Part 3
it is cuthbert with the pork pie the captain has been longing for said a voice and on every side rang shouts of the pie the pie the captains pie has come at last and a salute of nineteen guns was fired the pie was carried at once to the captains mess room where the captain a grizzled veteran sat with knife and fork in hand and serviette tucked under his chin i knew cried the captain that if there was a pork pie in america my faithful cuthbert find it for me the butler bowed and all the ships officers pulled up their chairs to the table with a rasping sound you may serve it honest cuthbert said the captain impatiently and the butler broke a hole in the top crust he touched a hidden mechanism for immediately something right under me began to go tick tock tick tock tick tock what is that noise captain said the larboard mate only the patent log clicking off the knots said the butler it needs oiling again but cuthbert said the captain why are you so nervous and what means that flush upon your face that flush your honor is chicken pox said cuthbert i am subject to sudden attacks of it unhand that pie cried the ships surgeon leaping to his feet arrest that butler he is a teuton spy that is not chicken pox at all it is german measles ha ha cried the false butler the ship is doomed there is a clock work bomb in this pie my name is not cuthbert it is friedrich and he leaped through a port into the sea his blonde side whiskers which were false falling off as he did so ha ha rang his mocking laughter from the ocean as he pulled shoreward with long strokes your ship is doomed my god said the senior boatswain what shall we do stop the clock ordered the captain but i had already done so i braced my head against the hour hand and my feet against the minute hand and stopped the mechanism the captain drew his sword and pried off all the top crust gentlemen he said yonder cockroach has saved the ship let us throw the pie overboard and steam rapidly away from it advised the starboard ensign not so not so cried the captain yon gallant cockroach must not perish so gratitude is a tradition of the british navy i would sooner perish with him than desert him all the time the strain was getting worse on me if my feet slipped the clock would start again and all would be lost beads of sweat rolled down my forehead and almost blinded me something must be done quick said the first assistant captain the insect is losing his rigidity wait said the surgeon and gave me a hypodermic of some powerful east indian drug which stiffened me like a cataleptic but i could still see and hear for days and days a council of war was held about me every afternoon and wireless reports sent to london save the cockroach even if you lose the ship wirelessed the admiralty england must stand by the smaller nations and every hour the surgeon gave me another hypodermic at the end of four weeks the cabin boy who had been thinking deeply all the time suggested that a plug of wood be inserted in my place which was done and i fell to the deck well nigh exhausted the next day i was set on shore in the captains gig and here i am.
archy
So far as I know, America has made just two entirely original contributions to the world's types of literary and dramatic art. These are the humorous colyum and the burlesque show. The saline and robust repartee of the burlicue is ancient enough in essence, but it is compounded into a new and uniquely American mode, joyously flavoured with Broadway garlic. The newspaper colyum, too, is a native product. Whether Ben Franklin or Eugene Field invented it, it bears the image and superscription of America.
And using the word ephemeral in its strict sense, Don Marquis is unquestionably the cleverest of our ephemeral philosophers. This nation suffers a good deal from lack of humour in high places: our Great Pachyderms have all Won their Way to the Top by a Resolute Struggle. But Don has just chuckled and gone on refusing to answer letters or fill out Mr. Purinton's blasphemous efficiency charts or join the Poetry Society or attend community masques. And somehow all these things seem to melt away, and you look round the map and see Don Marquis taking up all the scenery.... He has such an oecumenical kind of humour. It's just as true in Brooklyn as it is in the Bronx.
He is at his best when he takes up some philosophic dilemma, or some quaint abstraction (viz., Certainty, Predestination, Idleness, Uxoricide, Prohibition, Compromise, or Cornutation) and sets the idea spinning. Beginning slowly, carelessly, in a deceptive, offhand manner, he lets the toy revolve as it will. Gradually the rotation accelerates; faster and faster he twirls the thought (sometimes losing a few spectators whose centripetal powers are not starch enough) until, chuckling, he holds up the flashing, shimmering conceit, whirling at top speed and ejaculating sparks. What is so beautiful as a rapidly revolving idea? Marquis's mind is like a gyroscope: the faster it spins, the steadier it is. There are laws of dynamics in colyums just as anywhere else.
