Part 6
Called point de gaze on account of the delicacy of the réseau. The design of scrolls and flowers is chiefly worked in a rather loose toilé, outlined with a stout thread cordonnet and enriched with various open modes or fillings.
3 ft. 3 in. × 4½ in.
_Brussels, 1830_]
INDEX
A
Alb, 9, 23, 27, 30, 33
Alençon, 10, 15, 31, 37, 50
Alexandria, 26
Alva, Duke of, 52
Angleterre, 38
Angoulême, Marguérite d', 31, 32
Antwerp, 50
Apparels, 24
Appliqué, 9, 52
Argentan, 15, 39
Argentella, 9
Arras, 16, 50
Assisi, 25
Assisi, Basilica of, 29
Avorio, punto, 9, 14, 31, 34, 35
B
Bar Convent, The, 40
Bedfordshire, 51
Benedictine Order, 24
Bible of St. Martial, 23
Bibliothèque Nationale, 23, 24
Binche, 38, 49
Blonde, 16, 51
Bobbin Lace, Classification of, 4
Bock, Dr. Franz, 28, 53
Bone point, 9
Boniface VIII., 27, 28
Braun, S. J., Father, 53
British Museum, 21
Brussels, 16, 39, 47, 51
Buckingham, 16, 50, 51
Burano, 37
Buratto, 4, 10, 31
Buttonhole stitch, 10, 28
Byssus, 28
C
Camisia, 35
Carrickmacross, 41
Cartiglia, 27
Catacombs, 26
Catherine de Marcq, 38
Ceylon, 45, 47
Chalice cover, 34
Chantilly, 16, 51
Charlemagne, 23
Charles II., 38
Church vestments, 22
Clare, Saint, 25
Colbert, 38
Cole, Mr. Alan, 53
Copes, 22
Coptic design, 4, 21, 25
Coraline point, 35
Corporal border, 34
Cotta, 10
Crypt of St. Peter's, 29
D
Dalmatia, 45
Dalmatic, 22
Darned work, 39
Denmark, 39
Dentelle, 23, 34
Dentelle de chasse, 51
Devonshire lace, 52
Dreger, Dr. Moritz, 53
Duccio di Buoninsegna, 30
Dugdale's History, 22
Dutch lace, 40
E
Egyptians, 26
English Nuns Rule, 22
Entrelacs, 25
F
Festone, Punto a, 14, 28
Flanders, 16, 48, 51
Florence lace, 32
Fogliami, Punto tagliato a, 36
Fortescue, Dr. Adrian, 27
France, Point de, 37
Francis I., King, 32
Francis, Saint, 25, 27, 32
G
Gammadion Symbol, 21, 22, 26, 27, 31
Gayet, Mr. A., 25, 30
Genoa, 13, 46, 47, 51
German lace, 31, 34, 40
Giotto, 29
Gnostic definition, 25
Gouda lace, 40
Gozo, 46
Greek work, 21, 25
Gregory V., 27
Grottaferrata, 27
H
Hair lace, 40
Heraldic lace, 30, 31, 35, 48, 50
Hermitage, Petersburg, 21
Hexagonal meshes, 39
Holy or Hollie lace, 40
Honiton, 47, 52
I
Ilg, Dr., 53
Irish lace, 41
Ivory stitch, 11, 34
L
Lace-making, Revival of, 4
Lace Pattern Books, 21
Lacis, 4, 11, 22, 23, 30, 31
Lateran, St. John, 29
Leipzig, 40
Le Puy, 47
Lille, 16, 50, 52
Limerick, 40
Lorenzetti, 30
Louis XIV., 38
Louis XVI., 38
Louvre, 29
Lucca, 51
M
Macramé, 12, 33
Madeira, 47
Madrid, 51
Malta, 45, 46, 48
Manila Lace, 40
Manuscripts, illuminated, 23
Marie Antoinette, Queen, 39
Marot, Clément, 32
Martial, Saint, 23
Mary Stuart, Queen, 40
Mechlin, 16, 49, 52
Mezza Mandolina, 35
Michael, Saint, 32
Milan, 47, 48
Modano, 4, 12, 22, 30
Moresco, 12
N
Navarre, Queen of, 31
Needle-point, Classification of, 5
