i. 1), made golden figures of the Basilisk, with its tail covered by the

rest of its body; so Otho Vænius presents the device to us. But Shakespeare, without symbol, names the desire, the feeling, the fact itself; he makes Cleopatra exclaim (_Antony and Cleopatra_, act v. sc. 2, l. 277, vol. ix. p. 150), “I have immortal longings in me,” “I am fire and air; my other elements I give to baser life.”

When Romeo asks (_Romeo and Juliet_, act v. sc. 1, l. 15, vol. vii. p. 117),—

“How fares my Juliet? that I ask again; For nothing can be ill, if she be well;”

with the force of entire faith the answer is conceived which Balthasar returns,—

“Then she is well, and nothing can be ill: Her body sleeps in Capel’s monument, And her immortal part with angels lives.”

We thus know in what sense to understand the words from _Macbeth_ (act iii. sc. 2, l. 22, vol. vii. p. 467),—

“Duncan is in his grave; After life’s fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing, Can touch him further.”

Therefore, in spite of quickly fading years, in spite of age irrevocable, and (_Love’s Labours Lost_, act i. sc. 1, l. 4, vol. ii. p. 97),—

“In spite of cormorant devouring Time, The endeavour of this present breath may buy That honour which shall bate his scythe’s keen edge, And make us heirs of all eternity.”

A brief _resumé_, or recapitulation, will now place the nature of our argument more clearly in review.

When writing and its kindred arts of designing and colouring were the only means in use for the making and illustrating of books, drawings of an emblematical character were frequently executed both for the ornamenting and for the fuller explanation of various works.

From the origin of printing, books of an emblematical character, as the _Bibles of the Poor_ and other block-books, were generally known in the civilised portions of Europe; they constituted, to a considerable degree, the illustrated literature of their age, and enjoyed wide fame and popularity.

Not many years after printing with moveable types had been invented, Emblem works as a distinct species of literature appeared; and of these some of the earliest were soon translated into English.

It is on undoubted record that the use of Emblems, derived from German, Latin, French, and Italian sources, prevailed in England for purposes of ornamentation of various kinds; that the works of Brandt, Giovio, Symeoni, and Paradin were translated into English; and that there were several English writers or collectors of Emblems within Shakespeare’s lifetime,—as Daniell, Whitney, Willet, Combe, and Peacham.

Shakespeare possessed great artistic powers, so as to appreciate and graphically describe the beauties and qualities of excellence in painting, sculpture, and music. His attainments, too, in the languages enabled him to make use of the Emblem-books that had been published in Latin, Italian, and French, and possibly in Spanish.

In everything, except in the actual pictorial device, Shakespeare exhibited himself as a skilled designer,—indeed, a writer of Emblems; he followed the very methods on which this species of literary composition was conducted, and needed only the engraver’s aid to make perfect designs.

Freest among mortals were the Emblem writers in borrowing one from the other, and from any source which might serve the construction of their ingenious devices; and they generally did this without acknowledgment. An Emblem once launched into the world of letters was treated as a fable or a proverb,—it became for the time and the occasion the property of whoever chose to take it. In using Emblems, therefore, Shakespeare is no more to be regarded as a copyist than his contemporaries are, but simply as one who exercised a recognised right to appropriate what he needed of the general stock of Emblem notions.

There are several direct References in Shakespeare, at least six, in which, by the closest description and by express quotation, he identifies himself with the Emblem writers who preceded him.

But besides these direct References, there are several collateral ones, in which ideas and expressions are employed similar to those of Emblematists, and which indicate a knowledge of Emblem art.

And, finally, the parallelisms and correspondencies are very numerous between devices and turns of thought, and even between the words of the Emblem writers and passages in Shakespeare’s Sonnets and Dramas; and these receive their most appropriate _rationale_ on the supposition that they were suggested to his mind through reading the Emblem-books, or through familiarity with the Emblem literature.

Now, such References and Coincidences are not to be regarded as purely accidental, neither can all of them be urged with entire confidence. Some persons even may be disposed to class them among the similarities which of necessity arise when writers of genius and learning take up the same themes, and call to their aid all the resources of their memory and research.

I presume not, however, to say that my arguments and statements are absolute proofs, except in a few instances. What I maintain is this: that the Emblem writers, and our own Whitney especially, do supply many curious and highly interesting illustrations of the Shakespearean dramas, and that several of them, probably, were in the mind of the Dramatist as he wrote.

To show that the theory carried out in these pages is neither singular nor unsupported by high authorities, it should not be forgotten that the very celebrated critic, Francis Douce, in his _Illustrations of Shakespeare_ (pp. 302, 392), maintains that Paradin was the source of the torch-emblem in the _Pericles_ (act ii. sc. 2, l. 32): the “wreath of victory,” and “gold on the touchstone,” have also the same source. To Holbein’s _Simulachres_ Noel Humphreys assigns the origin of the expression in _Othello_, “Put out the light—and then, put out the light;” and in the same work, Dr. Alfred Woltmann, in _Holbein and his Times_ (vol. ii. p. 121), finds the origin of Death’s fool in _Measure for Measure_: and Shakespeare’s comparisons of “Death and Sleep” may be traced to Jean de Vauzelle, who wrote the Dissertations for _Les Simulachres_. Charles Knight, also, in his _Pictorial Shakspere_ (vol. i. p. 154), to illustrate the lines in _Hamlet_ (act iv. sc. 5, l. 142) respecting “the kind life-rendering pelican,” quotes Whitney’s stanza, and copies his woodcut, as stated _ante_, p. 396, note.

Though not a learned man, as Erasmus or Beza was, Shakespeare, as every page of his wonderful writings shows, must have been a reading man, and well acquainted with the current literature of his age and country. Whitney’s _Emblemes_ were well known in 1612 to the author of “MINERVA BRITANNA,” and boasted of in 1598 by Thomas Meres, in his _Wit’s Commonwealth_, as fit to be compared with any of the most eminent Latin writers of Emblems, and dedicated to many of the distinguished men of Elizabeth’s reign; and they could scarcely have been unknown to Shakespeare even had there been no similarities of thought and expression established between the two writers.

Nor after the testimonies which have been adduced, and comparing the picture-emblems submitted for consideration with the passages from Shakespeare which are their parallels, as far as words can be to drawings, are we required to treat it as nothing but a conjecture that Shakespeare, like others of his countrymen, possessed at least a general acquaintance with the popular Emblem-books of his own generation and of that which went before.

The study of the old Emblem-books certainly possesses little of the charm which the unsurpassed natural power of Shakespeare has infused into his dramas, and which time does not diminish; yet that study is no barren pursuit for such as will seek for “virtue’s fair form and graces excellent,” or who desire to note how the learning of the age disported itself at its hours of recreation, and how, with few exceptions, it held firm its allegiance to purity of thought, and reverenced the spirit of religion. Should there be any whom these pages incite to gain a fuller knowledge of the Emblem literature, I would say in the words of Arthur Bourchier, Whitney’s steady friend,—

“_Goe forwarde then in happie time, and thou shalt surely finde, With coste, and labour well set out, a banquet for thy minde, A storehouse for thy wise conceiptes, a whetstone for thy witte: Where, eache man maye with daintie choice his fancies finely fitte._”

So much for the early cultivators of Emblematical mottoes, devices, and poesies, and for him whom Hugh Holland, and Ben Jonson, and “The friendly Admirer of his Endowments,” salute as “The Famous Scenicke Poet,” “The Sweet Swan of Avon,” “The Starre of Poets,”—

“_Soule of the Age!_ The applause! delight! the wonder of our stage!”

“TO THE MEMORY OF MY BELOVED, THE AUTHOR, ~Mr. William Shakespeare~: _and what he has left us_;”—such the dedication when Jonson declared,—

“_Thou art a Moniment without a tombe._ . . . . . . _And art aliue still, while thy Booke doth liue_ And we haue wits to read, and praise to giue.”

Footnote 180:

Can this be an allusion to Holbein’s _Last Judgment_ and _Escutcheon of Death_ in his _Simulachres de la Mort_, ed. 1538?

Footnote 181:

“Cicero dict que Alcidamus vng Rheteur antique escripuit les louanges de la Mort, en les quelles estoient cõtenuz les nombres des maulx des humains, & ce pour leur faire desirer la Mort. Car si le dernier iour n’amaine extinction, mais commutation de lieu, Quest il plus a desirer? Et s’il estainct & efface tout, Quest il rien meilleur, que de s’ endormir au milieu des labeurs de ceste vie & ainsi reposer en vng sempiternel sommeil.”

Footnote 182:

For many other instances of similarities in the use of old words, see the APPENDIX, I. p. 497.

Footnote 183:

Were it only for the elegance and neat turn of the lines, we insert an epigram on a dog, by Joachim du Bellay, given in his Latin Poems, printed at Paris in 1569,—

“Latratu fures excepi;—mutus amantes; Sic placui domino, sic placui dominæ.”

[Sidenote: _i.e._]

“With barking the thieves I awaited,—in silence the lovers; So pleased I the master,—so pleased I the mistress.”

Footnote 184:

“Tarre,” _i.e._ provoke or urge; see Johnson and Steevens’ _Shakespeare_, vol. ix. p. 48, note.

Footnote 185:

See “Horace his Arte of Poetrie, pistles, and satyres, englished” by Thomas Drant, 410, 1567.

Footnote 186:

The character, however, of the animal is named in _Midsummer Night’s Dream_ (act ii. sc. 1, l. 181), where Titania may look—

“On meddling monkey, or on busy ape.”

Footnote 187:

See woodcut in this volume, p. 37.

APPENDIX

I.

COINCIDENCES BETWEEN SHAKESPEARE AND WHITNEY IN THE USE AND APPLICATION OF WORDS NOW OBSOLETE, OR OF OLD FORM.

N.B. After the words the References are to the pages and lines of Whitney’s Emblems; in the Dramas to the act, scene, and line, according to the Cambridge Edition, 8vo, in 9 vols. 1866.

Accidentes p. vi. line 2 yet they set them selues a worke in handlinge suche accidentes, as haue bin done in times paste.

p. vii. l. 21 this present time behouldeth the accidentes of former times.

_Tempest_, v. 1. 305 And the particular accidents gone by.

_1 Hen. IV._ i. 2, And nothing pleaseth but rare 199 accidents.

_W. Tale_, iv. 4, As the unthought-on accident 527 is guilty.

affectioned p. vi. l. 5 one too much affectioned, can scarce finde an ende of the praises of Hector.

_Twelfth N._ ii. 3, An affectioned ass. 139

_L. L. Lost_, i. 2, I do affect the very ground. 158.

aie, or aye p. 21, l. 7 With theise hee lines, and doth rejoice for aie.

p. 111, l. 12 Thy fame doth liue, and eeke, for aye shall laste.

_M. N. Dr._ i. l. 71 For aye to be in shady cloister mew’d.

_Pericles_, v. 3, 95 The worth that learned charity aye wears.

_Tr. and Cr._ iii. To feed for aye her lamp and 2, 152 flames of love.

alder, or elder p. 120, l. 5 And why? theise two did alder time decree.

_2 Hen. VI._ i. l. With you my alder, liefest 28 sovereign.

_Tr. and Cr._ ii. 2, Virgins and boys, mid-age and 104 wrinkled eld.

_Rich. II_. ii. 3, — which elder days shall 43 ripen.

amisse p. 211, l. 16 That all too late shee mourn’d, for her amisse.

_Hamlet_ iv. 5, 18 Each toy seems prologue to some great amiss.

_Sonnet_ cli. 3 Then gentle cheater urge not my amiss.

_Sonnet_ xxxv. 7 Myself corrupting, salving thy amiss.

annoyes p. 219, l. 9 His pleasures shalbee mated with annoyes.

_Rich. III._ v. 3, Guard thee from the boar’s 156 annoy!

_Tit. An._ iv. 1, 50 — root of thine annoy.

_3 Hen. VI._ v. 7, — farewell, sour annoy! 45

assaie p. 34, l. 13 But when the froste, and coulde, shall thee assaie.

p. 40, l. 3 With reasons firste, did vertue him assaie.

_1 Hen. IV._ v. 4, I will assay thee; so defend 34 thyself.

_Hamlet_, ii. 2, 71 Never more to give the assay of arms against your majesty.

a worke p. vi. l. 2 They set them selues a worke in handlinge.

_2 Hen. IV._ iv. 3, for that sets it a-work. 108

_K. Lear_, iii. 5, 6 set a-work by a reproveable badness.

Baie, or baye p. 213, l. 3 Wherefore, in vaine aloude he barkes and baies.

p. 191, l. 4 And curteous speeche, dothe keepe them at the baye.

_Cymb._ v. 5, 222 — set the dogs o’ the street to bay me.

_J. Cæs._ iv. 3, 27 I had rather be a dog, and bay the moon.

_T. of Shrew_, v. 2, Your deer does hold you at a 56 bay.

_2 Hen. IV._ i. 3, — baying him at the heels. 80

bale p. 180, l. 7 A worde once spoke, it can retourne no more,

But flies awaie, and ofte thy bale doth breede.

p. 219, l. 16 Lo this their bale, which was her blisse you heare.

_1 Hen. VI._ v. 4, By sight of these our baleful 122 enemies.

_Coriol._ i. 4, 155 Rome and her rats are at the point of battle;

The one side must have bale.

bane or bayne p. 141, l. 7 Euen so it happes, wee ofte our bayne doe brue.

p. 211, l. 14 Did breede her bane, who mighte haue bath’de in blisse.

_Tit. An._ v. 3, 73 Lest Rome herself be bane unto herself.

_M. for M._ i. 2, Like rats that ravin down 123 their proper bane.

_Macbeth_, v. 3, 59 I will not be afraid of death and bane.

banne p. 189, l. 10 And in a rage, the brutishe beaste did banne.

_Hamlet_, iii. 2, With Hecate’s ban thrice 246 blasted.

_1 Hen. VI._ v. 4, Fell, banning hag, 42 enchantress, hold thy tongue!

_2 Hen. VI._ iii. 2, Every joint should seem to 319 curse and ban.

betide p. 9, l. 2 Woulde vnderstande what weather shoulde betide.

_3 Hen. VI._ iv. 6, A salve for any sore that may 88. betide.

_T. G. Ver._ iv. 3, Recking as little what 40. betideth me.

betime p. 50, l. 1 Betime when sleepe is sweete, the chattringe swallowe cries.

_Hamlet_, iv. 5, 47 All in the morning betime.

_2 Hen. VI._ iii. 3, And stop the rage betime. 285

bewraye p. v. l. 30 bewrayeth it selfe as the smoke bewrayeth the fire.

p. 124, l. 5 Theire foxes coate, theire fained harte bewraies.

_1 Hen. VI._ iv. 1, Bewray’d the faintness of my 107 master’s heart.

_K. Lear_, ii. 1, He bewray his practice. 107

_3 Hen. VI._ i. 1, Whose looks bewray her anger. 211

bleared p. 94. l. 7 What meanes her eies? so bleared, sore, and redd.

_T. of Shrew_, v. 1, While counterfeit supposes 103 blear’d thine eyne.

_M. Venice_, iii. 2, Dardanian wives with blear’d 58 visages.

bloodes p. 99, 1. 18 Can not be free, from guilte of childrens bloodes.

_Cymb._ i. 1, 1 Our bloods no more obey the heavens than our courtiers.

broache p. 7, l. 2 And bluddie broiles, at home are set a broache.

_Rom. and J._ i. 1, Who set this ancient quarrel 102 new abroach?

_2 Hen. IV._ iv. 2, Alack what mischiefs might he 14 set a broach.

budgettes p. 209, l. 10 The quicke Phisition did commaunde that tables should be set

About the misers bed, and budgettes forth to bring.

_W. Tale_, iv. 3, 18 If tinkers may have leave to live,

And bear the sow-skin budget.

Carle p. 209, l. 5 At lengthe, this greedie carle the Lythergie posseste.

_Cymb._ v. 2, 4 — this carl, a very drudge of nature’s.

_As Like it_, iii. And he hath bought the cottage 5, 106 and the bounds

That the old carlot once was master of.

carpes p. 50, 1. 3 Which carpes the pratinge crewe, who like of bablinge beste.

_K. Lear_, i. 4, 194 — your insolent retinue do hourly carp and quarrel.

_1 Hen. VI._ iv. 1, This fellow here, with envious 90 carping tongue.

catch’de p. 77, l. 6. Yet, with figge leaues at lengthe was catch’de, & made the fisshers praie.

_Rom. and J._ iv. 5, But one thing to rejoice and 47 solace in,

And cruel death hath catch’d it from my sight!

cates p. 18, l. 9 Whose backe is fraighte with cates and daintie cheare.

p. 202, l. 12 And for to line with CODRVS cates: a roote and barly bonne.

_T. of Shrew_, ii. My super-dainty Kate, all 1, 187 dainties are all Kates.

_1 Hen. VI._ ii. 3, That we may taste of your 78 wine, and see what cates you have.

_C. Errors_, iii. 1, But though my cates be mean, 28 take them in good part.

caytiffe p. 95, l. 19 See heare how vile, theise caytiffes doe appeare.

_Rom. and J._ v. 1, Here lives a caitiff wretch. 52

_Rich. II._ i. 2, 53 A caitiff recreant to my cousin Hereford.

clogges p. 82, l. 9. Then, lone the onelie crosse, that clogges the worlde with care.

_Macbeth_, iii. 6, You’ll rue the time that clogs 42 me with this answer.

_Rich. II._ i. 3, Bear not along the clogging 200 burden of a guilty soul.

cockescombe p. 81, l. 5 A motley coate, a cockescombe, or a bell.

_M. Wives,_ v. 5, Shall I have a coxcomb of 133 frize?

_K. Lear_, ii. 4, She knapped ’em o’ the 119 coxcombs with a stick.

consummation p. xi. l. 23 wee maie behoulde the consummatiõ of happie ould age.

_Cymb._ iv. 2, 281 Quiet consummation have.

_Hamlet_, iii. 1, 63 ’Tis a consummation devoutly to be wish’d.

corrupte p. xiv. l. 19 too much corrupte with curiousnes and newfanglenes.

_1 Hen. VI._ v. 4, Corrupt and tainted with a 45 thousand vices.

_Hen. VIII._ i. 2, @span 4: the mind growing once 116 corrupt,@

They turn to vicious forms.

corse p. 109, l. 30 But fortie fiue before, did carue his corse.

_W. Tale_, iv. 4, Like a bank, for love to lie 130 and play on; not like a corse.

_Rom. and J._ v. 2, Poor living corse, clos’d in a 30 dead man’s tomb.

create p. 64, l. 1 Not for our selues alone wee are create.

_Hen. V._ ii. 2, 31 With hearts create of duty and of zeal.

_K. John_, iv. 1, Being create for comfort. 107

Deceaste p. 87, l. 13 Throughe Aschalon, the place where he deceaste.

_Cymb._ i. 1, 38 His gentle lady—deceas’d as he was born.

delight p. xiii l. 37 Lastlie, if anie deuise herein shall delight thee.

_Hamlet_, ii. 2, 300 Man delights not me.

_Much Ado_, ii 1, None but libertines delight 122 him.

dernell p. 68, l. 2 The hurtfull tares, and dernell ofte doe growe.

_1 Hen. VI._ iii. 2, ’Twas full of darnel; do you 44 like the taste?

_K. Lear_, iv. 4, 4 Darnel, and all the idle weeds that grow.

determine p. x. l. 9 healthe and wealthe—determine with the bodie.

_Coriol._ iii. 3, 43 Must all determine here?

_Coriol._ v. 3, 119 I purpose not to wait,—till these wars determine.

distracte p. 102, l. 17 Which when hee sawe, as one distracte with care.

_K. Lear_, iv. 6, Better I were distract: so 281 should my thoughts be severed from my griefs.

_2 Hen. VI._ iii. 3, My hair be fix’d on end as one 318 distract.

doombe p. 30, l. 4 Wronge sentence paste by AGAMEMNONS doombe.

_As Like it_, i. 3, Firm and irrevocable is my 79 doom, which I have pass’d upon her.

_Rom. and J._ iii. Then, dreadful trumpet, sound 2, 67 the general doom.

doubt p. 148, l. 3 The boye no harme did doubt, vntill he felt the stinge.

_Rich. II._ iii. 4, ’Tis doubt he will be. 69

_Coriol._ iii. 1, More than you doubt the change 152 on’t.

dulcet p. 128, l. 11 And biddes them feare, their sweet and dulcet meates.

_As Like it_, v. 4, According to the fool’s bolt, 61 Sir, and such dulcet diseases.

_Twelfth N._ ii. 3, To hear by the nose is a 55 dulcet in contagion.

dull p. 103, l. 12 For ouermuch, dothe dull the finest wittes

_Hen. V._ ii. 4, 16 For peace itself should not so dull a kingdom.

_Sonnet_ ciii. l. 8 Dulling my lines and doing me disgrace.

Eeke, or eke p. 2, l. 8 Before whose face, and eeke on euerye side.

p. 45, l. 10 And eke this verse was grauen on the brasse.

_M. N. Dr._ iii. l. Most brisky juvenal, and eke 85 most lovely Jew.

_All’s Well_, ii. 5, With true observance seek to 73 eeke out that.

_M. Wives_, ii. 3, And eke Cavaleiro Slender. 67

englished Title, l. 5 Englished and Moralized.

_M. Wives_, i. 3, 44 — to be English’d rightly, is, I am Sir John Falstaff’s.

ercksome p. 118, l. 4 With ercksome noise, and eke with poison fell.

_T. of Shrew_, i. 2, I know she is an irksome 181 brawling scold.

_2 Hen. VI._ ii. 1, Irksome is this music to my 56 heart.

erste p. 194, l. 20 As with his voice hee erste did daunte his foes.

_As Like it_, iii. Thy company, which erst was 5, 94 irksome to me.

_2 Hen. VI._ ii. 4, That erst did follow thy proud 13 chariot wheels.

eschewed p. vii. l. 19 examples—eyther to bee imitated, or eschewed.

_M. Wives_, v. 5, What cannot be eschew’d, must 225 be embraced.

eternised p. ii. l. 32 — learned men haue eternised to all posterities.

_2 Hen. VI._ v. 3, Saint Alban’s battle won by 30 famous York

Shall be eterniz’d in all age to come.

euened p. 131, l. 6 If ÆGYPT spires, be euened with the soile.

_K. Lear_, iv. 7, 80 To make him even o’er the time he has lost.

_Hamlet_, v. 1, 27 Their even Christian.

extincte p. iv. l. 32 deathe—coulde not extincte nor burie their memories.

_Othello_, ii. 1, 81 Give renew’d fire to our extincted spirits.

_Rich. II._ i. 3, — be extinct with age. 222

Facte p. 79, l. 22 Thinke howe his facte, was ILIONS foule deface.

_M. for M._ v. 1, Should she kneel down in mercy 432 of this fact.

_2 Hen. VI._ i. 3, A fouler fact did never 171 traitor in the land commit.

fardle p. 179, l. 9 Dothe venture life, with fardle on his backe.

_Hamlet_, iii. 1, 76 Who would fardels bear, to groan and sweat under a weary life?

_W. Tale_, v. 2, 2 I was by at the opening of the fardel.

falls p. 176, l. 7 Euen so, it falles, while carelesse times wee spende.

_J. Cæs._ iii. 1, I know not what may fall; I 244 like it not.

feare p. 127, l. 11 Who while they liu’de did feare you with theire lookes.

_Ant. and C._ ii. 6, Thou canst not fear us, 24 Pompey, with thy sails.

_M. for M._ ii. 1, 2 Setting it up to fear the birds of prey.

fell p. 3, l. 12 Hath Nature lente vnto this Serpent fell.

_M. N. Dr._ v. 1, A lion-fell, nor else no 221 lion’s dam.

_2 Hen. VI._ iii. 1, This fell tempest shall not 351 cease to rage.

filed p. 30, l. 5 But howe? declare, Vlysses filed tonge

Allur’de the Iudge, to giue a Iudgement wronge.

_Macbeth_, iii. 1, If’t be so, for Banquo’s issue 63 have I fil’d my mind.

fittes p. 103, l. 11 Sometime the Lute, the Chesse, or Bowe by fittes.

_Tr. and Cr._ iii. Well, you say so in fits. 1, 54

floate p. 7, l. 10 This, robbes the good, and setts the theeues a floate.

_J. Cæs._ iv. 3, 220 On such a full sea are we now afloat.

_Macbeth_, iv. 2, 21 But float upon a wild and violent sea.

foile p. 4, l. 10 And breake her bandes, and bring her foes to foile.

_Tempest_, iii. 1, Did quarrel with the noblest 45 grace she ow’d,

And put it to the foil.

fonde p. 223, l. 7 Oh worldlinges fonde, that ioyne these two so ill.

_M. for M._ v. 1, Fond wretch, though know’st 105 not what thou speak’st.

_M. N. Dr._ iii. 2, How simple and how fond I am. 317

forgotte p. 5, l. 7 Yet time and tune, and neighbourhood forgotte.

_Othello_, ii. 3, How comes it, Michael, you are 178 thus forgot?

_Rich. II._ ii. 3, That is not forgot which ne’er 37 I did remember.

foyles p. xvii. l. 18 PERFECTION needes no other foyles, suche helpes comme out of place.

_1 Hen. IV._ iv. 2, That which hath no foil to set 207 it off.

fraies p. 51, l. 6 Unto the good, a shielde in ghostlie fraies.

_1 Hen. IV._ i. 2, To the latter end of a fray, 74 and the beginning of a feast.

_M. Venice_, iii. 4, And speak of frays, like a 68 fine bragging youth.

frende p. 172, l. 14 As bothe your Towne, and countrie, you maye frende.

_Macbeth_, iv. 3, 10 As I shall find the time to friend.

_Hen. VIII._ i. 2, Not friended by his wish. 140

frettes p. 92, l. 1 The Lute ... lack’de bothe stringes, and frettes.

_T. of Shrew_, ii. She mistook her frets. 1, 148

fustie p. 80, l. 6 Or fill the sacke, with fustie mixed meale.

_Tr. and Cr._ i. 3, at this fusty stuff, 161

The large Achilles ... laughs out a loud applause.

Gan p. 156, l. 3 At lengthe when all was gone, the pacient gan to see.

_Macbeth_, i. 2, 54 The thane of Cawdor began a dismal conflict.

_Coriol._ ii. 2, 112 — the din of war gan pierce his ready sense.

ghoste p. 141, l. 5 Beinge ask’d the cause, before he yeelded ghoste.

_1 Hen. VI._ i. 1, — cause him once more yield 67 the ghost.

_Rich. III._ i. 4, — often did I strive to yield 36 the ghost.

ginnes p. 97, l. 3 For to escape the fishers ginnes and trickes.

_Twelfth N._ ii. 5, Now is the woodcock near the 77 gin.

_2 Hen. VI._ iii. 1 Be it by gins, by snares.

gladde p. 198, l. 10 And CODRVS had small cates, his harte to gladde.

_3 Hen. VI._ iv. 6, — did glad my heart with hope. 93

_Tit. An._ i. 2, 166 The cordial of mine age to glad my heart!

glasse p. 113, l. 6 An acte moste rare, and glasse of true renoume.

_Twelfth N._ iii. 4, I my brother know yet liuing 363 in my glasse.

_C. Errors_, v. 1, Methinks you are my glass, and 416 not my brother.

_J. Cæs._ i. 2, 68 So well as by reflection, I, your glass.

_Rich. II._ i. 3, Even in the glasses of thine 208 eyes I see thy grieved heart.

glosse p. 219, l. 17 O loue, a plague, thoughe grac’d with gallant glosse.

_L. L. Lost_, ii. 1, The only soil of his fair 47 virtue’s gloss.

_Hen. VIII_ v. 3, 71 Your painted gloss discovers,—words and weakness.

gripe p. 75, l. 2 Whose liuer still, a greedie gripe dothe rente.

p. 199, l. 1, 2 If then, content the chiefest riches bee,

And greedie gripes, that doe abounde be pore.

_Cymb._ i. 6, 105 Join gripes with hands made hard with hourly falshood.

_Hen. VIII._ v. 3, Out of the gripes of cruel 100 men.

guerdon p. 15, l. 10 And shall at lenghte Actæons guerdon haue.

_Much Ado_, v. 3, 5 Death in guerdon of her wrongs.

_1 Hen. VI._ iii. 1, — in reguerdon of that duty 170 done.

guide p. 33, l. 5 And lefte her younge, vnto this tirauntes guide.

_Timon_, i. 1, 244 Pray entertain them; give them guide to us.

_Othello_, ii. 3, My blood begins my safer 195 guides to rule.

guise p. 159, l. 9 Inquired what in sommer was her guise.

_Macbeth_, v. 1, 16 This is her very guise; and, upon my life, fast asleep.

_Cymb._ v. 1, 32 To shame the guise o’ the world.

