Part 8

As I have said, it is through woman that ideality is born into the world and--what were man without her! There is many a man who has become a genius through a woman, many a one a hero, many a one a poet, many a one even a saint; but he did not become a genius through the woman he married, for through her he only became a privy councillor; he did not become a hero through the woman he married, for through her he only became a general; he did not become a poet through the woman he married, for through her he only became a father; he did not become a saint through the woman he married, for he did not marry, and would have married but one--the one whom he did not marry; just as the others became a genius, became a hero, became a poet through the help of the woman they did not marry. If woman's ideality were in itself inspiring, why, then the inspiring woman would be the one to whom a man is united for life. But life tells a different story. It is only by a negative relation to her that man is rendered productive in his ideal endeavors. In this sense she is inspiring; but to say that she is inspiring, without qualifying one's statement, is to be guilty of a paralogism[40] which one must be a woman to overlook. Or has any one ever heard of any man having become a poet through his wife? So long as man does not possess her she inspires him. It is this truth which gives rise to the illusions entertained in poetry and by women. The fact that he does not possess her signifies, either, that he is still fighting for her--thus has woman inspired many a one and rendered him a knight; but has any one ever heard of any man having been rendered a knight valiant through his wife? Or, the fact that he does not possess her signifies that he cannot obtain her by any manner of means--thus has woman inspired many a one and roused his ideality; that is, if there is anything in him worth while. But a wife, who has things ever so much worth while for her husband, will hardly arouse any ideal strivings in him. Or, again, the fact that he does not possess her signifies that he is pursuing an ideal. Perchance he loves many, but loving many is also a kind of unrequited love; and yet the ideality of his soul is to be seen in this striving and yearning, and not in the small bits of lovableness which make up the sum total of the contributions of all those he loves.

The highest ideality a woman can arouse in a man consists, in fact, in the awakening within him of the consciousness of immortality. The point of this proof lies in what one might call the necessity of a reply. Just as one may remark about some play that it cannot end without this or that person getting in his say, likewise (says ideality) our existence cannot be all over with death: I demand a reply! This proof is frequently furnished, in a positive fashion, in the public advertiser. I hold that to be entirely proper, for if proof is to be made in the public advertiser it must be made in a positive fashion. Thus: Mrs. Petersen, we learn, has lived a number of years, until in the night of the 24th it pleased Providence, etc. . This produces in Mr. Petersen an attack of reminiscences from his courting days or, to express it quite plainly, nothing but seeing her again will ever console him. For this blissful meeting he prepares himself, in the meanwhile, by taking unto himself another wife; for, to be sure, this marriage is by no means as poetic as the first--still it is a good imitation. This is the proof positive. Mr. Petersen is not satisfied with demanding a reply, no, he wants a meeting again in the hereafter.

As is well known, a base metal will often show the gleam of precious metal. This is the brief silver-gleam. With respect to the base metal this is a tragic moment, for it must once for all resign itself to being a base metal. Not so with Mr. Petersen. The possession of ideality is by rights inherent in every person--and now, if I laugh at Mr. Petersen it is not because he, being in reality of base metal, had but a single silver-gleam; but, rather, because just this silver-gleam betrays his having become a base metal. Thus does the philistine look most ridiculous when, arrayed in ideality, he affords fitting occasion to say, with Holberg: "What! does that cow wear a fine dress, too?[41]"

The case is this: whenever a woman arouses ideality in man, and thereby the consciousness of immortality, she always does so negatively. He who really became a genius, a hero, a poet, a saint through woman, he has by that very fact seized on the essence of immortality. Now if the inspiring element were positively present in woman, why, then a man's wife, and only his wife, ought to awaken in him the consciousness of immortality. But the reverse holds true. That is, if she is really to awaken ideality in her husband she must die. Mr. Petersen, to be sure, is not affected, for all that. But if woman, by her death, does awaken man's ideality, then is she indeed the cause of all the great things poetry attributes to her; but note well: that which she did in a positive fashion for him in no wise roused his ideality. In fact, her significance in this regard becomes the more doubtful the longer she lives, because she will at length really begin to wish to signify something positive. However, the more positive the proof the less it proves; for then Mr. Petersen's longing will be for some past common experiences whose content was, to all intents and purposes, exhausted when they were had. Most positive of all the proof becomes if the object of his longing concerns their marital spooning--that time when they visited the Deer Park together! In the same way one might suddenly feel a longing for the old pair of slippers one used to be so comfortable in; but that proof is not exactly a proof for the immortality of the soul. On the other hand, the more negative the proof, the better it is; for the negative is higher than the positive, inasmuch as it concerns our immortality, and is thus the only positive value.

