Short stories and selections for use in the secondary schools

Chapter 15

Chapter 154,095 wordsPublic domain

The long-tailed cows of the Lama [Footnote: Lama: a priest or monk of Thibet and Mongolia who professes Lamaism, a kind of Buddhism.] herdsmen, they say, are so restive and difficult to milk, that, to keep them at all quiet, the herdsman has to give them a calf to lick meanwhile. But for this device not a single drop of milk could be obtained from them. One day a herdsman, who lived in the same house with ourselves, came, with a dismal face, to announce that the new-born calf of a favorite cow was dying. It died in the course of the day. The Lama forthwith skinned the poor beast and stuffed it with hay. This proceeding surprised us at first, for the Lama had by no means the air of a man likely to give himself the luxury of a cabinet of natural history. When the operation was completed we found that the hay-calf had neither feet nor head; whereupon it occurred to us that, after all, perhaps it was a pillow that the Lama contemplated. We were in error; but the error was not dissipated till the next morning, when our herdsman went to milk his cow. Seeing him issue forth, the pail in one hand and the hay-calf under the other arm, the fancy occurred to us to follow him. His first proceeding was to put the hay-calf down before the cow; he then turned to milk the cow herself. The mother cow at first opened enormous eyes at her beloved infant; by degrees she stooped her head towards it, then smelt it, sneezed three or four times, and at last began to lick it with the most delightful tenderness.

This spectacle grated against our sensibilities; it seemed to us that he who first invented this parody [Footnote: Parody: a burlesque or mimicking of something, usually written.] upon one of the most touching incidents in nature must have been a man without a heart. A somewhat burlesque circumstance occurred one day to modify the indignation with which this treachery inspired us. By dint of caressing and licking her little calf, the tender parent one fine morning unripped it; the hay issued from within, and the cow, manifesting not the slightest surprise or agitation, proceeded tranquilly to devour the unexpected provender. [Footnote: Provender: food, provisions.]

Poor, simple-minded old cow! But let us laugh at her in the right place. That she should fail to distinguish between the dead bundle and her living offspring is surprising. But being deceived, why should she think it odd to find hay inside? Ignorant of anatomy and physiology, she knows nothing about insides. Had she considered the matter--and it doesn't fall in the line of bovine rumination [Footnote: Bovine rumination: chewing a cud.]--she would doubtless have expected to find in her calf not hay but condensed milk. But if not milk, why not hay? She was well acquainted with the process of putting hay inside, why therefore should she be surprised to find hay inside? But of course she had never bothered her dear sleepy old head about any matter of the sort. And the moral is that we must not expect to find in animals that kind of intelligence which has no bearing whatever upon the life that they lead.

* * * * *

In Scandinavia, as elsewhere, the bear is sometimes domesticated, and if taken young becomes quite tame, and is gentle in its disposition. It is not well, however, to annoy even a well-disposed bear; for Bruin, like the rest of us, resents practical jokes of too unpleasant a nature. A Swedish peasant had one who used to stand on the back of his sledge when he was on a journey, and the beast had so good a balance that it was next to impossible to upset him. One day, however, the peasant amused himself with driving over the very worst ground he could find with the intention, if possible, of throwing the bear off his balance. In this he succeeded, but not in the manner he expected. The bear retained his balance of body, but lost his balance of mind, becoming so irritated that he fetched his master, who was in front of him, a tremendous thump on the shoulder, which frightened the man so much that he had poor Bruin killed immediately.

An American writer gives another instance of ursine [Footnote: Ursine: pertaining to a bear.] irritability. A friend of his would persist in practising the flute near his tame black bear. Bruin bore this in silence for a while, went so far indeed as himself to try and play the flute on his favorite stick; but at last he could stand it no longer, and one morning knocked the flutist's tall hat over his eyes. If any act of retribution is justifiable this was. To practise the flute anywhere within earshot is annoying; to do so in a tall hat would be simply exasperating.

