Chapter 11

Discord, 'restless,' 22, 23, 'harsh,' 28.

Division, 28-30, 35, 36, 57, 185, 186.

Division, quibbles on, 28, 35, 36, 186.

Division viol, 29, 30.

Doquet, see Tucket.

Drayton, _Battle of Agincourt_, 16.

Drone, 23.

Drum, in dancing, 139, 145. and fife, 160-162. military, 162, 163, 172-175.

Drums, in theatre band, 176.

Drum March, 172-175, 208.

Dulcimer, 176, 177.

Dump, dance, 22, 23, 59, 61, 98, 127, 128 (derivation), 130, 170, 207. quibble on, 22, 130.

Dupla, 33, 34.

EAR, musical, 32, 100.

Edward VI., 10.

Edwards, Richard, 73, 128, 169, 193.

Elizabeth, Queen, 10, 11, 15, 53.

Elizabethan public-house song, 17, 20.

Elizabethan times, music in, 2, 4-8, 16, 113, 114 (dances) ff.

Erasmus, 9.

'Evening music,' 99, 101.

'Excursions,' 165.

FALSTAFF and his crew, musicians, 41-43, 76, 85.

'Fancies,' for viols, 47, 76, 101, 117.

'Farewell, dear heart,' 72, 89, 190.

'Farewell, master,' Caliban's Song, 73.

_Faustus_, Marlowe's, 178.

'Fayned' music, 67, 69, 97, 98.

'Fear no more the heat of the sun,' 73, 110.

Fellowships at Cambridge, musical qualification for, 8, 9.

Ferrabosco, 171.

Fiddle, 49, 124.

Fidler, 'common,' 'rascal,' 13, 59.

Fidlers, 7.

Fidles, 170, 171.

Fife, 160-162, 176.

Fingering, on lute, 58, 60, on viol, 44, 101.

'Fish,' ballad of a, 72, 79.

Fitzwilliam Virginal Book (known as Qu. Elizabeth's) 11, 54, 123, 192, 195, 196.

Flageolet, see Recorder.

Flats, 27, 69.

'Flemish Drunkards,' 66, 199.

Florio, on threemen's songs, 83.

Flourish, 165, 167-8, 178, 179 (of cornets), 208.

'Flout 'em and scout 'em,' 77, 78, 91.

Flute, 31, 96, 98, 145, 169, 170, 171, 176.

'Fools had ne'er less grace,' 72.

'Fortune my Foe,' 76, 195.

Freemen, see Threemen.

French dancing, 136-151.

'French fiddles,' 49.

French march, 209.

Frescobaldi, 123.

Fret, quibbles on, 51, 58.

Frets, 19, 25, 45, 46, 56, 58.

GALLIARD, 114 (follows Pavan), 115, 116 (derivation), 121, 122, 123, 124, 126, 134, 138 (par terre), 142 (tune and steps), 148, 170, 201, 202.

Gallimaufry, 80, 84.

_Gammer Gurton's Needle_, comedy, 170.

Gam-ut, 39, 40, 60.

Gaufurius, 34.

Gentlemen and music, 5-8, 10, 12, 13-15, 20, 29, 47, 49, 50, 97, 98, 101.

'Get you hence,' 72.

Gibbons, Orlando, 54, 108, 124.

Giraldus Cambrensis, 83.

Gnorimus, master, 5, 6.

'Good morrow, 'tis St Valentine's day,' 77, 196.

Goodnights (dirges), 76, 109, 110.

Gosson, _Schoole of Abuse_, 20.

Gout, morisque bad for the, 151.

Gower, 65.

Grand Bal, Le, 144.

'Green Sleeves,' 74, 75, 194.

'Gregory Walker,' 7.

Ground Bass, 29, 30, 185.

Grove's Dictionary of Music, 113, 145, 192.

Guido d'Arezzo, 37.

_Hamlet_, 50-52, 76, 77, 125, 167, 172, 196-198, 205.

Hanskin, 192.

'Harmonious Blacksmith,' 28.

Harp, 65, 96, 98.

Harp, Irish, 31.

Harpsichord, 29, 30, 176, 185.

Harpsicon, 13.

Harsnet, on catches, 17.

Harrington, Sir John, 8, 10.

Hautboys, stage direction, 169, 175, 176, 209.