What is there in the nipping air of Galesburg, Illinois, that turns the young sciolists of Knox College toward the rarefied ethers of literature? S.S. McClure, John Phillips, Ralph Waldo Trine, Don Marquis--are there other Knox men in the game, too? Marquis was studying at Galesburg about the time of the Spanish War. He has worked on half a dozen newspapers, and assisted Joel Chandler Harris in editing "Uncle Remus's Magazine." But let him tell his biography in his own words:
Born July 29, 1878, at Walnut, Bureau Co., Ill., a member of the Republican party.
My father was a physician, and I had all the diseases of the time and place free of charge.
Nothing further happened to me until, in the summer of 1896, I left the Republican party to follow the Peerless Leader to defeat.
In 1900 I returned to the Republican party to accept a position in the Census Bureau, at Washington, D.C. This position I filled for some months in a way highly satisfactory to the Government in power. It is particularly gratifying to me to remember that one evening, after I had worked unusually hard at the Census Office, the late President McKinley himself nodded and smiled to me as I passed through the White House grounds on my way home from toil. He had heard of my work that day, I had no doubt, and this was his way of showing me how greatly he appreciated it.
Nevertheless, shortly after President McKinley paid this public tribute to the honesty, efficiency and importance of my work in the Census Office, I left the Republican party again, and accepted a position as reporter on a Washington paper.
Upon entering the newspaper business all the troubles of my earlier years disappeared as if by magic, and I have lived the contented, peaceful, unworried life of the average newspaper man ever since.
There is little more to tell. In 1916 I again returned to the Republican party. This time it was for the express purpose of voting against Mr. Wilson. Then Mr. Hughes was nominated, and I left the Republican party again.
This is the outline of my life in its relation to the times in which I live. For the benefit of those whose curiosity extends to more particular details, I add a careful pen-picture of myself.
It seems more modest, somehow, to put it in the third person:
Height, 5 feet 10½ inches; hair, dove-coloured; scar on little finger of left hand; has assured carriage, walking boldly into good hotels and mixing with patrons on terms of equality; weight, 200 pounds; face slightly asymmetrical, but not definitely criminal in type; loathes Japanese art, but likes beefsteak and onions; wears No. 8 shoe; fond of Francis Thompson's poems; inside seam of trousers, 32 inches; imitates cats, dogs and barnyard animals for the amusement of young children; eyetooth in right side of upper jaw missing; has always been careful to keep thumb prints from possession of police; chest measurement, 42 inches, varying with respiration; sometimes wears glasses, but usually operates undisguised; dislikes the works of Rabindranath Tagore; corn on little toe of right foot; superstitious, especially with regard to psychic phenomena; eyes, blue; does not use drugs nor read his verses to women's clubs; ruddy complexion; no photograph in possession of police; garrulous and argumentative; prominent cheek bones; avoids Bohemian society, so-called, and has never been in a thieves' kitchen, a broker's office nor a class of short-story writing; wears 17-inch collar; waist measurement none of your business; favourite disease, hypochondria; prefers the society of painters, actors, writers, architects, preachers, sculptors, publishers, editors, musicians, among whom he often succeeds in insinuating himself, avoiding association with crooks and reformers as much as possible; walks with rapid gait; mark of old fracture on right shin; cuffs on trousers, and coat cut loose, with plenty of room under the arm pits; two hip pockets; dislikes Rochefort cheese, "Tom Jones," Wordsworth's poetry, absinthe cocktails, most musical comedy, public banquets, physical exercise, Billy Sunday, steam heat, toy dogs, poets who wear their souls outside, organized charity, magazine covers, and the gas company; prominent callouses on two fingers of right hand prevent him being expert pistol shot; belt straps on trousers; long upper lip; clean shaven; shaggy eyebrows; affects soft hats; smile, one-sided; no gold fillings in teeth; has served six years of indeterminate sentence in Brooklyn, with no attempt to escape, but is reported to have friends outside; voice, husky; scar above the forehead concealed by hair; commonly wears plain gold ring on little finger of left hand; dislikes prunes, tramp poets and imitations of Kipling; trousers cut loose over hips and seat; would likely come along quietly if arrested.