Hale, hal’de p. 71, l. 2 In hope at lengthe, an happie hale to haue.

p. 37, l. 10 And AJAX gifte, hal’de HECTOR throughe the fielde.

_1 Hen. VI._ v. 4, Although ye hale me to a 64 violent death.

_Tit. An._ v. 3, 143 Hither hale that misbelieving Moor.

_1 Hen. VI._ ii. 5, Even like a man new haled from 3 the rack.

happe p. 147, l. 13 So ofte it happes, when wee our fancies feede.

p. 201, l. 29 Wherefore, when happe, some goulden honie bringes?

_T. of Shrew_, iv. Hap what hap may, I’ll roundly 4, 102 go about her.

_Rom. and J._ ii. 2, His help to crave, and my dear 190 hap to tell.

harmes p. 183, l. 7 In marble harde our harmes wee always graue.

_1 Hen. VI._ iv. 7, My spirit can no longer bear 30. these harms.

_Rich. III._ ii. 2, None can cure their harms by 103. wailing.

hatche p. 180, l. 9 A wise man then, selles hatche before the dore.

_K. John_, i. 1, 171 In at the window, or else o’er the hatch.

_K. Lear_, iii. 6, Dogs leap the hatch and all 71 are fled.

haughtie p. 53, l. 7 In craggie rockes, and haughtie mountaines toppe.

_1 Hen. VI._ iv. 1, Valiant and virtuous, full of 35 haughty courage.

hauocke p. 6, l. 6 Till all they breake, and vnto hauocke bringe.

_J. Cæs._ iii. 1, Cry “Havock,” and let slip the 274 dogs of war.

_K. John_, ii. 1, Wide havock made for bloody 220 power.

heste p. 87, l. 10 And life resigne, to tyme, and natures heste.

_Tempest_, i. 2, 274 Refusing her grand hests,

_Tempest_, iii. 1, I have broke your hest to say 37 so.

hidde p. 43, l. 1 By vertue hidde, behoulde, the Iron harde.

_Much Ado_, v. 1, Adam, when he was hid in the 172 garden.

_M. Venice_, i. 1, Two grains of wheat hid in two 115 bushels of chaff.

Impe p. 186, l. 14 You neede not THRACIA seeke, to heare some impe of ORPHEVS playe.

p. 19, l. 9. But wicked Impes, that lewdlie runne their race.

_2 Hen. IV._ v. 5, The heavens thee guard and 43 keep, most royal imp of fame.

_L. L. Lost_, v. 2, Great Hercules is presented by 581 this imp.

indifferencie p. xiv. l. 29 those that are of good iudgemente, with indifferencie will reade.

_K. John_, ii. 1, Makes it take head from all 579 indifferency.

_2 Hen. IV._ iv. 3, An I had but a belly of any 20 indifferency.

ingrate p. 64, l. 3 And those, that are vnto theire frendes ingrate.

_T. of Shrew_, i. 2, — will not so graceless be, to 266 be ingrate.

_1 Hen. IV._ i. 3, As this ingrate and canker’d 137 Bolingbroke.

ioye p. 5, l. 5 And bothe, did ioye theire iarringe notes to sounde.

_T. of Shrew_, Ind. Oh, how we joy to see your wit 2, 76 restored.

_2 Hen. VI._ iii. 2, Live thou to joy thy life. 364

Kinde p. 49, l. 16 And spend theire goodes, in hope to alter kinde.

p. 178, l. 8 And where as malice is by kinde, no absence helpes at all.

_Ant. and C._ v. 2, Look you, that the worm will 259 do his kind.

_J. Cæs._ i. 3, 64 Why birds and beasts, from quality and kind.

_As Like it_, iii. If the cat will after kind, 2, 93

So, be sure, will Rosalind.

knitte p. 76, l. 2 And knittes theire subiectes hartes in one.

_M. N. Dr._ iv. 1, These couples shall eternally 178 be knit.

_Macbeth_, ii. 2, 37 Sleep that knits up the ravell’d sleave of care.

knotte p. 142, l. 10 Yet, if this knotte of frendship be to knitte.

_Cymb._ ii. 3, 116 To knit their souls ... in self-figur’d knot.

_M. Wives_, iii. 2, He shall not knit a knot in 64 his fortune.

Launch’de p. 75, l. 11 Which being launch’de and prick’d with inward care.

_Rich. III._ iv. 4, Whose hand soever lanced their 224 tender hearts.

_Ant. and C._ v. 1, We do lance diseases in our 36 bodies.

leaue p. 50, l. 5 For noe complaintes, coulde make him leaue to steale.

_Tr. and Cr._ iii. What some men do, while some 3, 132 men leave to do!

let p. 89, l. 8 But Riuers swifte, their passage still do let.

p. 209, l. 9 But, when that nothinge coulde OPIMIVS sleepinge let.

_Hamlet_, i. 4, 85 By heaven, I’ll make a ghost of him that lets me.

_T. G. Ver._ iii. 1, What lets, but one may enter 113 at her window.

like p. xi. 1. 14 if it shall like your honour to allowe of anie of them.

_K. Lear_, ii. 2, 85 His countenance likes me not.

_T. G. Ver._ iv. 2, The music likes you not. 54

linke, linckt p. 226, l. 8 Take heede betime: and linke thee not with theise.

p. 133, l. 4 And heades all balde, weare newe in wedlocke linckt.

_1 Hen. VI._ v. 5, Margaret, he be link’d in 76 love.

_Hamlet_, i. 5, 55 though to a radiant angel linked.

liste p. 63, l. 3 And with one hande, he guydes them where he liste.

_T. of Shrew_, iii. Now take them up, quoth he, if 2, 159 any list.

lobbe p. 145, l. 6 Let Grimme haue coales: and lobbe his whippe to lashe.

_M. N. Dr._ ii, 1, Farewell, thou lob of spirits; 16 I’ll be gone.

lotterie p. 61 Her Maiesties poesie, at the great Lotterie in London.

_M. Venice_, i. 2, The lottery—in these three 25 chests of gold, silver and lead.

_All’s Well_, i. 3, — ’twould mend the lottery 83 well.

lustie p. 9, l. 1 A YOUTHEFVLL Prince, in prime of lustie yeares.

_As Like it_, ii. 3, Therefore my age is as a lusty 52 winter.

_T. G. Ver._ iv. 2, Let’s tune, and to it lustily 25 a while.

Meane p. 23, l. 12 The meane preferre, before immoderate gaine.

_M. Venice_, i. 2, 6 It is no mean happiness, therefore, to be seated in the mean.

mid p. 160, l. 1 A Satyre, and his hoste, in mid of winter’s rage.

_Rich. III._ v. 3, About the mid of night come to 77 my tent.

misliked p. xiv. l. 22 Some gallant coulours are misliked.

_2 Hen. VI._ i. 1, ’Tis not my speeches that you 135 do mislike.

_3 Hen. VI._ iv. 1, Setting your scorns and your 24 mislike aside.

misse p. 149, l. 15 Or can we see so soone an others misse.

_1 Hen. IV._ v. 4, O, I should have a heavy miss 105 of thee.

mockes and mowes p. 169, l. 4 Of whome both mockes, and apishe mowes he gain’d.

_Othello_ v. 2, 154 O mistress, villainy hath made mocks of love!

_Cymb._ i. 7, 40 — contemn with mows.

motley p. 81, l. 5 A motley coate, a cockes combe, or a bell.

_Hen. VIII._ Prol. A fellow in a long motley 15 coat, guarded with yellow.

_As Like it_, ii. 7, I am ambitious for a motley 43 coat.

muskecattes p. 79, l. 1, 2 Heare LAIS fine, doth braue it on the stage,

With muskecattes sweete, and all shee coulde desire.

_All’s Well_, v. 2, — fortune’s cat,—but not a 18 musk-cat.

Neare p. 12, l. 3 Where, thowghe they toile, yet are they not the neare.

_Rich. II._ v. 1, 88 Better far off, than—near, be ne’er the near.

newfanglenes p. xiv. l. 19 too much corrupte with curiousnes and newfanglenes.

_L. L. Lost_, i. 1, Than wish a snow in May’s new 106 fangled shows.

_As Like it_, iv. 1, — more new-fangled than an 135 ape.

nones p. 103, l. 10 And studentes muste haue pastimes for the nones.

_Hamlet_, iv. 7, 159 I’ll have prepared him a chalice for the nonce.

_1 Hen. IV._ i. 2, I have cases of buckram for 172 the nonce.

Occasion p. 181, l. 1 What creature thou? Occasion I doe showe.

_K. John_, iv. 2, Withhold thy speed, dreadful 125 occasion.

_2 Hen. IV._ iv. 1, And are enforced from our most 71 quiet there,

By the rough torrent of occasion.

ope p. 71, l. 9 Let Christians then, the eies of faithe houlde ope.

_C. Errors_, iii. 1, I’ll break ope the gate. 73

_2 Hen. VI._ iv. 9, Then, heaven, set ope thy 13 everlasting gates.

Packe p. 42, 1. 9 Driue VENVS hence, let BACCHVS further packe.

_C. Errors_, iii. 2, ’Tis time, I think, to trudge, 151 pack and be gone.

_T. of Shrew_, ii. If she do bid me pack, I’ll 1, 176 give her thanks.

paine p. 85, l. 8 The Florentines made banishement theire paine.

_M. for M_. ii. 4, Accountant to the law upon 86 that pain.

_Rich. II._ i. 3, — against dice upon pain of 153 life.

pelfe p. 198, 1. 8 No choice of place, nor store of pelfe he had.

_Timon_, i. 2 Immortal gods, I crave no pelf,

I pray for no man but myself.

personage p. 187, l. 8 And dothe describe theire personage, and theire guise.

_Twelfth N._ i. 5, Of what personage and years is 146 he?

_M. N. Dr._ iii. 2, And with her personage, her 292 tall personage.

pickthankes p. 150, l. 4 With pickthankes, blabbes, and subtill Sinons broode.

_1 Hen. IV._ iii. 2, By smiling pick-thanks, and 24 base news mongers.

pikes p. 41, l. 17. And thoughe long time, they doe escape the pikes.

_Much Ado_, v. 2, 18 You must put in the pikes with a vice.

_3 Hen. VI._ i. 1, The soldiers should have 244 toss’d me on their pikes.

pill p. 151, l. 4 His subiectes poore, to shaue, to pill, and poll.

_Timon_, iv. 1, 11 Large handed robbers your grave masters are

And pill by law.

pithie p. x. l. 31 a worke both pleasaunte and pithie.

_T. of Shrew_, iii. To teach you gamut in a 1, 65 briefer sort,

More pleasant, pithy, and effectual.

poastes p. 39, l. 7 And he that poastes, to make awaie his landes.

_Tr. and Cr._ i. 3, And posts, like the 93 commandment of a king.

prejudicate p. xiii. l. 44 with a preiudicate opinion to condempne.

_All’s Well_, i. 2, Wherein our dearest friend 7 prejudicates the business.

proper p. iv. l. 7 that which hee desired to haue proper to him selfe.

_M. for M._ v. 1, Faults proper to himself: if 110 he had so offended.

purge p. 68, l. 5. When graine is ripe, with siue to purge the seede.

_M. N. Dr._ iii. 1, I will purge thy mortal 146 grossness so.

_Rom. and J._ v. 3, And here I stand, both to 225 impeach and purge

Myself condemned and myself excused.

Quaile p. 111, l. 5 No paine, had power his courage highe to quaile.

_Ant. and C._ v. 2, But when he meant to quail and 85 shake the orb.

_3 Hen. VI._ ii. 3, This may plant courage in 54 their quailing breasts.

queste p. 213, l. 5 But yet the Moone, who did not heare his queste.

_M. for M._ iv. 1, Run with these false and most 60 contrarious quests.

_C. Errors_, i. 1, Might bear him company in the 130 quest of him.

Reaue p. 25, l. 3 Or straunge conceiptes, doe reaue thee of thie rest.

_All’s Well_, v. 3, To reave her of what should 86 stead her most.

_2 Hen. VI._ v. 1, To reave the orphan of his 187 patrimony.

rente p. 30, l. 3 What is the cause, shee rentes her goulden haire?

_Tit. An._ iii. 1, Rent off thy silver hair 261 (_note_).

_2 Hen. VI._ i. 1, torn and rent my very heart. 121

ripes p. 23, l. 1 When autumne ripes, the frutefull fieldes of graine.

_As Like it_, ii. 7, We ripe and ripe and then. 26

_2 Hen. IV._ iv. 1, He is retired, to ripe his 13 growing fortunes.

roomes p. 186, l. 12 the trees, and rockes, that lefte their roomes, his musicke for to heare.

_3 Hen. VI._ iii. 2, the unlook’d for issue—take 131 their rooms, ere I can place myself.

_Rom. and J._ i. 5, — give room! and foot it, 24 girls.

ruthe p. 4, l. 1 Three furies fell which turne the worlde to ruthe.

_Rich. II._ iii. 4, Rue even for ruth. 106

_Coriol._ i. 1, 190 Would the nobility lay aside their ruth.

ruthefull p. 13, l. 1 Of NIOBE, behoulde the ruthefull plighte.

_3 Hen. VI._ ii. 5, O, that my death would stay 95 these ruthful deeds.

_Tr. and Cr._ v. 3, Spur them to ruthful work, 48 rein them from ruth!

Sauced p. 147, l. 4 He founde that sweete, was sauced with the sower.

_Tr. and Cr._ i. 2, His folly sauced with 23 discretion.

_Coriol._ i. 9, 52 — dieted in praises sauced with lies.

scanne p. 95, l. 6 Theise weare the two, that of this case did scanne.

_Othello_, iii. 3, I might entreat your honour to 248 scan this thing no further.

_Hamlet_, iii. 3, 75 That would be scann’d; a villain kills my father.

scape p. 24, l. 4 And fewe there be can scape theise vipers vile.

_K. Lear_, ii. 1, 80 the villain shall not scape.

sillye p. 194, l. 7 For, as the wolfe, the sillye sheep did feare.

_3 Hen. VI._ ii. 5, — looking on their silly 43 sheep.

_Cymb._ v. 3, 86 there was a fourth man in a silly habit.

sith p. 109, l. 3 And sithe, the worlde might not their matches finde.

_3 Hen. VI._ i. 1, Talk not of France, sith thou 110 hast lost it all.

_Othello_, iii. 3, But, sith I am enter’d in this 415 cause so far.

sithe p. 225, l. 6 For, time attendes with shredding sithe for all.

_L. L. Lost_, i. 1, That honour which shall bate 6 his scythe’s keen edge.

_Ant. and C._ iii. I’ll make death love me, for I 13, 193 will contend

Even with his pestilent scythe.

skante p. 199, l. 8 And, whilst wee thinke our webbe to skante.

_Ant. and C._ iv. 2, Scant not my cups. 21

_K. Lear_, iii. 2, Return, and force their 66 scanted courtesy.

skap’d p. 153, l. 1 The stagge, that hardly skap’d the hunters in the chase.

_3 Hen. VI._ ii. 1, I wonder how our princely 1 father scap’d.

_Hamlet_, i. 3, 38 Virtue itself ’scapes not calumnious strokes.

soueraigne p. 161, l. 8 But that your tonge is soueraigne, as I heare.

_Coriol._ ii. 1, 107 The most sovereign prescription in Galen is but empyric.

spare p. 60, l. 5 VLYSSES wordes weare spare, but rightlie plac’d.

_As Like it_, iii. As it is a spare life look 2, 18 you.

_2 Hen. IV._ iii. 2, O give me the spare men, and 255 spare me.

square p. 140, l. 8 Each bragginge curre, beginnes to square, and brall.

_Ant. & C._ iii. 13, Mine honesty and I begin to 41 square.

_Tit. An,_ ii. 1, 99 And are you such fools to square for this?

stall’d p. 38, l. 10 And to be stall’d, on sacred iustice cheare.

_All’s Well_, i. 3, Leave me; stall this in your 116 bosom.

_Rich. III._ i. 3, Deck’d in thy rights, as thou 206 art stall’d in mine.

starke p. ix. l. 31 whose frendship is frozen, and starke towarde them.

_1 Hen. IV._ v. 3, Many a nobleman lies stark and 40 stiff.

_Rom. and J._ iv. 1, Shall stiff, and stark and 103 cold, appear like death.

stithe p. 192, l. 5 For there with strengthe he strikes vppon the stithe.

_Hamlet_, iii. 2, 78 And my imaginations are as foul as Vulcan’s stithy.

_Tr. and Cr._ iv. 5, By the forge that stithied 255 Mars his helm.

swashe p. 145, l. 5 Giue PAN, the pipe; giue bilbowe blade, to swashe.

_Rom, and J._ i. 1, Gregory, remember thy swashing 60 blow.

_As Like it_, i. 3, We’ll have a swashing and a 116 martial outside.

Teene p. 138, l. 14 Not vertue hurtes, but turnes her foes to teene.

_L. L. Lost_, iv. 3, Of sighs, of groans, of 160 sorrow, and of teene.

_Rom. and J._ i. 3, To my teen be it spoken. 14

threate p. 85, l. 11 And eke Sainct Paule, the slothful thus doth threate.

_Rich. III._ i. 3, What threat you me with 113 telling of the king?

_Tit. An._ ii. 1, 39 Are you so desperate grown to threat your friends?

Vndergoe p. 223, l. 3 First, vndergoes the worlde with might, and maine.

_Much Ado_, v. 2, 50 Claudio undergoes my challenge.

_Cymb._ iii. 5, 110 — undergo those employments.

vnmeete p. 81, l. 12 And fooles vnmeete, in wisedomes seate to sitte.

_M. for M._ iv. 3, A creature unprepar’d, unmeet 63 for death.

_Much Ado_, iv. 1, Prove you that any man 181 convers’d with me at hours unmeet.

vnneth p. 209, l. 5, 6 At lengthe, this greedie carle the Lethergie posseste:

That vnneth hee could stere a foote.

_2 Hen. VI._ ii. 4, Uneath may she endure the 8 flinty streets.

vnperfecte p. 122, l. 10 Behoulde, of this vnperfecte masse, the goodly worlde was wroughte.

_Othello_, ii. 3, One unperfectness shews me 284 another.

vnrest p. 94, l. 12 It shewes her selfe, doth worke her owne vnrest.

_Rich. III._ iv. 4, Rest thy unrest on England’s 29 lawful earth.

_Rich. II._ ii. 4, Witnessing storms to come, woe 22 and unrest.

vnsure p. 191, l. 3 So, manie men do stoope to sightes vnsure.

_Macbeth_, v. 4, 19 Thoughts speculative their unsure hopes relate.

_Hamlet_, iv. 4, 51 Exposing what is mortal and unsure.

vnthriftes p. 17, l. 18 And wisedome still, againste such vnthriftes cries.

_Rich. II._ ii. 3, My rights and royalties—given 120 away to upstart unthrifts.

_M. Venice_, v. 1, And with an unthrift love did 16 run from Venice.

Wagge p. 148, l. 14 The wanton wagge with poysoned stinge assay’d.

_L. L. Lost_, v. 2, Making the bold wag by their 108 praises bolder.

_W. Tale_, i. 2, 65 Was not my lord the verier wag of the two.

weakelinges p. 16, l. 10 Wee weakelinges prooue, and fainte before the ende.

_3 Hen. VI._ v. 1, And, weakling, Warwick takes 37 his gift again.

wighte p. 24, l. 7 The faithfull wighte, dothe neede no collours braue.

_M. Wives_, i. 3, 35 I ken the wight: he is of substance good.

_Othello_, ii. 1, She was a wight, if ever such 157 wight were.

Yerke p. 6, l. 5 They praunce, and yerke, and out of order flinge.

_Hen. V._ iv. 7, 74 With wild rage, yerk out their armed heels.

_Othello_, i. 2, 5 I had thought to have yerked him here under the ribs.

younglinge p. 132, l. 20 Before he shotte: a younglinge thus did crye.

_T. of Shrew_, ii. Youngling! thou canst not love 1, 329 so dear as I.

_Tit. An._ iv. 2, 93 I tell you, younglings, not Enceladus.

II.

SUBJECTS OF THE EMBLEM-IMPRESE AND ILLUSTRATIONS, WITH THEIR MOTTOES AND SOURCES.

The * denotes there is no device given in our volume.

DEVICE. PAGE. MOTTO. SOURCE.

Actæon and Hounds 275 _In receptatores Alciat, _Emb._ 52, sicariorum_ Ed. 1551, p. 60.

276 _Ex domino servus_ Aneau’s _Picta Poesis_, Ed. 1552, f. 41.

277 _Voluptas Sambucus, Ed. ærumnosa_ 1564, p. 128.

278 ” ” Whitney’s _Emb._ Ed. 1586, p. 15.

Adam hiding in the 416 _Dominus viuit & Whitney’s _Emb._ Garden videt_ Ed. 1586, p. 229.

416 _Vbi es?_ Montenay’s _Emb._ Ed. 1584.

416 _Vbi es?_ _Stamm Buch_, Emb. 65, Ed. 1619, p. 290.

Adam’s Apple. Pl. X. 132 _Vijt Adams Appel Vander Veen’s Sproot Ellende _Zinne-beelden_, Zonde en Doodt._ Ed. 1642.

Adamant on the Anvil 347 _Qvem nvlla Le Bey de pericvla Batilly’s _Emb._ terrent_ 29, Ed. 1596.

Æneas bearing 191 _Pietas filiorum Alciat, _Emb._ Anchises in parentes_ 194, Ed. 1581.

191 ” ” Whitney’s _Emb._ Ed. 1586, p. 163.

Alciat’s Device 211 _Virtuti fortuna Giovio, _Dev. &c._ comes_ Ed. 1561.

*Annunciation of the 124 _Fortitudo ejus Drummond’s Virgin Mary Rhodum tenuit_ _Scotland_, Ed. 1665.

Ants and Grasshopper 149 _Contraria Freitag’s _Myth. industriæ ac Eth._ Ed. 1579, desidiæ præmia._ p. 29.

148 _Dum ætatis ver Whitney’s _Emb._ agitur: consule Ed. 1586, p. brumæ._ 159.

Ape and Miser’s Gold 128, _Malè parta malè Whitney’s Emb. Ed. 487 dilabuntur_ 1586, p. 169.

486 ” ” Paradin’s _Dev. Her._ Ed. 1562, f. 174.

128 _Ut parta Cullum’s labuntur_ _Hawsted_, Ed. 1813, p. 159.

486 Symeoni’s _Imprese_, & _c._

Apollo receiving the 379 _Poetarum gloria_ Le Bey de Christian Muse Batilly’s _Emb._ 51, Ed. 1596.

*Apple-tree on a 123 _Per vincula Drummond’s Thorn crescit_ _Scotland_, Ed. 1665.

Arion and the 280 _In auaros, vel Alciat, _Emb._ 89, Dolphin quibus melior Ed. 1581, p. conditio ab 323. extraneis offertur._

280, _Homo homini Whitney’s _Emb._ 281 lupus_ Ed. 1586, p. 144.

*Arrow through three 123 _Dederit ne viam Drummond’s Birds Casusve Deusve._ _Scotland_, Ed. 1665.

Arrow wreathed on a 183 _Sola viuit in Paradin’s _Dev. Tomb illo_ Her._ Ed. 1562, f. 30.

126 ” ” _Gent. Mag._ Nov. 1811, p. 410.

Ass and Wolf 53 _Dyalogus Creaturarum_, Ed. 1480.

54 _Scelesti hominis _Apologi Creat._ imago, et Ed. 1584, f. 54. exitus._

Astronomer, Magnet, 335 _Mens immota Sambucus’ _Emb._ and Pole-star. manet_ Ed. 1584, p. 84.

335 ” ” Whitney’s _Emb._ Ed. 1586, p. 43.

Athenian Coin 8 ΑΘΕ Eschenburg’s _Man._ Ed. 1844, p. 351.

*Atlas 245 _Sustinet nec Giovio’s fatiscit_ _Dialogue_, Ed. 1561, p. 129.

Bacchus 247 _Ebrietas_ Boissard’s _Theat. V. H._ Ed. 1596, p. 213.

247, r_Le Microcosme_, 248 Ed. 1562.

248 _In statuam Alciat, _Emb._ Ed. Bacchi_ 1581, p. 113.

248 ” ” Whitney’s _Emb._ Ed. 1586, p. 187.

Ban-dog 482 _Canis queritur Sambucus’ _Emb._ nimium nocere._ Ed. 1599, p. 172.

483 _Feriunt summos Whitney’s _Emb._ fulmina montes._ Ed. 1586, p. 140.

Barrel full of Holes 332 _Hac illac Paradin’s _Dev. perfluo_ Her._ Ed. 1562, f. 88.

331 _Frustrà_ Whitney’s _Emb._ Ed. 1586, p. 12.

Bear and Ragged 236 Whitney’s _Emb._ Staff Ed. 1586, Frontispiece.

Bear, Cub, and Cupid 348 _Perpolet incultum _Tronus Cupid._ paulatim tempus Ed. _about_ amorem._ 1598, f. 2.

349 Boissard’s _Emb._ 43, Ed. 1596.

Bees types of a 358 Πῶς λαοῦ πειθήνιου Horapollo, Ed. well-governed βασιλεῖ 1551, p. 87. People.

360 _Principis Alciat, _Emb._ clementia_ 148, Ed. 1551, p. 161.

Bees types of Love 361 _Patria cuique Whitney’s _Emb._ for our Native chara_ Ed. 1586, p. Land. 200.

Bellerophon and 299 _Consilio et Alciat, _Emb._ 14. Chimæra virtute Chimæram Ed. 1581. superare, id est, fortiores et deceptores._

Bible of the Poor, 46 _Ecce virgo Humphrey’s Pl. VI. concipiet et Fac-simile from pariet filium, Pl. 2, &c._ _Block-book_, 1410–20.

Bird caught by an 130 _Speravi et perii_ Cullum’s Oyster (_see_ _Hawsted_, Ed. Mouse). 1813.

*Bird in Cage and 124 _Il mal me preme Drummond’s Hawk. et me spaventa a _Scotland_, Ed. Peggio._ 1665.

Block Book, 46 _Ecce virgo Humphrey’s specimens. Pl. VI. concipiet et Fac-simile from pariet filium, Pl. 2, &c._ _Block-book_, 1410–20.

Pl. VII. 49 _Conversi ab Tracings idolis, &c._ photo-lithed from _Hist. S. Joan. Euang._ About 1430.

Pl. VIII. 49 _Datæ sunt Tracings muliebri duæ alæ photo-lithed aquitæ, &c._ from _Hist. S. Joan. Euang._ About 1430.

Block Print. Pl. XV. 407 _Seven ages of _Archæologia_, man_ vol. xxxv., 1853, p. 167, a print from original in _Brit. Museum_.

Brasidas and his 195 _Perfidvs Aneau’s _Picta Shield familiaris_ Poesis_, Ed. 1552, p. 18.

195 Whitney’s _Emb._ Ed. 1586, p. 141.

Brutus, Death of 202 _Fortuna virtutem Alciat, _Emb._ superans._ 119, Ed. 1581, p. 430.

202 ” ” Whitney’s _Emb_. Ed. 1586, p. 70.

Butterfly and 151 _Cosi vino piacer Paradin’s _Dev. Candle. conduce à Her._ Ed. 1562. morte._

152 _La guerre doulce Corrozet’s aux _Hecatomg._ Ed. inexperimentez._ 1540.

152 _Brevis et damnosa Camerarius, Ed. voluptas._ 1596.

152 ” ” Vænius’ _Emb. of Love_, Ed. 1680, p. 102.

152 _Breue gioia_ Vænius’ _Emb. of Love_, Ed. 1608, p. 102.

153 _D’amor soverchio_ Symeoni’s _Imprese_, Ed. 1561.

*Camel and his 283 _Homo homini Deus_ Cousteau’s Driver. _Pegma_, Ed. 1555, p. 323.

*Camomile trodden 124 _Fructus calcata Drummond’s down. dat amplos._ _Scotland_, Ed. 1665.

Cannon bursting 344 Beza’s _Emb_. 8; Ed. 1580.

Canoness (_see_ Nun) 469

Cebes, Tablet of 12 _Picture of Human Ed. Life_ “Francphordio,” anno 1507.

Pl. I. 13 ” ” Ed. Berkeli, 1670, De Hooghe.

Pl. I._b._ 68 ” ” Old Woodcut.

Chaos 448 _Il Caos_ Symeoni’s _Ovid_, Ed. 1559, p. 12.

ΧΑΟΣ 449 _Sine ivstitia Aneau’s _Picta confvsio._ Poesis_, Ed. 1551. p. 49.

450 ” ” Whitney’s _Emb_. Ed. 1586, p. 122.

Chess an Emblem of 320 _La fin nous faict Perriere’s _Th. Life. tous egaulx_ Bons Engins_, 27; Ed. 1539.

