Some Turns of Thought in Modern Philosophy: Five Essays

Chapter 4

Chapter 43,970 wordsPublic domain

Unfortunately the English reformers were themselves idealists of a sort, entangled in the vehicles of perception, and talking about sensations and ideas, pleasures and pains, as if these had been the elements of human nature, or even of nature at large: and only the most meagre of verbal systems, and the most artificial, can be constructed out of such materials. Moreover, they spoke much of pleasure and happiness, and hardly at all of misery and pain: whereas it would have been wiser, and truer to their real inspiration, to have laid all the emphasis on evils to be abated, leaving the good to shape itself in freedom. Suffering is the instant and obvious sign of some outrage done to human nature; without this natural recoil, actual or imminent, no morality would have any sanction, and no precept could be imperative. What silliness to command me to pursue pleasure or to avoid it, if in any case everything would be well! Save for some shadow of dire repentance looming in the distance, I am deeply free to walk as I will. The choice of pleasure for a principle of morals was particularly unfortunate in the British utilitarians; it lent them an air of frivolity absurdly contrary to their true character. Pleasure might have been a fit enough word in the mouth of Aristippus, a semi-oriental untouched by the least sense of responsibility, or even on the lips of humanists in the eighteenth century, who, however sordid their lives may sometimes have been, could still move in imagination to the music of Mozart, in the landscape of Watteau or of Fragonard. But in the land and age of Dickens the moral ideal was not so much pleasure as kindness: this tenderer word not only expresses better the motive at work, but it points to the distressing presence of misery in the world, to make natural kindness laborious and earnest, and turn it into a legislative system.

Bradley's hostility to pleasure was not fanatical: one's station and its duties might have their agreeable side. "It is probably good for you", he tells us, "to have, say, not less than two glasses of wine after dinner. Six on ordinary occasions is perhaps too many; but as to three or four, they are neither one way nor the other." If the voluptuary was condemned, it was for the commonplace reason which a hedonist, too, might invoke, that a life of pleasure soon palls and becomes unpleasant. Bradley's objection to pleasure was merely speculative: he found it too "abstract". To call a pleasure when actually felt an abstraction is an exquisite absurdity: but pleasure, in its absolute essence, is certainly simple and indefinable. If instead of enjoying it on the wing, and as an earnest of the soul's momentary harmony, we attempt to arrest and observe it, we find it strangely dumb; we are not informed by it concerning its occasion, nor carried from it by any logical implication to the natural object in which it might be found. A pure hedonist ought therefore to be rather relieved if all images lapsed from his consciousness and he could luxuriate in sheer pleasure, dark and overwhelming. True, such bliss would be rather inhuman, and of the sort which we rashly assign to the oyster: but why should a radical and intrepid philosopher be ashamed of that? The condition of Bradley's Absolute--feeling in which all distinctions are transcended and merged--seems to be something of that kind; but there would be a strange irony in attributing this mystical and rapturous ideal to such ponderous worthies as Mill and Spencer, whose minds were nothing if not anxious, perturbed, instrumental, and full of respect for variegated facts, and who were probably incapable of tasting pure pleasure at all.

But if pleasure, in its pure essence, might really be the highest good for a mystic who should be lost in it, it would be no guide to a moralist wishing to control events, and to distribute particular pleasures or series of pleasures as richly as possible in the world. For this purpose he would need to understand human nature and its variable functions, in which different persons and peoples may find their sincere pleasures; and this knowledge would first lend to his general love of pleasure any point of application in the governance of life or in benevolent legislation. Some concrete image of a happy human world would take the place of the futile truism that pleasure is good and pain evil. This is, of course, what utilitarian moralists meant to do, and actually did, in so far as their human sympathies extended, which was not to the highest things; but it was not what they said, and Bradley had a clear advantage over them in the war of words. A pleasure is not a programme: it exists here and not there, for me and for no one else, once and never again. When past, it leaves the will as empty and as devoid of allegiance as if it had never existed; pleasure is sand, though it have the colour of gold. But this is evidently true of all existence. Each living moment, each dead man, each cycle of the universe leaves nothing behind it but a void which perhaps something kindred may refill. A Hegel, after identifying himself for a moment with the Absolute Idea, is in his existence no less subject to sleepiness, irritation, and death than if he had been modestly satisfied with the joys of an oyster. It is only their common form, or their common worship, that can give to the quick moments of life any mutual relevance or sympathy; and existence would not come at all within sight of a good, either momentary or final, if it were not inwardly directed upon realising some definite essence. For the rest this essence may be as simple as you will, if the nature directed upon it is unified and simple; and it would be mere intellectual snobbery to condemn pleasure because it has not so many subdivisions in it as an encyclopaedia of the sciences. For the moralist pleasure and pain may even be the better guides, because they express more directly and boldly the instinctive direction of animal life, and thereby mark more clearly the genuine difference between good and evil.