It would be easy to fill a small volume with anecdotes of captive bears. They would show that Bruin is not so stupid as he is sometimes painted, even if they did not altogether justify the Swedish saying that the bear unites the wit of one man with the strength of ten. Frank Buckland's bear, Tiglath Pileser, was cute enough to know where to find the sweet stuff, of which he, in common with his race, was so inordinately fond; for one day when he had broken his chains he was found in a small grocer's shop seated on the counter, and helping himself with liberal paw to brown sugar and lollipops, to the no small discomfort of the good woman who kept the shop. A black bear in America had a weakness for chickens. His master noticed the thinning of the poultry yard, and suspicion fell on Bruin owing to the feathers which lay round his pole. They could not catch him in the act however. He was too sharp for that, and if disturbed, when he had but half demolished [Footnote: Demolished: destroyed.] a pullet he would hastily sit on the remainder and look as innocent as could be. He was discovered at last, however, by the cackling of a tough old hen which he had failed to silence.

--LLOYD MORGAN (adapted).

[Footnote: Do the incidents related seem real or exaggerated? Has the author used the element of surprise effectively? Illustrate. Would you judge that the writer was a scientist? Why?]

BUCK'S TRIAL OF STRENGTH

John Thornton, owner of the dog, Buck, had said that Buck could draw a sled loaded with one thousand pounds of flour. Another miner bet sixteen hundred dollars that he couldn't, and Thornton, though fearing it would be too much for Buck, was ashamed to refuse; so he let Buck try to draw a load that Matthewson's team of ten dogs had been hauling.

The team of ten dogs was unhitched, and Buck, with his own harness, was put into the sled. He had felt the general excitement, and he felt that in some way he must do a great thing for John Thornton. Murmurs of admiration at his splendid appearance went up. He was in perfect condition, without an ounce of superfluous [Footnote: Superfluous: unnecessary.] flesh, and the one hundred and fifty pounds that he weighed were so many pounds of grit and virility. His furry coat shone with the sheen of silk. Down the neck and across the shoulders, his mane, in repose as it was, half bristled and seemed to lift with every movement, as though excess of vigor made each particular hair alive and active. The great breast and heavy forelegs were no more than in proportion with the rest of the body, where the muscles showed in tight rolls underneath the skin. Men felt these muscles and proclaimed them hard as iron, and the odds went down two to one.

"Sir, sir," stuttered a member of the latest dynasty, [Footnote: Dynasty: race or succession of kings.] a king of the Skookum Benches. "I offer you eight hundred for him, sir, before the test, sir; eight hundred just as he stands."

Thornton shook his head and stepped to Buck's side.

"You must stand off from him," Matthewson protested. "Free play and plenty of room."

The crowd fell silent; only could be heard the voices of the gamblers vainly offering two to one. Everybody acknowledged Buck a magnificent animal, but twenty fifty-pound sacks of flour bulked too large in their eyes for them to loosen their pouch-strings.

Thornton knelt down by Buck's side. He took his head into his two hands and rested cheek on cheek. He did not playfully shake him, as he was wont, or murmur soft love curses; but he whispered in his ear. "As you love me, Buck. As you love me," [Footnote: As you love me, Buck. Compare this incident with the words whispered to his horse by the rider in Browning's "Ghent to Aix."] was what he whispered. Buck whined with suppressed eagerness.

The crowd was watching curiously. The affair was growing mysterious. It seemed like a conjuration. [Footnote: Conjuration: an invoking of supernatural aid.] As Thornton got to his feet, Buck seized his mittened hand between his jaws, pressing in with his teeth and releasing slowly, half-reluctantly. It was the answer, in terms, not of speech, but of love. Thornton stepped well back.

"Now, Buck," he said.

Buck tightened the traces, then slacked them for a matter of several inches. It was the way he had learned.

"Gee!" Thornton's voice rang out, sharp in the tense silence.

Buck swung to the right, ending the movement in a plunge that took up the slack, and, with a sudden jerk, arrested his one hundred and fifty pounds. The load quivered, and from under the runners arose a crisp crackling.

"Haw!" Thornton commanded.