Hautboys, 144, 145, 159, 171, 176, 177, 209.

Hautboy, case of a treble, 76, 177.

Hay, dance, 131, 150 (tune and steps), 204, 205, 208.

'Heart's Ease,' 73, 129, 193.

'He is dead and gone,' 196.

Henry, Prince, brother of Charles I., 8, 173.

_Henry IV., Part I_, 81, 172, 182.

_Henry IV., Part II_, 70, 76, 105, 107, 109, 117, 177, 195.

_Henry V._, 31, 32, 41, 63, 114, 123, 129, 133, 136, 165, 166, 167, 172, 178, 180, 181, 182, 202, 210.

_Henry VI., Part I_, 56, 165, 166, 172, 182, 183, 208, 209.

_Henry VI., Part II_, 166, 172, 182.

_Henry VI., Part III_, 175, 182, 183.

Henry VII., Singing in time of, 65-69.

Henry VIII., a musician, 9, 10, 14, 26.

_Henry VIII._, 49, 73, 109, 110, 126, 139.

Herbert, George, 12.

Hexachord, 37, 187.

'Hey, Robin, jolly Robin,' 190.

Hilton, John, 77.

History of music in Shakespeare, 2, 3.

'Hold thy peace,' 77, 198.

Holofernes' head, 19.

Horn, 169.

Horns, stage direction, 182, 183, 211.

'How should I your true love know,' 77, 196.

Hugh, Parson, 187.

Hum, to, a burden, 22, 23, 24.

'Hundredth Psalm,' 75.

Hunsdean, Lord, 11.

'Hunt is up, The,' 73, 192.

Hunts-up, 73.

'I SHALL no more to sea,' 73, 191.

'I'm gone, Sir, and anon, Sir,' 190.

_Inglesant, John_, Mr Shorthouse's, 2, 29.

Instrumental Music, amongst lower classes, 18-20, amongst higher classes, 9-15, in barber's shop, 18, 19, in taverns, 19, 20.

Instrumental music, descended from Vocal Dances, 113, 116, 117.

Instrumental music, England supreme in, 117.

_Introduction_, Morley's, 4-7, 8, 18, 23, 185.

Irish Harp, 31.

'It was a lover and his lass,' 93.

Ives, Simon, 171.

'JACK boy, ho boy,' 77, 92, 199.

Jacks, 54, 68.

James I., music in time of, 11.

Jaques, a hater of music, 93, 94.

Jenkins, John, 47, 72.

Jig, dance, 116-118, 121, 123, 124, 125.

Jig, The Cobbler's, 205.

Jigg, The King's Hunting, 205.

_Jocasta_, by Gascoyne, 170.

'Jog on,' 72, 192.

Johnson, Robt., 112, 171.

_John, King_, 95, 163, 182.

Jonson, _Alchemist_, _Silent Woman_, 18, Masques by, 171.

_Julius Cæsar_, 108, 166.

Jusquin (Josquin des Prés, died 1521), 10.

KEN, Bishop, 13.

'King and the Beggar,' Ballad of the, 70.

King's Coll., Camb., Master of, in 1463, 9.

King's Hunting Jig, The, 117, 125, 205.

Kircher, 176.

'Knell,' Qu. Katherine's, 110-112.

'L'HOMME armé,' 85.

Lacy, Henry, _Jane Shore_, 171.

Lark, out of tune, 28.

Lavolt, 208.

Lavolta, dance, 115, 124, 136, 148, 149 (tune and steps).

Lawes, Henry, 171.

Lawes, William, 47, 171.

'Lawn, as white as,' 72.

_Lear_, 35, 36, 72, 181, 183, 186.

Le Roy, Adrian, see Lute, 55.

'Lesson,' _i.e._ a piece of music, 54, 60, 62, 76.

'Lesson' for the Lute, 187.

Lessons in music, 5, 6, 58-60, 62-64.

'Light o' love,' 24, 26, 70, 71, 187.

Locke, Matt., 31, 125.

Lollards, 86.

Love song, 55, 78, 81, 82, 88, 96.

'Love, love, nothing but love,' 72.

_Love's Labour's Lost_, 19, 70, 115, 118, 119, 131, 200, 204.

Lower classes, music amongst, 15-20.