321 ” ” Corrozet’s _Hecatomg._ Ed. 1540

Child and motley 484 _Fatuis leuia Whitney’s _Emb_. Fool commitito._ Ed. 1586, p. 81.

484 ” ” Sambucus.

Chivalry, Wreath of 169 (_see_ Wreath).

Christian Love 32 Vænius’ _Amoris presenting the Div. Emb._ Ed. Soul to Christ. 1615. Pl. II.

Circe transforming 250 _Cauendum à Alciat, _Emb._ 76, Ulysses’ men. meretricibus_ Ed. 1581, p. 184.

250 _Homines Whitney’s _Emb_. voluptatibus Ed. 1586, p. 82. transformantur._

252 _Improba Siren Reusner’s _Emb._ desidia_ Ed. 1581, p. 634.

*Cleopatra applying 131 _Chimneypiece_, the Asps. Lower Tabley Hall.

*Conscience, Power 420 _Hic murus aheneus _Emb. of Horace_, of esto_ Ed. 1612, pp. 58 and 70.

Countryman and Viper 197 _Maleficio Freitag’s _Myth. beneficium Eth._ Ed. 1579. compensatum_

198 _Merces anguina_ Reusner’s _Emb_. Ed. 1581, p. 81.

199 _In sinu alere Whitney’s _Emb._ serpentem_ Ed. 1586, p. 189.

Crab and Butterfly 15 _Festina lente_ Symeoni’s _Dev._ Ed. 1561, p. 218.

Creation and 35 _La creatione & Symeoni’s _Ovid_, Confusion. Pl. confusione del Ed. 1559, p. 13. III. mondo._

Crescent Moon 127 _Donec totem Iovio’s _Dial. des impleat orbem_ Dev._ Ed. 1561, p. 25.

123 ” ” Drummond’s _Scotland_, Ed. 1655.

*Crossbow at full 126 _Ingenio superat _Gent. Mag._ Nov. stretch. vires_ 1811, p. 416.

Crowns of Victory 221 (_see_ Wreaths, Four).

*Crowns, Three, one on the Sea. 124 _Aliamque moratur_ Drummond’s _Scotland_, Ed. 1655.

*Crucifix and 123 _Undique_ Drummond’s kneeling Queen. _Scotland_, Ed. 1655.

Cupid and Bear 348 (_see_ Bear, Cub, and Cupid).

Cupid and Death 401 _De morte et Whitney’s _Emb_. amore: Iocosum_ Ed. 1586, p. 132.

401 ” ” Alciat, _Emb_. Ed. 1581.

403 _De Morte et Peacham’s _Min_. Cvpidine_ Ed. 1612, p. 172.

Cupid blinded, 329 Perriere’s _Th. holding a Sieve. Bons Engins_, 1539, p. 77.

*Cupid felling a 324 “_By continuance_” Vænius, Ed. 1608, Tree. p. 210.

Daphne changed to a 296 Aneau’s _Picta Laurel. Poesis_, Ed. 1551, p. 47.

Dedication page. v Alciat’s _Emb_. Ed. 1661, Title-page.

Diana. 3 _Qvodcvnqve petit, Symeoni’s _Ovid_, conseqvitvr_ Ed. 1559, p. 2.

Diligence and 145 Perriere’s _Th. Idleness. Bons Engins_, Ed. 1539, Emb. 101.

146 _Otiosi semper Whitney’s _Emb_. egentes_ Ed. 1586, p. 175.

Dog baying at the 270 Beza’s _Emb_. Ed. Moon. 1580, Emb. 22.

269 _Inanis ineptis_ Alciat, _Emb_. 164, Ed. 1581, p. 571.

269 ” ” Whitney’s _Emb_. Ed. 1586, p. 213.

270 _Despicit alta Camerarius, Ed. Canis_ 1595, p. 63.

Dolphin and Anchor. 16# _Propera tarde_ Symeoni’s _Imprese_, Ed. 1574, p. 175.

16 Giovio’s _Dialogo_, Ed. 1574, p. 10.

D. O. M. 464 _Domino Optimo Whitney’s _Emb_. Maximo_ Ed. 1586, Frontispiece.

*Doves and winged 245 Corrozet’s Cupid. _Hecatomg_. Ed. 1540, f. 70.

Drake’s Ship. 413 _Auxilio diuino_ Whitney’s _Emb_. Ed. 1586, p. 203.

Eagle renewing its 368 _Renovata Camerarius, _Emb._ Feathers. ivventvs_ 34, Ed. 1596.

*Eclipses of Sun and 124 _Ipsa sibi lumen Drummond’s Moon. quod invidet _Scotland_, Ed. aufert._ 1665.

Elephant and 196 _Nusquam tuta Sambucus’ _Emb._ undermined Tree. fides_ Ed. 1564, p. 184.

196 ” ” Whitney’s _Emb._ Ed. 1586, p. 150.

Elm and Vine 307 _Amicitia etiam Alciat, _Emb._ post mortem 159, Ed. 1581, durans._ p. 556.

307 ” ” Whitney’s _Emb._ Ed. 1586, p. 62.

308 ” ” Camerarius, Ed. 1590, p. 36.

Envy 432 _Inuidiæ Whitney’s _Emb._ descriptio_ Ed. 1586, p. 94

431 ” ” Alciat, _Emb._ 71, Ed. 1581.

Falconry 366 _Sic maiora Giovio’s _Sent. cedvnt_ Imprese_, Ed. 1562, p. 41.

Fame armed with a 446 _Pennæ gloria Whitney’s _Emb._ Pen. immortalis_ Ed. 1586, p. 197.

446 ” ” Junius, Ed. 1565.

Fardel on a Swimmer 480 _Auri sacra fames Whitney’s _Emb._ quid non?_ Ed. 1586, p. 179.

481 Perriere’s _Th. Bons Engins_, Ed. 1539, p. 70.

February 135 _Iddio, perche è Spenser’s _Works_, uecchio, Fa suoi Ed. 1616. al suo essempio._

Fleece, Golden, and 229 _Diues indoctus_ Alciat, _Emb._ Phryxus. 189, Ed. 1581.

229 _In diuitem Whitney’s _Emb._ indoctum_ Ed. 1586, p. 214.

Fleece, Golden, 228 _Precium non vile Paradin’s _Dev. Order of. laborum_ Her._ Ed. 1562, f. 25.

*Flourishes of Arms, 124 _Dabit Deus his Drummond’s &c. quoque finem_ _Scotland_, Ed. 1665.

*Forehead measured 129 _Fronte nulla Cullum’s by Compasses. fides_ _Hawsted_, Ed. 1813.

129 ” ” Whitney’s _Emb._ Ed. 1586, p. 100.

129 ” ” Sambucus, _Emb._ Ed. 1564, p. 177.

Forehead shows the 129 _Frons hominem Symeoni’s _Dev. Man. præfert_ Her._ Ed. 1561, p. 246.

Fortune 261 _L’ymage de Corrozet’s fortune_ _Hecatomg_. Ed. 1540, Emb. 41.

Fox and Grapes 310 _Ficta eius quod Freitag’s _Myth. haberi nequit Eth._ Ed. 1579, recusatio._ p. 127.

310 _Stultitia sua Faerni’s _Fables_, seipsum Ed. 1583. saginari_

311 ” ” Whitney’s _Emb._ Ed. 1586, p. 98.

Gem in a Ring of 418 _Beaulté compaigne Corrozet’s Gold de bonté._ _Hecatomg._ Ed. 1540, p. 83.

Gemini 355 _Tratta della Brucioli, Ed. Sphera_ Venice, 1543.

Gold on the 175 _Sic spectanda Paradin’s _Dev. Touchstone fides_ Her._ Ed. 1562, f. 100.

178 ” ” Whitney’s _Emb._ Ed. 1586, p. 139.

177 _Pecunia sanguis Crispin de Passe, et anima about 1589. mortalium._

Good out of Evil 447 _Ex malo bonum_ Montenay, Ed. 1574.

Halcyon days (_see_ 391 King-fisher).

Hands of Providence. 489 _Dominus pauperem Coornhert, Ed. Pl. XVI. facit, et 1585, p. 6. ditat._

Hares biting a dead 305 _Cum laruis non Whitney’s _Emb._ Lion luctandum._ Ed. 1586, p. 127.

305 ” ” Alciat, _Emb._ 153, Ed. 1581.

306 ” ” Reusner’s _Emb._ Ed. 1581.

Harpocrates guarding 208 _Silentium_ Whitney’s _Emb._ his Mouth Ed. 1586, p. 61.

209 _The Goddess _Pegma_, Ed. 1555, Ageniora_ p. 109.

Hawk on Mummy-case 26 Πῶς δηλοῦσι ψυχήν Cory’s _Horapollo_ Ed. 1840, p. 15.

Hen eating her own 411 _Quæ ante pedes_ Whitney’s _Emb._ Eggs Ed. 1586, p. 64.

411 ” ” Sambucus, _Emb._ Ed. 1564, p. 30.

Hives of Bees (_see_ 358, Bees). &c.

Hope and Nemesis 182 _Illicitum non Whitney’s _Emb._ sperandum_ Ed. 1586, p. 139.

Hydra slain by 374 _Multiplication de Corrozet’s Hercules proces_ _Hecatomg._ Ed. 1540.

Icarus and his ill 288 _In astrologos_ Alciat, _Emb_. Fortune. 103. Ed. 1581.

288 ” ” Whitney’s _Emb._ Ed. 1586, p. 28.

289 _Faire tout par Corrozet’s moyen_ _Hecatomg._ Ed. 1540, Emb. 67.

Idiot-Fool, and 472 Holbein’s _Imag. Death Mortis_, Lyons, 1547.

*Introductory Lines 464 Whitney. (_see_ D. O. M.).

Inverted Torch 171 _Qvi me alit me Symeoni’s _Sent. extingvit_ Imprese_, 1561, p. 35.

Inverted Torch 173 _Qvi me alit me Paradin’s _Dev. extingvit_ Her._ Ed. 1562, f. 169.

173 ” ” Whitney’s _Emb._ Ed. 1586, p. 183.

*Jackdaw in 313 _Qvod sis esse Camerarius, Ed. Peacock’s velis_ 1596, Emb. 81. Feathers.

Janus, Double-headed 139 _Prudentes_ Alciat, Ed. 1581, p. 92.

139 _Respice, et Whitney’s _Emb._ prospice_ Ed. 1586, p. 108.

140 Perriere’s _Th. Bons Engins_, Ed. 1539.

John, St. 49 _Block-book_, (Apocalypse). Pl. about 1430. VIII.

John, St., the 49 _Block-book_, Evangelist, about 1430. History of. Pl. VII.

June 136 Spenser’s _Works_, Ed. 1616.

King-fisher, Emblem 392 _Novs scavons bien Giovio’s _Sent. of Tranquillity. le temps_ Imprese_, Ed. 1561, p. 107.

125 _Mediis Drummond’s tranquillus in _Scotland_, Ed. undis._ 1665.

Lamp burning 456 _Quo modo vitam_ Horapollo, Ed. 1551, p. 220.

Laurel, Safety 422 _Conscientious Sambucus, _Emb._ against integra, laurus_ Ed. 1564, p. 14. Thunderbolts.

423 _Murus æneus, sana Whitney’s _Emb._ conscientia._ Ed. 1586, p. 67.

423 Camerarius, Ed. 1590, p. 35.

*Leafless Trees and 128 _Jam satis_ Paradin’s _Dev. Rainbow. Her._ Ed. 1562, f. 38.

128 Cullum’s _Hawsted_, Ed. 1813.

*Lion and Whelp 124 _Unum quidem, sed Drummond’s leonem_ _Scotland_, Ed. 1665.

*Lion in a Net, and 124 _Et lepores Drummond’s Hares. devicto _Scotland_, Ed. insultant 1665. leone._

Loadstone (_see_ 335 Astronomer).

*Loadstone towards 123 _Maria Stuart, sa Drummond’s the Pole. virtu m’attire._ _Scotland_, Ed. 1665.

*Lotterie in London, 208 _Video, et taceo_ Whitney’s _Emb._ 1568. Ed. 1586, p. 62.

*Lucrece 131 _Lower Tabley Old Hall_, 1619.

Macaber, Dance of 39 MS. of the 14th (_see_ Brunet’s century. _Manuel_, vol. v. c. 1559–60).

*Man measuring his 129 _Fronte nulla Cullum’s Forehead. fides_ _Hawsted_, Ed. 1813.

Man swimming with a 480 Burden (_see_ Fardel on a Swimmer).

Map of inhabited 351 _Partium_ τῆς Sambucus’ _Emb._ World. οἰκουμένης Ed. 1564, p. _symbola_. 113.

Medeia and the 189 _Ei qui semel sua Alciat, _Emb._ 54, Swallows. prodegerit, Ed. 1581. aliena credi non oportere._

190 ” ” Whitney’s _Emb._ Ed. 1586, p. 33.

Mercury and Fortune. 255 _Ars Naturam Alciat, _Emb._ Ed. adiuuans_ 1551, p. 107.

Mercury charming 123 _Eloquium tot Drummond’s Argus. lumine clausit._ _Scotland_, Ed. 1665.

Mercury mending a 256 _Industria naturam Sambucus’ _Emb._ Lute. corrigit._ Ed. 1564, p. 57.

256 ” ” Whitney’s _Emb._ Ed. 1586, p. 92.

Michael, St., Order 227 _Immensi tremor Paradin’s _Dev. of Oceani_ Her._ Ed. 1562, p. 12.

*Milo caught in a 344 _Qvibvs rebvs Le Bey de Batilly, Tree confidimvs, iis Ed. 1596, Emb. maxime 18. evertimvs._

Moth and Candle 151 (_see_ Butterfly).

Motley Fool (_see_ 484 Child).

Mouse caught by an 130 _Captiuus ob Alciat, _Emb._ 94, Oyster. gulam_ Ed. Paris, 1602, p. 437.

130 ” ” Whitney’s _Emb._ Ed. 1586, p. 128.

130 Freitag’s _Myth. Eth._ Ed. 1579, p. 169.

Narcissus viewing 294 Φιλαυτία Alciat, _Emb._ 69, himself. Ed. 1581, p. 261.

295 _Amor sui_ Whitney’s _Emb._ Ed. 1586, p. 149.

295 _Contemnens alios, Aneau’s _Picta arsit amore Poesis_, Ed. sui._ 1552, p. 48.

Nemesis and Hope 182 (_see_ Hope).

Niobe’s Children 292 _Superbia_ Alciat, _Emb._ 67. slain Ed. 1581, p. 255.

293 _Superbiæ vltio_ Whitney’s _Emb._ Ed. 1586, p. 13.

Nun or Canoness 469 Holbein’s _Simulachra, &c._, Sign. liiij. 1538.

Oak and Reed, or 315 _Vincit qui Whitney’s _Emb._ Osier. patitur_ Ed. 1586, p. 220.

314 Εἴξας νικᾶ, or Junius’ _Emb._ Ed. _victrix animi 1565. equitas_.

Occasion. Pl. XII. 265 _Dum Tempus David’s _Occasio_, labitur, Ed. 1605. p. Occasionem 117. fronte capillatam remorantur._

Occasion, or 259 _In occasionem._ Alciat, _Emb._ Ed. Opportunity. Διαλογιστικῶς. 1551, p. 133.

260 ” ” Whitney’s _Emb._ Ed. 1586, p. 181.

258 Perriere’s _Th. Bons Engins_, Ed. 1539.

261 _L’image Corrozet’s d’occasion_ _Hecatomg._ Ed. 1540, p. 84.

Olive and Vine 249 (_see_ Vine).

Order, &c. (_see_ 228 Fleece, Golden, _and_

Michael, St., Order 227 of).

Orpheus and Harp 271 _La force Cousteau’s d’eloquence_ _Pegme_, Ed. 1560, p. 389.

272 _Musicæ, et Reusner’s _Emb._ poeticæ vis_ Ed. 1581, p. 129.

272 _Orphei musica_ Whitney’s _Emb._ Ed. 1586, p. 186.

Ostrich eating Iron 233 _Spiritus Giovio’s _Sent. durissima Imprese_, Ed. coquit_ 1561, p. 115.

234 ” ” Camerarius, _Emb._ Ed. 1595, p. 19.

126 ” ” _Gent. Mag._ Nov. 1811, p. 416.

Ostrich with 370 _Nil penna, sed Paradin’s _Dev. outspread Wings. usus_ Her._ Ed. 1562, f. 23.

370 ” ” Whitney’s _Emb._ Ed. 1586, p. 51.

Palm Tree 124 _Ponderibus virtus Drummond’s innata _Scotland_, Ed. resistit._ 1665.

Pegasus 141 _Ars rhetor, Bocchius, _Symb._ triplex movet, 137, Ed. 1555, &c._ p. 314.

143 _Non absque Reusner’s _Emb._ Theseo_ Ed. 1581, p. 1.

Pegasus (_see_ 299 Bellerophon).

Pelican and Young 393 ΠΕΡΙ ΤΗΣ ΠΕΛΕΚΑΝΟΣ Epiphanius, S., Ed. 1588, p. 30.

394 _Pro lege et Reusner’s _Emb._ grege_ Ed. 1581, p. 73.

394 ” ” Camerarius, Ed. 1596, p. 87.

395 _Quod in te est, Junius’ _Emb._ 7, prome_ Ed. 1565.

395 ” ” Whitney’s _Emb._ Ed. 1586, p. 87.

Phaeton and the 285 _In temerarios_ Alciat, _Emb._ 56, Sun’s Chariot. Ed. 1551.

284 _Phaethontis Plantinian _Ovid_, casvs_ Ed. 1591, pp. 46–9.

281 _Fetonte fulminato Symeoni’s _Ovid_, da Gioue_ Ed. 1559, p. 34.

Phœnix, Emblem of 381 _Juuenilia studia Freitag’s _Myth._ New Birth, &c. cum prouectiori Eth. Ed. 1579, ætate p. 249. permutata._

123 _En ma fin git mon Drummond’s commencement._ _Scotland_, Ed. 1665.

Phœnix, Emblem of 23 Πῶς ψυχὴν ἐνταῦθα Horapollo, Ed. Duration πολὺν χρόνον 1551, p. 52. διαβέβουσαν.

Phœnix, Emblem of 234 _Sola facta solum Paradin’s _Dev. Loneliness. Deum sequor_ Her._ Ed. 1562, f. 165.

235 _Sola facta solvm Giovio’s _Sent. Devm seqvor_ Imprese_, Ed. 1561.

Phœnix, Emblem of 385 _Vnica semper Paradin’s _Dev. Oneliness. auis_ Her._ Ed. 1562, f. 53.

385 ” ” Reusner’s _Emb._ Ed. 1581, p. 98.

387 ” ” Whitney’s _Emb._ Ed. 1586, p. 177.

Phœnix with two 384 _Eadem inter se. Hawkin’s ΠΑΡΘΕΝΟΣ, Hearts. Sunt eadem vni Ed. 1633. tertia._

Phryxus (_see_ 229 Fleece, Golden).

*Pilgrim travelling 128 _Dum transis, Cullum’s time_ _Hawsted_, Ed. 1813.

Pine-trees in a 476 _Nimium rebus ne Whitney’s _Emb._ Storm fide secundis._ Ed. 1586, p. 59.

475 ” ” Sambucus’ _Emb._ Ed. 1569 p. 279.

Poets, Insignia of 218 (_see_ Swan).

Porcupine 231 _Cominvs et Giovio’s _Sent. eminvs_ Imprese_, Ed. 1561, p. 56.

124 _Ne volutetur_ Drummond’s _Scotland_, Ed. 1665.

*Portcullis 124 _Altera securitas_ Drummond’s _Scotland_, Ed. 1665.

Progne, or Procne 193 _Impotentis Aneau’s _Picta Vindictæ Fœmina_ Poesis_, Ed. 1552, p. 73.

Prometheus chained 266 _Quæ supra nos, Alciat, _Emb._ nihil ad nos._ 102, Ed. 1551.

267 _Cvriositas Aneau’s _Picta Fvgienda_ Poesis_, Ed. 1552, p. 90.

267 _Microcosme_, Ed. 1579, p. 5.

268 _O vita, misero Reusner’s _Emb._ longa_ Ed. 1581, p. 37.

268 ” ” Whitney’s _Emb._ Ed. 1586, p. 75.

Providence and 413 Girdle (_see_ Drake’s Ship).

*Pyramid and Ivy 124 _Te stante virebo_ Drummond’s _Scotland_, Ed. 1665.

Various Authors.

Quivers of Cupid and 401 Death (_see_ Cupid and Death).

*Rock in Waves 125 _Rompe ch’il Drummond’s percote_ _Scotland_, Ed. 1665.

Rose and Thorn 333 _Post amara Whitney’s _Emb._ dulcia_ Ed. 1586, p. 165.

332 ” ” Perriere’s _Th. Bons Engins_, Ed. 1539, Emb. 30.

333 _Armat spina Otho Vænius, Ed. rosas, mella 1608, p. 160. tegunt apes._

Ruins and Writings 443 _Scripta manent_ Whitney’s _Emb._ Ed. 1586, p. 131.

442 Costalius’ _Pegma_, Ed. 1555, p. 178.

Salamander 126 _Nvtrisco et Jovio’s extingvo_ _Dialogue_, Ed. 1561, p. 24.

123 ” ” Drummond’s _Scotland_, Ed. 1665.

Satan, Fall of. Pl. 133 _Lapsvs Satanæ_ Boissard’s XI. _Theatrum_, Ed. 1596, p. 19.

Sepulchre and Cross 183 & (_see_ Arrow 126 wreathed).

Serpent and 197 _Maleficio Freitag’s _Myth. Countryman (_see_ beneficium Eth_. Ed. 1579, Countryman). compensatum._ p. 177.

*Serpent and 198 _Merces anguina_ Reusner’s _Emb._ Countryman. Ed. 1581, p. 81.

*Serpent in the 199 _In sinu alere Whitney’s _Emb._ Bosom serpentem_ Ed. 1586, p. 189.

Seven Ages of Man. 407 _Rota vitæ que _Archæologia_, Pl. XV. septima vol. xxxv. 1853, notatur._ p. 167.

*Shadows Fled and 468 _Mulier vmbra Whitney’s _Emb._ Pursued. viri_ Ed. 1586, p. 218.

Shield, 195 Untrustworthy (_see_ Brasidas and his Shield).

Ship on the Sea. 125 _Durate_ Drummond’s _Scotland_, Ed. 1665.

Ship tossed by the 435 _Res humanæ in Sambucus’ _Emb._ Waves. summo Ed. 1564, p. 46. declinans._

435 ” ” Whitney’s _Emb._ Ed. 1586, p. 11.

Ship sailing forward 436 _Constantia comes Whitney’s _Emb._ victoriæ_ Ed. 1586, p. 137.

436 ” ” Alciat, _Emb._ 43, Ed. 1581.

*Ship with Mast 124 _Nusquam nisi Drummond’s overboard rectum_ _Scotland_. Ed. 1665.

Sieve held by Cupid 329 (_see_ Cupid).

Sirens and Ulysses 253 _Sirenes_ Alciat, _Emb._ Ed. 1551.

254 ” ” Whitney’s _Emb._ Ed. 1586, p. 10.

Skull, human 337 _Ex Maximo Aneau’s _Picta Minimvm_ Poesis_, Ed. 1552, p. 55.

338 ” ” Whitney’s _Emb._ Ed. 1586, p. 229.

Snake fastened on 342 _Quis contra nos?_ Paradin’s _Dev. the Finger. Her._ Ed. 1562, f. 112.

342 _Si Deus nobiscum, Whitney’s Emb. Ed. quis contra 1586, p. 166. nos?_

126 _Quis contra nos?_ _Gent. Mag._ Nov. 1811, p. 416.

Snake in the Grass 340 _Latet anguis in Paradin’s _Dev. herba_ Her._ Ed. 1562, f. 41.

340 ” ” Whitney’s _Emb._ Ed. 1586, p. 24.

Speculum,— 44 _Speculum humanæ An exact MS. copy _Photoliths in salvationis._ in the small size_. Pl. collection of H. IV. and V. Yates Thompson, Esq.

Stag wounded 398 _Esto tiene sv Giovio and remedio y non Symeoni’s _Sent. yo._ Imprese_, Ed. 1561.

398 _Esto tienne su Paradin’s _Dev. remedio, y non Her._ Ed. 1562, yo._ f. 168.

399 _Vvlnvs, salvs et Camerarius, Ed. vmbra_ 1595, Emb. 69, p. 71.

Star, Hieroglyphic 25 Τί ἀστέρα Leeman’s γράφοντες _Horapollo_, Ed. δηλοῦσι. 1835, Fig. 31.

25 ” ” Cory’s _Horapollo_, Ed. 1840, p. 30.

Storks, their Purity 28 Epiphanius, S., and Love. Ed. 1588, p. 106.

Student entangled in 441 _In studiosum Whitney’s _Emb._ Love. captum amore._ Ed. 1586, p. 135.

441 ” ” Alciat, _Emb._ 108, Ed. 1581.

Sun and Moon 52 _De sole et luna_ _Dyal. Creat._ Lyons Ed. 1511.

*Sun in Eclipse 124 _Medio occidet Drummond’s die_ _Scotland_, Ed. 1665.

Sun Setting 323 _Tempus omnia Whitney’s _Emb._ terminat_ Ed. 1586, p. 230.

Sun, Wind, and 165 _Plus par doulceur Corrozet’s Traveller. que par force._ _Hecatomg._ Ed. 1540, Emb. 28.

166 _Moderata vis Freitag’s _Myth. impotenti Eth._ Ed. 1579, violentia p. 27. potior._

Swan, Insignia of 218 _Insignia Alciat, _Emb._ Ed. Poets. poëtarum_ 1551, p. 197.

217 ” ” Whitney’s _Emb._ Ed. 1586, p. 126.

Swan (Old Age 215 _Facvnda senectvs_ Aneau’s _Picta eloquent). Poesis_, Ed. 1552, p. 28.

Swan (Pure Truth) 216 _Simplicitas veri Reusner’s _Emb._ sana_ Ed. 1581, p. 91.

217 _Sibi canit et Camerarius, Ed. orbi_ 1595, Emb. 23.

Swan singing at 213 Πῶς γέροντα Horapollo, Ed. Death μουσικόν 1551, p. 136.

Sword broken on an 326 Perriere’s _Th. Anvil. Bons Engins_, Ed. 1539, p. 31.

327 _Importunitas Whitney’s _Emb._ euitanda_ Ed. 1586, p. 192.

*Sword to weigh Gold 124 _Quid nisi victis Drummond’s dolor_ _Scotland_, Ed. 1665.

Sword with a Motto 138 _Si Fortune me Douce’s _Illustr._ tourmente vol. i. p. 452. L’Esperance me contente._

Testing of Gold 173 (_see_ Gold on Touchstone).

Theatre of Human 405 _Theatrum omnium Boissard’s Life. miserarium._ _Theatrum_, 1596. Pl. XIV.

Things at our Feet 411 (_see_ Hen eating her Eggs).

Thread of Life. 454 _Quo pacto mortem Horapollo, Ed. seu hominis 1551, p. 219. exitum_.

Time flying, &c. 466 _Quæ sequimur Sambucus, Ed. fugimus, nosque 1564. fugiunt_.

467 Whitney’s _Emb._ Ed. 1586, p. 199.

Time leading the 491 _Tempus Vænius, _Emb. Seasons, and of irrevocabile_ Hor._ Ed. 1612, Eternity a Symbol. p. 206. Pl. XVII.

Timon. 427 Μισάνθροπος Τίμων Sambucus, Ed. 1564.

Title-page, 57 _Navis stultorum_ Brant’s and _Photolith Locher’s _Navis fac-simile._ Pl. stultifera_, Ed. IX. 1497.

*Tongue with Bats’ 128 _Quò tendis?_ Cullum’s Hawsted, Wings. Ed. 1813.

128 ” ” Paradin’s _Dev. Her._ Ed. 1562, f. 65.

Torch (_see_ 171 Inverted Torch).

Tree of Life (_see_ 183 Arrow wreathed).

*Tree planted in a 124 _Pietas revocabit Drummond’s Churchyard. ob orco_ _Scotland_, Ed. 1665.

*Triangle, Sun, 124 _Trino non Drummond’s Circle convenit orbis_ _Scotland_, Ed. 1665.

*Trophy on a Tree, 124 _Ut casus dederet_ Drummond’s &c. _Scotland_, Ed. 1665.

Turkey and Cock. 357 _Jus Freitag’s _Myth. hospitalitatis Eth._ Ed. 1579, violatum_ p. 237.

357 _Rabie svccensa Camerarius, Ed. tvmescit_ 1596, Emb. 47.

Unicorn, Type of 371 _Victrix casta Reusner’s _Emb._ Faith undefiled. fides_ Ed. 1581, p. 60.

