ii. Properties Required in the Globe Plays

THE SHAKESPEAREAN PLAYS:

_Property_ _Plays_ _Scenes_ _Method of Introduction_

Tables Othello I, iii probably discovered Pericles II, iii no indication Antony and Cleopatra II, vii brought on Antony and Cleopatra I, ii brought on Timon I, ii brought on Timon III, vi brought on Macbeth III, iv probably brought on As You Like It II, v probably brought on Hamlet V, ii brought on Macbeth V, i use uncertain Julius Caesar IV, iii use uncertain

Seats Antony and Cleopatra II, vii brought on (stool) Coriolanus II, ii brought on (stool) Othello V, ii brought on King Lear IV, vii brought on Julius Caesar III, i probably brought on Hamlet I, i probably brought on Measure for Measure V, i probably brought on All’s Well II, i probably brought on Pericles V, i probably brought on Pericles V, i probably discovered Antony and Cleopatra III, x probably brought on Coriolanus I, iii probably brought on Hamlet III, iv no indication King Lear III, vi no indication Julius Caesar IV, iii no indication Pericles I, ii no indication All’s Well II, iii no indication Coriolanus V, iii no indication Antony and Cleopatra II, ii no indication Macbeth III, iv probably discovered Hamlet III, ii no indication King Lear III, vii no indication

Beds Antony and Cleopatra V, ii taken off Pericles III, i probably discovered Othello V, ii probably discovered Julius Caesar IV, iii no indication (cushions) King Lear III, vii probably discovered (cushions) Pericles V, i discovered

Scaffold Antony and Cleopatra IV, xvi probably brought on Julius Caesar III, ii brought on Troilus and Cressida I, ii probably brought on

Tombs Timon V, iii no indication Pericles IV, iv no indication

Tents Julius Caesar IV, ii use uncertain All’s Well III, vi use uncertain Troilus and Cressida I, iii use uncertain

Trees, As You Like It III, ii use uncertain Rocks, All’s Well IV, i use uncertain etc. As You Like It II, v use uncertain King Lear V, ii use uncertain Antony and Cleopatra IV, xiii use uncertain Timon IV, iii use uncertain Twelfth Night II, v no indication Hamlet III, ii no indication

Straw King Lear III, iv discovered Julius Caesar V, v no indication Julius Caesar V, iii use uncertain Merry Wives of Windsor V, vi use uncertain

Statue Julius Caesar III, i use uncertain

Desk Merry Wives of Windsor I, iv use uncertain

Stocks King Lear II, ii brought on

Cauldron Macbeth IV, i taken off

Chest Pericles III, ii brought on

Corpses Pericles I, i probably discovered

Total number of properties 65 Less properties whose use is uncertain 15 Total number of properties used 50

Properties brought on 12 24% } Properties probably brought on 11 22% } 50% Properties taken off 2 4% }

Properties discovered 2 4% } Properties probably discovered 7 14% } 18%

Properties for whom method of introduction is not indicated 16 32%

THE NON-SHAKESPEAREAN PLAYS:(k)

_Property_ _Plays_ _Scenes_ _Method of Introduction_

Tables Every Man Out of His Humour II, ii use uncertain Every Man Out of His Humour V, iv no indication Cromwell vii brought on Devil’s Charter IV, iv use uncertain Devil’s Charter Prologue probably brought on Devil’s Charter IV, iii brought on Devil’s Charter V, vi brought on Devil’s Charter V, iv brought on Fair Maid of Bristow i use uncertain Miseries of Enforced Marriage xii brought on Revenger’s Tragedy V, iii brought on

Seats Merry Devil of Edmonton Prologue discovered London Prodigal ii probably brought on Yorkshire Tragedy viii brought on Miseries of Enforced Marriage xii brought on Devil’s Charter IV, v probably brought on Devil’s Charter V, vi discovered Devil’s Charter V, vi brought on Devil’s Charter I, v brought on Devil’s Charter Prologue brought on Devil’s Charter II, i no indication Devil’s Charter I, iv discovered Cromwell vi discovered Every Man Out of His Humour II, ii probably brought on Every Man Out of His Humour Chorus brought on Sejanus II, ii no indication Sejanus III, i probably brought on Volpone V, xii probably brought on Volpone IV, v probably brought on Volpone V, iii brought on Revenger’s Tragedy I, ii no indication Revenger’s Tragedy V, i probably discovered

Beds Merry Devil of Edmonton Prologue discovered Devil’s Charter IV, v taken off Volpone I, ii no indication Revenger’s Tragedy I, iv discovered Revenger’s Tragedy II, iv no indication

Tents Devil’s Charter Prologue probably brought on Devil’s Charter IV, iv no indication

Scaffold Volpone II, ii brought on Fair Maid of Bristow xiii taken off

Raised Every Man Out of His Structure Humour III, ii no indication

Writing Miseries of Enforced Desk Marriage iii use uncertain Miseries of Enforced Marriage iv use uncertain Cromwell iii discovered Volpone V, ii no indication

Trees, Merry Devil of Edmonton x use uncertain Rocks, Merry Devil of Edmonton x use uncertain etc. Merry Devil of Edmonton i use uncertain Miseries of Enforced Marriage ix no indication Miseries of Enforced Marriage ix use uncertain Every Man Out of His Humour III, iii use uncertain

Gibbets A Larum for London viii use uncertain A Larum for London xi use uncertain

Post A Larum for London xiv use uncertain Cromwell v use uncertain Every Man Out of His Humour III, i use uncertain

Tortoise Volpone IV, iv no indication

Chest Volpone I, i no indication

Altar Sejanus V, iv no indication

Magic Glass Devil’s Charter IV, i discovered

Statue Devil’s Charter I, ii use uncertain

Earthen Vessel Devil’s Charter IV, i brought on

Prop Lion or Dragon Devil’s Charter IV, i brought on

Cupboard Devil’s Charter V, iv brought on

Hearse A Larum for London ii brought on

Cannon A Larum for London II, ii use uncertain

Corpse Revenger’s Tragedy V, i no indication

Total number of properties 68 Less properties whose use is uncertain 17 Total number of properties used 51

Properties brought on 18 35.3% } Properties probably brought on 8 15.7% } 54.9% Properties taken off 2 3.9% }

Properties discovered 8 15.7% } 17.6% Properties probably discovered 1 1.9% }

Properties for which method of introduction is not indicated 14 27.5%

(k) This list of properties does not include properties from _Satiromastix_ or _The Malcontent_.

APPENDIX C