We may well say with Bradley that the good is self-realisation; but what is the self? Certainly not the feeling or consciousness of the moment, nor the life of the world, nor pure spirit. The self that can systematically distinguish good from evil is an animal soul. It grows from a seed; its potentiality is definite and its fate precarious; and in man it requires society to rear it and tradition to educate it. The good is accordingly social, in so far as the soul demands society; but it is the nature of the individual that determines the kind and degree of sociability that is good for him, and draws the line between society that is a benefit and society that is a nuisance. To subordinate the soul fundamentally to society or the individual to the state is sheer barbarism: the Greeks, sometimes invoked to support this form of idolatry, were never guilty of it; on the contrary, their lawgivers were always reforming and planning the state so that the soul might be perfect in it. Discipline is a help to the spirit: but even social relations, when like love, friendship, or sport they are spontaneous and good in themselves, retire as far as possible from the pressure of the world, and build their paradise apart, simple, and hidden in the wilderness; while all the ultimate hopes and assurances of the spirit escape altogether into the silent society of nature, of truth, of essence, far from those fatuous worldly conventions which hardly make up for their tyranny by their instability: for the prevalent moral fashion is always growing old, and human nature is always becoming young again. World-worship is the expedient of those who, having lost the soul that is in them, look for it in things external, where there is no soul: and by a curious recoil, it is also the expedient of those who seek their lost soul in actual consciousness, where it also is not: for sensations and ideas are not the soul but only passing and partial products of its profound animal life. Moral consciousness in particular would never have arisen and would be gratuitous, save for the ferocious bias of a natural living creature, defending itself against its thousand enemies.

Nor would knowledge in its turn be knowledge if it were merely intuition of essence, such as the sensualist, the poet, or the dialectician may rest in. If the imagery of logic or passion ever comes to convey _knowledge_, it does so by virtue of a concomitant physical adjustment to external things; for the nerve of real or transcendent knowledge is the notice which one part of the world may take of another part; and it is this momentous cognisance, no matter what intangible feelings may supply terms for its prosody, that enlarges the mind to some practical purpose and informs it about the world. Consciousness then ceases to be passive sense or idle ideation and becomes belief and intelligence. Then the essences which form the "content of consciousness" may be vivified and trippingly run over, like the syllables of a familiar word, in the active recognition of things and people and of all the ominous or pliable forces of nature. For essences, being eternal and non-existent in themselves, cannot come to consciousness by their own initiative, but only as occasion and the subtle movements of the soul may evoke their forms; so that the fact that they are given to consciousness has a natural status and setting in the material world, and is part of the same natural event as the movement of the soul and body which supports that consciousness.

There is therefore no need of refuting idealism, which is an honest examination of conscience in a reflective mind. Refutations and proofs depend on pregnant meanings assigned to terms, meanings first rendered explicit and unambiguous by those very proofs or refutations. On any different acceptation of those terms, these proofs and refutations fall to the ground; and it remains a question for good sense, not for logic at all, how far the terms in either case describe anything existent. If by "knowledge" we understand intuition of essences, idealism follows; but it follows only in respect to essences given in intuition: nothing follows concerning the seat, origin, conditions, or symptomatic value of such intuition, nor even that such intuition ever actually occurs. Idealism, therefore, without being refuted, may be hemmed in and humanised by natural knowledge about it and about its place in human speculation; the most recalcitrant materialist (like myself) might see its plausibility during a somewhat adolescent phase of self-consciousness. Consciousness itself he might accept and relish as the natural spiritual resonance of action and passion, recognising it in its proud isolation and specious autonomy, like the mountain republics of Andorra and San Marino.