372 _Nil inexplorato_ Camerarius, Ed. 1595, Emb. 12.

372 _Hoc virtutis Camerarius, Ed. amor_ 1595, Emb. 13.

372 _Pretiosum quod Camerarius, Ed. utile_ 1595, Emb. 14. pp. 14–16.

*Venus dispensing 328 _Amoris Van Veen’s _Emb._ Cupid from his ivsivrandvm of Love, p. 140. Oaths. pœnam non habet_.

Vine and Olive. 249 _Prudentes vino Whitney’s _Emb._ abstinent_ Ed. 1586, p. 133.

249 ” ” Alciat, _Emb._ 24, Ed. 1602, p. 164.

*Vine watered with 124 _Mea sic mihi Drummond’s Wine. prosunt_ Scotland, Ed. 1665.

*Waves and Siren 125 _Bella Maria_ Drummond’s _Scotland_, Ed. 1665.

*Waves, with Sun 125 _Nunquam Drummond’s over siccabitur æstu_ _Scotland_, Ed. 1665.

Wheat among Bones 184 _Spes altera vitæ_ Camerarius, Ed. 1595, p. 102.

184 ” ” Paradin’s Dev. Her. Ed. 1562.

Wheel rolling into 124 _Piena di dolor Drummond’s the Sea. voda de _Scotland_, Ed. Sperenza._ 1665.

Wings and Feathers 124 _Magnatum Drummond’s scattered vicinitas_ _Scotland_, Ed. 1665.

World, 351 Three-cornered (_see_ Map, &c.).

Wreath of Chivalry 169 _Me pompæ prouexit Paradin’s _Dev. apex_ Her._ Ed. 1562, f. 146.

Wreath of Oak 224 _Seruati gratia Paradin’s _Dev. ciuis_ Her._ Ed. 1562, f. 147.

Wreaths, Four on a 221 _Fortiter et Whitney’s _Emb._ Spear. feliciter_ Ed. 1586, p. 115.

222 _His ornari avt Camerarius, Ed. mori_ 1590, Emb. 99.

Wrongs engraved on 457 _Scribit in Giovio and Marble. marmore læsus_ Symeoni’s _Sent. Imprese_, Ed. 1562, p. 24.

458 ” ” Paradin’s _Dev. Her._ Ed. 1562, f. 160.

460 ” ” Whitney’s _Emb._ Ed. 1586, p. 183.

Zodiac, signs of. 353 _Trattato della Brucioli, Ed. Pl. XIII. sphera_ Venetia, 1543, Title.

III.

REFERENCES TO PASSAGES FROM SHAKESPEARE, IN THE ORDER OF THE PLAYS AND POEMS OF MACMILLAN’S EDITION, 1866, AND TO THE CORRESPONDING DEVICES AND SUBJECTS OF THE EMBLEMS TREATED OF IN THIS WORK.

N. B. The subjects printed in _italics_ have no corresponding device.

THE TEMPEST

VOL. PAGE. ACT. SC. LINE. DEVICE OR SUBJECT. PAGES.

I. 20 I. 2 387 _Appreciation of 116 music_

36 II. 2 7 Ape and miser’s gold 488

48 III. 2 135 Hands of Providence. 489 Plate XVI.

50 III. 3 21 Unicorn 373

50 III. 3 21 Phœnix 373, 385

50 III. 3 22 Phœnix, type of 234, 236 oneliness

53 III. 3 95 Laurel, type of 422, 424 conscience

54 IV. 1 1 Thread of life 454, 455

57 IV. 1 110 Diligence and idleness 145, 146

64 V. 1 21 _rarer action in v462# virtue_

THE TWO GENTLEMAN OF VERONA.

I. 112 II. 6 24 _a swarthy Ethiope_ 162

121 III. 1 153 Phaeton 285, 286

129 III. 2 68 Orpheus and harp 273, 274

135 IV. 2 38 Gem in ring of gold 418, 419

143 IV. 4 87 The Fox and Grapes 310, 312

THE MERRY WIVES OF WINDSOR.

I. 177 I. 3 64 _East and West Indies_ 351, 352

186 II. 1 106 Actæon and hounds 275, 276

190 II. 2 5 Gemini,—Zodiac. Plate 353, 355 XIII.

196 II. 2 187 Shadows fled and 466, 468 followed

MEASURE FOR MEASURE.

I. 296 I. 1 28 Hen eating her own 411, 412 eggs

303 I. 2 158 Zodiac, signs of. 353, 354 Plate XIII.

324 II. 2 149 Gold on the touchstone 175, 180

327 II. 4 1 Student entangled in 441 love

334 III. 1 6 Idiot-fool, and death, 472 Holbein’s _Simulachres_

334 III. 1 17 Sleep and death, 469, 470 Holbein’s _Simulachres_

340 III. 1 175 Gem in ring of gold 417, 418

THE COMEDY OF ERRORS.

I. 411 II. 1 97 Eagle renewing its 369 feathers

417 II. 2 167 Elm and vine 307, 309

425 III. 2 27 Sirens and Ulysses 253, 254

429 III. 2 131 _America_ 351, 352

437 IV. 2 53 _Time turning back_ 473

455 V. 1 210 Circe transforming men 252

MUCH ADO ABOUT NOTHING.

II. 22 II. 1 214 _Withered branch_ 181

69 V. 1 4 _Water through a 329, 331 sieve_

75 V. 1 170 Adam hiding 415, 416

LOVE’S LABOUR’S LOST.

II. 97 I. 1 1 Ruins and writings 443, 444

97 I. 1 4 Time leading the 491 Seasons. Plate XVII.

114 II. 1 56 Bear, cub, and Cupid 349, 350

138 IV. 2 100 Oak and reed, or osier 315, 316

144 IV. 3 97 Rose and thorn 333, 334

144 IV. 3 111 _Juno but an Ethiope 162 were_

151 IV. 3 308 Bacchus 247, 249

MIDSUMMER NIGHT’S DREAM.

II. 204 I. 1 168 _arrow with a golden 404 head_

205 I. 1 180 Astronomer and magnet 335, 336

206 I. 1 232 Bear, cub, and Cupid 349

215 II. 1 148 _Appreciation of 116 melody_

216 II. 1 155 Cupid and Death 401, 404

216 II. 1 173 Drake’s ship 413, 415

216 II. 1 181 Ape and miser’s gold 488

217 II. 1 194 Astronomer and magnet 335, 336

218 II. 1 227 Daphne changed to a 296, 297 laurel

218 II. 1 231 _Gelding’s Ovid used_ 244

225 II. 2 145 Countryman and serpent 197, 198

239 III. 2 200 _Coats in heraldry_ 218, 220

240 III. 2 237 Ape and miser’s gold 488

241 III. 2 260 Snake on the finger 342, 343

250 IV. 1 37 Vine and elm 307, 309

258 V. 1 1 _Æsop_ 302

258 V. 1 12 The poet’s glory 379, 380

MERCHANT OF VENICE.

II. 280 I. 1 50 The two-headed Janus 139, 140

281 I. 1 77 The world a stage 133

281 I. 1 77 The world a stage. 407, 410 Plate XV.

284 I. 1 161 Golden fleece and 229, 230 Phryxus

286 I. 2 24 _The old man 213, 215 prophesying_

286 I. 2 4 Lottery 208, 209

296 II. 1 11 Lottery 208, 209

312 II. 7 4 _A casket scene_ 150

312 II. 7 20 “_golden mind_,” 404 “_golden bed_”

313 II. 7 62 _Casket scene_ 150

318 II. 9 63 _Casket scene_ 151

319 II. 9 79 Moth and candle 151, 153

325 III. 2 41 Insignia of Poets 218, 219

328 III. 2 115 _A painter’s power_ 112

345 IV. 1 75 The mountain pine 476

347 IV. 1 124 Envy, description of 432, 433

360 V. 1 54 _Appreciation of 116 melody_

361 V. 1 70 Power of music 271, 273

AS YOU LIKE IT.

II. 391 I. 3 69 _Juno’s swans_, 244 Golding’s _Ovid_

393 I. 3 120 _Ganymede_, Golding’s 244 _Ovid_

394 II. 1 29 The wounded stag 397, 398

400 II. 4 43 Sword broken on an 326, 327 anvil

405 II. 7 13 A motley fool 485

406 II. 7 43 “_A motley coat_” 485

409 II. 7 136 Theatre of human life. 405, 406 Plate XIV.

409 II. 7 137 Theatre of human life 133, 405

409 II. 7 139 The seven ages of man. 407, 409 Plate XV.

427 III. 3 67 Hawking 366, 368

442 IV. 3 15 The Phœnix 234, 236

THE TAMING OF THE SHREW.

III. 10 Ind. 2 41 Hawking 366, 367

10 Ind. 2 47 _Mythological pictures 114 by Titian_

10 Ind. 2 47 _Cytherea, Io, Daphne, 115 Apollo_

10 Ind. 2 52 _Jupiter and Io_ 246

10 Ind. 2 55 Daphne and Apollo 296, 297

23 I. 2 24 _Two Italian 163 sentences_

45 II. 1 338 _Beautiful furniture 112 described_

67 IV. 1 174 Falconry 366, 367

78 IV. 3 165 “_honour peereth in 490 the meanest habit._” Plate XVI.

ALL’S WELL THAT ENDS WELL.

III. 112 I. 1 76 _Symbolical imagery_ 377

119 I. 2 58 Bees,—and native land 361, 365

123 I. 3 73 A lottery 208, 210

127 I. 3 182 Cupid and the sieve 329, 330

132 II. 1 40 “_cicatrice an emblem 9 of war_”

133 II. 1 59 The Fox and the Grapes 310, 311

201 V. 3 5 Niobe’s children slain 292, 293

TWELFTH NIGHT.

III. 223 I. 1 9 Actæon and the hounds 277, 278

224 I. 1 33 “_The rich golden 404 shaft_”

225 I. 2 10 Arion and the dolphin 280, 282

231 I. 3 127 Zodiac,—Taurus. Plate 353, 355 XIII.

234 I. 5 50 Mottoes,—Latin, &c. 138

240 I. 5 214 _Power of judging 113 artistic skill_

257 II. 5 15 A turkey-cock 357

257 II. 5 27 A turkey-cock 357

265 III. 1 68 _Snatches of French_ 163

271 III. 2 73 _New map with the 352 Indies_

285 III. 4 340 Whitney’s Introduction 464

THE WINTER’S TALE.

III. 323 I. 2 115 The wounded deer 398, 400

371 IV. 1 7 _Old Time, power of_ 473

382 IV. 4 116 _Proserpina_,—see 244 _Ovid_

383 IV. 4 135 _Poetic ideas_, or 379 symbolical imagery

420 V. 2 8 “_Julio Romano_” 110

422 V. 3 14 _Description of 109 statuary_

423 V. 3 18 Sleep and death, 469, 470 Holbein’s _Simulachres_

424 V. 3 63 _Description of 189 statuary_

KING JOHN.

IV. 17 II. 1 134 Hares biting a dead 305, 306 lion

26 II. 1 373 Theatre of human life. 405, 406 Plate XIV.

37 III. 1 96 Gold on the touchstone 177, 180

42 III. 1 258 Snake on the finger 342, 343

65 IV. 2 125 Occasion, 259; or 261, 264 Fortune

67 IV. 2 170 Mercury mending a lute 256, 257

76 IV. 3 155 Wind, sun, and 166 traveller

91 V. 7 1 The swan, the Poet’s 218, 219 badge

RICHARD II.

IV. 116 I. 1 202 Wreath of chivalry 169, 170

125 I. 3 129 Envy 432, 433

130 I. 3 275 “_no virtue like 347 necessity_”

131 I. 3 294 “_the frosty 347 Caucasus_”

137 II. 1 53 Wreath of chivalry 169, 170

140 II. 1 120 The Pelican 393, 396

145 II. 1 270 _hollow eyes of death_ 339

164 III. 2 12 Snake in the grass 340, 343

164 III. 2 24 _Cadmus and the 245 serpent’s teeth_

164 III. 2 29 Human dependence 465

165 III. 2 37 Drake’s ship 413, 415

168 III. 2 129 Countryman and serpent 197, 198

179 III. 3 178 Phaeton and the 285, 286 Sun-chariot

210 V. 3 57 Countryman and serpent 197, 198

FIRST PART HENRY IV.

IV. 317 IV. 1 97 Ostrich with spreading 370 wings

318 IV. 1 104 Mercury 255, 257

323 IV. 3 30 _Sir Walter Blount_ 160

337 V. 2 82 Time leading the 491 Seasons. Plate XVII.

342 V. 4 25 Hydra slain by 374, 375 Hercules

SECOND PART HENRY IV.

IV. 392 II. 2 41 Time terminates all 323

405 II. 4 165 Sword with Spanish 137, 138 motto

431 IV. 1 70 Occasion, 259; Fortune 261, 264

450 IV. 4 103 Hands of Providence. 489 Plate XVI.

453 IV. 5 35 Sleep and Death, 469, 470 Holbein’s _Simulachres_

454 IV. 5 75 Bees 361, 364

474 V. 3 136 Prometheus chained 266, 358

KING HENRY V.

IV. 491 I. Chor. 5 Diligence and idleness 145, 146

493 I. 1 35 Hydra slain by 374, 375 Hercules

502 I. 2 178 Bees 360, 362

538 III. 4 1 _Snatches of French_ 163

543 III. 6 20 Image of Fortune 261, 262

544 III. 6 44 Thread of life 454, 455

549 III. 7 10 Pegasus 141, 142

550 III. 7 54 _French and Latin 144 proverb_

552 III. 7 130 _The mastiff praised_ 483

555 IV. 1 3 “goodness out of evil” 447

555 IV. 1 9 Time irrevocable. 491 Plate XVII.

564 IV. 1 256 _Sound sleep of the 147 slave_

574 IV. 4 2 _Snatches of French_ 163

582 IV. 7 82 _Human dependence_ 465

588 IV. 8 100 _Human dependence_ 465

591 V. 1 13 Turkey-cock 357, 358

596 V. 2 48 _Evils of war_ 147

598 V. 2 107 _Snatches of French_ 163

FIRST PART HENRY VI.

V. 8 I. 1 127 “_A Talbot! a 207 Talbot!_”

14 I. 2 129 Halcyon days 392

20 I. 4 49 Adamant on the anvil 347, 348

25 I. 6 6 _Adonis’ gardens_, 243 Golding’s _Ovid_

29 II. 1 78 The cry, “A Talbot! a 207 Talbot!”

32 II. 3 11 The cry, “A Talbot! a 207 Talbot!”

33 II. 3 36 _A picture gallery 114 named_

36 II. 4 30 Rose and thorn 333, 334

40 II. 5 28 _Death_ 469

68 IV. 1 188 Chaos,—_discord_ 450, 453

71 IV. 3 17 Prometheus bound 266, 268

72 IV. 3 47 Prometheus bound 267, 268

78 IV. 6 46 Icarus and his ill 288, 291 fortune

80 IV. 7 60 Order of St. Michael 227

80 IV. 7 60 Order of the Golden 227, 228 Fleece

82 IV. 7 92 Phœnix 386, 388

86 V. 3 30 Circe 252

SECOND PART HENRY VI.

V. 129 I. 4 16 Ban-dog 484

132 II. 1 1 Falconry 366, 367

145 II. 3 45 Pine-trees in a storm 477

153 III. 1 55 Fox and Grapes 310, 312

153 III. 1 69 _Jackdaw in peacock’s 312 feathers_

158 III. 1 224 Snake in the grass 340, 341

162 III. 1 343 Countryman and serpent 197, 198

162 III. 1 360 The porcupine 231, 232

168 III. 2 125 Bees 361, 363

171 III. 2 232 Conscience 421, 422

174 III. 2 310 Envy 432, 433

182 IV. 1 83 The pelican 393, 394, 397

185 IV. 2 27 Thread of life 454, 455

197 IV. 7 49 _Latin proverb, “bona 139 terra,” &c._

206 IV. 10 23 Ostrich eating iron 233, 234

213 V. 1 143 Bear and ragged staff 237, 239

215 V. 1 196 Bear and ragged staff 237, 240

217 V. 2 28 The game of chess 320

217 V. 2 28 French proverb, “_La 320 fin couronne_,” &c.

218 V. 2 45 Æneas and Anchises 191, 192

THIRD PART HENRY VI.

V. 244 I. 4 16 Phaeton 285, 286

245 I. 4 35 Phœnix 385, 386, 388

245 I. 4 39 _Leash of proverbs_ 318

252 II. 1 50 _Cupid felling a tree_ 324

252 II. 1 68 Human skull 337, 339

271 II. 6 10 Phaeton 285, 287

280 III. 2 48 _Many drops pierce the 324 stone_

281 III. 2 51 Inverted torch 171, 173, 174

284 III. 2 153 Bear, cub, and Cupid 349, 350

285 III. 2 188 Countryman and 197, 200 serpent, _Sinon_

309 IV. 4 32 _Olive branch and 223 laurel crown_

312 IV. 7 24 Fox and Grapes 310, 312

319 V. 1 34 _Atlas_ 245

319 V. 1 54 Wrongs on marble 458, 461

324 V. 3 1 Four wreaths on a 221, 222 spear

325 V. 4 1 Ships sailing 435, 436, 438

329 V. 5 25 _Æsop_ 303

332 V. 6 18 Icarus 288, 290

KING RICHARD III.

V. 473 I. 1 1 “_Sun of York_” 223

580 IV. 2 8 Gold on the touchstone 177, 180

583 IV. 2 65 D. O. M. 464

606 IV. 4 418 The phœnix 385, 389

615 V. 2 _Sir James Blount_ 160

617 V. 3 30 _Sir James Blount_ 160

625 V. 3 181 Laurel, type of 422, 425 conscience

KING HENRY VIII.

VI. 3 Prol. 15 A motley coat 485

45 II. 3 60 Gem in a ring of gold 418, 419

46 II. 3 75 Gem in a ring of gold 418, 420

56 III. 1 1 Orpheus and his harp 271, 274

76 III. 2 372 Laurel, type of 422, 424 conscience

79 III. 2 446 D. O. M. 465

84 IV. 1 81 _Emblems literally_ 9

87 IV. 2 27 Wrongs on marble 458, 459

88 IV. 2 77 Swan, the Poet’s badge 218, 219

103 V. 3 10 D. O. M. 464

104 V. 3 43 Envy 432, 433

114 V. 5 28 Phœnix 385, 390

TROILUS AND CRESSIDA

VI. 130 I. 1 94 Daphne 295, 296

134 I. 2 100 _Epithet golden_ 403, 404

142 I. 3 33 Ship sailing forward 436, 439

142 I. 3 33 Perseus’ horse 299, 300

142 I. 3 39 Pegasus 143

143 I. 3 49 Oak and reed, or osier 315, 316

144 I. 3 75 Bees 360, 361, 363

144 I. 3 75 Chaos 449, 451

155 I. 3 391 Ban-dog, or Mastiff 483

164 II. 2 81 _Paris and Helen_ 463

164 II. 2 92 _Paris and Helen_ 463

168 II. 3 9 Mercury 255, 257

169 II. 3 18 Envy 432, 433

175 II. 3 189 _Cancer_,—Zodiac. 353, 355 Plate XIII.

177 II. 3 237 _Milo_ 297

178 II. 3 240 _Milo_ 244, 344

191 III. 2 169 Astronomer, magnet, 335, 337 polestar

198 III. 3 145 _Active exertion 378 demanded_

201 III. 3 196 Hand of Providence 489

228 IV. 5 183 Pegasus 299, 300

230 IV. 5 223 Setting sun 323

247 V. 3 37 “_kindness befitting a 282 lion_”

253 V. 5 11 _Sagittary_,—Zodiac. 353, 355 Plate XIII.

259 V. 9 21 Hares biting a dead 304, 305 lion

261 V. 11 16 Niobe and her children 292, 294

CORIOLANUS.

VI. 287 I. 3 7 Wreath of oak 224, 225

304 I. 9 58 Wreaths of victory 221, 225

312 II. 1 109 Wreath of oak 224, 226

323 II. 2 84 Wreath of oak 224, 225

344 III. 1 161 D. O. M. 465

369 IV. 1 44 Gold on the touchstone 175, 177, 181

380 IV. 5 100 Sword on an anvil 325, 326

403 V. 2 102 Oak and reed, or osier 315, 316

407 V. 3 101 _Great Roman names_ 201

411 V. 3 206 _Great Roman names_ 201

TITUS ANDRONICUS.

VI. 450 II. 1 5 The zodiac. 353 Plate XIII.

451 II. 1 14 Prometheus chained 266, 268

451 II. 1 18 Sirenes 253, 254

456 II. 2 1 _Tabley Old Hall, 131 chimneypiece_

459 II. 3 55 Actæon and hounds 277, 279

472 III. 1 12 “_to write in the 461 dust_”

483 III. 2 9 Theatre of human life. 405, 406 Plate XIV.

490 IV. 1 85 Wrongs on marble 458, 460

490 IV. 1 102 Wrongs on marble 458, 460

492 IV. 2 18 _Conscience, power_ 420

501 IV. 3 52 The zodiac. 353, 354 Plate XIII.

522 V. 2 192 Progne 193

527 V. 3 85 Countryman and 200 serpent,_Sinon_

ROMEO AND JULIET.

VII. 23 I. 4 4 Cupid hoodwinked 329, 331

30 I. 5 41 Gem set in gold 418, 420

42 II. 3 90 _Venus dispensing 327 Cupid from his oaths_

58 II. 4 187 Astronomer and magnet 187, 335

59 II. 5 8 Doves and winged Cupid 245

72 III. 2 1 Phaeton 285, 286

75 III. 2 69 Snake in the grass 340, 341

84 III. 3 126 _Dispensing from 327, 328 oaths_

117 V. 1 15 Time and eternity, 492 symbol. Plate XVII.

124 V. 3 61 D. O. M. 464

126 V. 3 111 Theatre of human life. 405, 406 Plate XIV.

TIMON OF ATHENS.

VII. 228 II. 1 28 _Jackdaw in borrowed 312, 314 plumes_

245 III. 3 1 Gold on the touchstone 175, 177, 180

254 III. 5 31 Wrongs on marble 458, 459

263 III. 6 103 _Timon’s intense 427, 428 hatred_

265 IV. 1 35 The extravagance of 429 Timon’s hatred

269 IV. 3 18 The extravagance of 429 Timon’s hatred

270 IV. 3 51 The extravagance of 429 Timon’s hatred

288 IV. 3 473 The extravagance of 429 Timon’s hatred

269 IV. 3 25 Gold on the touchstone 175, 177, 178

281 IV. 3 317 _Mention of many 375 animals_

281 IV. 3 324 _Mention of many 376 animals_

281 IV. 3 331 The unicorn 371, 373

283 IV. 3 377 Gold on the touchstone 177, 178

305 V. 4 69 _Timon’s epitaph_ 430

JULIUS CÆSAR.

VII. 322 I. 1 68 _Jackdaw in borrowed 312, 313 plumes_

326 I. 2 107 Æneas and Anchises 191, 193

329 I. 2 192 _Characteristics of 205 Brutus and Cassius_

334 I. 3 5 Oak and reed, or osier 315, 316

347 II. 1 203 Unicorn 371, 372

363 III. 1 58 Astronomer and magnet 335, 336

368 III. 1 205 The wounded stag 398, 399

375 III. 2 73 Wrongs on marble 458, 459

384 IV. 1 12 Three-cornered world 351, 352

389 IV. 3 21 Dog baying at the moon 269, 270

396 IV. 3 213 Occasion. Plate XII. 259, 260

409 V. 3 80 Wreath of victory 221, 224, 226

413 V. 5 25 Death of Brutus 202, 203

MACBETH.

VII. 438 I. 5 61 Snake in the 340, 341 strawberry

442 I. 7 44 “_I dare not_,” “_I 376 would_”

444 II. 1 7 D. O. M. 464

454 II. 2 71 Sleep and death, 469, 470 Holbein’s _Simulachres_

454 II. 3 67 Gorgon, Golding’s 244 _Ovid_

459 II. 4 10 Falconry 366, 368

467 III. 2 22 “_After life’s fretful 492 fever he sleeps well_”

512 V. 5 19 Theatre of life. 405, 406 Plate XIV.

512 V. 5 24 Time leading on the 491 Seasons. Plate XVII.

HAMLET.

VIII. 14 I. 2 71 Time leading the 491 Seasons. Plate XVII.

35 I. 5 13 The porcupine 231, 232

63 II. 2 295 “_Man a God to man_” 283, 284

79 III. 1 62 Theatre of life. Plate 405, 406 XIV.

79 III. 1 60 Sleep and death, 469, 470 Holbein’s _Simulachres_

79 III. 1 70 _Death’s praises, 471 life’s evils_

80 III. 1 76 Fardel on a swimmer 481

97 III. 2 259 The wounded stag 398, 399

111 III. 4 53 The herald Mercury 255, 256, 258

111 III. 4 55 _A poet’s artistic 112 description_

117 III. 4 205 Cannon bursting 344, 345

127 IV. 4 33 _The camel and his 283 driver_

135 IV. 5 135 The pelican 393, 394, 396

145 IV. 7 84 Pegasus 143, 144

153 V. 1 73 Human skull 337, 338

154 V. 1 86 Human skull 337, 338

158 V. 1 191 Human skull 337, 339

164 V. 2 8 Drake’s ship 413, 414

KING LEAR.

VIII. 280 I. 4 93 Child and motley fool 485

295 I. 5 33 “_why seven stars_” 356

307 II. 2 73 King-fishers 392, 393

317 II. 4 61 Ants and grasshopper 148, 149

320 II. 4 129 Prometheus and the 266, 358 vulture

342 III. 4 68 Pelican 393, 394, 396

366 IV. 1 64 Hands of Providence. 489 Plate XVI.

416 V. 3 171 _our pleasant vices, 425 &c._

OTHELLO.

VIII. 477 II. 1 129 “_Old fond paradoxes_” 474

498 II. 3 290 Hydra slain by 374, 375 Hercules

500 II. 3 326 _Symbols_ 2

505 III. 1 47 Occasion. Plate XII. 259, 261, 265

512 III. 3 145 _Confidence kept back_ 434

513 III. 3 159 _Calumny_ 434

574 V. 2 7 Light; the Canoness 469

581 V. 2 146 Swan 218

586 V. 2 249 Swan 213, 216, 218, 220

ANTONY AND CLEOPATRA.

IX. 38 II. 2 201 _Appreciation of art_ 113

40 II. 2 245 The lottery 208, 211

48 II. 5 95 Narcissus at the 205, 206 stream

60 II. 7 101 Bacchus 246, 247

64 III. 2 7 The Phœnix 381, 387, 389

100 III. 13 195 Ostrich, or estridge 371, 372

109 IV. 6 5 Map, “three-nooked 351, 353 world”

118 IV. 12 3 Medeia, swallows on 190 her breast

123 IV. 14 46 Lamp, or torch of life 456

132 IV. 15 84 Lamp of life 456

150 V. 2 277 Time’s and eternity’s 491 emblems. Plate XVII.

151 V. 2 305 _Chimney-piece at the 131 Old Hall, Tabley_

CYMBELINE.

IX. 167 I. 1 130 The eagle renewing its 369 feathers

183 I. 6 12 The phœnix 234, 235, 236

183 I. 6 15 The phœnix, “Arabian 387, 390 bird”

184 I. 6 30 Ape and miser’s gold 488

185 I. 6 46 _Contrasts of 474 epithets_

191 I. 6 188 _Jewels and ornaments 8 of rare device_

207 II. 4 68 _Adornments of 111 Imogen’s chamber_

212 II. 5 33 Envy 432, 433

226 III. 4 57 Countryman and 197, 208 serpent, _Sinon_

240 III. 6 31 Diligence and idleness 145, 147

253 IV. 2 172 Pine-trees in a storm 477

257 IV. 2 259 The oak and reed, or 315 osier

PERICLES PRINCE OF TYRE.

IX. 325 I. 2 102 Thread of life 454, 455

343 II. 2 17 _The Triumph Scene_ 158, 159

343 II. 2 19 _A black Ethiope_ 160

343 II. 2 27 _Spanish motto_ 162

343 II. 2 30 Wreath of chivalry 168, 169

343 II. 2 32 Inverted torch 170, 171, 173

343 II. 2 33 _Quod_ or _qui me 170, 174 alit_

344 II. 2 36 Gold on the touchstone 175, 177

344 II. 2 43 _Withered branch_ 181, 183

345 II. 3 9 Wreath of victory 223, 224

366 III. 2 26 _Man a God to man_ 283, 284

375 IV. Intr. 12 Envy 432, 433

POEMS.

VENUS AND ADONIS.

VOL. PAGE. LINE. SONNET. DEVICE OR SUBJECT. PAGES.

IX. 436 _Dedication_ 475

RAPE OF LUCRECE.