Buck duplicated the maneuver, [Footnote: Maneuver: dexterous movement.] this time to the left. The crackling turned into a snapping, the sled pivoting and the runners slipping and grating several inches to the side.

The sled was broken out. Men were holding their breaths, intensely unconscious of the fact. "Now, Mush!"

Thornton's command cracked out like a pistol shot. Buck threw himself forward, tightening the traces with a jarring lunge. His whole body was gathered tightly together in a tremendous effort, the muscles writhing and knotting like live things under the silky fur. His great chest was low to the ground, his head forward and down, while his feet were flying like mad, the claws scarring the hard-packed snow in grooves. The sled swayed and trembled, half-started forward. One of his feet slipped, and one man groaned aloud. Then the sled lurched ahead in what appeared a rapid succession of jerks, though it really never came to a dead stop again--half an inch--an inch--two inches. The jerks became less as the sled gained momentum, he caught them up, till it was moving steadily along.

Men gasped and began to breathe again, unaware that for a moment they had ceased to breathe. Thornton was running behind, encouraging Buck with short, cheery words. The distance had been measured off, and as he neared the pile of firewood which marked the end of the hundred yards, a cheer began to grow and grow, which burst into a roar as he passed the firewood and halted at command. Every man was tearing himself loose, even Matthewson, who had lost his wager. Hats and mittens were flying in the air. Men were shaking hands, it did not matter with whom, and bubbling over in a general incoherent babel. But Thornton fell on his knees beside Buck. Head was against head, and he was shaking him back and forth.

"I'll give you a thousand for him, sir, a thousand," sputtered the Skookum Bench king, "twelve hundred, sir."

Thornton rose to his feet. His eyes were wet. The tears were streaming frankly down his cheeks. "Sir," he said to the Skookum Bench king, "no, sir. You can hold your tongue, sir. It's the best I can do for you, sir."

Buck seized Thornton's hand in his teeth. Thornton shook him back and forth. As though moved by a common feeling, the onlookers drew back to a respectful distance; nor did they again interrupt.

--JACK LONDON.

[Footnote: Notice the simple direct style of writing. Why does the writer dwell on the physical fitness of Buck? Does the understanding between Buck and his master seem unusual? What glimpses of the character of the miners does the story give you? Show how the element of suspense adds to the dramatic force of the story. What is the most interesting point in the narrative?]

ON THE SOLANDER WHALING GROUND

A bright sunny morning; the gentle north-easterly breeze just keeping the sails full as the lumbering whaling-barque "Splendid" dips jerkily to the old southerly swell. Astern, the blue hills around Preservation Inlet [Footnote: Preservation Inlet ... Solander (island) ... Foveaux (strait) ... Stewart Island: places situated on or near the southern end of New Zealand.] lie shimmering in the soft spring sunlight, and on the port beam the mighty pillar of the Solander Rock, lying off the south-western extremity of the New Zealand, is sharply outlined against the steel-blue sky. Far beyond that stern sentinel, the converging shores of Foveaux Strait are just discernible in dim outline through a low haze. Ahead the jagged and formidable rocks of Stewart Island, bathed in a mellow golden glow, give no hint of their terrible appearance what time the Storm-fiend of the south-west cries havoc and urges on his chariot of war.

The keen-eyed Kanaka [Footnote: Kanaka: a native of the Sandwich Islands.] in the fore crow's nest [Footnote: Crow's nest: a perch near the top of the mast to shelter the man on the lookout.] shades his eyes with his hand, peering earnestly out on the weather bow at something which has attracted his attention. A tiny plume of vapor rises from the blue hollows about ten miles away, but so faint and indefinable that it may be only a breaking wavelet's crest caught by the cross wind. Again that little bushy jet breaks the monotony of the sea; but this time there is no mistaking it. Emerging diagonally from the water, not high and thin, but low and spreading, it is an infallible indication to those piercing eyes of the presence of a sperm-whale. The watcher utters a long, low musical cry, "Blo-o-o-o-w," which penetrates the gloomy recesses of the fo'ksle [Footnote: Fo'ksle: the forward part of the vessel, under the deck, where the sailors live.] and cuddy, [Footnote: Cuddy: small cabin.] where the slumberers immediately engage in fierce conflict with whales of a size never seen by waking eyes. The officer and white seamen at the main now take up the cry, and in a few seconds all hands are swiftly yet silently preparing to leave the ship. She is put about, making a course which shortly brings her a mile or two to windward of the slowly-moving cachalot. Now it is evident that no solitary whale is in sight, but a great school, gambolling in the bright spray. One occasionally, in pure exuberance of its tremendous vitality, springs twenty feet into the clear air, and falls, a hundred tons of massive flesh, with earthquake-like commotion, back into the sea.