_Lucrece_, 22-26, 127, 166, 185.

Lully, 119, 209.

Lute, 9, 10, 12, 30, 31, 55-61, 67, 68, 69, 73, 96, 98, 108, 109, 171.

Lute, objections to, in 17th cent., 56, 61. Pavan for, 204. tuning of, 55, 60, 61.

Lute-case, 41, 42, 129.

Lutenist, 13.

Lyly, on music at feasts, 20.

_Macbeth_, 166.

Mace, Thomas, 45, 46, 55, 56, 187

Mad Songs, 36.

Madness and Music, 32, 35, 64, 107.

March, military and national, 172-175, 208, 209.

Marlowe, 188.

Mary, Queen, 10.

Mascaradoes, music in, 115, 145.

Masque, 115, 145, 159-161, 171.

_Masque and Triumph_, Bacon's Essay on, 31.

May day customs, 132, 133, 161.

Mean, 27, 67, 84.

Measure, stately dance, 121, 123, 125-127, 203.

_Measure for Measure_, 157.

Méhul, 'Le Jeune Henri,' 183, 211.

Melvil's _Memoirs_, 11.

Melancholy of musicians, 156, 157.

Memoria Technica for step dance, 141.

_Merchant of Venice_, 81, 102, 155, 157, 160, 168, 180.

_Merry Devill of Edmonton_, The, 17.

_Merry Wives of Windsor_, 43, 71, 74, 76, 119, 120, 188, 194, 195.

Mersennus, 52, 80, 161, 174, 177, 179.

Metaphors, musical, in Shakespeare, see Quibbles.

_Mi Contra Fa_, 186.

_Mi_, to place the, 38, 69.

_Micrologus_, Guido's, 37.

_Micrologus_, Ornithoparcus's, 34.

_Midsummer Night's Dream_, 52, 114, 119, 160, 162, 167.

Military music, 162, 208, 209.

Milton, 105, 155, 171.

Minim rest, 43.

Miracle Play, 1512, music in, 169.

Monochord, 66, 68.

Monteverde, 47, 133, 206.

Moresca, Morisque, see Morris.

Morley, Thomas, 'Introduction,' 4-8, 18, 23, 33, 34, 41, song, 93, dances, 113-116, 122, 124, 136, descant, 185.

'Morning Music,' 100, 101, 102.

Morris, dance, 132, 133, 151 (tune and steps), 205, 206, 208.

Mouton, middle 16th cent., 10.

_Much Ado_, 24, 70, 71, 81, 121, 125, 161, 162, 187.

Music at home, 107-109. and disease, 106, 107. and Manners, 5-8, 49, 67, 68.

Music and madness, 32, 35, 64, 107.

Music-masters, 5, 6, 14, 40, 58-60, 62-64, 66-68.

'Music of men's lives,' 32.

'Music,' stage direction, 169-171, 175, 208.

Music, in time of Charles I, 2, 47.

Music, two views of in Shakespeare, 2.

Music, Lessons in the fields, 6.

Music at University, 7-9, 12-14.

Music in barber's shop, 18, 19.

Music in taverns, decay of, 19, 20.

Music, lesson, of an hour, 59.

Musica Ficta, 69, 98.

Musical England, 20, 25, 47, 53, 54, 55.

Musical 'at home,' 16th cent., 5.

Musicians, Royal, 9-12.

_Musick's Monument_, 45, 46, 56, 187.

'My heart is full of woe,' 73, 130.

'My Mistress,' for Lute, 187.

'My Robin is to the greenwood gone,' 198.

NATIVITY HYMN, Milton's, 155.

Nebel, see Psaltery.

Nevell's, Lady, Virginal Book, 54.

Nightingale, descants, 22, 23. kept awake with thorn, 22, 26.

Nimble notes, 22, 23.

Noise, _i.e._ concerted music, 105, 106.

'Note-splitting,' 28.

Note, to give a, 26, 27.

'O DEATH, rock me to sleep,' 111, 112.

'O heart, heavy heart,' 72.

'O mistress mine,' 87.

'O sweete Olyver,' 73, 193.

'O! the twelfth day of December,' 72, 89.

_Old Wives' Tale_, Peele's, 16, 189.

Oldcastle, Sir John, 86.

Ominous music, 159.

Ophelia's songs, 76, 77, 196-198.

