Short stories and selections for use in the secondary schools
Chapter 13
There dwelt an old man in Monastier, [Footnote: Monastier: a little village in southern France.] of rather unsound intellect according to some, much followed by street-boys, and known to fame as Father Adam. Father Adam had a cart, and to draw the cart a diminutive donkey, not much bigger than a dog, the color of a mouse, with a kindly eye and a determined under-jaw. There was something neat and high-bred, a Quakerish elegance, about the rogue that hit my fancy on the spot.
Our first interview was in Monastier market-place. To prove her good temper, one child after another was set upon her back to ride, and one after another went head over heels into the air; until a want of confidence began to reign in youthful bosoms, and the experiment was discontinued from a dearth of subjects. I was already backed by a deputation [Footnote: Deputation: a group of persons sent to act in behalf of others.] of my friends; but as if this were not enough, all the buyers and sellers came around and helped me in the bargain; and the ass and I and Father Adam were the centre of a hubbub for near half an hour. At length she passed into my service for the consideration of sixty-five francs and a glass of brandy. The sack had already cost eighty francs and two glasses of beer; so that Modestine, as I instantly baptized her, was upon all accounts the cheaper article.
By the advice of a fallacious [Footnote: Fallacious: misleading, deceptive.] local saddler, a leather pad was made for me with rings to fasten on my bundle; and I thoughtfully completed my kit and arranged my toilette. By way of armory and utensils, I took a revolver, a little spirit lamp and pan, a lantern and some halfpenny candles, a jack-knife and a large leather flask. The main cargo consisted of two entire changes of warm clothing, besides my travelling wear of country velveteen, pilot coat, and knitted spencer, some books, and my railway-rug, which, being also in the form of a bag, made me a double castle for cold nights. The permanent larder was represented by cakes of chocolate and tins of Bologna sausage. All this, except what I carried about my person, was easily stowed into the sheepskin bag; and by good fortune I threw in my empty knapsack, rather for convenience of carriage than from any thought that I should want it on my journey. For more immediate needs, I took a leg of cold mutton, a bottle of Beaujolais, [Footnote: Beaujolais: a red wine made in southeastern France.] an empty bottle to carry milk, an egg-beater, and a considerable quantity of black bread and white for myself and donkey.
On the day of my departure I was up a little after five; by six we began to load the donkey; and ten minutes after, my hopes were in the dust. The pad would not stay on Modestine's back for half a moment. I returned it to its maker, with whom I had so contumelious [Footnote: Contumelious: rude and abusive.] a passage that the street outside was crowded from wall to wall with gossips looking on and listening. The pad changed hands with much vivacity; perhaps it would be more descriptive to say that we threw it at each other's heads; and, at any rate, we were very warm and unfriendly, and spoke with a deal of freedom.
I had a common donkey pack-saddle fitted upon Modestine; and once more loaded her with my effects.
The bell of Monastier was just striking nine as I got quit of these preliminary troubles and descended the hill through the common. As long as I was within sight of the windows, a secret shame and the fear of some laughable defeat withheld me from tampering with Modestine. She tripped along upon her four small hoofs with a sober daintiness of gait; from time to time she shook her ears or her tail; and she looked so small under the bundle that my mind misgave me. We got across the ford without difficulty--there was no doubt about the matter, she was docility itself--and once on the other bank, where the road begins to mount through pine-woods, I took in my right hand the unhallowed staff, and with a quaking spirit applied it to the donkey. Modestine brisked up her pace for perhaps three steps, and then relapsed into her former minuet. [Footnote: Minuet: a slow, stately dance.] Another application had the same effect, and so with the third. I am worthy the name of an Englishman, and it goes against my conscience to lay my hand rudely on a female. I desisted, and looked her all over from head to foot; the poor brute's knees were trembling and her breathing was distressed; it was plain that she could not go faster on a hill. God forbid, thought I, that I should brutalize this innocent creature; let her go at her own pace, and let me patiently follow.