German idealism is a mighty pose, an attitude always possible to a self-conscious and reflective being: but it is hardly a system, since it contradicts beliefs which in action are inevitable; it may therefore be readily swallowed, but it can never be digested. Neither of its two ingredients--romantic scepticism and romantic superstition--agrees particularly with the British stomach. Not romantic scepticism: for in England an instinctive distrust of too much clearness and logic, a difficulty in drawing all the consequences of any principle, soon gave to this most radical of philosophies a prim and religious air: its purity was alloyed with all sorts of conventions: so much so that we find British Hegelians often deeply engaged in psychology, cosmology, or religion, as if they took their idealism for a kind of physics, and wished merely to reinterpret the facts of nature in an edifying way, without uprooting them from their natural places. This has been made easier by giving idealism an objective, non-psychological turn: events, and especially feelings and ideas, will then be swallowed up in the essences which they display. Thus Bradley maintained that two thoughts, no matter how remote from each other in time or space, were identically the same, and not merely similar, if only they contemplated the same idea. Mind itself ceased in this way to mean a series of existing feelings and was identified with intelligence; and intelligence in its turn was identified with the Idea or Logos which might be the ultimate theme of intelligence. There could be only one mind, so conceived, since there could be only one total system in the universe visible to omniscience.

As to romantic scepticism, we may see by contrast what it would be, when left to itself, if we consider those lucid Italians who have taken up their idealism late and with open eyes. In Croce and Gentile the transcendental attitude is kept pure: for them there is really no universe save spirit creating its experience; and if we ask whence or on what principle occasions arise for all this compulsory fiction, we are reminded that this question, with any answer which spirit might invent for it, belongs not to philosophy but to some special science like physiology, itself, of course, only a particular product of creative thought. Thus the more impetuously the inquisitive squirrel would rush from his cage, the faster and faster he causes the cage to whirl about his ears. He has not the remotest chance of reaching his imaginary bait--God, nature, or truth; for to seek such things is to presuppose them, and to presuppose anything, if spirit be absolute, is to invent it. Even those philosophies of history which the idealist may for some secret reason be impelled to construct would be superstitious, according to his own principles, if he took them for more than poetic fictions of the historian; so that in the study of history, as in every other study, all the diligence and sober learning which the philosopher may possess are non-philosophical, since they presuppose independent events and material documents. Thus perfect idealism turns out to be pure literary sport, like lyric poetry, in which no truth is conveyed save the miscellaneous truths taken over from common sense or the special sciences; and the gay spirit, supposed to be living and shining of its own sweet will, can find nothing to live or shine upon save the common natural world.

Such at least would be the case if romantic superstition did not supervene, demanding that the spirit should impose some arbitrary rhythm or destiny on the world which it creates: but this side of idealism has been cultivated chiefly by the intrepid Germans: some of them, like Spengler and Keyserling, still thrive and grow famous on it without a blush. The modest English in these matters take shelter under the wing of science speculatively extended, or traditional religion prudently rationalised: the scope of the spirit, like its psychological distribution, is conceived realistically. It might almost prove an euthanasia for British idealism to lose itself in the new metaphysics of nature which the mathematicians are evolving; and since this metaphysics, though materialistic in effect, is more subtle and abstruse than popular materialism, British idealism might perhaps be said to survive in it, having now passed victoriously into its opposite, and being merged in something higher.

[10] _Ethical Studies_, by F.H. Bradley, O.M., LL.D. (Glasgow), late Fellow of Merton College, Oxford; second edition revised, with additional notes by the Author. Oxford, The Clarendon Press, 1927.

III

REVOLUTIONS IN SCIENCE

Since the beginning of the twentieth century, science has gained notably in expertness, and lost notably in authority. We are bombarded with inventions; but if we ask the inventors what they have learned of the depths of nature, which somehow they have probed with such astonishing success, their faces remain blank. They may be chewing gum; or they may tell us that if an aeroplane could only fly fast enough, it would get home before it starts; or they may urge us to come with them into a dark room, to hold hands, and to commune with the dear departed.

Practically there may be no harm in such a division of labour, the inventors doing the work and the professors the talking. The experts may themselves be inexpert in verbal expression, or content with stock phrases, or profoundly sceptical, or too busy to think. Nevertheless, skill and understanding are at their best when they go together and adorn the same mind. Modern science until lately had realised this ideal: it was an extension of common perception and common sense. We could trust it implicitly, as we do a map or a calendar; it was not true for us merely in an argumentative or visionary sense, as are religion and philosophy. Geography went hand in hand with travel, Copernican astronomy with circumnavigation of the globe: and even the theory of evolution and the historical sciences in the nineteenth century were continuous with liberal reform: people saw in the past, as they then learned to conceive it, simply an extension of those transformations which they were witnessing in the present. They could think they knew the world as a man knows his native town, or the contents of his chest of drawers: nature was our home, and science was our home knowledge. For it is not intrinsic clearness or coherence that make ideas persuasive, but connection with action, or with some voluminous inner response, which is readiness to act. It is a sense of on-coming fate, a compulsion to do or to suffer, that produces the illusion of perfect knowledge.