'Orchésographie,' Arbeau's, 113, 119, 120, 122, 124, 137-151, 205, 206.

_Orchestra_, poem by Sir John Davies, 123.

Organ, in chamber music, 13, 30, 31, 48, 170 (on stage), 185.

Ornithoparcus, 34.

'Orpheus with his lute,' 73.

_Othello_, 102, 161, 166, 182.

Oxford, music at, 12-15.

PAGEANT of the Nine Worthies, 131.

_Pammelia_, Ravenscroft's, 17, 18.

Pandarus's songs, 72.

Pandarus, a musician and singer, 103, 104.

_Paradise Lost_, 155.

_Paradyse of daynty Devises_, 73, 74.

Parley, 182.

_Parthenia_, 54, 108, 114, 123, 201.

Part-songs by Henry VIII., 9.

Parts, vocal, 5, 7, 24, 25, 65, 72, 79, 80; instrumental, 103.

Passamezzo, _see_ Pavan.

Passamezzo Pavan (Passy-measures), 114, 126, 134, 145, 201, 203.

Pasqualigo, letter of, 9.

_Passionate Pilgrim_, 71, 188.

Pavan, dance, 108, 113 (for voices), 114, 116 (with Galliard), 134-136, 144-146, 201-204.

Pavan, mode of dancing, 134, 144.

Pavan, 'quadrant,' 7.

Pavan, 'strains' of a, 23, 114, 135, 136, 144.

Pavane d'Espagne, _see_ Canaries, 146.

Peal of horns, to wind a; _see_ Horns, 211.

Peele, _Old Wives' Tale_, 16, 189.

'Peg-a-Ramsey,' 71, 89, 188.

Percy's Reliques, 83, 190, 196.

_Pericles_, 44, 64, 101, 107, 152.

Pes, or burden, 24.

Philomel, 22.

Pipe, with tabor, _see_ frontispiece, 78, 80, 81, 97, 98, 161, 162, 169.

Pipes, 129; of cornstalk, 162.

Pipers and fiddlers, unprofitable, 20.

Pizzicato, 30.

_Plain and Easy Introduction to Practical Music_, 4-8, 23, 113-116.

Plain song, 6, 8, 41, 42, 50, 67, 69, 185.

Plain song book, 6.

'Play his part,' _see_ 'Bear,' 12.

Playford, John, 12, 45, 189.

Plays of Shakespeare with references to music, 4, _et passim_.

Plays, introduced by trumpets, 164.

Plays with music, 1586 to 1642, 171.

Popular Music, Old English, Chappell's, 9.

Praetorius, 122, 134.

Price, John, 80.

Prick-song, 15, 25, 41, 67, 69, 185.

Professional musicians, 17th cent., 13, 14, 130.

Proportion, 6, 7, 32, 33, 34; 153, Pythagoras on musical.

Psalmody, metrical, 85, 86.

Psaltery, 176.

Psychology of music in Shakespeare, 2, 152-158.

Public-house song, Elizabethan, 17, 20.

Punctus, _see_ Prick-song.

Puns, _see_ Quibbles.

Pupil and master, 5, 6, 7, 58-60, 62-64.

Purcell, _Bonduca_, 17, 36, 171. operas, 176, 182, 183, 211.

Purcell, catch, 77. canaries, 120.

Puritan, sings psalms to hornpipes, 84.

_Pyramus and Thisbe_, a masque, 160, 167.

Pythagoras, on music of spheres, 152-156.

QUADRANT Pavan, 7.

Quadrupla, 33, 34.

Quibbles, verbal, on musical terms, 4, 22, 23, 24, 26, 27, 28, 32, 36, 39, 40, 43, 44, 51, 53, 60, 76, 87, 88, 89, 93, 99, 103, 104, 120, 121, 122, 126, 127, 128, 129, 130, 135, 163, 183.

Quiddle, to, 16.

RAYE, _see_ Hay.

Rebeck, 129.

'Record,' use of the word, 50.

Recorder, 31, 50-53, 170, and frontispiece.

Regals, a small organ, on stage, 170.

_Rehearsal, The_, (comedy), 131.

Rests, 22, 23.

Retreat, stage direction, 171, 172.

Ribible, 129.

_Richard II._, 32, 48, 127, 182.