Nilos, Saint, 27
O
Opus sfilatorum, 22
Oriental design, 21
Otho III., 27
P
Palliser, Mrs. Bury, 52, 53
Paris, 16, 37, 50
Passemens, 24
Paten Cover, 37
Peter, Saint, 34
Pizzi, 24, 34
Point à réseau, 15, 37, 49
Point de gaze, 39
Point de neige, 13, 17
Pollen, Mr. John Hungerford, 53
Polygonal Design, 25, 27, 30
Portugal, 39, 47
Potten Kant, 50
Punto in aria, 5, 14, 33
Pyx Veil, 4
R
Ragusa, 12
Rammendo, Punto a, 13, 31
Ravenna, 30
Reale, Punto, 15, 25, 33
Renaissance, 35
Reticello, 5, 17, 23, 29, 31, 33
Ricci Signora Elisa, 53
Riccio Punto, 15, 31
Rilievo, Punto in, 15
Rock, Dr. Daniel, 26, 27, 53
Rosepoint, 17, 36
Rufinus, 26
Russia, 45
Rustafjaell, Mr., 21
S
Sabina, Saint, 24
Sardinia, 45
Sedan, 37
Seguin, Mr., 52, 53
Semé de larmes, 38
Sens Cathedral, 24
Serapis, 26
Sicily, 21, 45
Sistine Chapel, 27
Socrates, 26
Spain, 16, 21, 37, 45, 51
Stuora, Punto a, 13, 28, 32
Swaddling Band, 33
Syon Cope, 22
T
Tela Tirata, 5, 17, 23, 25
Templars, 22
Tönder Lace, 39
Treccia, Punto, 14, 28
Trolle Kant, 48, 52
Tudor Rose, 31
Tuscan Lace, 47
V
Valenciennes, 16, 49, 50
Valetta, 46
Vatican Treasury, 22, 27
Venice Lace, 36, 45
Verhaagen, Mr., 53
Victoria and Albert Museum, 23, 30
Visconti, 35
Y
Yprès, 16, 50
Z
Zeccatello Lace, 47
PRINTED BY BALLANTYNE AND COMPANY LIMITED, AT THE BALLANTYNE PRESS, TAVISTOCK STREET COVENT GARDEN LONDON
* * * * *
Transcriber's Notes:
The following list shows the corrections made to the text. The first line shows the text as originally printed, the second line the corrected version.
IX. Five enlarged Varieties of Réseaux IX. Five Enlarged Varieties of Réseaux
XXVI. Pyx Veil of Tele Tirata, or Drawn Thread Work XXVI. Pyx Veil of Tela Tirata, or Drawn Thread Work
XXXIII. A Reticello Pattern worked in very fine Punto in Ario and XXXIII. A Reticello Pattern worked in very fine Punto in Aria and
CXII. Three Borders of Bobbin-made Lace, with a reseau of Maglia di Spagna CXII. Three Borders of Bobbin-made Lace, with a réseau of Maglia di Spagna
often used for lace made with a tape, but it used for lace made with a tape, but it
round the round réseau. _See_ Plate 108. round réseau. _See_ Plate 108.
lace, in which the fond is really of toile, cut lace, in which the fond is really of toilé, cut
forth by Rufinus, A.D. 397, and by Socrates A.D. 440. forth by Rufinus, A.D. 397, and by Socrates B.C. 440.
probably fine punto in aria worked in points, as Plate 30, but it probably fine punto in aria worked in points, as in Plate 30, but it
called Tonder muslin lace made in Denmark in the eighteenth called Tönder muslin lace made in Denmark in the eighteenth
for caps; it is caled Gouda lace; the fillings are very well for caps; it is called Gouda lace; the fillings are very well