IX. 544 1723 _The chimney-piece, Tabley 133 Old Hall_

515 869 Occasion or opportunity. 259, 264 Plate XII.

537 1513 Countryman and serpent, 197, 200 _Sinon_

SONNETS.

IX. 578 1 55 Ruins and writings 443, 445

583 1 65 Ruins and writings 443, 445

A LOVER’S COMPLAINT.

IX. 638 92 Phœnix 381, 385, 389

THE PH[OE]NIX AND THE TURTLE.

IX. 671 21 Phœnix 381, 385, 388

671 25 Phœnix with two hearts 384

671 37 Phœnix with two hearts 384

672 53 Phœnix’ nest 23, 381, 389

GENERAL INDEX,

ARRANGED ACCORDING TO _FOUR_ SUBJECTS: =1.= EMBLEM WRITERS PREVIOUS TO A.D. 1616. =2.= PROVERBS, SAYINGS, AND MOTTOES. =3.= WORKS QUOTED OR REFERRED TO. =4.= MISCELLANEOUS REFERENCES.

=A.=

A, _O. L._ Linacre’s _Galen_, Paris, 1538, p. 105; _O. L._ _Nef des folz_, f. xvi., Paris, 1499, p. 188; _O. L._ Alciat’s _Emblems_, 2, Paris, 1534, p. 377.

=1.= A. Bruck, _Emb. mor. et bellica_, 1615, p. 95; _Emb. politica_, 1618, pp. 34, 97. Æsop, _Fables_, Latin and German, 1473; Italian, 1479; Greek, 1480; French and English, 1484; Spanish, 1489; thirty other editions before 1500, p. 51. Aesticampianus, _Tabula Cebetis_, 1507, pp. 12. A. Ganda, _Spiegel van vrouwen_, 1606, p. 98; _Emblemata amatoria nova_, 1613, p. 98. Alberti, _Ecatonphyla_, 1491; French, 1536, p. 55. Alciat, Andrew, _Emblematum libellus_, 1522, p. 69; _Emb. liber_, 1531, its size compared with ed. 1621, p. 69; in the interval above 130 editions; French, 1536; German, 1542; Spanish and Italian, 1549; English (?), 1551, p. 70; Commentators, 70; arms or device, 211. Aleander, _Explicatio antiq. fabulæ_, &c., 1611, pp. 95, 97. Altorfinæ, _Emb. anniversaria_, 1597, p. 94. Amman, _Biblical figures_, _Heraldry_, &c., 1564, p. 85. Ammirato, _Il rota overo dell’ imprese_, 1562, pp. 79, 81. Aneau, _French Alciat_, 1549, p. 70; _Picta poesis_, and _L’imagination poetique_, 1552, p. 76. Angeli, _Astrolabium planum_, 1488, p. 42. Anjou, _La joyeuse et mag. entrée_, 1582, p. 87. _Apocalypse_, a block-book, 48, 49. Arias Montanus, _Hum. salutis monum._, 1572, pp. 88, 89. _Ars memorandi_, a block-book, about 1410, p. 45. Astronomical MS., about 1330, Chetham Library, 41. Austria, Don John of, _On Sambucus_, 1572, p. 86.

=2.= _Aliamque moratur_, 124; _Altera securitas,_ 124; _Amicitia etiam post mortem durans_, and _Amicitiæ immortali_, 307; _Amor certus in re incerta cernitur_, 179; _Amoris jusjurandum pœnam non habet_, 328; _Amor vincit omnia_, 7; _Anchora speme_, 185; _Armat spina rosas, mella tegunt apes_, 333; _Ars naturam adjuvans_, 255; _Ars rhetor triplex movet_, &c., 141; _Au navire agité semble le jour de l’homme_, 437; _Auri sacra fames quid non?_ 480; _Auxilio divino_, 413; _Ave gratiâ plena, dominus tecum_, 46; _A vous entier: j’en suis contente_, 45.

=3.= Æschylus, _on Symbol_, p. 2; Swan, 213. Æsop’s _Fables_, low estimate of by Shakespeare, 302; Antwerp, ed. 1593, p. 313; Jackdaw and fine feathers, 312. Aikin’s _General Biography_: Champier, 63; Joachim, 67; Pierius, 80. Alciat, characterised, 69; quoted, Janus, 139–40; Hope, 182; Æneas and Anchises, 191; Medea and Progne, 191; Brutus 201; Zisca, 206; Swan, 213; Insignia of poets, 218; Phrixus, 229; Sirens, 253; Mercury and Fortune, 255; Occasion, 259; Prometheus bound, 266; Dog and moon, 270; Actæon, 275; Arion, 280; Phaeton, 285; Icarus, 288; Niobe, 292; Narcissus, 295; Pegasus, 299; Several fables, 303; Friendship after death, 307; Bees, 360; Cupid and death, 401; Envy, 431; Ship-sailing, 435; Student entangled in love, 440. Amboise, 1620, named by Menestrier, 79. Ames’ _Antiquities of printing_ names an English version of Alciat, 70. Anacreon, the swan, 214. Aneau, or Anulus quoted: Progne, 193; Brasidas, 194; Swan, 213; Prometheus, 267; Actæon, 276; Narcissus, 295; Daphne, 296; Skull, 337; Chaos, 449. Animals, artistic books of, 1560–1586, p. 85. Archæologia, lottery, 208; Ages of man, 406. Aristotle, the head an index of the mind, 129; Halcyon’s nest, 391. Arundel MS., ages of man, 406. _Athenæ_ (Cantab. ii. p. 258), Spenser, 87. Augustine, S., _Confessions_, 426. Aulus Gellius, Androcles and lion, 281. Ayscough, 461.

=4.= Achilles, shield of, 20. Actæon, referred to by Alciat, 275; Shakespeare, Aneau, Sambucus, 276; Palæphatus, Ovid, Whitney, 278; and Shakespeare, 279. Adam hiding, by Shakespeare, Whitney, 416; Montenay and Stamm Buch, 416. Adam’s apple, reference to Milton, Plate X., 132. Adamant, indestructibility: Le Bey de Batilly and Pliny, 347; Shakespeare, 348. Æneas, his shield, 20; and Anchises, by Alciat and Whitney, 191; Shakespeare, 193. Albret, Madame, Queen of Navarre, 88. Aldi, 1490–1563, device, 16; Horapollo, 1505, p. 64. Alphonso V., ancestor of Don Juan Manuel, 1575, p. 90. America and West Indies ignored, 350, 352. Androcles and the lion, 281. Antefixæ, of Etruscan art, 19. Ants and grasshopper, by Freitag, 148; and Whitney, 148. Ape and miser’s gold, by Cullum, 128; Paradin, Whitney, and Symeoni, 486; Shakespeare, 488. Apollo and the Christian muse, Le Bey de Batilly, 379; Shakespeare, 380. Appendices, I. 497, II. 515, III. 531–542. Architecture and statuary excluded, 11. Argonauts and Jason, 229; Shakespeare, 230. Arion, by Alciat, 280; Whitney, &c., 281; Shakespeare and Microcosm, 282, 283. Arms on Queen Mary’s bed, 123, 124. Arran, earl of, 1549; patron of Aneau, 108, 121. Arrow wreathed on a tomb, Paradin, 183. Art, Shakespeare’s exquisite judgment of, 108–117. Ascencian printing press, 1511, p. 63. Ass and wolf, 53, 54. Astronomer and magnet, Sambucus, 335; Whitney, 335; Shakespeare, 336. Athenian coin, 8. Atkinson’s gem, _Picta Poesis_, 76. Atlas, by Giovio and Shakespeare, 245. Augustus, his emblem, 15.

=B.=

=1.= Badius, _Stultif. navic. fatuarum mul._, 1500, 1502, p. 61; _Nef des folles_, &c., 1501, p. 62; Account of, 63. Balsat, _Nef des princes_, &c., 1502, p. 63. Barclay, _Shyp of folys of the worlde_, 1509, 1570, pp. 57, 65, 91, 119; _Mirrour of good maners_, 1570, p. 58. Bargagli, 79; _Dell’ Imprese_, 1589, p. 87. _Bedford Missal_, MS., 1425, p. 44. Beham’s _Bible figures_, 1536, p. 72. Bellerophon, _of Lust tot wysheyd_, 1614, p. 98. Belloni, _Discorso_, 1601, p. 92. Bernardetti, _Giornata prima_, &c., 1592, pp. 79, 92. Beza, _Icones_, accedunt _emb._, 1581, p. 88. _Bible figures_, 1503, p. 63; 1536, p. 72. _Biblia pauperum_, 1410–1420, p. 45; Plate VI., 46; Description of, 46, 47. _Biblische historien_, 1551, p. 73. Billyng, _Five wounds of Christ_, MS., 1400, ed. 1814, p. 41. Block-books: _Biblia pauperum_, Plate VI., 45–47; _Book of Canticles_ and the _Apocalypse of S. John_, 48; _Ars memorandi_, 45, 48; _Historia S. Joan. Evangelist._, sold for 415_l._, not for 45_l._, Plates VII. and VIII., 49; Print, Plate XV., 407. Bocchius, _Symbol. Quest._, libri v. 1555, p. 77. Boissard, _Theatrum vitæ humanæ_, 1596, p. 31; _Shawspiel Menschliches lebens_, 1597, p. 97; _Fall of Satan_, Plate XI., 133; _Human life a theatre_, Plate XIV., 405. Boissart, _Mascarades recueillies_, 93, 94. Bol, _Emb. evang. ad XII. signa_, 1585, p. 88. Boner, _German fables_, about 1400, ed. 1461, p. 50. Borcht, Ovid’s _Metamorphoses_, 1591, p. 94. Boria, _Emprese morales_, 1581, p. 90. Brandt, _Narren schyff_, 1494; _Stult. navis_, before 1500, Plate IX., ed. 1497, p. 57; _Nef des fols_, 57; Flemish version, 1504, Two English, 1509, p. 57; _Hortulus animæ_, MS., ed. 1498, p. 58. Broecmer, _Embl. moralia et œconomica_, 1609, pp. 95, 97. Brosamer, _Biblische historien_, 1551, p. 73. Bynneman, _Van der Noot’s theatre_, 1569, p. 91.

=2.= _Beaulté compaigne de bonté_, 418; _Bella Maria_, 125; _Bona terra, mala gens_, 139; _Breue gioia_, 152; _Brevis et damnosa voluptas_, 152.

=3.= Bacon’s _Adv. of learning_, 1. Bateman’s ed. _Five wounds of Christ_, 40. Bellay’s _Cupid and death_, 1569, p. 400; _Dog_, 482; Emblem writing, 136. Berjeau’s _Biblia pauperum_, ed. 1859, pp. 45, 48. Beza, quoted, Phrixus, 230; _Dog and moon_, 270; _Engineer and petard_, 344. _Biographie Universelle_, Boner, 50; Zainer, 55; Badius, 63; Shoeufflein, 67; Manuel, 90; Dinet, 94; Van Visscher, 98. Blanchet’s _Apologues orientaux_, 17. Blandford, _Catalogue of emblem books_, 35, 55. Blomfield’s _Norfolk_, Lottery, 208. Bohn’s _Holbein_, ed. 1858, Lottery, 207; _Edward VI._, 121. Boissard quoted, _Satan’s fall_, 132, 133; _Bacchus_, 247; _Bear and whelp and Cupid_, 349; _Human life_, 405. See Messin, _Emblemes_. Brucioli’s _Trattato della sphera_, 1543, Zodiac, Plate XIII., 353. Brunet’s _Manuel du libraire_, 39; _Speculum humanæ salvationis_, 43; _Dyalogus Creaturarum_, 51; _Ecatonphyla_, 55; _Todtentanz_, 56; _Figures du vieil Test._, 63; _Turnierbuch_, 68; _Figures of the Bible_, 73; _Giovio_, &c., 78; _Spelen van sinne_, 81; Hoffer, 81; &c. Bryan’s _Dict. of Engravers_, Zainer, 56; Boissart, 94; Van Veen, 96. Brydges, Egerton, _Res literariæ_, 78, 100.

=4.= Bacchus, by Boissard, and _Microcosme_, 247; Alciat, Whitney, 248; Shakespeare, 249. Badges, traced by Giovio, 14; Of ancient usage, 14; Augustus, 15; Titus, 16. Ban-dog, Sir T. More, Spenser, 481; Sambucus, 482; Whitney, 483; Shakespeare, 484. Barrel with holes, Paradin, Whitney, 332. Bear and ragged staff, Whitney, 236, 239; traced to the Earls of Warwick, 237, 239; Shakespeare, 239. Bear and cub, Boissard, 349; _Tronus Cupidinis_, 348; Shakespeare, 350. Beauchamp, Thos. and Richd., their monuments, 237. Beccafumi’s designs for seven ages, 407. Bed of state, with emblems by Mary Stuart, 123, 126; at Hinckley, 126. Bees, types of good government, Horapollo, 358; Alciat, 360; King bee, Plato, Xenophon, Virgil, 359; Types of love for native land, Whitney, 361; Commonwealth, Shakespeare, 362-364. Bellerophon and Chimæra, Alciat and Shakespeare, 299, 300. Bird caught by an oyster, 130; In a cage, and hawk, 124. Black Ethiope reaching at the sun, 123, 160–162; No exact resemblance found, Reusner, 160, 161. Blount’s crest, an armed foot in the sun, 166; Families of Blounts, 160. Bodily signs emblematical, 17. Bodleian library, its block-books, 49. Bona of Savoy, the Phœnix her device, 234. Brasidas and shield, Aneau and Whitney, 194, 195. Bridgewater gallery, Diana bathing, 111. Britain, emblem literature known in, 119–137. Brutus, death of, Alciat and Whitney, 201, 202; Shakespeare, 203, 204; Characteristics of Brutus and Cassius, Shakespeare, 204, 205. Bullogne, Godfrey of, his impresa, 123. Butterfly and candle, Paradin, 151; Corrozet, Camerarius, Vænius, 152; Symeoni, 153; Shakespeare, 153; Boissard, 152.

C.

C, _O. L._, Alciat, 38 _Ant._, 1581, p. 497.

=1.= Caburacci, _Trattato ... di fare le imprese_, 1580, pp. 79, 86. Callia, _Emb. sacra, e libris Mosis excerpta_, 1591, p. 94. Camerarius, _Symb. et emblematum_, &c., 1590, p. 89. Camilli, _Imprese—co i discorsi_, &c., 1586, p. 87. _Canticles, book of_, a block-book, 48. Capaccio, _Delle imprese trattato_, 1592, pp. 34, 85. Caputi, _La pompa_, 1599, p. 92. Cartari, _Imagini dei Dei degli antichi_, 1556, p. 79. _Cebes, Tablet of_, B.C. 390, p. 12; Editions various, 1497–1507, pp. 13, 68; De Hooghe’s and another’s delineation, Plates I. and I. b, 13, 68. Champier, _La nef des dames vertueuses_, 1503, p. 63. Chartier, _Les blasons de vertu par vertu_, 1574, pp. 87, 88. Chiocci, _Delle imprese_, 1601, pp. 79, 92. Cimolotti, _Il superbi_, 1587, p. 87. Clamorinus, _Thurnier-buch_, 1590, p. 90. Clemens of Alexandria, _Stromata_, 21. Cœlius, _Emblemata sacra_, 1589, p. 89. Combe, _Emblems_, about 1594, p. 120. _Compost des bergers_, 1500–1705, p. 42. Contile, _Ragionamento ... delle imprese_, 1574, pp. 79, 86. Coörnhert, _Recht ghebruyck ende misbruyck_, 1585, p. 90. Corrozet, _Hecatomgraphie_, 1540, and other works, 74. Cory, _Hieroglyphics of Horapollo Nilous_, 1840, pp. 22, 24. Costalius, _Pegma, cum nar. phil._, 1555, p. 77. Costerius, Ὁ Μικρόκοσμος, 1584, p. 98. Coustau, _Le pegme, avec les nar. phil._, 1560, p. 77. Crosse, _His covert_, MS. about 1600, with reasons for that date, 100.

=2.= _Canis queritur nimium nocere_, 482; _Canis reversus ad suum vomitum_, &c., 144; _Captivus ob gulam_, 130; _Cavendum à meretricibus_, 250; _Certe tu vita es mihi_, 161; _Christus bajulat crucem_, 43; _Come l’oro nel foco_, 179; _Cominus et eminus_, 231; _Coney, so doth struggle in the net_, 319; _Conscientia integra laurus_, 422; _Consequitur quodcunque petit_, 3; _Consilio & virtute chimæram superari_, &c., 299; _Constantia comes victoriæ_, 436; _Contraria industriæ ac desidiæ præmia_, 148; _Cosi troppo piacer conduce à morte_, 153; _Cosi vivo piacer conduce à morte_, #151; _Creatione et confusione del mondo_, 35; _Creavit dominus novum super terram_, &c., 47; _Cucullus non facit monachum_, 138; _Cum larvis non luctandum_, 305; _Curiositas fugienda_, 267.

=3.= _Calendrier et compost des bergers_, 1705, p. 42. Callimachus, _Perjuria ridet amantum_, 328. Cambridge _Works of Shakespeare_, 1863, 1866, p. 157. _Centifolium stultorum_, 1707, p. 33. Chaucer, use of the word Emblem, 7. Chrysostom, God loved and hated in man, 281. Cicero, use of the word Emblem, 5. Collier, J. Payne, _Phœnix’ nest_, 1593, reprint, 380. Cotgrave’s _Dictionary_, Emblema 1. Cowden Clarke’s _Concordance_, 388. Cudworth’s _Intellectual System_, ed. 1678, pp. 2, 103. Cullum, Sir John, _History and antiquities of Hawsted_, 1813, p. 127.

=4.= Cadmus, alluded to in _Rich. II._, 245. Calcott, Lady, account of the seven ages of man inlaid on the pavement, Siena, 407. Calumny, Shakespeare, 434. Camel and his driver, 283. Camerarius, quoted for,—Butterfly and candle, 151; Dog and moon, 270; Eagle renewing youth, 369; Elm and vine, 307; Falconry, 366; Jackdaw in fine feathers, 312; Laurel and lightning, 423; Ostrich, 234; Pelican, 394; Stag wounded, 398; Swan, 217; Turkey and cock, 357; Unicorn, 372; Wheat among bones, 184; Wreaths on a spear, 223. Cannon bursting, Beza and Shakespeare, 344. Casket scenes, emblematical, 149–154, 186. Cassius and Cæsar in the Tiber, 193. Cervantes and Shakespeare died in 1616, 318. Chaos, Ovid, Symeoni, 448; Aneau, Whitney, 449, 450; Shakespeare, 451, 453. Charles I., his fine collection of paintings, 111. Charles V. emperor, the _Tewrdannckh_ dedicated to him in 1517, p. 68. Chatterton, Dr., on choice of a wife, 210. Chess, emb. of life and equality in the grave, Perriere, 320; Corrozet, 321. Child and motley-fool, Whitney, Sambucus, 484; Shakespeare, 485; Drant, 486. Chivalry, wreath of, Paradin, Shakespeare, 169. Cholmeley, knight, Sir Hughe, 320. Christian art, fulness of its emblems, 26. Christian love, the soul, and Christ, Plate II., 32. Circe, Alciat, 250; Whitney, Horace, Reusner, 251; Shakespeare, 252. Classification of the correspondencies and parallelisms, 187. Cliffords, father and son, 192. Clip the anvil of my sword, Shakespeare, 325; Perriere, 326; Whitney, and meaning, 327. Closet adorned with emblems, 127. Coats of arms, often imaginative, 236. Coincidences of Whitney and Shakespeare in the use of words, 478, 479, 497–514. Coincidences and parallelisms in heraldic emblems, 240. Coins and medals often emblematical, 13. Columbus, tribulations on marble, 461. Commonwealth of bees, Whitney and Shakespeare, 361–365. Compress, difficulty to, 101. Conclusion, Shakespeare acquainted with Emblem-books, 495. Confidence kept back, Shakespeare, 434. Conscience, power of, Horace, 420; Vænius, 421; Shakespeare, 421, 424, 425. Coörnhert’s device of Providence making poor and making rich, Plate XVI., 489. Coriolanus, 201; his civic crowns, 225. Coronation scene, Anne Bullen’s, 9. Correspondence of Whitney and Shakespeare in words, 477–479, 497–514. Corrozet, quoted, Butterfly and candle, 152; Chess, 321; Doves and Cupid, 245; Fortune, 261; Gem in gold, 418; Hydra, 374; Icarus, 289; Sun and wind, 165. Corser of Stand, Rev. T., _Historia S. Joan_, sold for 415_l._, p. 49; _De Sole et Luna_, 52; _Figures du vieil Test. et du nouuel_, 63; Alciat of 1531 p. 69; _Dance of Death_, 71; _Crosse his covert_, MS., 100. Cotton, Richard, Esquier, of Combermere, 1586, p. 360. Countryman and serpent, Freitag, Reusner, 197; Shakespeare, 198. Coustau, Camel and driver, 283; Silence, 209; Orpheus, 271; Ruins and writings, 442. Crab and butterfly, Symeoni, 15. Creation and confusion, Ovid, Plate III., 35. Crescent moon, Giovio, 125, 127. Crests of ancient times, 14–16. Crowns, civic and others, 221, 224. Cupid felling a tree, 324; Blinded, Perriere and Shakespeare, 329, 331; and Bear, Boissard, 349; _Tronus Cupidinis_, 348; Cupid and Death, Alciat, 400; Whitney, 401; Haechtan, 400; Peacham, 403; Cupid in mid-air, Shakespeare, 404. Curtius, a silver emblem ornament, 5. Custom, a guide for Emblems, 37.

=D.=

=1.= _Dance of Death_. See _Holbein_. _Danse Macabre_, ed. 1485, p. 56. Dalle Torre, _Dialogo_, 1598, p. 92. Daniell, _Worthy Tract of Paulus Iouius_, 1585, p. 77. David, _Virtutis spectaculum_, 1597; _Veridicus christianus_, 1601; _Christelücke_, 1603; _Occasio arrepta, neglecta_, 1605; _Pancarpium marianum_, 1607; _Messis myrrhæ et aromatum_, 1607; _Paradisus sponsi et sponsæ_, 1607; _Duodecim specula_, 1610, p. 95; _Occasio_, quoted in illustration, Plate XII., 265. Daza Pinciano, _Alciat in Spanish_, 1549, p. 70. De Bry, T., _Stam und wapenbuch_, 1593, p. 32; _Emb. nobilitate et vulgo scitu digna_, 1592, and _Emblemata secularia_, 1593, p. 94; _Emb. sec.—rhythmis Germanicis_, 1596, p. 97; _Pourtraict de la cosmog. morale_, 1614, p. 94. De la Perriere, _Theatre des bons engins_, 1539; _Les cent considerations d’amour_, 1543; _Les considerations des quatre mondes_, 1552; _La Morosophie_, 1553, p. 74. De Montenay, _Emblêmes ou devises chrestiennes_, 1574, pp. 87, 88. De Passe, 96; _Metamorphoseωn Ouid._, 1602, p. 95; _Speculum heroicum—Homeri_, 1613, p. 36; Original drawings at Keir, about 1600, p. 177; Quoted, _Phaëton_, 284; _Daphne_, 296; _Tronus Cupidinis_, 348. Derendel, _Historyke Portreatures_, 1553, pp. 73, 119. De Romieu, _Le Pegme de P. Covstav_, 1560, p. 77. De Soto, _Emblemas moralizadas_, 1599, p. 99. Desprez, _Théatre des animaux_, &c., 1595, p. 93. _Destructoriũ vitiorum (Dyalog. Creat.)_, 1509, p. 52. _Dialoges of creatures moralyzed_, 1520, pp. 52, 119, 303. Dinet, _Les cinq livres des hieroglyph._, 1614, p. 94. Dolce, _Le prime imprese del conte Orlando_, 1572; _Dialogo_, 1575, p. 86. Domenichi, _Ragionamento_, 1556, 1574, pp. 77, 78. Doni, _I mondi; I marmi; La moral filosofia_, 1552, 1553, p. 76. Droyn, _La grãt nef des folz_, 1498, 1579, pp. 57, 87. Dupont, _Satyriques grotesques_, 1513, p. 67. Durer, _Ehrenpforte_, 1515; _Tewrdannckh_, 1517; and _Triumphwagen_, 1522, p. 67. Dutch Emblem-books, _passim_, and 90, 97. Duvet, _L’apocalypse figurée_, 1561, p. 81. _Dyalogus creaturarum_, 1480, p. 51; French ed. 1482, English, 1520, p. 51.

=2.= _Dabit Deus his quoque finem_, 124; _Dederitne viam Casusve Deusve_, 123; _Defecit in dolore vita mea, &c._, 131; _De more et amore_, 401; _De Morte et Cupidine_, 403; _Descendet dominus sicut pulvia in vellus_, 47; _Despicit alta canis_, 270; _Dives indoctus_, 229; _Divesque miserque_, 31; _D. O. M._, 464; _Dominus tecum virorum fortissime_, 47; _Dominus vivit et videbit_, 416; _Donec totum impleat orbem_, 123, 127; _Dum ætatis ver agitur, consule brumæ_, 148; _Dum tempus labitur, occasionem fronte capillatam remorantur_, 265; _Dum transis, time_, 128; _Durate et vosmet rebus servate secundis_, 125.

=3.= De Bry, _Icones virorum illustrũm_, 85. De la Perriere, quoted for,—Chess emb. of life, 320; Cupid blinded and sieve, 329; Diligence, 145; Fardel, 495; Janus, 140; Occasion, 258; Sword broken on anvil, 326; Thorns on the rose, 332. Democritus, _Golden sentences_, 13. De Montenay, quoted, Adam hiding, 416; Fearlessness, 440; Good out of evil, 447. Dibdin, _Bibliographical Antiquarian_, 58; _Bibliomania_, 51, 137; _Bibliogr. Decameron_, 45; _Bibliotheca Spenseriana_, 48; _Tour_, 57. _Dict. Greek and Roman Antiquities_, 20. Diodorus Siculus, _History_, 20. Donne, _Elegy_, Flowers, 18. Doré, _Drawings for Elaine_, 30. Douce, _Dissertation_, ed. 1833, pp. 56, 71; _Remarks on Macaber_, 56; _Illustrations of Shakspeare and of Ancient Manners_, 1807, pp. 106, 167, 172; _Holbein’s Images_, ed. 1858, p. 121. Drake, _Shakspeare and his Times_, 106, 107, 238; on _Falconry_, 365; _Timon of Athens_, 426. Drant, _Horace’s Art of Poetry_, 1567, p. 486. Drayton, _Baron’s Wars_, 1598, names, emblems, impresas, hieroglyphics, 132. Drummond, _History of Scotland_, 1655, p. 123; _Letter to Benjamin Johnson_, Emblems on a bed of state, 123–125; Other letters naming devices or emblems, 124. Dryden’s opinion of the _Pericles_, 157. Dugdale, _Antiq. of Warwickshire_, 237. Du Vondel, illustrious poet of Holland, 98.

=4.= Daphne to a laurel, Aneau, Ovid, 296; Shakespeare, 297. Death, its mention by Shakespeare, 339, 469. Death and sleep, 469–471. Death’s praises,—life’s evils, 471. Dedalus and his sons, 287. Diana, emblem and symbol in one, 3. Diana of Poitiers, dedication to, 3, 172. Dice an emblem of life, Le Bey de Batilly, 322. Diligence and idleness,—Perriere, 145; Whitney, 146; not followed by Shakespeare, 147. Direct References to Emblems, six in the _Pericles_, 156–188. Di Terra Nova, Duke, emblem, 125. Division into _three_ parts of Emblem-books, from 1500 to 1564, p. 60; into _two_ parts, from 1564 to 1615, p. 84. Dog baying the moon, Shakespeare and Alciat, 269; Whitney and Camerarius, 270; Beza, 271. Dogs not praised by Shakespeare, 145, 483. Dolphin and anchor, Symeoni and Giovio, 16; The device of Titus, and of the Aldi, 16. D. O. M., Whitney and Shakespeare, 464, 465. Doubtful if certain books are Emblem-books, 51, 55. Doves and winged Cupids, Shakespeare and Corrozet, 245. Drake, Sir Francis, compared to Jason, 229. Drake’s ship, Whitney, 413; Shakespeare, 414. Drawing and device or emblem, their difference, 49. Drinking bout of Antony and his friends, 246. Droppes manie pierce the stone, &c., Whitney, 324; Shakespeare and Vænius, 324 Dudley, Ambrose, earl of Warwick, died 1589, p. 238. Dudley, Robert, earl of Leycester, died 1588, p. 238; Whitney’s _Emblems_ dedicated to him, 239. Dupes emblematised, 33. Dust, to write in, Sir T. More, 461; Shakespeare, 460, 461.

=E.=

E, _O. L._ of uncertain origin, 241; _O. L._ from Plato’s works, 710; Francfort, 1602, p. 346; _O. L._, _Dial. of Creatures_, 62, ed. 1520, p. 463.