Woman's main significance lies in her negative contribution, whereas her positive contributions are as nothing in comparison but, on the contrary, pernicious. It is this truth which life keeps from her, consoling her with an illusion which surpasses all that might arise in any man's brain, and with parental care ordering life in such fashion that both language and everything else confirm her in her illusion. For even if she be conceived as the very opposite of inspiring, and rather as the well-spring of all corruption; whether now we imagine that with her, sin came into the world, or that it is her infidelity which ruined all--our conception of her is always gallant. That is, when hearing such opinions one might readily assume that woman were really able to become infinitely more culpable than man, which would, indeed, amount to an immense acknowledgment of her powers. Alas, alas! the case is entirely different. There is a secret reading of this text which woman cannot comprehend; for, the very next moment, all life owns to the same conception as the state, which makes man responsible for his wife. One condemns her as man never is condemned (for only a real sentence is passed on him, and there the matter ends), not with her receiving a milder sentence; for in that case not all of her life would be an illusion, but with the case against her being dismissed and the public, i.e., life, having to defray the costs. One moment, woman is supposed to be possessed of all possible wiles, the next moment, one laughs at him whom she deceived, which surely is a contradiction. Even such a case as that of Potiphar's wife does not preclude the possibility of her having really been seduced. Thus has woman an enormous possibility, such as no man has--an enormous possibility; but her reality is in proportion. And most terrible of all is the magic of illusion in which she feels herself happy.

Let Plato then thank the gods for having been born a contemporary of Socrates: I envy him; let him offer thanks for being a Greek: I envy him; but when he is grateful for having been born a man and not a woman I join him with all my heart. If I had been born a woman and could under stand what now I can understand--it were terrible! But if I had been born a woman and therefore could not understand it--that were still more terrible!

But if the case is as I stated it, then it follows that one had better refrain from any positive relation with woman. Wherever she is concerned one has to reckon with that inevitable hiatus which renders her happy as she does not detect the illusion, but which would be a man's undoing if he detected it.

I thank the gods, then, that I was born a man and not a woman; and I thank them, furthermore, that no woman by some life-long attachment holds me in duty bound to be constantly reflecting that it ought not to have been.

Indeed, what a passing strange device is marriage! And what makes it all the stranger is the suggestion that it is to be a step taken without thought. And yet no step is more decisive, for nothing in life is as inexorable and masterful as the marriage tie. And now so important a step as marriage ought, so we are told, to be taken without reflection! Yet marriage is not something simple but something immensely complex and indeterminate. Just as the meat of the turtle smacks of all kinds of meat, so likewise does marriage have a taste of all manner of things; and just as the turtle is a sluggish animal, likewise is marriage a sluggish thing. Falling in love is, at least, a simple thing, but marriage--! Is it something heathen or something Christian, something spiritual or something profane, or something civil, or something of all things? Is it an expression of an inexplicable love, the elective affinity of souls in delicate accord with one another; or is it a duty, or a partnership, or a mere convenience, or the custom of certain countries--or is it a duty, or a partnership, or a mere convenience, or the custom of certain countries--or is it a little of all these? Is one to order the music for it from the town musician or the organist, or is one to have a little from both? Is it the minister or the police sergeant who is to make the speech and enroll the names in the book of life--or in the town register? Does marriage blow a tune on a comb, or does it listen to the whisperings "like to those of the fairies from the grottoes of a summer night"?[42]

And now every Darby imagines he performed such a potpourri, such incomparably complex music, in getting married--and imagines that he is still performing it while living a married life! My dear fellow-banqueters, ought we not, in default of a wedding present and congratulations, give each of the conjugal partners a demerit for repeated inattentiveness? It is taxing enough to express a single idea in one's life; but to think something so complicated as marriage and, consequently, bring it under one head; to think something so complicated and yet to do justice to each and every element in it, and have everything present at the same time--verily, he is a great man who can accomplish all this! And still every Benedict accomplishes it--so he does, no doubt; for does he not say that he does it unconsciously? But if this is to be done unconsciously it must be through some higher form of unconsciousness permeating all one's reflective powers. But not a word is said about this! And to ask any married man about it means just wasting one's time.

He who has once committed a piece of folly will constantly be pursued by its consequences. In the case of marriage the folly consists in one's having gotten into a mess, and the punishment, in recognizing, when it is too late, what one has done. So you will find that the married man, now, becomes chesty, with a bit of pathos, thinking he has done something remarkable in having entered wedlock; now, puts his tail between his legs in dejection; then again, praises marriage in sheer self-defense. But as to a thought-unit which might serve to hold together the _disjecta membra_[43] of the most heterogeneous conceptions of life contained in marriage--for that we shall wait in vain.