_Richard III._, 166, 167, 168.

Rimbault; Mus. Antiq. Soc., 36, 171.

Rimbault's '_Rounds, Canons, and Catches_', 17, 72, 83, 94.

_Romeo and Juliet_, 43, 73, 110, 129, 185, 192, 193.

Rotybulle Joyse, 67, 68, 69.

Round, dance, 123, 125, _see_ Hay.

Round (catch), 16, 17, 18, 23, 24, 69, 72, 91, 94.

Royal musicians, 9-12.

SACKBUT, 144, 176.

Salary of musicians in taverns, 19, 104.

Salary for a singer, 86, 87, 88.

Saltarello, dance, 84, 115.

Saltiers, company of dancers, 80, 84.

Saraband, dance, 116.

_Satiromastix_, by Dekker, 164.

Sault majeur, in galliard, 124, 138, 143, _see_ Caper.

Sault majeur, in lavolte, 149.

Scale, notation of, 37-40.

Scamps in Shakespeare, mostly musicians, 92, _see_ Falstaff, Stephano, Pandarus, Toby, Autolycus.

Scotch Jig, 125.

'Scurvey tunes,' 191.

Selden, on dances, 118, 126.

Sellenger's Round, 54.

Sennet, 168, 178 (derivation), 210.

Serenades, 55, 96 ff, 128.

Serpent, 179, 180.

Sesquialtera, 7, 33, 34.

Sesquitertia, 33, 34.

'Set,' to, (of pitch), 26, 27. quibble on, 27.

Shakespeare, trustworthy in musical matters, 1, 2, 3.

Shakespeare, passages on music classified, 21.

Sharps, 26, 27, 28.

_Ship of Fools_, Brant's, 96.

Shirley, _Triumphs of Peace_, 171.

Shorthouse, Mr J.H., 2.

_Shrew, Taming of the_, 39, 40, 58-60, 63, 64, 92, 168, 183, 187, 199.

Sight-singing, 7, 9, 25.

Silence's songs, 70.

'Sing his part,' see 'Bear,' 14, 15.

Singers' excuses, 93.

Singing, amongst lower classes, 15-18, 66-69, 78-80, 83, 84.

Singing, amongst higher classes, 5-9, 12, 13-15.

Singing, 13th and 14th cent., 65.

Singing, 15th and 16th cent., 66-69, 97, 98.

Singing-man of Windsor, 85.

Sinkapace, see Cinquepace.

Sir Roger de Coverly, dance, 115, 123.

Skelton, 66, 67.

'Sneak's noise,' 105, 106.

Social Life, music in, 4 ff.

Sol-Fa, 35-40, 67, 68, 130, 186.

Solmisation, 187.

Songs, mentioned or quoted in Shakespeare, 69 ff.

Sonneries, French trumpet calls, 178, 210.

_Sonnet VIII_, 25.

_Sonnet CXXVIII_, 54.

_Sophonisba_, by Marston, 170.

Spheres, Music of the, 152-156.

Spinet, 145, and frontispiece.

St Thomas Wake, Pavan and Galliard, 136, 201-203.

Stage Directions, musical, 4, 159, 165 ff, 169-171, etc.

Stanley, Thos., Hist. of Philos., 152.

Stephano's songs, 73, 191.

Steps, of dances, 122, 124, 139.

Stop, to, of strings, etc., 22, 26, 51, 52, 53.

Strain, technical meaning of, 23, 108, 114, 116, 124, 135, 136.

Strain, quibble on, 22, 23.

'Sumer is icumen in,' 23, 24, 65.

Supper, music after, 5, 105.

Swan-song, 95.

_Sylva Sylvarum_, Bacon's, 31.

Sympson, Christopher, 29, 30, 37, 38, 47, 116, 117, 185.

TABOR and Pipe, 78, 80, 81, 91, 92, 131, 133, 139, 161, 162, 176, and frontispiece.

Tabourin and Flutte, 139.

Tabourine, military drum, 162, 209.

Tabourot, Jehan, see Arbeau, 137.

Tangents, of clavichord, 68.

Tarantella, 35.

Tarantism, 35, 106.

Taverns, Music in, 19, 20, 104, 105.

Technical terms, musical, 21 ff.

_Tempest_, 73, 77, 81, 91, 92, 107, 122, 171, 191.