What that pace was, there is no word mean enough to describe, it was something as much slower than a walk as a walk is slower than a run; it kept me hanging on each foot for an incredible length of time; in five minutes it exhausted the spirit and set up a fever in all the muscles of the leg. And yet I had to keep close at hand and measure my advance exactly upon hers; for if I dropped a few yards in to the rear, or went on a few yards ahead, Modestine came instantly to a halt and began to browse. The thought that this was to last from here to Alais [Footnote: Alais: a town in southeastern France not far from the Rhone River.] nearly broke my heart. Of all conceivable journeys, this promised to be the most tedious. I tried to tell myself it was a lovely day; I tried to charm my foreboding spirit with tobacco; but I had a vision ever present to me of the long long roads, up hill and down dale, and a pair of figures ever infinitesimally moving, foot by foot, a yard to the minute, and, like things enchanted in a nightmare, approaching no nearer to the goal.
In the meantime there came up behind us a tall peasant, perhaps forty years of age, of an ironical snuffy countenance, and arrayed in the green tail-coat of the country. He overtook us hand over hand, and stopped to consider our pitiful advance.
"Your donkey," says he, "is very old?"
I told him, I believed not.
Then, he supposed, we had come far.
I told him we had but newly left Monastier.
"Et vous marchez comme ca!" [Footnote: Et vous marchez comme ca! "and you are moving like that!"] cried he; and, throwing back his head, he laughed long and heartily. I watched him, half prepared to feel offended, until he had satisfied his mirth; and then, "You must have no pity on these animals," said he; and, plucking a switch out of a thicket, he began to lace Modestine about the stern works, uttering a cry. The rogue pricked up her ears and broke into a good round pace, which she kept up without flagging, and without exhibiting the least symptom of distress, as long as the peasant kept beside us. Her former panting and shaking had been, I regret to say, a piece of comedy.
My _deus ex machina_, [Footnote: Deus ex machina: "the god out of the machine"; some supernatural intervention.] before he left me, supplied some excellent, if inhumane, advice; presented me with the switch, which he declared she would feel more tenderly than my cane; and finally taught me the true cry or masonic word of donkey-drivers, "Proot!" All the time, he regarded me with a comical incredulous air, as I might have smiled over his orthography or his green tail-coat. But it was not my turn for the moment.
I hurried over my midday meal, and was early forth again. But, alas, as we climbed the interminable hill upon the other side, "Proot!" seemed to have lost its virtue. I prooted like a lion, I prooted melliflously [Footnote: Melliflously: sweetly. Find this allusion in "Midsummer Night's Dream," Act I, Scene 2.] like a sucking-dove; but Modestine would be neither softened nor intimidated. She held doggedly to her pace; nothing but a blow would move her, and that only for a second. I must follow at her heels, incessantly belaboring. A moment's pause in this ignoble toil, and she relapsed into her own private gait. I think I never heard of any one in as mean a situation. I must reach the lake of Bouchet, where I meant to camp, before sundown; and, to have even a hope of this, I must instantly maltreat this uncomplaining animal. The sound of my blows sickened me. Once, when I looked at her, she had a faint resemblance to a lady of my acquaintance who formerly loaded me with kindness; and this increased my horror of my cruelty.
It was blazing hot up the valley, windless, with vehement sun upon my shoulders; and I had to labor so consistently with my stick that the sweat ran into my eyes. Every five minutes, too, the pack, the basket, and the pilot-coat would take an ugly slew [Footnote: Slew: twist.] to one side or the other; and I had to stop Modestine, just when I had got her to a tolerable pace of about two miles an hour, to tug, push, shoulder, and re-adjust the load. And at last, in the village of Ussel, [Footnote: Ussel: a town about one hundred miles northwest of Alais.] saddle and all, the whole hypothec [Footnote: Hypothec: literally, the property of a tenant held by a landlord as security for rent. Here, of course, the property insufficiently secured on the donkey.] turned round and grovelled in the dust, below the donkey's belly. She none better pleased, incontinently drew up and seemed to smile; and a party of one man, two women, and two children came up, and, standing round me in a half-circle, encouraged her by their example.