Therefore, to be a mere Benedict is humbug, and to be a seducer is humbug, and to wish to experiment with woman for the sake of "the joke" is also humbug. In fact, the two last mentioned methods will be seen to involve concessions to woman on the part of man quite as large as those found in marriage. The seducer wishes to rise in his own estimation by deceiving her; but this very fact that he deceives and wishes to deceive--that he cares to deceive, is also a demonstration of his dependence on woman. And the same holds true of him who wishes to experiment with her.

If I were to imagine any possible relation with woman it would be one so saturated with reflection that it would, for that very reason, no longer be any relation with her at all. To be an excellent husband and yet on the sly seduce every girl; to seem a seducer and yet harbor within one all the ardor of romanticism--there would be something to that, for the concession in the first instance were then annihilated in the second. Certain it is that man finds his true ideality only in such a reduplication. All merely unconscious existence must be obliterated, and its obliteration ever cunningly guarded by some sham expression. Such a reduplication is incomprehensible to woman, for it removes from her the possibility of expressing man's true nature in one term. If it were, possible for woman to exist in such a reduplication, no erotic relation with her were thinkable. But, her nature being such as we all know it to be, any disturbance of the erotic relation is brought about by man's true nature which ever consists precisely in the annihilation of that in which she has her being.

Am I then preaching the monastic life and rightly called Eremita? By no means. You may as well eliminate the cloister, for after all it is only a direct expression of spirituality and as such but a vain endeavor to express it in direct terms. It makes small difference whether you use gold, or silver, or paper money; but he who does not spend a farthing but is counterfeit, he will comprehend me. He to whom every direct expression is but a fraud, he and he only, is safeguarded better than if he lived in a cloister-cell--he will be a hermit even if he travelled in an omnibus day and night.

Scarcely had Victor finished when the Dressmaker jumped to his feet and threw over a bottle of wine standing before him; then he spoke as follows:

(The Dressmaker's Speech)

Well spoken, dear fellow-banqueters, well spoken! The longer I hear you speak the more I grow convinced that you are fellow-conspirators--I greet you as such, I understand you as such; for fellow-conspirators one can make out from afar. And yet, what know you? What does your bit of theory to which you wish to give the appearance of experience, your bit of experience which you make over into a theory--what does it amount to? For every now and then you believe her a moment and--are caught in a moment! No, I know woman--from her weak side, that is to say, I know her. I shrink from no means to make sure about what I have learned; for I am a madman, and a madman one must be to understand her, and if one has not been one before, one will become a madman, once one understands her. The robber has his hiding place by the noisy high-road, and the ant-lion his funnel in the loose sand, and the pirate his haunts by the roaring sea: likewise have I may fashion-shop in the very midst of the teeming streets, seductive, irresistible to woman as is the Venusberg to men. There, in a fashion-shop, one learns to know woman, in a practical way and without any theoretical ado.

Now, if fashion meant nothing than that woman in the heat of her desire threw off all her clothing--why, then it would stand for something. But this is not the case, fashion is not plain sensuality, not tolerated debauchery, but an illicit trade in indecency authorized as proper. And, just as in heathen Prussia the marriageable girl wore a bell whose ringing served as a signal to the men, likewise is a woman's existence in fashion a continual bell-ringing, not for debauchees but for lickerish voluptuaries. People hold Fortune to be a woman--ah, yes it is, to be sure, fickle; still, it is fickle in something, as it may also give much; and insofar it is not a woman. No; but fashion is a woman, for fashion is fickleness in nonsense, and is consistent only in its becoming ever more crazy.

One hour in my shop is worth more than days and years without, if it really be one's desire to learn to know woman; in my shop, for it is the only one in the capital, there is no thought of competition. Who, forsooth, would dare to enter into competition with one who has entirely devoted himself, and is still devoting himself, as high-priest in this idol worship? No, there is not a distinguished assemblage which does not mention my name first and last; and there is not a middle-class gathering where my name, whenever mentioned, does not inspire sacred awe, like that of the king; and there is no dress so idiotic but is accompanied by whispers of admiration when its owner proceeds down the hall--provided it bears my name; and there is not the lady of gentle birth who dares pass my shop by, nor the girl of humble origin but passes it sighing and thinking: if only I could afford it! Well, neither was she deceived. I deceive no one; I furnish the finest goods and the most costly, and at the lowest price, indeed, I sell below cost. The fact is, I do not wish to make a profit. On the contrary, every year I sacrifice large sums. And yet do I mean to win, I mean to, I shall spend my last farthing in order to corrupt, in order to bribe, the tools of fashion so that I may win the game. To me it is a delight beyond compare to unroll the most precious stuffs, to cut them out, to clip pieces from genuine Brussels-lace, in order to make a fool's costume--I sell to the lowest prices, genuine goods and in style.