=1.= _Ecatonphyla_, 1491, centiesme amour, 1536. p. 55. _Ehrenpforte_, or triumphal arch, about 1515, p. 67. _Emb. Amat._, Afbeeldinghen, 1611, p. 98. _Emblemata Evang. ad XII. signa_, 1585, p. 88. _Emblesmes sur les actions—du Segnor Espagnol_, 1608, p. 93. _Emblematum Philomilæ Thiloniæ Epidigma_, 1603, p. 95. Emblem-books, in the tabulated forms, 86–99:— Dutch or Flemish, 1585, p. 90; 1603–1614, pp. 97, 98. English, 1569–1586, p. 91; 1591–1612, p. 99. French, 1568–1588, p. 87; 1595–1614, pp. 93, 94. German, 1576–1590, p. 90; 1596–1611, p. 97. Italian, 1566–1589, pp. 86, 87; 1592–1609, p. 92. Latin, 1568–1590, pp. 88, 89; 1591–1615, pp. 94, 95. Spanish, 1575–1589, p. 90; 1599–1615, p. 99. Emblem-books, in Greek; _Tablet of Cebes_, B.C. 390, pp. 12, 68; Clemens of Alexandria, about A.D. 300, _Stromata_, 21; Epiphanius, A.D. 367, p. 28; Horapollo, originally Egyptian, about A.D. 400, p. 22; translated into Greek by Philip, about A.D. 550, p. 22. English Emblem-books down to Willet, 1598, p. 119; _passim_, 91, 99–101. Epiphanius, A.D. 367, _Physiologus_, 1587, p. 28. Estienne, Henri, _Anthologia gnomica_, 1579, pp. 88, 89.

=2.= _Eadem inter se_, 384; _Ecce, ancilla domini, fiat mihi_, 46; _Ecce ascendimus Hierosolimam_, 66; _Ecce virgo concipiet et pariet filium_, 46; _Ei qui semel sua prodegerit, aliena credi non oportere_, 189; Εἴξας νικᾶ, 314; _Eloquentia fortitudine præstantior_, 164; _Eloquium tot lumina clausit_, 123; _En ma fin git mon commencement_, 123; _Erant signa in sole et luna_, 48; _Esto tiene su remedio y non yo_, 398; _Ex domino servus_, 276; _Ex malo bonum_, 447; _Ex maximo minimum_, 337.

=3.= Engravers, named, and referred to:— Amman, Jost, 1564, pp. 74, 85. Avibus, Gaspar ab, 1558, p. 80. Bernard, Solomon, 1560, pp. 36, 73. Bewick, Thomas, 1789, p. 71. Boissart, Robert, 1590, p. 94. Bonasone, Giulio, 1555, p. 77. De Bry, Theodore, 1592, pp. 96, 348. ” John Theod., p. 96. ” John Israel, p. 96. De Hondt, Jost, 1606, p. 98. De Hooghe, Romyn, 1670, p. 13. De Jode, Gerard, 1584, p. 53. De Passe, Crispin, 1611, pp. 95, 97, also pp. 57, 177. Durer, Albert, 1509, pp. 65, 67, 73. Duvet, John, 1561, p. 81. Feyrabend, Sigismund, about 1581, p. 90. Fortoul, 1832, p. 71. Holbein, Hans, 1538, pp. 71, 72. Koster, Laurens, 1410, p. 46. Lützenberge, Hans, 1538, p. 72. Marcolini, Ant. Franc., 1552, p. 76. Pytheus, named by Pliny, 5. Raimondi, Marc Ant., 1516, p. 67. Sadeler, Ægidius, 1600, pp. 96, 98. Sadeler, John, 96. Sadeler, Raphael, 96. Schlotthauer (_Dance of Death_), 1832, p. 71. Shaeufflein, Hans, 1517, p. 67. Solis, Virgil, 1555, p. 77; 1560, p. 74. Stimmer, Tobias, 1576, p. 90. Stimmer, John Chr., 1591, p. 90. Van der Borcht, 1591, p. 95. Van Veen, or Vænius, Otho, 1607, p. 96. Van Veen, Gilbert, 1607, p. 96. Veneziano, Zoan And., 1500, p. 55. Eschenburg’s _Manual class. lit._, 1844, pp. 7, 224.

=4.= Eagle renewing its youth, Camerarius, 368; Shakespeare, 369, 370. Edward VI., Emblem-books belonging to him, 121. Egerton, Lord Chancellor, and Thomas Wilbraham, 467. Elephant and undermined tree, Sambucus and Whitney, 196. Elizabeth, Queen, devices, 124; prayer-book, 137; lottery, 208; phœnix, 390; flattered by Shakespeare, 404. Elm and vine, Alciat and Boissard, 307; Whitney and Camerarius, 308; Vænius and Shakespeare, 309. Ἔμβλεμα, ἐνβαλλεῖν, pp. 4, 5, 6. Emblem defined, Cotgrave, Quarles, and Bacon, 1; Whitney, 6; Shakespeare, 9; origin, 9; definition seldom strictly observed, 30. Emblems, original meaning, 4; Chaucer, 7; kept by Shakespeare and Milton, 9; changes of meaning, 4; classical and modern meaning, 4, 5, 11. Emblem and Symbol, confounded, 1; difference, 2; united, 2, 3; affinity of, 6. Emblem, the word introduced into Latin, 5; opposed by Tiberius, 5; used by Cicero and Quinctilian, 5. _Emblema nudum_, or bare, without a device or picture, 13, 51; in Shakespeare, 149–154. Emblem Artists and Artificers, 5, 20. See also _Engravers_. Emblem Authors, number before 1616, p. 102; men of literature and mental power, 102; estimate in which they were held, 103; introduce fables, 303. Emblem-books our theme, 11; preceded by writings, 119; _three_ large collections, accessible for this work, at Keir, Stand, and Thingwall, 86; number composed from 1564 to 1590, pp. 91, 92; number of original texts and versions, 770, before 1616, p. 102; illuminated MS., 38–45, 50; block books, 46–50. Emblem Literature,—applied with great latitude; what appears essential to it, 31; _Instances_: proverbs and witty sayings, scenes from history, armorial bearings, 31; celebration of events, devotion and satire, 32, 33; politics, 34; classic poets, 34–36; great latitude in using the phrase, Emblem Literature, custom the general guide, 37; includes ornamental devices in books, 38; architecture, sculpture, and painting too extensive to be included, 38; known in Britain, 119–137; bed of state, with emblems wrought by Mary, Queen of Scots, 123–125; ancient bed at Hinckley, 126; painted closet at Hawsted, 127–130; ancient hall at Lower Tabley, 131; Drayton’s testimony, 1598, p. 132. Emblems,—raised or carved figures and designs, a crust or framework, a mosaic, figured ornaments, 9, 10; devices on smooth surfaces; any drawing representative of thought, character, &c.; a species of hieroglyphics, 11; coins and medals, 13; heraldry, 14–17; signs, 17–19; fictile ornamentation, 19, 20; works by the silversmith, 20; hieroglyphics, 21–26; Christian art, 26, 27. Emblems classified—by Whitney into _three_ kinds, 187; for this work into eight divisions, 188: —historical, 188–211; heraldic, 212–240; mythological, 241–301; for fables, 302–317; for proverbs, 318–345; for objects in nature, 346–376; for poetic ideas, 377–410; moral and æsthetic, 411–462; miscellaneous, 463–496. Emperors:—Maximilian I., 1517, pp. 67, 68; Charles V., 1517, p. 68; Maximilian II., 1564, p. 85; Rodolph II., 1576, pp. 85, 89, 96; Matthias, and Ferdinand II., 96. End crowns all; or the end makes all equal, Shakespeare, Messin, Whitney, Perriere, 320; Illustrated by chess, Perriere, 320; Corrozet, 321, 322; Whitney and Shakespeare, 323. Engineer hoist with his own petar, from Beza and Le Bey de Batilly, 344; Shakespeare, 345. Envy, from Whitney, Alciat, 431, 432; Shakespeare, 433. Estridge, ostrich, or falcon? Paradin, 370; Shakespeare, 371. Eternity, emblem of, 37; in Plate XVII., 491; Horapollo, 491; Shakespeare, 492.

=F.=

F, _O. L., Nef des folz_, Paris, 1499, xxv., p. vii.

=1.= Fables, German, about 1400, p. 50. See _Boner_. Fabrici, _Delle allusioni, imprese & emblemi_, 1588, p. 87. Faerno, _Fabvlæ centvm_, 1565, pp. 85, 303, 310, 311; quoted, Fox and grapes, 311. Farra, _Settenario dell’ humana riduttione_, 1571, pp. 79, 86. Feyrabend, _Stam und wapenbuch_, 1579, p. 90. _Figures du vieil Test. & du nouuel_, 1503, p. 63. _Figures of the Bible_, 73. Fiorino, _Opera nuova_, &c., 1577, p. 86. Flemish books of emblems, _passim_, and, 90, 97. Franceschino, _Hori Apollinis selecta hieroglyphica_, 1597, p. 94. Fraunce, _Insignium armorum emblematum_, &c., 1588, p. 89. Freitag, _Mythologia ethica_, 1579, p. 88; _Viridiarium mor. phil. per fabulas_, 1594, p. 94. Frellonius, Holbein’s _Historiarum veteris instrumenti_, 1547, p. 72. French Emblem-books, _passim_, and, 87, 93. Furmerus, _De rerum usu et abusu_, 1575, p. 88; Hands of Providence, Plate XVI., 489.

=2.= _Facunda senectus_, 215; _Faire tout par moyen_, 289; _Fatuis levia commitito_, 484; _Feriunt summos fulgura montes_, 475; _Festina lente_, 15; _Ficta ejus quod haberi nequit recusatio_, 310; _Finis coronat opus_, 437; _Fortiter et feliciter_, 221; _Fortitudo ejus Rhodum tenuit_, 124; _Fortuna virtutem superans_, 202; _Fortunæ comites_, 124; _Frons hominem præfert_, 129; _Fronte nulla fides_, 129; _Fructus calcata dat amplos_, 124; _Frustra_, 329, 331.

=3.= Farmer, Dr., on _Pericles_, 156. Flintner, _Nebulo nebulonum_, 1620, p. 65. Freitag, quoted for,— Mouse caught by an oyster, 130; Ants and grasshopper, 148; Countryman and serpent, 197; Fox and grapes, 309; Phœnix, 381; Sun, wind, and traveller, 166; Turkeycock and cock, 356.

=4.= Fables: doubtful if strictly emblems, 51; The best emblem writers introduce them, 303; A floating literature, interchanged throughout the world, 302; Shakespeare’s estimation of them, 303; Early editions, 303. Fables, emblems illustrative of, 302–317; Fly and candle, 151–153; Sun, wind, and traveller, 164–167; Elephant and tree, 196; Countryman and serpent, 197; Hares biting the dead lion, 304–306; Elm and vine, or elm and ivy, 307–309; Fox and grapes, 309–312; Jackdaw in fine feathers, 312–314; Oak and reed, 314–316. Facts in Nature, emblems from, and from the properties of animals, 346–376: —Frosty Caucasus, 346; Adamant on the anvil indestructible, 347; Bear, cub, and Cupid—natural affection, 348–350; The inhabited, or three-cornered world, 351–353; Signs of the zodiac, 353–356; The cock and turkeycock, 356–358; The vulture, 358; Bees, types of a well governed people, and of love for our native land, 358–365; Falconry, 365–368; Eagle renewing its feathers, 368; Ostrich with outspread wings, 370; Unicorn, type of faith undefiled, 371–373; Hydra slain by Hercules, 373–375; Various animals named, 375, 376. Falconry, from Dr. Drake, 365; Camerarius and Giovio, 366; Shakespeare, 367, 368. Fame armed with a pen, from Junius and Whitney, 445, 446; Shakespeare, 444, 445. Fardel on a swimmer, 480, 481. Ferdinand II., emperor, 96. Fictile ornamentation, 19, 20. Fin couronne les œuvres, from Shakespeare, 320–323. See _End_. Firmin Didot, 40. Flower language, emblematical, 18. Fly and candle. See _Butterfly_. Forehead, index of the mind, 129. Fortune, from Corrozet, 261. See _Occasion_. Fox and grapes, from Freitag, 310; Faerni, 310; Whitney, 311; Shakespeare, 311, 312. Francis I., impresa, 123, 125, 126. Friendship after death, 307. See _Elm and Vine_. Frosty Caucasus, 346.

=G.=

G, _O. L._, an altered C, from Linacre’s _Galen_, Paris, 1538, p. 543.

=1.= Ganda. See _À Ganda_. German Emblem-books, _passim_, and, 90, 97. _Geschlechtes Buch_, editions 1550, 1580. p. 75. Geyler, _Navicula sive speculum fatuorum_, 1511, and _Navicula penitentiæ_, 1511, several reprints before 1520, —the first book with the imperial privilege, 66; Two German translations, 66; Latin version of _Narren Schyf_, 1498, p. 66. Giovio, _Dialogo dell’ imprese_, or _Ragionamento_, 1555, p. 77; 1574, pp. 14, 15, 16; English version, 1585, p. 77; Menestrier, 79. Giovio, Symeoni, and Domenichi, _Dialogo dell’ imprese_, &c., 1574, p. 78; _Twenty-seven_ editions between 1553 and 1585, p. 78. Glissenti, _Discorsi morali_, &c., 1609, pp. 92, 93. Golding, _Ovid’s Metamorphoses_, 1565, p. 243. Goulart, _Les vrais pourtraits_, 1581, p. 87. Grapheus, _Entry of Philip of Spain_, 1550, p. 75. Grevin, _Emblemes d’ Adrian la Jeune_, 1568, p. 87. Guazzo, _Dialoghi piacevoli_, 1585, p. 87. Gueroult, _Premier livre des emblemes_, 1550, p. 75. Guillim, _A display of heraldry_, 1611, pp. 99, 120. Gulden, _Den gulden winckel_, 1613, p. 98. Guzman, _Triumphas morales_, 1557, p. 90.

=2.= _Gang forward; I am ready_, 14; _Giuramento sparso al vento_, 328.

=3.= Gale’s _Opus mythol._, 13. _Gentleman’s Magazine_, 126, 208. German book—the first in pure German,—a book of fables printed in 1461, p. 50. Giovio, quoted from,— Alciat’s device, 211; Atlas, 245; Crescent moon, 125, 127; Dolphin and anchor, 16; Falconry, 365; Kingfisher, 392; Ostrich and iron, 233; Phœnix, 235; Salamander, 125, 126. Giovio and Symeoni, quoted,—Porcupine, 231; Wrongs on marble, 457. Golding’s _Ovid_, 1567, p. 243; Shakespeare indebted to it, 243; The epithet _golden_, 400. Gough, on the _Bedford missal_, 1794, p. 44. Gower’s _Conf. am.—pur reposer_, 7. Green’s _Never too late_, 1610, p. 128.

=4.= Gem in a ring of gold, by Corrozet, 418; Shakespeare, 419, 420. Gemini, 355. Geography, 350–353; more correct, 415. Glance only, at times, to emblem subjects by Shakespeare, 269, 317. Glyptic art as exemplified in hieroglyphics, 21–26. Gold on the touchstone, by Paradin, 175; Whitney, 178; Crispin de Passe, 177; Shakespeare, 175, 180; Vænius, 179. Golden, the epithet, Douce, Sidney, Golding’s _Ovid_, 400; Bellay, Alciat, 400; Whitney, 401; Peacham, Whitney, 403; Shakespeare, 404. Golden fleece, order of, 228. Gonsaga, Hanibal, saying on surrendering his sword and himself, 138. Good out of evil, Shakespeare and Montenay, 447. Gravella, Cardinal, his impresa, 125, _note_. Greatest out of least, from Anulus, 337; Whitney, 338; Shakespeare, 338, 339. Grecian coins, 13.

=H.=

H, _O. L._, _Nef des folz_, xv., Paris, 1499, p. 187; Monogram, H. G., a construction, _preface_, xii.

=1.= Haller, _Chartiludium logicæ_, 1507, p. 64. Held, _Alciat in German_, 1542, p. 70. Hesius, _Emblemata sacra_, 1581, p. 88. Hillaire, _Speculum Heroicum ... Homeri_, 1613, pp. 36, 95. _Historia S. Joan. Euangelist._, block-book, 1420, p. 49; MS. of, belonged to Henry II., 49. _Histories of Joseph, Daniel, Judith, and Esther_, earliest printed book with text and engravings, 1461, p. 45. Hoffer’s _Icones catecheseos_, 1560, p. 81. Holbein, _Les simulachres & Historiees faces de la mort_, 1538, pp. 72, 350, 487; Previous to 1600 at least _fifteen_ editions, 72; _Historiarum veteris instrumenti icones_, 1538, p. 72; Spanish, ed. 1543, English, ed. 1549, within the century _twelve_ other editions, 73; The canoness or nun, 469; Sleep and death compared, 469, 470; Wrong done to the soul, 433; Praises of death, evils of life, 470, 471; The last judgment, and escutcheon of death, 470. Hollar, _Dance of death_, 1790, p. 56. Homeri, _Speculum heroicum_. See _Hillaire_. Horapollo, account of, 22; _De sacris notis et sculpturis_, 1551, example, the Phœnix, 22, 23; Other examples from Leemans and Cory, 24–26 (see _Leemans_ and _Cory_); First printed edition by Aldus, 1505, Latin, French, Italian, and German, before 1535; _sixteen_ other editions before 1616, p. 64. _Horatii Emblemata_, 1607 and 1612, p. 36. Horozco, _Emblemas morales_, 1589, _Symbolæ sacræ_, 1601, p. 90. Hortinus, _Icones_, 1585, p. 88; _Emblemata sacra_, 1589, p. 89. _Hortulus rosarum_, 1499, p. 58. Hunger, Alciat, _Cum rhythmis Germanicis versus_, 1542, p. 70.

=2.= _Heart of Jesus the well of everlasting life_, 40; _Homines voluptatibus transformantur_, 250; _Homo homini Deus_, 283; _Homo homini lupus_, 280, 283; _His ornari aut mori_, 222.

=3.= Haechtan’s _Parvus mundus_, 1579, p. 400. Hallam, on _Pericles_, 157. Halliwell, on _Astron._, MS., Chetham Library, 42. Haslewood, reprint _Dialogues of Creatures_, 1816, p. 303. Hawkins’ Η ΠΑΡΘΕΝΟΣ, 1633, p. 383. Heraldry, ornamental, 16th century, 1868, p. 14. Herodotus, the Scythian arrow, mouse, &c., 18; the phœnix, 382. Hesiod, shield of Hercules, 20. Hessells on _Spelen van sinnen_, 81, 82. Hippocrates, Seven ages of man, 406. Holbein’s _Simulachres_, the canoness, 469; Heath and sleep, 469; Death and fool, 472. Holland’s _Pliny_, a work of art by Pytheus, to be put on or taken off,—a literal Emblem, 5; Hardnesse of a diamant, 348; The phœnix, 382; Halcyones, 391. Homer, _Iliad_, shield of Achilles, 20; Word Emblem illustrated, 4; Death not unbecoming the defender of his country, 222; Insults to Hector’s dead body, 304; _Odyssey_, Circe, 250. Hood’s Miss Kilmansegg, to illustrate “golden,” 403. Horace, conscience, 420, 421; Circe and Sirens, 251; Pine-trees in a storm, 490; The swan, 214; Time leading the seasons, 490. Horapollo, quoted, Bees, 358; Hawk on mummy case, 26; Lamp burning, 456; Phœnix, 23; Star, 25; Swan, 213; Thread of life, 454. Humphrey’s _Hist. of art of printing_, 1867, p. 43; Plates from block-books, _Biblia pauperum_, 43, 46; _Ars memorandi_, 45; _Dance of death_, 469.

=4.= Halcyon. See _Kingfisher_. Hands of Providence, by Furmer and Coornhert, Plate XVI., 489; Shakespeare, 489. “Happe some goulden honie brings,” Whitney, 364; Shakespeare, 365. Hares biting a dead lion, _Iliad_, Alciat, Shakespeare, 304; Alciat, Whitney, 305; Reusner, 306; Shakespeare, 306. Harpocrates, _Silence_, Whitney, 208; _Pegma_, 209. See _Lottery_. Hawk on a mummy case, its meaning, 26. Hawsted and Hardwick, emblems there, 127–130. Hen eating her own eggs, Whitney, Sambucus, 411; Shakespeare, 412. Henry II. of England, 50. Henry II. of France, his impresa, 123, 125, 127. Henry VIII., collection of pictures, 111, 114; his impresa, 124. Heraldic Emblems, 212–240; in three divisions;— I. Poetic Heraldry, 212–221:— The swan singing at death, Horapollo, 213; Virgil, Horace, Pindar, Anacreon, 214; On death poets take the form of swans, Ovid, Plato, 214; type of old age eloquent, Aneau, 215; of the simplicity of truth, Reusner, 215; fine thought by Camerarius, 217; insignia of poets, Alciat and Whitney, 218; Shakespeare combines various of these emblems, or of their spirit, 219–221; Shakespeare’s beautiful comparison of heraldry, 221. II. Heraldry of Reward for heroic achievements, 221–230:— Wreath of chivalry, Whitney, Camerarius, 222; Shakespeare, 223; Victors’ crowns, Paradin, 224; Eschenburg, 224; Shakespeare, 225–227; Honours from sovereign princes, Shakespeare, Talbot, 226; Order of St. Michael, Paradin, 227; Order of the golden fleece, Paradin, 228; Argonauts, Whitney, 229; Phrixus, Alciat, 229; Whitney, 230; Beza, 230; Shakespeare, 230. III. Imaginative Devices, 231–240:— Porcupine, Giovio, 231; Camerarius, 232; Shakespeare, 232; Ostrich and iron, Giovio, 233; Camerarius, 234; Shakespeare, 234; Phœnix, Lady Bona of Savoy, Paradin, 234; Giovio, 235; Shakespeare, 236; Bear and ragged staff, Whitney, 236; Dugdale, 237; Dudley, 238; Shakespeare, 239. Heraldry, Emblems its language, 14, 17, 82; Its close connection with Emblems, 212; Beautiful comparison from, 220. Heraldry of poetry, 212–221. Heraldry of heroic achievements, 221–230. Heraldry of imaginative devices, 231. Hercules, his shield, 20. Hieroglyphics, their emblem character, 21, 25; Subjects, 21, 26; Examples, 24, 26; Meanings of several, 26. Hinckley, bed at, with emblems, 126, 127. Historical Emblems, 188—211:— Medeia, Alciat, Whitney, 189, 190; Æneas and Anchises, Alciat and Whitney, 191, 192; Shakespeare, 192; Progne, Aneau, Shakespeare, 193, 194; Sinon, illustrated from Brasidas and his shield, Aneau, 194; Whitney, 195; The elephant and undermined tree, Sambucus, 196; Countryman and viper, Freitag, 197; Shakespeare, 198; Siege of Antwerp, Whitney, 199; Sinon often alluded to by Shakespeare, 200; Coriolanus, 201; Death of Brutus, Alciat, Whitney, 201; Shakespeare, 203, 204; Characteristics of Brutus and Cassius, 204, 205; Formidable after death, Alciat, Whitney, 205; Shakespeare, 207; The lottery, video et taceo, Whitney, 208; Costalius, 209; Shakespeare, 209–211. Hives of bees, 371. See _Bees_. Homo homini lupus, Whitney, Chrysostom, 281; Androclus and the lion, 281; Shakespeare, 282. Homo homini Deus, Coustau, 283; Reusner, 283; Shakespeare, “in apprehension how like a god,” 284. Honours from sovereign princes, 226. Hope, illustrated by Alciat, Paradin, Whitney, and Sambucus, 182–185; Camerarius, 184; Spenser, 185. Human life a theatre, Plate XIV., 405. Hunterian Museum, Glasgow, the _Tewrdannckh_, 67. Hydra slain by Hercules, Corrozet, 374; Shakespeare, 375.

=I.=

I, _O. L._, Giovio’s _Ragionamento_, Venetia, 1556, p. 30; _O. L._, Alciat’s _Diverse Imprese_ (p. 2), Lyons, 1551, p. 84.

=1.= Ieucht, _Den nieuwen Ieucht spieghel_, 1610, p. 98. Italian emblem-books, _passim_, and, 86, 92.

=2.= _Iddio, perche é vecchio, fa suoi al suo essempio_, 136; _Il caos_, 448; _Il fine corona l’opere_, 437; _Illicitum non sperandum_, 182; _Il mal me preme et mi spaventa Peggio_, 124; _Immensi tremor oceani_, 227; _Importunitas evitanda_, 327; _Impotentis vindictæ fœmina_, 193; _Improba siren desidia_, 252; _In astrologos_, 288; _In avaros vel quibus melior conditio ab extraneis offertur_, 280; _In divitem indoctum_, 229; _Industria naturam corrigit_, 256; _Ingenio superat vires_, 126; _In hac spe vivo_, 159, 181, 185; _In morte vita_, 185; _In occasionem_, 259; _In receptatores sicariorum_, 275; _In sinu alere serpentem_, 199; _Insonti qui insidias struit, ipse perit_, 54; _In spe fortitude_, 182; _In statuam Bacchi_, 248; _In studiosum captum amore_, 441; _In temerarios_, 285; _Invidiæ descriptio_, 432; _Ipsa sibi lumen quod invidet aufort_, 124; _Isaac portat ligna sua_, 43.

=3.= Image or symbol of St. Matthew, 48.

=4.= Icarus and ill-fortune, Alciat, 288; Whitney, 288; Corrozet, 289; Shakespeare, 291. Idiot-fool and death, Holbein and Shakespeare, 472. Index, General, 543–571. Indian hieroglyphics, 18. Industry. See _Diligence and Idleness_, 145. Introductory lines,— Whitney, D. O. M., 464; Shakespeare, 464. Inverted torch,— Shakespeare, Symeoni, 171; Paradin, Whitney, 173; Shakespeare, 170; Vænius, 171; Corrozet, 175. Io, 245. See _Jupiter_.

J.

=1.= Joachim, Abbot, died 1201; editions 1475, 1515, _Prophetia dello Abbate Joachimo circa le Pontefici & Re_, 67. _Joan. S., Euangelist._, block-book. See _Historia_. Jodelle, _Recueil_, 1558; _Austriacis gentis imagines_, 1558, 1569, 1573, p. 80. John, Don, of Austria, _Notes on Alciat_, 1572, p. 86. Joseph, Daniel, _Judith and Esther_. See _Histories of_, 45. Jovius. See _Giovio._ Junius, _Emblemata_, 1565; and 10 others, 86.

=2.= _Jam satis_, 128; _Jus hospitalitatis violatum_, 357; _Juvenilia studia cum provectiori ætate permutata_, 381.

=3.= Jode, Gerard de, 89, 282, 298, 313. Johnson and Steevens’ _Shakspeare_, 483. Johnson, Dr., 426. Jones, Mr., Chetham Library, on Joachim, 67, 123. Jonson’s testimony to Shakespeare, 496. Junius, quoted:— Fame armed with a pen, 446; Oak and reed, 314; Pelican and young, 395; The caged cat and the rats; The crocodile and her eggs, 303.

=4.= Jackdaw in fine feathers, Camerarius, Æsop, _Microcosme_, Shakespeare, 313. James VI. of Scotland, Beza’s emblems, 122; Epigram on, 122. Janus, two-headed, Alciat, Whitney, 139, 140; Shakespeare, 140. Jar, with Emblems, named by Pliny, 5. Jason, 229, 230. Jove laughs at lovers’ perjuries, Shakespeare, 327; Van Veen, Callimachus, Tibullus, 328; Shakespeare, 328. June, illustration from Spenser, ed. 1616, p. 136. Jupiter and Io, Symeoni, Ovid, Shakespeare, 245, 246.

=K.=

K, _O. L._, Plato’s _Works_ (p. 153), Francfort, 1602, p. 212.

=1.=_Kalendrier des Bergers_, MS., 1330, p. 42; Kindred works in Latin, Italian, and German, 1475, p. 42.

=3.= Kenrick’s _Anc. Egypt_, p. 21. King’s _Vale Royal_, 211. Knight’s _Pictorial Shakspere_, 156; Acknowledging Shakespeare’s acquaintance with Whitney, 396. Kugler’s _Handbuch de geschichte der malerei_, Berlin, 1847, pp. 110, 111, 114.