I would fail utterly in this rambling anatomy if I did not insist that Don Marquis regards his column not merely as a soapslide but rather as a cudgelling ground for sham and hypocrisy. He has something of the quick Stevensonian instinct for the moral issue, and the Devil not infrequently winces about the time the noon edition of the _Evening Sun_ comes from the press. There is no man quicker to bonnet a fallacy or drop the acid just where it will disinfect. For instance, this comment on some bolshevictory in Russia:
A kind word was recently seen, on one of the principal streets of Petrograd, attempting to butter a parsnip.
For the plain man who shies at surplice and stole, the Sun Dial is a very real pulpit, whence, amid excellent banter, he hears much that is purging and cathartic in a high degree. The laughter of fat men is a ringing noble music, and Don Marquis, like Friar Tuck, deals texts and fisticuffs impartially. What an archbishop of Canterbury he would have made! He is a burly and bonny dominie, and his congregation rarely miss the point of the sermon. We cannot close better than by quoting part of his Colyumist's Prayer in which he admits us somewhere near the pulse of the machine:
I pray Thee, make my colyum read, And give me thus my daily bread. Endow me, if Thou grant me wit, Likewise with sense to mellow it. Save me from feeling so much hate My food will not assimilate; Open mine eyes that I may see Thy world with more of charity, And lesson me in good intents And make me friend of innocence ... Make me (sometimes at least) discreet; Help me to hide my self-conceit, And give me courage now and then To be as dull as are most men. And give me readers quick to see When I am satirizing Me.... Grant that my virtues may atone For some small vices of mine own.
And it is thoroughly characteristic of Don Marquis that he follows his prayer with this comment:
People, when they pray, usually pray not for what they really want--and intend to have if they can get it--but for what they think the Creator wants them to want. We made a certain attempt to be sincere in the above verses; but even at that no doubt a lot of affectation crept in.
THE ART OF WALKING
Away with the stupid adage about a man being as old as his arteries! He is as old as his calves--his garteries....
--_Meditations of Andrew McGill_.
"There was fine walking on the hills in the direction of the sea."
This heart-stirring statement, which I find in an account of the life of William and Dorothy Wordsworth when they inhabited a quiet cottage near Crewkerne in Dorset, reminds me how often the word "walking" occurs in any description of Wordsworth's existence. De Quincey assures us that the poet's props were very ill shapen--"they were pointedly condemned by all female connoisseurs in legs"--but none the less he was _princeps arte ambulandi_. Even had he lived to-day, when all our roads are barbarized by exploding gasoline vapours, I do not think Wordsworth would have flivvered. Of him the Opium Eater made the classic pronouncement: "I calculate that with these identical legs W. must have traversed a distance of 175,000 to 180,000 English miles--a mode of exertion which, to him, stood in the stead of alcohol and all other stimulants whatsoever to the animal spirits; to which, indeed, he was indebted for a life of unclouded happiness, and we for much of what is most excellent in his writings."
A book that says anything about walking has a ready passage to my inmost heart. The best books are always those that set down with "amorous precision" the satisfying details of human pilgrimage. How one sympathizes with poor Pepys in his outburst (April 30, 1663) about a gentleman who seems to have been "Always Taking the Joy Out of Life":
Lord! what a stir Stankes makes, with his being crowded in the streets, and wearied in walking in London, and would not be wooed to go to a play, nor to Whitehall, or to see the lions, though he was carried in a coach. I never could have thought there had been upon earth a man so little curious in the world as he is.
