Mpande, and the curious kind of awe with which the monarch and his attendants regarded us. The King spoke to us through his chief official, and courteously welcomed us to his Place, hoping we had not been disturbed by a big fight which had taken place in connection with some festivities among the Zulus near to us. It was a way his subjects had when their blood was heated, and he had done his best to stop it. He then noticed my long brown hair, which hung down to my waist, and observed, “What nice tails you have adorned yourself with! where did you get them? I should like some like that.” I said I had a private store from which I got them, and should not like anyone else to know. King Mpande smiled, and took it all in good part. I was the first white girl he had seen, and he looked therefore upon me as a curiosity.

“Come nearer,” he said, “and take off your hat, so that I can have a good look at you. How do you manage to tie the tails so neatly that no strings are seen?” He pulled and tugged at my hair, to see whether it would come off.

“Why, this is wonderful!” said he. “These are the tails they make under the sea. There’s nothing on land equal to this.”

“I glue them on,” said I.

“Wow! It is well done! Do show us how you do it.”

It was beyond human nature to keep a serious face after that. We all burst out laughing together. Then I told him that it was only my hair.

“Ngimdala!” (I am old) said the king (meaning in wisdom); and I was asked to go round for fuller inspection. The king noticed my hands. He said: “Her hands have a different colour to her face! Come nearer again, let me have a look at your hands.” I obeyed. He took my hand and felt it all over. “Mamo!” (oh! mother) “the skin moves. It is quite loose, and look how red it is.” I had a pair of scarlet silk gloves on. I pulled one off, an incident which caused a prodigious sensation in the royal hut. Exclamations of surprise were heard all round. “White girls are double skinned,” said one, “on their hands.” “They have a white skin to suit their face, and this is covered by a loose, dark red skin,” said the king. “Behold the artfulness of the white beings that come out of the sea.” The glove was carefully examined, and one man, with fear and trembling, picked it up with the tips of his fingers, but speedily dropped it again in horror and dismay. My father then explained to them as best he could that ladies wore gloves to protect their hands from getting sunburnt, and we took leave of the mighty king.

Outside the door we were met by a number of his royal daughters, all wanting to have a look at the girl from under the sea and her wonderful hair and hands. When they had satisfied their curiosity, they asked us to come and call on Giba, King Mpande’s celebrated snake charmer. He was sitting in his hut training his numerous snakes to go and come in to and out of their holes as he wanted them.

A great monster of a python was coiled round a stone in a corner, lazily watching his inferiors at their drill, and waiting his turn. “Ngqabitani” (the snake’s name, which means “hop down”), called out Giba, and the monster made a move and came with a twist and a roll, and was rewarded by a fowl to eat. It was a horrible performance.

The tendency which the Zulu has, in common with all savage or half-civilized people, to ascribe anything unusual to magic, and to account for the unknown by fanciful analogy (the basis, indeed, of most of the vulgar superstitions), was curiously illustrated in this journey by a chief whom we met and to whom my father gave a small mirror. The Zulu looked into it, gave a start, and dropped it to the ground. “Why, it is myself; I know, for I have seen a reflection of myself in a clear pool. These people carry mysterious things with them.” He picked it up gingerly, and handed it to his chief man, who, after examining it with the caution that a detective might display in opening a parcel supposed to contain dynamite, handed it round to the attendants, each of whom made a study of the “ego” and the “non ego” in the wonderful “charm,” which they took to their home and sealed up in an earthen pot.

Such are some of the curious ideas which were entertained by the Zulus as to the white man in the old days. Since that time increased intercourse with the white creatures from under the sea has dissipated some of their old delusions, but even to this day a large number of the natives look upon the white man as something weird, as a being who can do anything, and who has about him a touch of the mysterious, if not of the supernatural. Fortunately for us these ideas have never taken a very serious hold on the native mind. They look upon us as strange curiosities, but do not seriously associate our doings with the “black arts,” ready as they are to attribute dealings with forbidden agencies to their own people. It would have gone hard with us in the early days if any influential chief had conceived the idea, so readily seized by the Chinese, of designating all Europeans “foreign devils”—“Takati” (wizards)—with unknown powers and malignant designs. Our just and large-minded treatment of them has prevented the spread of any such notions amongst them. Their mental attitude towards us at the present day is one of bewildered simplicity, not unmingled with respect, and, when their confidence is obtained, with something of the loyal affection they have long been accustomed to entertain towards their own chiefs and superiors.

KING MPANDE’S SNAKE CHARMER.