I disposed it, Heaven knows how, so as to be mildly portable, and then proceeded to steer Modestine through the village. She tried, as was indeed her invariable habit, to enter every house and every courtyard in the whole length, and, encumbered as I was, without a hand to help myself, no words can render an idea of my difficulties. A priest, with six or seven others, was examining a church in process of repair, and his acolytes [Footnote: Acolytes: assistants of the priest during mass.] laughed loudly as they saw my plight. I remembered having laughed myself when I had seen good men struggling with adversity in the person of a jackass, and the recollection filled me with penitence. That was in my old light days, before this trouble came upon me. God knows at least that I shall never laugh again, thought I. But O, what a cruel thing is a farce to those engaged in it!
A little out of the village, Modestine, filled with the demon, set her heart upon a by-road, and positively refused to leave it. I dropped all my bundles, and, I am ashamed to say, struck the poor sinner twice across the face. It was pitiful to see her lift up her head with shut eyes, as if waiting for another blow. I came very near crying; but I did a wiser thing than that, and sat squarely down by the roadside to consider my situation. Modestine in the meanwhile, munched some black bread with a contrite hypocritical air. It was plain that I must make a sacrifice to the gods of shipwreck. I threw away the empty bottles destined to carry milk; I threw away my own white bread, and, disdaining to act by general average, kept the black bread for Modestine; lastly I threw away the cold leg of mutton and the egg whisk, although this last was dear to my heart.
Thus I found room for everything in the basket, and even stowed the boating-coat on the top. By means of an end of cord I slung it under one arm; and although the cord cut my shoulder, and the jacket hung almost to the ground, it was with a heart greatly lightened that I set forth.
--ROBERT LOUIS STEVENSON (adapted).
[Footnote: Would you judge that this was the writer's first experience in camping? Why? What is added to the story by attributing human qualities to Modestine? How did she seem to be always putting him in the wrong? Do people ever work such tricks? What characteristics of the author are shown in this sketch? Is the humor of the story one of situation merely? What other selections are similar to this in the style of writing? in the humor?]
A NIGHT IN THE PINES
The trees were not old, but they grew thickly round the glade: there was no outlook, except northeastward upon distant hill-tops, or straight upward to the sky; and the encampment felt secure and private like a room. By the time I had made my arrangements and fed Modestine, the day was already beginning to decline. I buckled myself to the knees into my sack and made a hearty meal; and as soon as the sun went down, I pulled my cap over my eyes and fell asleep.
Night is a dead monotonous period under a roof; but in the open world it passes lightly, with its stars and dews and perfumes, and the hours are marked by changes in the face of Nature. What seems a kind of temporal death to people choked between walls and curtains, is only a light and living slumber to the man who sleeps afield. All night long he can hear Nature breathing deeply and freely; even as she takes her rest she turns and smiles; and there is one stirring hour unknown to those who dwell in houses, when a wakeful influence goes abroad over the sleeping hemisphere, and all the out-door world are on their feet. It is then that the cock first crows, not this time to announce the dawn, but like a cheerful watchman speeding the course of night. Cattle awake on the meadows; sheep break their fast on dewy hillsides, and change to a new lair among the ferns; and houseless men, who have lain down with the fowls, open their dim eyes and behold the beauty of the night.
The stars were clear, colored, and jewel-like, but not frosty. A faint silvery vapor stood for the Milky Way. All around me the black fir-points stood upright and stock-still. By the whiteness of the pack-saddle, I could see Modestine walking round and round at the length of her tether; I could hear her steadily munching at the sward; but there was not another sound, save the indescribable quiet talk of the runnel over the stones. I lay lazily smoking and studying the color of the sky, as we call the void of space, where it showed a reddish gray behind the pines to where it showed a glossy blue-black between the stars. As if to be more like a pedler, I wear a silver ring. This I could see faintly shining as I raised or lowered the cigarette; and at each whiff the inside of my hand was illuminated, and became for a second the highest light in the landscape.