You believe, perhaps, that woman wants to be dressed fashionably only at certain times? No such thing, she wants to be so all the time and that is her only thought. For a woman does have a mind, only it is employed about as well as is the Prodigal Son's substance; and woman does possess the power of reflection in an incredibly high degree, for there is nothing so holy but she will in no time discover it to be reconcilable with her finery--and the chiefest expression of finery is fashion. What wonder if she does discover it to be reconcilable; for is not fashion holy to her? And there is nothing so insignificant but she certainly will know how to make it count in her finery--and the most fatuous expression of finery is fashion. And there is nothing, nothing in all her attire, not the least ribbon, of whose relation to fashion she has not a definite conception and concerning which she is not immediately aware whether the lady who just passed by noticed it; because, for whose benefit does she dress, if not for other ladies!

Even in my shop where she comes to be fitted out _à la mode_, even there she is in fashion. Just as there is a special bathing costume and a special riding habit, likewise there is a particular kind of dress which it is the fashion to wear to the dressmaker's shop. That costume is not _insouciant_ in the same sense as is the negligée a lady is pleased to be surprised in, earlier in the forenoon, where the point is her belonging to the fair sex and the coquetry lies in her letting herself be surprised. The dressmaker costume, on the other hand, is calculated to be nonchalant and a bit careless without her being embarrassed thereby; because a dressmaker stands in a different relation to her from a cavalier. The coquetry here consists in thus showing herself to a man who, by reason of his station, does not presume to ask for the lady's womanly recognition, but must be content with the perquisites which fall abundantly to his share, without her ever thinking of it; or without it even so much as entering her mind to play the lady before a dressmaker. The point is, therefore, that her being of the opposite sex is, in a certain sense, left out of consideration, and her coquetry invalidated, by the superciliousness of the noble lady who would smile if any one alluded to any relation existing between her and her dressmaker. When visited in her negligée she conceals herself, thus displaying her charms by this very concealment. In my shop she exposes her charms with the utmost nonchalance, for he is only a dressmaker--and she is a woman. Now, her shawl slips down and bares some part of her body, and if I did not know what that means, and what she expects, my reputation would be gone to the winds. Now, she draws herself up, _a priori_ fashion, now she gesticulates _a posteriori_; now, she sways to and fro in her hips; now, she looks at herself in the mirror and sees my admiring phiz behind her in the glass; now, she minces her words; now, she trips along with short steps; now, she hovers; now, she draws her foot after her in a slovenly fashion; now, she lets herself sink softly into an arm-chair, whilst I with humble demeanor offer her a flask of smelling salts and with my adoration assuage her agitation; now, she strikes after me playfully; now, she drops her handkerchief and, without as much as a single motion, lets her relaxed arm remain in its pendent position, whilst I bend down low to pick it up and return it to her, receiving a little patronizing nod as a reward. These are the ways of a lady of fashion when in my shop. Whether Diogenes[44] made any impression on the woman who was praying in a somewhat unbecoming posture, when he asked her whether she did not believe the gods could see her from behind--that I do not know; but this I do know, that if I should say to her ladyship kneeling down in church: "The folds of your gown do not fall according to fashion," she would be more alarmed than if she had given offense to the gods. Woe to the outcast, the male Cinderella, who has not comprehended this! _Pro dii immortales_,[45] what, pray, is a woman who is not in fashion; _per deos obsecro_,[46] and what when she is in fashion!

Whether all this is true? Well, make trial of it: let the swain, when his beloved one sinks rapturously on his breast, whispering unintelligibly: "thine forever," and hides her head on his bosom--let him but say to, her: "My sweet Kitty, your coiffure is not at all in fashion."--Possibly, men don't give thought to this; but he who knows it, and has the reputation of knowing it, he is the most dangerous man in the kingdom. What blissful hours the lover passes with his sweetheart before marriage I do not know; but of the blissful hours she spends in my shop he hasn't the slightest inkling, either. Without my special license and sanction a marriage is null and void, anyway--or else an entirely plebeian affair. Let it be the very moment when they are to meet before the altar, let her step forward with the very best conscience in the world that everything was bought in my shop and tried on there--and now, if I were to rush up and exclaim: "But mercy! gracious lady, your myrtle wreath is all awry"--why, the whole ceremony might be postponed, for aught I know. But men do not suspect these things, one must be a dressmaker to know.