=4.= Katherine, Queen of France, her emblem, 128. Keir, near Dunblane, N. B., its library: —_Astrolabium planum_, 1488, p. 42; Alciat’s _Emblems_, 1531, p. 69; _Entry of Philip of Spain into Antwerp_, 1549, p. 75; Gueroult’s _Premier livre des emblemes_, 1550, p. 75; Doni’s _Emblem Works_, 1552, 1553, p. 76; Remark, 86; Guillim’s _Heraldry_, 100; _Thirty-five_ original _Emblem Drawings_ by Crispin de Passe, 177. King-emperor, or master-bee, 359–363. Kingfisher, Halcyon-days, Ovid, Aristotle, and Pliny, 391; Giovio, Shakespeare, 392. Knowledge of Emblem-books in Britain, 119–137. Koster of Haarlem, about 1430, p. 43; Earliest engraver of block-books, 1410–1420, p. 45.

=L.=

L, _O. L._, Camerarius (i. 35), Norimberg, 1605, p. #383; _O. L._, David’s _Veridicus Christianus_ (70), Antverpiæ, 1606, p. 60.

=1.= L’Anglois, _Discours des hierog. Égyptiens_, 1583, p. 87. Le Bey de Batilly, _Emblemata_, 1596, p. 94. Leemans, _Horapollinis Niloi Hierogl._, 1835, examples from, pp. 24, 25. Lefevre, _Emblemes de Maistre A. Alciat_, 1536, p. 70. Le Vasseur, _Devises des Emp. Rom._, 1608, p. 93; _Devises des Rois de France_, 1609, p. 93. _Libri cronicarum_, 1493, p. 56. Locher, _Stultifera navis_, before 1500, Plate IX., 57. Lonicer, J. A., _Stand und Orden_, 1585, p. 90; _Venatus et aucupium icon._, 1582, p. 88. Lonicer, Ph., _Insignia sacræ Cæsaræ maj._, 1579, p. 88. Lydgate’s _Dance of Macaber_, about 1430, p. 56; Hollar’s account, 1790, quoted, 56.

=2.= _La fin couronne les œuvres_, 139, 320, 322; _La fin nous faict tous egaulx_, 321; _La force d’eloquence_, 273; _La guerre doulce aux inexperimentez_, 152; _Latet anguis in herba_, 340; _La vie de Memoire_, 444; _Le chien est retourné à son propre vomissement, et la truie lavée au bourbier_, 144; _Loues triall_, 179; _Lucet et ignescit, sed non rubus igne calescit_, 64; _Lux tua vita mea_, 160; _Lux tua vita mihi_, 160; _L’ymage de Fortune_, 261.

=3.= Langhorne’s _Plutarch_, Timon, 430. Le Bey de Batilly, quoted:—Adamant on anvil, 347; Apollo and Christian Muse, 379; Milo caught in a tree, 344; Life like a game of dice, 322. Lindsay, Lord, _Christian Art_, 293; _Seven Ages_, 407.

=4.= Labour in vain:—Cupid and sieve, Perriere, 329; Shakespeare, 330; A tun with holes, Paradin, Whitney, 331, 332. Laing, D., letter, 1867, Queen Mary’s bed, 123, _note_. Lamp-burning, Horapollo, Shakespeare, 456. Land-jewels of the Netherlands, what, 83. Languages, snatches of, by Shakespeare, 163. Laurel, safety against lightning, Sambucus, 422; Whitney, Camerarius, 423; Shakespeare, 424, 425. Life, its seven ages, Plate XV., 407. Life, evils of, Holbein’s _Simulachres_, Shakespeare, 471. Limbert, Stephen, of Norwich School, 461. Limner’s art in Emblems, 38. Loft, Capel, his opinion of Shakespeare, 106, 107. Logomaniacs, reproved by Cudworth, 103. Lorrain, Card. of, his impresa, 124. Lottery of 1569, Whitney, 208; Shakespeare, 209–211. Louis XI., Order of St. Michael in 1469, p. 227; his impresa, 231. Louis XIV., history of, in medals, &c., 13. Love, its transforming power, Shakespeare, 349.

=M.=

M, _O. L._, Linacre’s _Galen_, f. 35, Paris, 1538, p. 119.

=1.= _Macaber, Dance of_, 14th century, p. 39; ed. 1484, p. 39; _La Danse Macabre_, 1485, and several other editions, 56. Mansion, _Dialogue des creatures moralizie_, 1482, p. 52. Manuel, _El conde Lucanor_, 1575, p. 90. Marquale, _Diverse imprese_, 1547, p. 70. Martin, _Orus Apollo de Ægypte_, 1543, p. 22. Mercerius, _Emblemata_, 1592, p. 94. Mercier, Horapollo, 1551, p. 22. Messin, Boissard’s _Emblêmes_, 1588, pp. 87, 164, 307, 320, 383, 444. _Microcosme, le_, 1562, p. 247. Mignault, or Minos, _Emblemes d’Alciat_, 1583, p. 70; _Omnia Andreæ Alciati Emblemata. Adj. comm._, 1573 and 1581, pp. 71, 79. ΜΙΚΡΟΚΟΣΜΟΣ, _Parvus mundus_, 1579 and 1592, pp. 88, 267. Modius, _Liber ordinis eccl. origo_, 1585, and _Pandectæ triumphales_, 1586, pp. 88, 89. Moerman, _Apologi creaturarum_, 1584, pp. 53, 88; _De Cleyn Werelt_, 98. Montenay. See _De Montenay_. More’s “pageauntes,” 1496, p. 120. Murner, _Chartiludium logicæ_, 1507, p. 64; _Narren Beschwörung_, 1512, 1518, p. 65.

=2.= _Maleficio beneficium compensatum_, 197; _Malè parta, malè dilabuntur_, 128, 502; _Manie droppes pierce the stone_, 324; _Materiam superabat opus_, 124; _Maulvaise nourriture_, 175; _Mea sic mihi prosunt_, 124; _Medio occidet die_, 124; _Mediis tranquillus in undis_, 125, _note_; _Mens immota manet_, 335; _Me pompæ provexit apex,_ 158, 168; _Merces anguina_, 198; ΜΙΚΡΟΝ ΦΡΟΝΤΙΣΑΝΤΕΣ ΣΩΚΡΑΤΟΥΣ, 155; _Moderata vis impotenti violentia potior_, 166; _Mort vivifiante_, 185; _Much rain wears the marble_, 324; _Multiplication de proces_, 374; _Mulier umbra viri_, 468; _Murus æneus, sana conscientia_, 423.

=3.= Magnat, _On flower signs_, 1855, p. 18. Martin, _Shakespeare’s seven ages_, 1848, p. 407. Menestrier, _Philosophia_ and _Judicium_, 1595, pp. 78, 79. _Microcosm_, quoted:—Fortune, 263; Prometheus, 267; Arion, 280; Milo, 298. Mignault, quoted:—Symbols, Coats of Arms, and Emblems, ed. 1581, or 1608, p. 2; Narcissus, 295; Hares and dead lion, 304, 305. Milton, Emblem, 9; _Paradise Lost_, curiously portrayed in _Adams appel_, 1642, p. 132; in Boissard’s _Theatrum_, The fall of Satan, Plate XI., 133. Moerman quoted, Wolf and ass, 53, 54. Moine’s _Devises_, Roy des abeilles, 363. Montalde, P. Horatius, 79. More, Sir T., quoted, 120, 461, 481. Motley, _Dutch Republic_, 81, 82. Mulgrave, _Voyage to the North Sea_, 348.

=4.= Maidens, Hindoo and Persian, and flowers, 18. Manchester Free Library, Faerno’s _Fables_, 1565, p. 85. Man, like a wolf, 281; like a god, 283. Man measuring his forehead, 129. Man swimming with a burden, from Perriere, 480; Whitney, 480; Shakespeare, 481. Man’s greatness, Coustau, 283; Reusner and Shakespeare, 283, 284. Manuscript Emblem-books, Macaber, 39; Astronomical, 41; _Speculum humanæ salvationis_, 42, 44; Bedford _Missal_, 44; _Hortulus animæ_, 58; Crosse, 100; Eng. Alciat, 101. Map of the world, Sambucus, 351; Shakespeare, 352. Marble, writings on, 457–462. Marcus Curtius, 5. Marquetry or mosaic work, in Emblems, 4. Mary of Lorrain, her impresa, 123. Mary, queen of Scotland, educated in France, 1548, p. 121; Bed of state wrought by her with many emblems, 123; Account of it, 123–125. Matthias, emperor, 96, 97. Maximilian I., _Tewrdannckh_ attributed to him, 1517, p. 67; _Ehrenpforte_ and _Triumphwagen_ in his honour, 67. Maximilian II., patron of Sambucus, 85. Maxwell. See _Stirling-Maxwell_. Mead, Dr., his copy of the _Dance of Death_, 40. Medeia and the swallows, as shown by Alciat, 190; Whitney, 190; Shakespeare, 192. Mercury and fortune, Alciat, 255; Mercury charming Argus, Drummond, 123; Mercury mending a lute, Sambucus, Whitney, 256; Shakespeare, 257, 258. Metrical renderings or translations: Diana, 3; the Fool, 34; Wolf and ass, 54; Oarsman’s cry, 61, 62; Epigram on James I., 122; Janus, 140; Diligence, 145; Sun of the soul, 161; Sun and wind, 165; Inverted torch, 171; Money, 178; Hope, 184; Snake, 198; Drums, 206; Wreaths, 222; Porcupine, 232; Courage, 233; Lady Bona, 235; Wine, 249; Sloth, 251; Fortune, 255, 262; Prometheus, 266; Dog and moon, 271; Eloquence, 272; Assassin, 276; Actæon, 277; Arion, 280; Man to man a god, 283; Phaeton, 285; Daphne, 297; Pegasus, 299; Insult to Hector, 304; Dead lion, 306; Elm and vine, 308; False feathers, 312; Ash and reed, 314; Cupid and the sieve, 330; Mind unmoved, 335; Adamant, 348; Wasps, 360; Falcon, 367; Renewed youth, 369; Unicorn, 372; Law’s delay, 374; Glory of poets, 380; Phœnix, 383; Alcyone, 391; King-fisher, 392; Pelican, 394, 395; Wounded stag, 398; Theatre, 405; State of man, 408; The hen, 411; Beauty, 419; Integer vitæ, 421; Laurel, 422; Timon, 428; Constancy, 436; Cupid and a ship, 437; Chaos, 448, 449; Wrongs on marble, 457; We flee what we follow, 467; Ban-dogs, 482; Riches and poverty, 489. Michael, St., order of, 1469, p. 227. Milo, in a tree, De Batilly, 344; Bull-bearing, Shakespeare; _Microcosm_, 296. Minerva superintending the Argo, 20. Minnesingers, or troubadours, remains of, 1461, p. 50. Miscellaneous Emblems: Words and forms of thought, Paris and Helen, 463; D. O. M., 464, 465; Time flying, &c., 466–468; Shadows fled and pursued, 468; Death and sleep, 469–471; Death’s fool, 471; Old time, 473, 474; Similarity of dedications, 475; Pine-trees in a storm, 475–477; Correspondencies in words, 477–479; Man swimming with a burden, 480; Ban-dogs, 481–483; Child and motley fool, 484; Ape and miser’s gold, 487; Hands of Providence, 489; Time leading the seasons, 491; Eternity, 491. Montgomerie, Earl of, Shakespeare’s dedication to, 122. Moral and æsthetic Emblems, allusions to, Corrozet, Montenay, Le Bey de Batilly, Shakespeare, 411–462: —Things at our feet, 411–413; Drake’s ship, 413–415; Adam in the garden, 415, 416; Gem in a ring of gold, 417–420; Conscience, 420–422; Laurel, safety of, against lightning, 422–425; Pleasant vices, 425; Timon of Athens, 426–431; Envy, 431–433; Ship tossed on the sea, 434–440; Student in love, 440–442; Ruins and writings, 443–445; Fame armed with a pen, 446; Good out of evil, 447; Il Caos, 448; Chaos, 449–454; Thread of life, 454, 455; Lamp burning, 456; Wrongs on marble, 457–461; Write in dust, 461; Higher morality, 462. Moth and candle, 151–153. See _Butterfly_. Motley fool and child, 499. Mouse caught in an oyster, Alciat, Whitney, Freitag, 130. Mulcaster, of Merchant Tailors’ school, 1561, p. 100. Music, Shakespeare’s appreciation of, 116. Mythological characters, Emblems for, 241–301: —Instances, 243, 244; Milo, 244; Cupid’s wings, 245; Cadmus, 245; Atlas, 245; Jupiter and Io, 245; Bacchus, 246–248; Circe, 250; Sirens, 253; Mercury and Fortune, 255; Mercury and the lute, 256; Mercury, 257, 258; Fortune, or occasion, and opportunity, 258–260; Fortune, 261; Fortune on the rolling stone, 263; Occasion, 263–265; Prometheus bound, 265–269; The dog baying at the moon, 270; Orpheus, 271–274; Actæon and the hounds, 274–279; Arion, 279–281; The contrary sentiment, 281–283; Phaeton, 284–287; Dædalus and Icarus, 287–291; Niobe, 291–294; Narcissus, 294–296; Daphne, 296, 297; Milo, 297; Pegasus, 298–300. Mythology, a fruitful source of illustrations, 241; Open to every one, 242; Ovid the chief storehouse, 242.

=N.=

=1.= _Narren Beschwörung_, 65. See _Murner_. _Narren Schyff_, 1494, p. 57; Supplied texts for Geyler, 66. See _Brant_. _Navicula_, 1511, p. 66. See _Geyler_. _Navis stultifera_, before 1500, p. 57. See _Locher_. _Nef des dames vertueuses_, 1503, p. 63. See _Champier_. _Nef des folles, selon les cinq sens_, 1501, p. 61. _Nef des princes_, 1502, p. 63. See _Champier_. Nestor, _Histoire des hommes_—_de Medici_, ed. 1564, p. 80. North, _Morall philosophie of Doni_, 1570 and 1601, pp. 76, 91, 120.

=2.= _Ne per morte_, 309; _Nil penna sed usus_, 370; _Nimium rebus ne fide secundis_, 476; _Niuno vecchio, Spaventa Iddio_, 136; _Nobil è quel, ch’ è di virtu dotata_, 366; _Non absque Theseo_, 143; _No pleasure without pain_, 333; _Nous savons bien le temps_, 392; _Nunquam siccabitur æstu_, 125, note; _Nusquam nisi rectum_, 124; _Nusquam tuta fides_, 196.

=3.= _Nebulo nebulonum_, 1620, p. 65. See _Flintner_. North’s _Plutarch_, 1579, Timon of Athens, 426; Epitaph, 430, 431. _Notes and queries_, 1862, p. 67.

=4.= Napoleon’s return from Elba, 18. Narcissus, from Mignault, Alciat, 294; Aneau, Whitney, Shakespeare, 295, 296. Nature, Emblems from facts in, and from properties of animals, 346–376: —Natural, one of the divisions of emblems, 346; Frosty Caucasus, 346; Adamant indestructible, 347, 348; Bear and cub, power of love, 348–350; The inhabited world, 350–353: Zodiac, 353–355; Turkey, 356–358; Vulture, 358; Commonwealth of bees, 358–365; Happe goulden honie bringes, 364; Falconry, 365–368; Eagle renewing its youth, 369; Ostrich spreading its wings, 370; Unicorn, 371–373; Hercules and dragon, 373–375; Various animals, 375, 376. Nemesis and hope, 182. See _Hope_. Niobe and her children, from Alciat, 292; Aneau, Whitney, Shakespeare, 293. Nowell, Dr. Alexander, 395. Nun, or canoness, Holbein, 469.

=O.=

=1.= _Occulti academici_, &c., 1568. See _Rime_. Orozco, _Emblemas morales_, 1610, pp. 31, 99. Ovid, _Heroidum liber_, 1473, p. 242; _Metamorphoses_, 1480, p. 242; _M. cum figuris depictis_, 1497, p. 35; _Metamorphoses_, Spanish, 1494, p. 242; Italian, 1497, p. 242; _Metamorphoses_, figurato, &c., 1559, pp. 35, 245; Plantin’s ed. 1591, p. 246; Golding’s English translation, 1565 and 1567, pp. 241, 243; _La bible des poetes_, 242.

=2.= _Orphei musica_, 272; _Otiosi semper egentes_, 146; _O vita misero longa_, 268.

=3.= Oetlinger, _Bibliog. biog. univ._, 97. Ormerod, _History of Cheshire_, 211. Ovid, _Metamorphoses_, quoted:—Singular subscription, 242; Swan, 214; Circe, 250; Orpheus, 274; Actæon, 278; Phaeton, 284; Niobe, 291; Daphne, 296; Phœnix, 385; Halcyon, 391; Wounded stag, 399; Cupid’s arrow golden, 400; Chaos, 448; _2 Trist._, Jove’s thunderbolt, 209.

=4.= Oak and reed, Junius, Shakespeare, Vænius, 315; Whitney, 316. Oarsman’s cry, 61, 62. Occasion, or opportunity, 258; Alciat, 259; Whitney, 260; Shakespeare, 260, 264, 265; Plate XII., 265. Old men at death, Shakespeare, 215. Old time, Shakespeare, 473. Olive and vine, 249. See _Vine_. Orange, Prince of, device, 125, _note_. Order, of St. Michael, 227; Of the golden fleece, 228. Ornamentation of houses, Emblems used for, 126–130, 131. Orpheus, Coustau, 271; Reusner, Whitney, 272; Ovid, 274; Shakespeare, 273, 274. Ostrich, eating iron, 126; Giovio, 233; Camerarius and Shakespeare, 234; Spreading its wings, Paradin, 370; Whitney and Shakespeare, 370, 371.

=P.=

P, _O. L._, Alciat’s _Emb._ p. xii., Antverp., 1581, p. 318.

=1.= Palazza, _I discorsi imprese_, &c., 1577, pp. 79, 86. Paracelsus, _Prognosticatio_, 1536, p. 71. Paradin, _Quadrins historiques de la Bible_, 1555, p. 75; _Devises heroiques_, 1557, _Symbola heroica_, 1567, and other editions before 1600, p. 75; English version, 1591, p. 75; Menestrier, 79. Parker, _Tryumphes of Petrarcke_, 1564, p. 55. Passæus, 95, 96. See _De Passe_. Peacham, _Minerva Britanna_, 1612, pp. 99, 100. Percivalle, _Versus et emblemata_, 1588, p. 79. Pergaminus, _Dyalogus Creaturarum_, written in the 14th century,—editions, Latin, 1480, 1483; French, 1482; and English, 1520, pp. 51, 52, 66. Perriere, 60. See _De la Perriere_. Personé, alluded to by Menestrier, 79. Petrarch, _Trionphi_, 1475, 1510, and 1523, p. 55. Pezzi, _La vigna del signore_, 1589, p. 87. Pfintzing, _Tewrdannckh_, 1517; love adventures of Maximilian I. and Mary of Burgundy, 67, 68. Phasianinus, Latin version of _Horapollo_, 1517, p. 64. Philieul, _Dialogue des Devises_, 1561, p. 78. Pierius Valerian, _Hieroglyphica_, 1556, pp. 24, 80. Pignorius, _Vetustissimæ tabulæ_, 1605, 95; _Characters Ægyptii_, 1608, pp. 95, 97; and _Short notes on Alciat_, 1618, p. 71. Pinciano, _Los Emblemas de Alciato_, 1549, p. 70. Pinedi, _Duodecim symbola in Jobum_, 1600, p. 79. Pittoni, _Imprese di diversi principi_, 1566, p. 86. Ponce de Leon, _Epiphanius_, 1587, p. 28. Porri, _Vaso di verita_, 1597, p. 92. Porro, _Il primo libro_, 1589, p. 87.

=2.= _Parfaite est l’amitie qui vit après la mort_, 307; _Partium_ τῆς οἰκουμένης _symbola_, 351; _Patria cuique chara_, 361; _Paupertas immerita_, 489; _Pecunia sanguis et anima mortalium_, 177; _Perfidus familiaris_, 195; _Pennæ gloria immortalis_, 446; _Perpolit incultum paulatim tempus amorem_, 348; _Per vincula crescit_, 123; _Peu à peu_, 349; Φιλαυτία, 295; _Piena di dolor voda de sperenza_, 124; _Pietas filiorum in parentes_, 191; _Pietas revocabit ab orco_, 124; _Piu por dulzura que por fuerza_, 162, 167; _Plus par doulceur que par force_, 165; _Plus virtute quàm armis_, or _Plvs par vertv qve par armes_, 164; _Poetarum gloria_, 379; _Ponderibus virtus innata resistit_, 124; _Porta hæc clausa erit et non aperietur_, 47; _Post amara dulcia_, 332; Πῶς γέροντα μουσίκον, 213; Πῶς λαὸν πειθήνιον βασιλεῖ, 358; _Precipitio senza speranza_, 124; _Precium non vile laborum_, 228; _Principis bona imago_, 143; _Principis clementia_, 360; _Pro lege et grege_, 394; _Propera tarde_, 16; _Prudentes vino abstinent_, 249; _Pur reposer_, 7.

=3.= Palæphatus, on _Actæon_, 278. Paradin, quoted,—Ape and miser’s gold, 501; Arrow wreathed on a tomb, 183; Barrel full of holes, 332; Butterfly and candle, 151; Fleece, golden, 228; Gold on the touchstone, 175; Leafless trees and rainbow, 128; Michael, order of St., 227; Ostrich with stretched wings, 370; Phœnix, 234, 385; Snake on the finger, 342; Stag wounded, 399; Wheat among bones, 184; Wreath of chivalry, 169; Wreath of oak, 224; Wrongs on marble, 458. _Penny Cyclopædia_, on _Pericles_, 168; on the plays of _Henry VI._, 238; Unicorn, 372. _Percy Reliques_, Dragon, 373. Pfister, earliest printed book on scriptural subjects, 1462, p. 45; Earliest German book, 1461, p. 50. Pindar, on _Symbol_, 2. Plantin, 1564–1590, _fifty_ editions of Emblem-books, 85. Plato, the swan, 214; king-bee, 359. Plautus, “_life to me_,” 161. Plutarch, _Timon of Athens_, 430; Carking, 468. Priestley, _Lectures on History_—on Grecian coins, 13. Proclus, _Seven ages of man_, 407.

=4.= Painters referred to, Romano, 110; Rubens, 96; Titian, 111, 114. Palm-tree, a device on Queen Mary’s bed, 124. Parallelisms and correspondencies between Shakespeare and emblem writers, numerous, 494. Pegasus described, 141–144; Alciat, 299; Shakespeare, 300. Pelican, Epiphanius, 393; Camerarius and Reusner, 394; Junius and Whitney, 395; Shakespeare, 396; Note in Knight, 396. Pembroke, earl of, dedication to, 1668, p. 122. _Pericles_, accepted as of Shakespeare’s authorship, 156, 157, 158; the triumph-scene, 158; First knight, _Lux tua vita mihi_, 160–162; Second knight, _Piu por dulzura que por fuerza_, 162–167; Third knight, _Me pompæ provexit apex_, 168–170; Fourth knight, _Quod me alit, me extinguit_, 170–175; Fifth knight, _Sic spectanda fides_, 175–181#; Sixth knight, _In hac spe vivo_, 181–186. Personification, especially in mythology, 258. Perth, earl of, Emblems in a letter to, 124, _note_. Phaeton, Ovid, 284; Alciat, 285; Symeoni, 284; Shakespeare, 286, 287. Philip, duke of Burgundy, 1429, Golden fleece, 228. Phœnix, emblem for long life; for returning to friends; restoration after long ages, 23; Oneliness or loneliness, 235, 236; Accounts of, 22, 23, 234–236; Phœnix’ nest, 380; Emblem of loneliness, Paradin, Giovio, 234, 235; Shakespeare, 236; Emblem of duration, Horapollo, 23; Emblem of new birth, and resurrection, Freitag, 381; Mary of Lorraine, 123; Emblem of oneliness, Paradin and Reusner, 385; Whitney, 387; Shakespeare, 388–390; Emblem of life eternal, 386. Phœnix with two hearts, Hawkins, 383; the Virgin mother and her son, entire oneness of affection, 384; Shakespeare, 384. Phryxus, or Phrixus, 229. See _Golden Fleece_. Picture writing, 18, 30. Picture and short poesie, marks of the Emblem, 31. Pilgrim travelling, Cullurn’s _Hawsted_, 128. Pine-trees in a storm, Horace, Sambucus, 475; Whitney, 476; Shakespeare, 477. Plate, of emblematical character, 20. Pleasant vices, their punishment, 425. Poetic ideas, emblems for, 377–410; Shakespeare’s splendid symbolical imagery, 377; Glory of poets, 379, 380; The phœnix, 381–383; Phœnix with two hearts, 384; The bird always alone, 384–390; Kingfisher, 391–393; Pelican, 393–398; Wounded stag, 397–400; Golden, the epithet, 400; Death and Love, 404, 405; Cupid in mid-air, 404; Human life a theatre, 405, 406; Seven ages of life, 407–410. Poet’s badge, Alciat, 218; Whitney, 217; Shakespeare, 219. Poet’s glory, 379; Le Bey de Batilly, 380; Shakespeare, 380. Politics in emblems, _Il Principe_, 34. Porcupine, Drummond, 124; Giovio, 231; Camerarius, Shakespeare, 232. Portcullis, emblem used by Henry VIII., 124. Powers granted for noble purposes, Whitney, Shakespeare, 412. Printing with blocks, 45–49; with moveable types, 50. Progne or Procne, Aneau, Shakespeare, 193. Prometheus bound, Alciat, 266; Aneau, 267; _Microcosme_, 267; Reusner, Whitney, 268; Shakespeare, 268, 269. Proverbs, Emblems in connection with, 318–345: —Proverbs suggestive of narrative or picture, 318; _La fin couronne les œuvres_, 320–322; _Manie droppes pierce the stone_, &c., 324; _To clip the anvil of my sword_, 325–327; _Jove laughs at lovers’ perjuries_, 328, 329; _Labour in vain_, 329–332; _Every rose its thorn_, 332–334; _True as the needle to the pole_, 334–337; _Out of greatest least_, 337–339; _A snake in the grass_, 340, 341; _Who against us?_ 342, 343; _Hoist with his own petar_, 343, 344. Providence, and girdle, 413 (see _Drake’s ship_); Making poor and enriching, Plate XVI., 489. Pyramid and ivy, Drummond, 124.

=Q.=

=1.= _Quadrins historiques de la Bible_, 1553–1583, _twenty-two editions_ in various languages_73_. _Quadrins historiques du Genèse_, 1553, p. 73. _Quadrins historiques de l’Exode_, 1553, p. 73.

=2.= _Quæ ante pedes?_ 411; _Quæ sequimur fugimus, nosque fugiunt_, 466; _Quæ supra nos, nihil ad nos_, 260; _Quel che nutre, estingue_, 175; _Que mas puede la eloquençia que la fortaliza_, 164; _Quem nulla pericula terrent_, 347; _Quibus rebus confidimus, iis maxime evertimus_, 344; _Quid nisi victis dolor_, 124; _Qui me alit, me extinguit_, 171–173; _Quis contra nos?_ 126, 342; _Quod in te est, prome_, 395; _Quod me alit, me extinguit_, 170, 174; _Quod nutrit extinguit_, 174; _Quod sis esse velis_, 312; _Quo modo vitam_? 456; _Quo pacto mortem seu hominis exitum?_ 454; _Quo tendis?_ 128.

=3.= Quarles, definition of Emblem, 1. Quinctilian, use of the word Emblem, 5.

=4.= _Qui_ or _quod_, variations in the reading, 174.

R.

R, _O. L._, _Nef des folz_, xlix., Paris, 1499, p. 411; _O. L._, of uncertain origin, p. 531.

=1.= Rabelais, _Les songes drolatiques de Pantagruel_, 1565, p. 86. Rastall, _Dialogue of creatures_, 1520, p. 51. Regiomontanus, or Muller, 1476, p. 42. Regiselmus. See _Joachim_. Reusner, _Emblemata_ 1581, _Aureolorum Emblem._, 1591, pp. 88, 89, 251. _Rime de gli academici occulti_, 1568, p. 86. Rinaldi, _Il mostruosissimo_, 1588, p. 87. Ripa, _Iconologia_, &c., 1603, 1613, p. 92. Riviere, _Nef des folz du monde_, before 1500, p. 57. Rollenhagen, _Les emblemes_, 1611, p. 95; _Nucleus Emblematum_, 1613, p. 97. Ruscelli, _Discorso_, 1556, p. 77; _Imprese illustri_, 1566, p. 78. Rüxner, _Turnier-buch_, 1530, p. 68.

=2.= _Rabie succensa_, 356; _Remember still thy ende_, 320; _Renovata juventus_, 369; _Res humanæ in summo declinant_, 435; _Respice et prospice_, 139; _Rompe ch’ il percote_, 125; _Rore madet vellus_, _Permansit arida tellus_, 47; _Rota vite que septima notatur_, 407.