A faint wind, more like a moving coolness than a stream of air, passed down the glade from time to time; so that even in my great chamber the air was being renewed all night long. I thought with horror of the inn at Chasserades and the congregated night caps; with horror of the nocturnal prowesses of clerks and students, of hot theatres, and passkeys and close rooms. I have not often enjoyed a more serene possession of myself, nor felt more independent of material aids. The outer world, from which we cower into our houses, seemed after all a gentle, habitable place; and night after night a man's bed, it seemed, was laid and waiting for him in the fields, where God keeps an open house.
As I lay thus, between content and longing, a faint noise stole towards me through the pines. I thought, at first, it was the crowing of cocks or the barking of dogs at some very distant farm; but steadily and gradually it took articulate shape in my ears, until I became aware that a passenger was going by upon the high-road in the valley, and singing loudly as he went. There was more of good-will than grace in his performance; but he trolled with ample lungs; and the sound of his voice took hold upon the hillside and set the air shaking in the leafy glens. I have heard people passing by night in sleeping cities, some of them sang; one, I remember, played loudly on the bagpipes. I have heard the rattle of a cart or carriage spring up suddenly after hours of stillness, and pass for some minutes, within the range of my hearing as I lay abed. There is a romance about all who are abroad in the black hours, and with something of a thrill we try to guess their business. But here the romance was double; first this glad passenger, lit internally with wine, who sent up his voice in music through the night; and then I, on the other hand, buckled into my sack, and smoking alone in the pine-woods between four and five thousand feet towards the stars.
--ROBERT LOUIS STEVENSON.
[Footnote: What use does the author make of contrast? What things does he notice? Did you ever sleep at night out of doors? If so, was the night empty of impressions or did you hear and see things? What characteristic things has Stevenson chosen to give you in the picture of camping out at night? What things do you suppose Stevenson most enjoyed in his life out of doors?]
LIFE IN OLD NEW YORK
In those good old days of simplicity and sunshine, a passion for cleanliness was the leading principle in domestic economy, and the universal test of an able housewife.
The front door was never opened, except for marriages, funerals, New Year's Day, the festival of St. Nicholas, or some such great occasion. It was ornamented with a gorgeous brass knocker, which was curiously wrought,--sometimes in the device of a dog, and sometimes in that of a lion's head,--and daily burnished with such religious zeal that it was often worn out by the very precautions taken for its preservation.
The whole house was constantly in a state of inundation, [Footnote: Inundation: a flood.] under the discipline of mops and brooms and scrubbing brushes; and the good housewives of those days were a kind of amphibious [Footnote: Amphibious: able to live in water and on land.] animal, delighting exceedingly to be dabbling in water,--insomuch that an historian of the day gravely tells us that many of his townswomen grew to have webbed fingers, "like unto ducks."
The grand parlor was the sanctum, where the passion for cleaning was indulged without control. No one was permitted to enter this sacred apartment, except the mistress and her confidential maid, who visited it once a week for the purpose of giving it a thorough cleaning. On these occasions they always took the precaution of leaving their shoes at the door, and entering devoutly [Footnote: Entering devoutly, etc. What Oriental custom is the author alluding to?] in their stocking feet.
After scrubbing the floor, sprinkling it with fine white sand,--which was curiously stroked with a broom into angles and curves and rhomboids,--after washing the windows, rubbing and polishing the furniture, and putting a new branch of evergreens in the fireplace, the windows were again closed to keep out the flies, and the room was kept carefully locked, until the revolution of time brought round the weekly cleaning day.
As to the family, they always entered in at the gate, and generally lived in the kitchen. To have seen a numerous household assembled round the fire, one would have imagined that he was transported to those happy days of primeval simplicity which float before our imaginations like golden visions.
