Shakspeare and His Times [Vol. 2 of 2] Including the Biography of the Poet; criticisms on his genius and writings; a new chronology of his plays; a disquisition on the on the object of his sonnets; and a history of the manners, customs, and amusements, superstitions, poetry, and elegant literature of his age

act ii. sc. 2.

Chapter 14256 wordsPublic domain

[353:B] Ibid. vol. iv. p. 415. Act iii. sc. 2.

[354:A] This beautiful and highly fanciful poem could not certainly have been written before 1605; for the Don Quixote of Cervantes, which was first published in Spain during the above year, is expressly mentioned in one of the stanzas; and Mr. Malone thinks that the earliest edition of the Nymphidia was printed in 1619.—Vide Reed's Shakspeare, vol. iv. p. 350.

[354:B] Peck attributes this song to Ben Jonson; and Percy observes, that it seems to have been originally intended for some masque.—Reliques, vol. iii. p. 203. ed. 1594.

[354:C] See Fletcher's Faithful Shepherdess, and Browne's Britannia's Pastorals.

[354:D] Herrick, as I have observed in a former work, seems more particularly to have delighted in drawing the manners and costume of the fairy world.—He has devoted several of his most elaborate poems to these sportive creations of fancy. Under the titles of The Fairy Temple, Oberon's Palace, The Fairy Queen, and Oberon's Feast, a variety of curious and minute imagery is appositely introduced. Literary Hours, 3d edit. vol. iii. p. 85.—To these may be added another elegantly descriptive piece, entitled, King Oberon's Apparel, written by Sir John Mennis, and published in The Musarum Deliciæ, or The Muses Recreation, 1656.

[354:E] In his political ballad entitled The Fairies Farewell.

[354:F] Vide L'Allegro, and the occasional sketches in Paradise Lost and Comus.

[355:A] See Shepherd's Pipe, Eglogue I. Chalmers's English Poets, vol. vi. p. 315. col. 2.