=3.= Rapin, _History of England_, 1724, p. 122. _Real museo Borbonico_, 1824, p. 19. Reusner, quoted:— Circe, 251; Hares and dead lion, 306; Man a god to man, 283; Orpheus and harp, 272; Pegasus, 143; Pelican and young, 394; Phœnix, 385; Prometheus, 268; Serpent and countryman, 197; Sirens, 252; Swan, 215, 216; Unicorn, 371. Roscoe, _Leo X._, 303.

=4.= Recapitulation and conclusions, 492–495. References and coincidences not purely accidental, 494. References to passages from Shakespeare, in the order of the plays and poems, and to the corresponding devices and subjects of the Emblems, _Appendix_ iii., 531–542. Rhetoric, chambers of, their pursuits and amusements, 81, 82; Extent and nature, 82. Rich and poor, Plate XVI., 489. Rock in waves, Drummond, 125, _note_. Romano, Julio, works known to Shakespeare, 110; Where there are now works of his, 110, 111. Romano, Capitano Girolamo Mattei, 233. Rose and thorn, Whitney, Perriere, 333; Vænius, 333; Shakespeare, 334. Rubens, desciple of Vænius, 96. Rudolph II, 85, 89, 96. Ruins and writings, Whitney and Costalius, 444; Shakespeare, 444, 445; Boissard, 449.

=S.=

S, _O. L._, Giovio’s _Sent. Imp._ 3, Lyons, 1562, pp. 156, 515; _O. L._, Sambucus (Emb. 232), Antverp., 1564, p. 302.

=1.= Sadeler, _Symbola divina et humana_, 1600, 1601, p. 95; _Theatrum morum_, 1608, pp. 95, 96, 97. Sambigucius, _Interpretatio_, 1556, p. 77. Sambucus, _Emblemata_, 1564, and _Emblêmes de Jehan Sambucus_, 1567, p. 85; Notes by Don John of Austria, 1572, p. 86. Sanctius, or Sanchez, on _Alciat_, 1573, pp. 71, 88. Sassus, referred to by Menestrier, 79. Sceve, _Delie_, 1544, p. 75. Schopperus, Πανοπλία, 1568, and _De omnibus illiberalibus sive mechanicis artibus_, 1574, p. 88. Schrot, _Wappenbuch_, 1581, p. 90. Scribonius, 1550. See _Graphæus_. Sevus, referred to by Menestrier, 79. _Shyp of fooles._ See _Watson_ and _Barclay_. Sicile, _Le blason de toutes armes_, and _Le blason des couleurs_, 1495, p. 58. _Simulachres & historiees faces de la mort_, 1538, p. 71; _Fifteen_ editions, 72, 471. Soto. See _De Soto_. S. (P.), _Heroical devices_, 1591, pp. 75, 120. Spanish Emblem-books, _passim_, and, 70, 90, 99. _Speculum humanæ salvationis_, MS., printed about 1430 by Koster, 43; Description of his edition, 43; Many editions and kindred works before 1500, p. 43; Plates IV. and V., 44. _Spelen van sinne_, allegorical plays, 1539, p. 81. _Stam und wapenbuch_, 1579, p. 31. Stimmer, _Neue kunstliche figuren Biblischen_, 1576, p. 90. Stockhamer, _commentariola_ to Alciat, 1556, p. 70. _Stultifera navis_, previous to 1500, Locher, Riviere, Plate IX., 57; Other versions, 57; Badius, 61. Symeoni, _Vita et Met. d’Ovid._, 1559, pp. 3, 35, 79; _Devises ou emblemes heroiques et morales_, 1561, pp. 15, 16; _Imprese_, 1574, p. 17; _Imprese heroiche et morale_, 1562, p. 78; _Sententiose imprese_, 1562, p. 78.

=2.= _Sa virtu m’attire_, 123; _Scelesti hominis imago & exitus_, 53; _Scribit in marmore læsus_, 457, 458; _Scripta manent_, 443; _Servati gratia ciuis_, 224; _Sibi canit et orbi_, 217; _Sic majora cedunt_, 366; _Sic spectanda fides_, 159, 175, 178; _Si Deus nobiscum, quis contra nos?_, 342; _Si fortuna me tormenta, il sperare me contenta_, 137, 138; _Si fortune me tourmente, l’esperance me contente_, 138; _Silentium_, 208; _Sine justitia confusio_, 449, 450; _Sola facta, solum Deum sequor_, 234; _Sol animi virtus_, 161; _Sola vivit in illo_, 126; _Speravi et perii_, 130; _Spes altera vitæ_, 1833, #184; _Spes aulica_, 182; _Spes certa_, 182; _Spiritus durissima coquit_, 233; _Stultitia sua seipsum saginari_, 310; _Stultorum infinitus est_, 66; _Superbia_, 292; _Superbiæ vltio_, 293.

=3.= Sadeler, _Zodiacus christianus_, 1618, p. 353. Sambucus, quoted: —Actæon, 277; Astronomer, 335; Ban-dog, 482; Child and motley fool, 484; Elephant, 196; Forehead, 129; Hen eating her own eggs, 411; Laurel, 422; Mercury and lute, 256; Pine-trees in a storm, 475; Ship on the waves, 435; Time flying, 466; Timon, 427; World, map of, 351. Schiller, _Werke_, 199. Schlegel, on _Pericles_, 157. Shakespeare quoted, by way of allusion, or of reference to: —Æsop’s _Fables_, 303; Actæon, 276, 279; Adam hiding, 416; Adamant, 348; Æneas and Anchises, 191; Ape and miser’s gold, 488; Apollo and the Christian muse, 379; Argonauts and Jason, 230; Arion, 283; Astronomer and magnet, 356; Atlas, 245; Bacchus, 249; Ban-dog, 484; Bear and ragged staff, 237–240; Bear and cub, 349, 350; Bees, 361–365; Bellerophon and chimæra, 300; Brutus, 201–205; Butterfly and candle, 153; Cadmus, 245; Cannon bursting, 345; Casket scenes, 149–154, 186; Cassius and Cæsar, 193; Chaos, 451–453; Child and motley fool, 485; Chivalry, wreath of, 168; Circe, 252; Cliffords, 192; Clip the anvil of my sword, 327; Commonwealth of Bees, 362–365; Conscience, power of, 421; Coriolanus, 201; and his civic crowns, 226; Coronation scene, 9; Countryman and serpent, 197; Cupid blinded, 331; Cupid in mid-air, 404; Daphne, 297; Death, 469; Dog baying the moon, 269; Dogs not praised, 145, 483; D. O. M., 464, 465; Drake’s ship, 415; Drinking bout of Antony and his friends, 246; Drops pierce the stone, 324; Dust, to write in, 461; Eagle renewing its youth, 369; Elizabeth, queen, 404; Elm and vine, 309; Emblem defined, 9; Emblems without device, 149–151; End crowns all, 320, 323; Engineer hoist, 345; Envy, 433; Estridge, 371; Eternity, 491, 492; Falconry, 367, 368; Fame armed with a pen, 445, 446; Fin couronne les œuvres, 320–323; Fortune, 262; Fox and grapes, 311; Frosty Caucasus, 346; Gem in a ring, 419; Golden, 400, 404; Gold on the touchstone, 175, 180; Golden Fleece, 227; Good out of evil, 447; Greatest out of least, 337–339; Hands of Providence, 489, 490; Happe some goulden honie bringes, 365; Hares and dead lion, 304; Hen eating her own eggs, 412; Heraldry, 222, 223; Homo homini lupus, 280, 283; Homo homini Deus, 283, 284; Hydra, 375; Icarus, 291; Inverted torch, 170; Jackdaw in fine feathers, 313; Janus, two-headed, 140; Jupiter and Io, 246; Jove laughs at lovers’ perjuries, 328; King-fisher, 392; Labour in vain, 331, 332; Lamp burning, 456; Laurel, 422–425; Lottery, 209–211; Love’s transforming power, 349; Man with a fardel or burden, 481; Man’s greatness, 284; Map of the world, 351, 352; Medeia, 192; Mercury, 257, 258; Michael, order of St., 227; Milo, 297; Narcissus, 296; Niobe, 293, 294; Oak and reed, 315, 316; Occasion, or opportunity, 260, 264, 265; Old Time, 473; Orpheus, 273, 274; Ostrich, 234, 371; Pegasus, 299, 300; Pelican, 394–397; Pen, its eternal glory, 447; _Pericles_,—the triumph scene, 158, 160–186; Phaeton, 286, 287; Phœnix, 236, 381–390; Pine-trees, 477; Poet’s badge, 218, 219; Poet’s glory, 379, 380; Porcupine, 232; Powers granted for noble purposes, 412; Progne, 194; Prometheus bound, 268; Romano, Julio, 110; Ruins and writings, 443–445; Rose and thorn, 333, 334; Serpent in the breast, 198; Seven ages of man, 407–410; Shadows fled and pursued, 468; Ship in storm and calm, 435–440; Sirens, 254; Skull, human, 337–339; Snake in the grass, 341; Snake on the finger, 343; Stag wounded, 397–400; Student entangled in love, 441; Sun and wind, 160; The setting sun, 323; The swan, 219; Sword on an anvil, 327; Sword with a motto, 138; Testing of gold, 175, 180, 181; Theatre of life, 405, 406; Things at our feet, 411, 412; Thread of life, 454; Time leading the seasons, 491; Timon, 427–431; Turkey and cock, 357, 358; Unicorn, 371, 372; Vine and olive, 249; Whitney’s dedication lines, 464; Wreath of chivalry, 168; Wreaths, 222; Wreath of oak, 225; Wrongs on marble, 457–462; Zodiac, signs of, 353. Shakespeare, acquainted with languages, 106, 107, 168; with the works of Julio Romano, 110; and of Titian, 115; with Emblems, 137, 158, 186. —Attainments, 106–116; sufficient for cultivating Emblem literature, 107, 108. —Dramatic career, 1590–1615, pp. 91, 92; An Emblem writer, 148, 154, 493; Genius, 105; Judgment in works of art,—sculpture, 109, 110; ornament, 111; painting, 112–115; melody and song, 115, 116. —Knowledge of ancient history and customs, 105, 106, 225, 226; Marks of reading and thought, 242; Tendency to depreciate his attainments, 105; Use of term Symbol, 2; Device, 8; Emblem, 9. _Shepheards calender_, Spenser, 134–137, 186. Siegenbeek, _Geschiedenis der Nederlandsche letterkunde_, 82. Smith, _Dictionary of Greek and Roman Antiquities_, 10. Sotheby, _Principia typographica_, 1858, pp. 48, 49. Spenser, ideas of devices, 8; Early sonnets, 88; Visions, 134; _Shepheards calender_, 134, 136, 185; Ban-dogs, 481. _Stamm Buch_, 1619, Adam hiding, 416. Statius, badges, 47. Suetonius, _Tiber. Cæsaris vita_, 5. _Symbola divina et humana_, 1652, p. 176. Symeoni, quoted:—Ape and miser’s gold, 486; Butterfly and candle, 153; Chaos, 448; Creation and confusion, 35; Diana, 3; Dolphin and anchor, 16; Forehead shows the man, 129; Inverted torch, 171; Phaeton, 284; Serpent’s teeth, 245; Wounded stag, 398; Wrongs on marble, 457. _Syntagma de symbolis_, 2.

=4.= Saint Germain, fair at, imprese, 124, _note_. Salamander, impresa of Francis I., 123, 125. Satan, fall of, Boissard, 1596, Plate XI., 132, 133. Satire in Emblems, 33. Saviour’s adoption of a human soul, Vænius, Plate II., 32. Savoy, duke of, his impresa, 124; Madame Bona of, her device, 235. Sepulchre and cross, Diana of Poitiers, 183. Serpent and countryman, Freitag, Reusner, 197; Serpent in the bosom, Shakespeare, 198. Seven ages of man, Arundel MS., 406; Hippocrates, Proclus, Antonio Federighi, Martin, Lady Calcott, 407; Block-print described, Plate XV., 407, 408; Shakespeare, 409, 410. Shadow, fled and pursued, Whitney, 467; Shakespeare, 468. Shield untrustworthy. See _Brasidas_. Shields of Achilles, Hercules, Æneas, &c., 20. Ship, with mast overboard, Drummond, 124; Ship on the sea, Drummond, 125; Ship tossed by the waves, Sambucus, Whitney, 435; Ship sailing forward, Whitney, Alciat, 436; Boissard, 437; Shakespeare, 438–440. Sieve held by Cupid, 340. See _Cupid_. Silent academy at Hamadan, 17. Silversmiths, their craft and emblems, 20. Similitudes and identities in literature, 302. Sinon, 194–200; Virgil, 194; Whitney, 195, 196, 199; Shakespeare, 200. Sirens,—Alciat, 253; Whitney, 254; Shakespeare, 254. Six direct references to Emblems in the _Pericles_ of Shakespeare, 156–186. Skiff of foolish tasting, Badius, 1502, p. 61. Skull, human, Aneau, Whitney, 337; Shakespeare, 338, 339. Snake in the grass, Paradin, Whitney, 340; Shakespeare, 341. Snake on the finger, Paradin, 342; Whitney, Shakespeare, 343. Soul, its hieroglyphic sign, 25, 26. Spanish motto, 162, 164, 167. _Speculum humanæ salvationis_, Plates IV. and V., 44. Stag wounded, Giovio and Symeoni, 398; Paradin, Camerarius, Virgil, Ovid, Vænius, 399; Shakespeare, 399, 400. Stage, the world a, 409. See _Seven ages_. Star, its hieroglyphic meaning, 25. Statuary and architecture excluded, 11. Stirling-Maxwell, Bart., of Keir, De Bry’s _Stam und wapenbuch_, 1593, p. 32; ΜΙΚΡΟΚΟΣΜΟΣ, by Costerius, 98. See also _Keir_. Stork, emblem of filial piety, &c., 28; Epiphanius and Alciat, 28. Student in love, Alciat, Whitney, 441; Shakespeare, 442. Subjects of the Emblem _Imprese_, &c., 515–530. Sun and moon, in dialogue, 52. Sun of York, 223; Sun in eclipse, 124; Sun setting, Whitney, 323; Sun, wind, and traveller, Corrozet, 165; Freitag, Shakespeare, 166. Swan singing at death, Æschylus, Horapollo, 213; Virgil, Horace, 214; Old age eloquent, Aneau, 215; Pure truth, Reusner, 216; Camerarius, 217; Insignia of Poets, Alciat, Whitney, 218; Shakespeare, 219, 220. Sword with motto, 138. Sword on anvil, Perriere, 326; Whitney, 327; Shakespeare, 325, 327. Sword to weigh gold, Drummond, 124. Symbol, more exact use, Pindar, Æschylus, Cudworth, Shakespeare, 2. Symbols and Emblems, almost convertible terms, 1; yet a difference, 2. Symbolic properties of animals, 28. Symbolical imagery, fine example of, 377.

=T.=

T, _O. L._, _Nef des Folz_. 7, Paris, 1499, p. xiii.

=1.= Taëgius, referred to by Menestrier, 79. Tambaco, _Speculũ-paciẽtierum_, 1509, p. 65. Tasso, Torq., _Discorsi del poeme_, 79, 92. Tasso, Herc., referred to by Menestrier, 79. Taurellius, _Emblema physico-ethica_, 1595, pp. 94, 96. _Tewrdannckh_, in honour of Maximilian I., dedicated to Charles V., splendid volume, 67. _Théatre des animaux_, 93. See _Desprez_. _Todtentanz_, the original editions, 1485 to 1490, not by the Holbeins, 56. Trebatius, Latin version of _Horapollo_, 1515, p. 64. _Triumphwagen_, 67. See _Durer_. Troiano, _Discorsi delli triomfi_, 1568, p. 86. _Turnier-buch_, 68. See _Durer_. _Typotius_, 1601–1603, p. 95. See _Sadeler_.

=2.= _’t Geld vermagalles_, 177; _Temere ac pericvlose_, or _Temerité dangerevse_, 152; _Tempus irrevocabile_, 36, 490; _Tempus omnia terminat_, 323; _Te stante virebo_, 124; _Time terminates all_, 323; _Trino non convenit orbis_, 124; _True as needle to the pole_, 334; _True as steel_, 337.

=3.= Tennyson, _Elaine_, 30. Tibullus, on lovers’ vows, quoted, 328. Timperley, _Dictionary of printers_, 1839, pp. 44, 56. Titian, _Triumph of truth and fame_, 32; his paintings, 111, 114. Tod, remarks on Spenser, 137.

=4.= Tabley, Cheshire, ancient hall of the Leycesters, with emblem, 131. Talbot, earl of Shrewsbury, 207, 227. Theatre, human life, Boissard, Plate XIV., 405; Shakespeare, 406. Theological conjecture, a curious, 383. Thieves, so triumph, 319. Things at our feet, Whitney, Sambucus, 411; Types of powers to be used, Shakespeare, 412. Thingwall, the emblem library there, 86. Thompson, H. Yates, of Thingwall, 5, 44. Thread of life, Horapollo, 454; Shakespeare, 455. Time flying, Sambucus, 466; Whitney, 467; Plutarch, 468; Shakespeare, 468, 469; Turning back, Shakespeare, 473. Time leads the seasons, Vænius, Horace, Plate XVII., 491; Shakespeare, 491. _Timon of Athens_, Dr. Drake, 426; North, Plutarch, Sambucus, 426, 427; Shakespeare, 428, 429; Epitaph, 430; Mode of death, 431. Titus, son of Vespasian, his emblem, 16. Tongue with bat’s wings, Cullum and Paradin, 128. Tree of life, 126. See _Arrow wreathed_. Tree in a churchyard, Drummond, 124. Triangle, sun and circle, Drummond, 124. Triumph scene in the _Pericles_, 1589, pp. 160–186. _Tronus Cupidinis_, De Passe, 348. Trophy on a tree, Drummond, 124. True as needle, Sambucus, 334; Whitney, 335; Shakespeare, 336; lode stars, 336. True as steel, 337. True men so yield, 319. Truth, an emblem so named, 20. Turkeycock, Freitag, Camerarius, 357; Shakespeare, 358.

=U.=

=1.= Ulloa, Alphonsus, 1561, Menestrier, 79.

=2.= _Unde_, 124, note; _Undique_, 123; _Unica semper avis_, 385; _Unum quidem, sed leonem_, 124; _Ut casus dederit_, 124; _Ut parta labuntur_, 128; _Utilia prudenti, imprudenti futilia_, 53.

=4=. Ulysses and Diomed as an emblem, 5. Unicorn, 371; Reusner, Brucioli, _Penny Cyclopædia_, and Camerarius, 372; Shakespeare, 373.

V.

=1.= Vænius, 93; _Zinnebeelden_, 1603, p. 98; _Q. Horatii Fl. Emblemata_, 1607 & 1612, pp. 36, 95; _Amorum Emblemata_, Latin, English, and Italian, 1608, pp. 95, 99; _Amorum Emblemata_, Spanish, 1608, pp. 99, 122; _Amoris Divini Emblemata_, 1615, pp. 32, 99. Valence, _Emblesmes—du Segnor Espagnol_, 1608, pp. 93, 94. Valerian, 80. See _Pierius_. Vander Noot’s _Theatre_, &c., 1568, pp. 87, 91. Van Ghelen, Flem. trans. _Navis stultorum_, 1584, p. 90. Van Vischer, _Sinnepoppen_ (Emblem play), 1614, p. 98. Verdier, trans. into French, _Imagini_, &c., 1581, p. 87. Villava, _Empresas Espirituales_, &c., 1613, p. 99. Virgil Solis, 85; _Libellus sartorum_, 1555, p. 77; _Figures for the New Testament_, and _Artistic book of animals_, between 1560 and 1568, p. 85. _Volucribus, de, sive de tribus columbis_, MS., 13th century, 44.

=2.= _Vel post mortem formidolosi_, 205; _Veritas armata_, 123; _Veritas invicta_, 264; _Via, veritas, vita_, 462; _Victrix animi equitas_, 314; _Victrix casta fides_, 371; _Video et taceo_, 208; _Vigilantia et custodia_, 210; _Vina coronal_, 101; _Vincit qui patitur_, 315; _Violentior exit_, 154; _Vipera vim perdet, sine vi pariente puella_, 47; _Virgo salutatur, innupta manens gravidatur_, 47; _Virtuti fortuna comes_, 211; _Vine ut viuas_, 444; _Volat irrevocabile tempus_, 36, 494; _Voluptas ærumnosa_, 277; _Vijt Adams appel Sproot, Ellende Zonde en Doodt_, 132.

=3.= Vænius, quoted, Butterfly and candle, 152; Christian Love presenting the soul to Christ, Plate II., 32; Conscience, 421; Cupid felling a tree, 324; Elm and vine, 308; Fortune, 263; Rose and thorn, 333; Ship sailing, 437; Time leading the seasons, Plate XVII., 490, 491; Two Cupids at work, 179; Venus dispensing Cupid from his oaths, 328; Wounded stag, 399; _Amorum Emblemata_, Latin, English, and Italian, 179, 437. Van der Veen, _Adams appel_, 1642, Plate X., 132. Van Hooghe, _Frontispiece of Cebes_, 1670, p. 13. Virgil, _Æneid_, Bees, 359; Circe, 251; Crests, 14; Shield of Æneas, 20; Sinon, 194; Stag wounded, 398; Swan, 214; _L’Eneide de Virgile_, Lyons, 1560, p. 36.

=4.= Van Hooft, illustrious Dutch poet, 98. Varieties of Emblems, 18; great, 34. Vases with emblems, Warwick, 10; Italo-Græco, 19. Venus dispensing Cupid from his oaths, 328. Verard, 1503, publisher of _Les figures_, &c., 63. Vine and olive, Whitney, Alciat, 249. Vine watered with wine, Drummond, 124. Volvelle, astrological, 42. Vostre, Simon, of Paris, printer, 39.

=W.=

W, _O. L._, Symeoni’s _Vita d’ Ovidio_, Lyons, 1559, p. 1.

=1=. Watson, _Shyppe of Fooles_, 1509, pp. 57, 65, 119. Whitney, _Choice of Emblemes_, 1586, pp. 91, 120. Willet, _Sacrorum Emblematum Centuria_, 1598, pp. 99, 100, 119, 120. Wohlgemuth, _Libri cronicarum_, 1493, p. 56. Wyrley, _True use of armorie_, 1592, pp. 99, 100.

=2.= _Wat den mensch aldermeest tot’ conste verwect?_, 82; _Where the end is good, all is good_, 437; _With manie blowes the oke is ouerthrowen_, 324.

=3.= Walcott, _Sacred Archæology_, 1868, p. 27. Waller, master-bee, 363. _Wedgwood, Life of_, fictile ornament, 19. Whitney, _Fac-simile Reprint_, 1866, p. 172; Emblems quoted by Knight to illustrate _Hamlet_, 396. Whitney, quoted:—Definition of Emblems, 6; Actæon, 278; Adam hiding, 416; Æneas bearing Anchises, 191; Ants and grasshopper, 148; Ape and miser’s gold, 128, 487; Arion and the dolphin, 281; Astronomer and magnet, 335; Bacchus, 248; Ban-dog, 483; Barrel with holes, 332; Bear and ragged staff, 236; Bees, 361, 364; Brasidas, 195; Brutus, 202; Chaos, 450; Child and motley fool, 484; Circe, 251; Cupid and death, 402; Diligence and idleness, 146; Dog baying the moon, 270; D. O. M., 464; Drake’s ship, 413; Elephant, 196; Elm and vine, 308; Envy, 432; Fame armed with a pen, 446; Fardel on a swimmer, 480; Fleece, golden, 229, 230; Forehead, 129; Fox and grapes, 311; Gold on the touchstone, 178; Hares and dead lion, 305; Harpocrates, silence, 208; Hen eating her own eggs, 412; Hope and Nemesis, 182; Icarus, 288; Introductory lines, D. O. M., 464; Inverted torch, 173; Janus, 139, _note_; Laurel, 423; Lottery in London, 208; Medeia, 190; Mercury and lute, 256; Mouse and oyster, 130; Narcissus, 295; Niobe, 293; Oak and reed, 315; Occasion, 260; Orpheus, 272; Ostrich stretching out its wings, 370; Pelican, 395; Phœnix, 387; Pine-trees in a storm, 476; Prometheus, 267; Rose and thorn, 333; Ruins and writings, 443; Serpent in the bosom, 199; Shadows, 468; Ship tossed by the waves, 435; Ship sailing forward, 436; Sirens, 254; Skull, 338; Snake in the grass, 340; Snake on the finger, 342; Student entangled, 441; Sun setting, 323; Swan, of poets, 217; Sword on an anvil, 327; Time flying, 467; Vine and olive, 249; Wreaths on a spear, 222; Wrongs on marble, 460. Wrangham, _Plutarch_, 431.

=4.= Walker, Rev. T., 462. Waves and siren, 125, _note_; Waves with sun over them, 125. Wheat among bones, Paradin, 183; Camerarius, 184; Boissard and Messin, 185. Wheel rolling into the sea, 124. Whitehall, collection of paintings there, founded by Henry VIII. and Charles I., 111. Who against us? Paradin and Whitney, 342; Shakespeare, 343. Wilbraham, Tho., Esq., the old English gentleman, 467. William III., history of, in medals, 14. Wings and feathers scattered, 124. Wolf and ass, a fable, 52–54. Woltmann, _Holbein and his time_, Death’s fool, 471; Shakespeare’s mistakes as to costume, 106. Woodcock, so strives the, with the gin, Shakespeare and Æsop, 319. Words and forms of thought, some, the same in Whitney and Shakespeare, 463. World, inhabited, three-cornered, earth the centre, Brucioli, 350; Sambucus, 351; No. America, 351, 352; Shakespeare, 52; Three-nooked world, 353. World a stage, 133. Wreath of chivalry, Paradin, 169; Shakespeare, 168, 170. Wreath of oak, Paradin, 224; Shakespeare, 225, 226. Wreaths of victory, Whitney, Camerarius, 222; Shakespeare, 222, 223; Paradin, 224. Writings remain, Whitney, 443; Boissard, 444; Shakespeare, 444, 445. Wrongs on marble, Symeoni, 457; Paradin, 458; Shakespeare, 459, 460; Whitney, 460; Origin of the sentiment, 460; Sir T. More and Columbus, 461; Nobler sentiments, 462.

X.

Xenophon’s _Cyropædia_, king bee, 359.

=Y.=

Y, the letter, an emblem of life, 320.

Yates, Joseph B., _Alciat_, MS., 1610, p. 101; _Sketch of Emblem-books_, 4, 5; Silver emblem, 5; Dedication Plate to, p. v.

=Z.=

Zainer, _Das helden buch_, 1477, p. 55. Zeb, Dr., of the Silent Academy, 17. _Zinne-beelden, oft Adams appel_, Plate X., 132. Zisca, named by Alciat and Whitney, 206. Zodiac, signs of, Sadeler, Brucioli, Plate XIII., 353; Shakespeare, 353–355. Zuingerus, _Icones_, 1589, p. 89.

COLOPHON.

_Ex literarum studiis immortalitatem acquiri._

BRADBURY, EVANS, AND CO., PRINTERS, WHITEFRIARS.

Transcriber’s Note

The table at the end of this note summarizes any corrections to the text that have been deemed to be printer’s errors. Proper names have been mostly allowed to stand as well, given the vagaries of spelling and translation in the originals, with the exception of Diane of Poi[c]tiers, whose name is consistently spelled without the ‘c’, save in the one instance noted.

The paragraph at the bottom of p. 19, beginning with ‘For the nature of Fictile ornamentation...’ ends with a double quotation mark which is unmatched. It is not clear where the quotation begins, since the passage seems to be partly paraphrasing. The quotation has been allowed to stand.

The spelling of the emblem-writer ‘Cœlius’ in the General Index disagrees with that given in the table on p. 89 as ‘Cælius’.

The index entry for the Latin phrase _Malè parta, malè dilabuntur_ includes a reference to p. 502, where it is not mentioned. The emblem associated with the phrase appears on p. 487. The incorrect page reference was retained, but a link is provided to the correct location.

p. 5 n. 9 [“]Quidam ... Added.

p. 79 Bartholo[æm/mæ]us Taëgius Transposed.

p. 129 of his temper and inclination.[”] Added.

p. 174 PERICLES, PRINCE OF TYRE,” was first Added. pu[b]lished

p. 183 n. 106 used by Diana of Poi[c]tiers Removed.

p. 257 [“]O thou great thunder-darter of Added. Olympus

p. 271 Of an instrume[u/n]t Corrected.

p. 545 Brucioli’s _Trattato della sphera_, Corrected. 1543, Zodiac, Plate [XIV/XIII]., 353.

p. 562 Pignorius, _Vetustissimæ tabulæ_, Added. 1605[, 95];

p. 564 Rubens, d[e/i]sciple of Vænius Corrected.

p. 565 _Servati gratia [av/ciu]is_ Corrected.

p. 566 Dramatic c[e/a]reer, 1590–1615 Corrected.

End of Project Gutenberg's Shakespeare and the Emblem Writers, by Henry Green