The fireplaces were of a truly patriarchal magnitude, where the whole family, old and young, master and servant, black and white,--nay, even the very cat and dog,--enjoyed a community of privilege, and had each a right to a corner. Here the old burgher would sit in perfect silence, puffing his pipe, looking in the fire with half-shut eyes, and thinking of nothing, for hours together; the good wife on the opposite side, would employ herself diligently in spinning yarn or knitting stockings.
The young folks would crowd around the hearth, listening with breathless attention to some old crone of a negro, who was the oracle of the family, and who, perched like a raven in a corner of the chimney, would croak forth, for a long winter afternoon, a string of incredible stories about New England witches, grisly ghosts, and bloody encounters among Indians.
In these happy days, fashionable parties were generally confined to the higher classes, or noblesse; that is to say, such as kept their own cows, and drove their own wagons. The company usually assembled at three o'clock, and went away about six, unless it was in winter time, when the fashionable hours were a little earlier, that the ladies might reach home before dark.
The tea table was crowned with a huge earthen dish, well stored with slices of fat pork, fried brown, cut up into morsels, and swimming in gravy. The company seated round the genial board, evinced their dexterity in launching their forks at the fattest pieces in this mighty dish,--in much the same manner that sailors harpoon porpoises at sea, or our Indians spear salmon in the lakes.
Sometimes the table was graced with immense apple pies, or saucers full of preserved peaches and pears; but it was always sure to boast an enormous dish of balls of sweetened dough, fried in hog's fat and called doughnuts or olykocks, a delicious kind of cake, at present little known in this city, except in genuine Dutch families.
The tea was served out of a majestic Delft teapot, ornamented with paintings of fat little Dutch shepherds and shepherdesses tending pigs,--with boats sailing in the air, and houses built in the clouds, and sundry other ingenious Dutch fancies. The beaux distinguished themselves by their adroitness in replenishing this pot from a huge copper teakettle. To sweeten the beverage, a lump of sugar was laid beside each cup, and the company alternately nibbled and sipped with great decorum; until an improvement was introduced by a shrewd and economic old lady, which was to suspend, by a string from the ceiling, a large lump directly over the tea table, so that it could be swung from mouth to mouth.
At these primitive tea parties, the utmost propriety and dignity prevailed,--no flirting nor coquetting; no romping of young ladies; no self-satisfied struttings of wealthy gentlemen, with their brains in their pockets, nor amusing conceits and monkey divertisements [Footnote: Divertisements: diversions, amusements.] of smart young gentlemen, with no brains at all.
On the contrary, the young ladies seated themselves demurely in their rush-bottomed chairs, and knit their own woolen stockings; nor ever opened their lips, excepting to say yah, Mynheer, or yah, Vroww, [Footnote: Yay, Mynheer: "yes, sir." Yay, Vrow: "yes, madam."] to any question that was asked them; behaving in all things like decent, well-educated damsels. As to the gentlemen, each of them tranquilly smoked his pipe, and seemed lost in contemplation of the blue and white tiles with which the fireplaces were decorated; wherein sundry passages of Scripture were piously portrayed. Tobit [Footnote: Tobit. The Book of Tobit is part of the Apocrypha.] and his dog figured to great advantage; Haman [Footnote: Haman is the king's counselor in the Book of Esther.] swung conspicuously on his gibbet; and Jonah appeared most manfully leaping from the whale's mouth, like Harlequin [Footnote: Harlequin: the clown in early Italian and later French comedy.] through a barrel of fire.
The parties broke up without noise and without confusion. They were carried home by their own carriages, that is to say, by the vehicles nature had provided them, excepting such of the wealthy as could afford to keep a wagon.
--WASHINGTON IRVING.
[Footnote: Are there any parts of the country where the traditions of the "best parlor" are still kept? Does the early life in New York appear to you attractive or uninteresting? Does the description seem like ridicule? The descendants of the old Dutch families resented Irving's way of making fun of their ancestors. Point out passages which might justify this complaint. Compare this sketch with "A Pine Tree Shilling" in the style of writing, method of description, and humor.]
THE BAZAAR IN MOROCCO