Now your true walker is mightily "curious in the world," and he goes upon his way zealous to sate himself with a thousand quaintnesses. When he writes a book he fills it full of food, drink, tobacco, the scent of sawmills on sunny afternoons, and arrivals at inns late at night. He writes what Mr. Mosher calls a book-a-bosom. Diaries and letters are often best of all because they abound in these matters. And because walking can never again be what it was--the motorcars will see to that--it is our duty to pay it greater reverence and honour.
Wordsworth and Coleridge come first to mind in any talk about walking. The first time they met was in 1797 when Coleridge tramped from Nether Stowey to Racedown (thirty miles in an air-line, and full forty by road) to make the acquaintance of William and Dorothy. That is practically from the Bristol Channel to the English ditto, a rousing stretch. It was Wordsworth's pamphlet describing a walk across France to the Alps that spurred Coleridge on to this expedition. The trio became fast friends, and William and Dorothy moved to Alfoxden (near Nether Stowey) to enjoy the companionship. What one would give for some adequate account of their walks and talks together over the Quantocks. They planned a little walking trip into Devonshire that autumn (1797) and "The Ancient Mariner" was written in the hope of defraying the expenses of the adventure.
De Quincey himself, who tells us so much jovial gossip about Wordsworth and Coleridge, was no mean pedestrian. He describes a forty-mile all-night walk from Bridgewater to Bristol, on the evening after first meeting Coleridge. He could not sleep after the intellectual excitement of the day, and through a summer night "divinely calm" he busied himself with meditation on the sad spectacle he had witnessed: a great mind hastening to decay.
I have always fancied that walking as a fine art was not much practised before the eighteenth century. We know from Ambassador Jusserand's famous book how many wayfarers were on the roads in the fourteenth century, but none of these were abroad for the pleasures of moving meditation and scenery. We can gather from Mr. Tristram's "Coaching Days and Coaching Ways" that the highroads were by no means safe for solitary travellers even so late as 1750. In "Joseph Andrews" (1742) whenever any of the characters proceed afoot they are almost certain to be held up. Mr. Isaac Walton, it is true, was a considerable rambler a century earlier than this, and in his Derbyshire hills must have passed many lonely gullies; but footpads were more likely to ambush the main roads. It would be a hardhearted bandit who would despoil the gentle angler of his basket of trouts. Goldsmith, too, was a lusty walker, and tramped it over the Continent for two years (1754-6) with little more baggage than a flute: he might have written "The Handy Guide for Beggars" long before Vachel Lindsay. But generally speaking, it is true that cross-country walks for the pure delight of rhythmically placing one foot before the other were rare before Wordsworth. I always think of him as one of the first to employ his legs as an instrument of philosophy.
After Wordsworth they come thick and fast. Hazlitt, of course--have you paid the tax that R.L.S. imposes on all who have not read Hazlitt's "On Going A Journey?" Then Keats: never was there more fruitful walk than the early morning stroll from Clerkenwell to the Poultry in October, 1816, that produced "Much have I travelled in the realms of gold." He must have set out early enough, for the manuscript of the sonnet was on Cowden Clarke's table by breakfast time. And by the way, did you know that the copy of Chapman's Homer which inspired it belonged to the financial editor of the _Times_? Never did financial editor live to better purpose!
There are many words of Keats that are a joyful viaticum for the walker: get these by rote in some membrane of memory:
The great Elements we know of are no mean comforters: the open sky sits upon our senses like a sapphire crown--the Air is our robe of state--the Earth is our throne, and the sea a mighty minstrel playing before it.