Having got the weather-gage, the boats are lowered; sail is immediately set, and, like swift huge-winged birds, they swoop down upon the prey. Driving right upon the back of the nearest monster, two harpoons are plunged into his body up to the "hitches." [Footnote: Hitches: a knot or noose that can be readily undone.] The sheet [Footnote: Sheet: the rope that regulates the angle of the sail.] is at once hauled aft, [Footnote: Hauled aft: hauled toward the stern of the ship.] and the boat flies up into the wind; while the terrified cetacean [Footnote: Cetacean: marine mammal.] vainly tries, by tremendous writhing and plunging, to rid himself of the barbed weapon. The mast is unshipped, and preparation made to deliver the coup de grace. [Footnote: Coup de grace: the decisive, finishing stroke.] But finding his efforts futile, the whale has sounded, and his reappearance must be awaited. Two boats' lines are taken out before the slackening comes, and he slowly rises again. Faster and faster the line comes in; the blue depths turn a creamy white, and it is "Stern all" for dear life. Up he comes, with jaws gaping twenty feet wide, gleaming teeth and livid, cavernous throat glittering in the brilliant light. But the boat's crew are seasoned hands, to whom this dread sight is familiar, and orders are quietly obeyed, the boat backing, circling and darting ahead like a sentient thing under their united efforts. So the infuriated mammal is baffled and dodged, while thrust after thrust of the long lances are got home, and streamlets of blood trickling over the edges of his spouthole give warning that the end is near. A few wild circlings at tremendous speed, jaws clashing and blood foaming in torrents from the spiracle, [Footnote: Spiracle: the nostril of a whale.] one mighty leap into the air, and the ocean monarch is dead. He lies just awash, gently undulated by the long, low swell, one pectoral fin slowly waving like some great stray leaf of _Fucus gigantea_. [Footnote: Fucus gigantea: fucus is a kind of tough seaweed.] A hole is cut through the fluke and the line secured to it. The ship, which has been working to windward during the conflict, runs down and receives the line; and in a short time the great inert mass is hauled alongside and secured by the fluke [Footnote: Fluke: one of the lobes of a whale's tail.] chain.

The vessel, bound to that immense body, can only crawl tortoise-like before the wind--lucky, indeed, to have a harbor ahead where the whale may be cut in, even though it be forty miles away. Without that refuge available, she could not hope to keep the sea and hold her prize through the wild weather, now so near. The breeze is freshening fast, and all sail is made for Port William. So slow is the progress, that it is past midnight before that snug shelter is reached, although for the last four hours the old ship is terribly tried and strained by the press of sail carried to such a gale.

--FRANK BULLEN.

[Footnote: Show how the rapid action in the narrative makes it more dramatic. Why does the danger of the enterprise take so small a part in the narrative? Can you characterize this kind of description?]

AN EPISODE OF THE FRENCH REVOLUTION

With a wild rattle and clatter, and an inhuman abandonment of consideration not easy to be understood in these days, the carriage dashed through streets and swept round corners, with women screaming before it, and men clutching each other and clutching children out of its way. At last, swooping at a street corner by a fountain, one of its wheels came to a sickening little jolt, and there was a loud cry from a number of voices, and the horses reared and plunged.

But for the latter inconvenience, the carriage probably would not have stopped; carriages were often known to drive on, and leave their wounded behind, and why not? But the frightened valet had got down in a hurry, and there were twenty hands at the horses' bridles.