I call it illusion, although our contact with things may be real, and our sensations and thoughts may be inevitable and honest; because nevertheless it is always an illusion to suppose that our images are the intrinsic qualities of things, or reproduce them exactly. The Ptolemaic system, for instance, was perfectly scientific; it was based on careful and prolonged observation and on just reasoning; but it was modelled on an image--the spherical blue dome of the heavens--proper only to an observer on the earth, and not transferable to a universe which is diffuse, centreless, fluid, and perhaps infinite. When the imagination, for any reason, comes to be peopled with images of the latter sort, the modern, and especially the latest, astronomy becomes more persuasive. For although I suspect that even Einstein is an imperfect relativist, and retains Euclidean space and absolute time at the bottom of his calculation, and recovers them at the end, yet the effort to express the system of nature as it would appear from _any_ station and to _any_ sensorium seems to be eminently enlightening.

Theory and practice in the latest science are still allied, otherwise neither of them would prosper as it does; but each has taken a leap in its own direction. The distance between them has become greater than the naked eye can measure, and each of them in itself has become unintelligible. We roll and fly at dizzy speeds, and hear at incredible distances; at the same time we imagine and calculate to incredible depths. The technique of science, like that of industry, has become a thing in itself; the one veils its object, which is nature, as the other defeats its purpose, which is happiness. Science often seems to be less the study of things than the study of science. It is now more scholastic than philosophy ever was. We are invited to conceive organisms within organisms, so minute, so free, and so dynamic, that the heart of matter seems to explode into an endless discharge of fireworks, or a mathematical nightmare realised in a thousand places at once, and become the substance of the world. What is even more remarkable--for the notion of infinite organisation has been familiar to the learned at least since the time of Leibniz--the theatre of science is transformed no less than the actors and the play. The upright walls of space, the steady tread of time, begin to fail us; they bend now so obligingly to our perspectives that we no longer seem to travel through them, but to carry them with us, shooting them out or weaving them about us according to some native fatality, which is left unexplained. We seem to have reverted in some sense from Copernicus to Ptolemy: except that the centre is now occupied, not by the solid earth, but by _any_ geometrical point chosen for the origin of calculation. Time, too, is not measured by the sun or stars, but by _any_ "clock"--that is, by any recurrent rhythm taken as a standard of comparison. It would seem that the existence and energy of each chosen centre, as well as its career and encounters, hang on the collateral existence of other centres of force, among which it must wend its way: yet the only witness to their presence, and the only known property of their substance, is their "radio-activity", or the physical light which they shed. Light, in its physical being, is accordingly the measure of all things in this new philosophy: and if we ask ourselves why this element should have been preferred, the answer is not far to seek. Light is the only medium through which very remote or very minute particles of matter can be revealed to science. Whatever the nature of things may be intrinsically, science must accordingly express the universe in terms of light.

These reforms have come from within: they are triumphs of method. We make an evident advance in logic, and in that parsimony which is dear to philosophers (though not to nature), if we refuse to assign given terms and relations to any prior medium, such as absolute time or space, which cannot be given with them. Observable spaces and times, like the facts observed in them, are given separately and in a desultory fashion. Initially, then, there are as many spaces and times as there are observers, or rather observations; these are the specious times and spaces of dreams, of sensuous life, and of romantic biography. Each is centred here and now, and stretched outwards, forward, and back, as far as imagination has the strength to project it. Then, when objects and events have been posited as self-existent, and when a "clock" and a system of co-ordinates have been established for measuring them, a single mathematical space and time may be deployed about them, conceived to contain all things, and to supply them with their respective places and dates. This gives us the cosmos of classical physics. But this system involves the uncritical notion of light and matter travelling through media previously existing, and being carried down, like a boat drifting down stream, by a flowing time which has a pace of its own, and imposes it on all existence. In reality, each "clock" and each landscape is self-centred and initially absolute: its time and space are irrelevant to those of any other landscape or "clock", unless the objects or events revealed there, being posited as self-existent, actually coincide with those revealed also in another landscape, or dated by another "clock". It is only by travelling along its own path at its own rate that experience or light can ever reach a point lying on another path also, so that two observations, and two measures, may coincide at their ultimate terms, their starting-points or their ends. Positions are therefore not independent of the journey which terminates in them, and thereby individuates them; and dates are not independent of the events which distinguish them. The flux of existence comes first: matter and light distend time by their pulses, they distend space by their deployments.