The Victorians were great walkers. Railways were but striplings; inns were at their prime. Hark to the great names in the walker's Hall of Fame: Tennyson, FitzGerald, Matthew Arnold, Carlyle, Kingsley, Meredith, Richard Jefferies. What walker can ever forget the day when he first read "The Story of My Heart?" In my case it was the 24th of August, 1912, on a train from London to Cambridge. Then there were George Borrow, Emily Brontë on her Yorkshire moors, and Leslie Stephen, one of the princes of the clan and founder of the famous Sunday Tramps of whom Meredith was one. Walt Whitman would have made a notable addition to that posse of philosophic walkers, save that I fear the garrulous half-baked old barbarian would have been disappointed that he could not dominate the conversation.
There have been stout walkers in our own day. Mr. W.H. Davies (the Super-Tramp), G.M. Trevelyan, Hilaire Belloc, Edward Thomas who died on the field of honour in April, 1917, and Francis Ledwidge, who was killed in Flanders. Who can forget his noble words, "I have taken up arms for the fields along the Boyne, for the birds and the blue sky over them." There is Walter Prichard Eaton, the Jefferies of our own Berkshires. One could extend the list almost without end. Sometimes it seems as though literature were a co-product of legs and head.
Charles Lamb and Leigh Hunt were great city ramblers, followed in due course by Dickens, R.L.S., Edward Lucas, Holbrook Jackson, and Pearsall Smith. Mr. Thomas Burke is another, whose "Nights in Town" will delight the lover of the greatest of all cities. But urban wanderings, delicious as they are, are not quite what we mean by walking. On pavements one goes by fit and start, halting to see, to hear, and to speculate. In the country one captures the true ecstasy of the long, unbroken swing, the harmonious glow of mind and body, eyes fed, soul feasted, brain and muscle exercised alike.
Meredith is perhaps the Supreme Pontiff of modern country walkers: no soft lover of drowsy golden weather, but master of the stiffer breed who salute frost and lashing rain and roaring southwest wind, who leap to grapple with the dissolving riddles of destiny. February and March are his months:
For love we Earth then serve we all; Her mystic secret then is ours: We fall, or view our treasures fall, Unclouded, as beholds her flowers.
Earth, from a night of frosty wreck, Enrobed in morning's mounted fire, When lowly, with a broken neck, The crocus lays her cheek to mire.
I suppose every walker collects a few precious books which form the bible of his chosen art. I have long been collecting a Walker's Breviary of my own. It includes Stevenson's "Walking Tours," G.M. Trevelyan's "Walking," Leslie Stephen's "In Praise of Walking," shards and crystals from all the others I have mentioned. Michael Fairless, Vachel Lindsay, and Frank Sidgwick have place in it. On my private shelf stands "Journeys to Bagdad" by Mr. Charles Brooks, who has good pleasantry to utter on this topic; and a manly little volume, "Walking as Education," by the Rev. A.N. Cooper, "the walking parson," published in England in 1910. On that same shelf there will soon stand a volume of delicious essays by one of the most accomplished of American walkers, Mr. Robert Cortes Holliday, the American Belloc, whose "Walking Stick Papers" has beckoned to the eye of a far-seeing publisher. Mr. Holliday it is who has bravely stated why so few of the fair sex are able to participate in walking tours:
No one, though (this is the first article to be observed), should ever go a journey with any other than him with whom one walks arm in arm, in the evening, the twilight, and, talking (let us suppose) of men's given names, agrees that if either should have a son he shall be named after the other. Walking in the gathering dusk, two and two, since the world began, there have always been young men who have thus to one another plighted their troth. If one is not still one of these, then, in the sense here used, journeys are over for him. What is left to him of life he may enjoy, but not journeys. Mention should be made in passing that some have been found so ignorant of the nature of journeys as to suppose that they might be taken in company with members, or a member, of the other sex. Now, one who writes of journeys would cheerfully be burned at the stake before he would knowingly underestimate women. But it must be confessed that it is another season in the life of man that they fill.