"What has gone wrong?" said Monsieur, calmly looking out.

A tall man in a nightcap had caught up a bundle from among the feet of horses, and had laid it on the basement of the fountain, and was down in the mud and wet, howling over it like a wild animal.

"Pardon, Monsieur the Marquis!" said a ragged and submissive man, "it is a child."

"Why does he make that abominable noise? Is it his child?"

"Excuse me, Monsieur the Marquis--it is a pity--yes."

The fountain was a little removed; for the street opened, where it was, into a space some ten or twelve yards square. As the tall man suddenly got up from the ground, and came running at the carriage, Monsieur the Marquis clapped his hand for an instant on his sword hilt.

"Killed!" shrieked the man, in wild desperation, extending both arms at their length above his head, and staring at him. "Dead!"

The people closed round, and looked at Monsieur the Marquis. There was nothing revealed by the many eyes that looked at him but watchfulness and eagerness; there was no visible menacing or anger. Neither did the people say anything; after the first cry, they had been silent, and they remained so. The voice of the submissive man who had spoken, was flat and tame in its extreme submission. Monsieur the Marquis ran his eyes over them all, as if they had been mere rats come out of their holes.

He took out his purse.

"It is extraordinary to me," said he, "that you people cannot take care of yourselves and your children. One or the other of you is for ever in the way. How do I know what injury you have done my horses. See! Give him that."

He threw out a gold coin for the valet to pick up, and all the heads craned forward that all the eyes might look down at it as it fell. The tall man called out again with a most unearthly cry. "Dead!"

He was arrested by the quick arrival of another man, for whom the rest made way. On seeing him, the miserable creature fell upon his shoulder, sobbing and crying, and pointing to the fountain, where some women were stooping over the motionless bundle, and moving gently about it. They were as silent, however, as the men.

"I know all, I know all," said the last comer. "Be a brave man, my Gaspard! It is better for the poor little plaything to die so, than to live. It has died in a moment without pain. Could it have lived an hour as happily?"

"You are a philosopher, you there," said the Marquis, smiling. "How do they call you?"

"They call me Defarge."

"Of what trade?"

"Monsieur the Marquis, vendor [Footnote: Vendor: seller.] of wine."

"Pick up that, philosopher and vendor of wine," said the Marquis, throwing him another gold coin, "and spend it as you will. The horses there; are they right?"

Without deigning to look at the assemblage a second time, Monsieur the Marquis leaned back in his seat, and was just being driven away with the air of a gentleman who had accidentally broke some common thing, and had paid for it, and could afford to pay for it; when his case was suddenly disturbed by a coin flying into his carriage, and ringing on its floor.

"Hold!" said Monsieur the Marquis. "Hold the horses! Who threw that?"

He looked to the spot where Defarge the vendor of wine had stood a moment before; but the wretched father was grovelling on his face on the pavement in that spot, and the figure that stood beside him was the figure of a dark stout woman, knitting.

"You dogs!" said the Marquis, but smoothly, and with an unchanged front, except as to the spots on his nose; "I would ride over any of you very willingly, and exterminate you from the earth. If I knew which rascal threw at the carriage, and if that brigand were sufficiently near it, he should be crushed under the wheels."

So cowed was their condition, and so long and hard their experience of what such a man could do to them, within the law and beyond it, that not a voice or a hand, or even an eye was raised. Among the men, not one. But the woman who stood knitting looked up steadily, and looked the Marquis in the face. It was not for his dignity to notice it; his contemptuous eyes passed over her, and over all the other rats; and he leaned back in his seat again, and gave the word "Go on!"

--CHARLES DICKENS.

[Footnote: What things are contrasted in the story? Does the incident seem probable from what you know of the period? Can you give any instances from history or fiction to show the attitude of the French aristocracy before the Revolution? Do you know what happened to the Marquis in the "Tale of Two Cities"? Compare the condition of the people in this episode with those in a "Leaf in the Storm."]

THE COMMANDER OF THE FAITHFUL