Temple, Sir W., 132, 133.

Tereus, 23.

Text, music in Shakespeare's, 4.

'The God of Love,' 70.

'The hunt is up,' 192.

'The master, the swabber,' 73, 191.

Theatres, closed, 19.

Theatres, music at, 175-177.

Theorbo, lute, 46, 56.

'There dwelt a man in Babylon,' 71, 89, 189.

'They bore him barefaste,' 77, 197.

'Thou knave,' 87, 88, 89, 198.

Threemen songs, 16, 66, 69, 79, 82, 83, 84, 85, 199.

'Three merry men,' 71, 89, 188.

Thunder and lightning, on stage, 165.

Time, _see_ Proportion.

Time, to keep, 22, 23, 32, 42, 43, 44, 87.

_Timon of Athens_, 115, 181.

Titus Andronicus, ballad of, 76, 196.

_Titus Andronicus_, 183, 211.

'To shallow rivers,' 71, 187.

Toby Belch's, Sir, songs, 71, 72, 188, 190, 198.

Toccata, 62, 181.

Tocco di campana, 62.

Tocsin, 62.

'Tom o' Bedlam,' 35, 36.

Tordion, dance, 138, 141, 142.

'Touch,' to, an instrument, 49, 62, 108.

Tragedies, Music in the, 4, 165, 169.

Trenchmore, or Frenchmore, a dance, 118, 131.

Trinity Coll., Camb., Statutes of, 8, 9.

Tripla, 33, 34.

_Troilus and Cressida_, 32, 72, 103, 104, 124, 162, 166.

Trumpets, in the theatre band, 176.

Trumpets, stage direction, 168, 169, 175, 178.

Tucket, 62, 63, 180-182, 210, 211.

Tudway, Dr, 49.

Tune, to keep in, 22, 26, 27, 28, 100.

Tusch, 63.

_Twelfth Night_, 29, 48, 71, 72, 77, 81, 88, 89, 94, 95, 108, 114, 121, 135, 152, 188-190, 198, 201, 202, 203.

_Two Gentlemen of Verona_, 24, 26, 71, 81, 98, 99, 100, 117, 128, 207.

_Two Italian Gentlemen_, comedy by Munday, 170.

'Two maids wooing a man,' 72, 79.

_Two Noble Kinsmen_, 71.

'UNDER the greenwood tree,' 72.

University, music at, 16th and 17th cent, 7, 8, 9, 12-14.

'Usurer's wife, The,' ballad, 72, 79.

Ut, Re, Mi, 37-40, 187.

VARIATIONS, 28, 29, 48, 195.

Ventages, 51.

_Venus and Adonis_, 166.

Viol, treble, tenor, bass, 12, 13, 19, 31, 45, 46, 47, 171, and frontispiece.

Viols, 11-14, 19, 44-49, 61, 65, 98, 101, 170.

Viols, tuning of, 46, 47.

Viol da Gamba, 11, 12, 19, 29, 30, 45, 46, 47, 48.

Viol da Gamba, divisions on the, 29, 30, 186.

Violin, 45, 49, 62, 145, 176.

Violin, thought vulgar, 13, 46, 59.

Violone, double-bass, 48, 176.

Virginal, 10, 11, 13, 31, 53, 54, 68, 76, 123.

Virginal, Qu. Elizabeth's, 11, 53, and frontispiece.

Virginal Book, _see_ Fitzwilliam _and_ Lady Nevell.

Volta, Volte, _see_ Lavolta.

'WALSINGHAM,' 196.

Weavers, and singing, 86, 87, 88.

'Wee be souldiers three,' 199.

'What shall he have,' 77, 94.

'When Arthur first,' 70.

'When daffodils,' 72.

'When griping grief,' 73, 128, 130, 193.

'White his shroud,' 196.

'Whoop, do me no harm,' 72, 78, 190.

'Will you buy any tape,' 72.

Windsor, St George's Chapel Choir, 85.

_Winter's Tale_, 53, 72, 78, 80, 190, 192, 199.

Wood, Anthony, 12, 13.

Wright, Mr W. Aldis, 9, 31, 83.

YE noble minds, 195.

* * * * *

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End of Project Gutenberg's Shakespeare and Music, by Edward W. Naylor