Chapter 17

"There's Holmes, who is matchless among you for wit; A Leyden-jar always full-charged, from which flit The electrical tingles of hit after hit; In long poems 'tis painful sometimes, and invites A thought of the way the new Telegraph writes, Which pricks down its little sharp sentences spitefully As if you got more than you'd title to rightfully, And you find yourself hoping its wild father Lightning Would flame in for a second and give you fright'ning. He has perfect sway of what I call a sham metre, But many admire it, the English pentameter, And Campbell, I think, wrote most commonly worse, With less nerve, swing, and fire in the same kind of verse, Nor e'er achieved aught in 't so worthy of praise As the tribute of Holmes to the grand Marseillaise. You went crazy last year over Bulwer's New Timon; Why, if B., to the day of his dying, should rhyme on, Heaping verses on verses and tames upon tomes, He could ne'er reach the best point and vigor of Holmes. His are just the fine hands, too, to weave you a lyric Full of fancy, fun, feeling, or spiced with satyric In a measure so kindly, you doubt if the toes That are trodden upon are your own or your foes'.

IX. Lowell.

"There is Lowell, who's striving Parnassus to climb With a whole bale of isms tied together with rhyme, He might get on alone, spite of brambles and boulders, But he can't with that bundle he has on his shoulders The top of the hill he will ne'er come nigh reaching Till he learns the distinction 'twixt singing and preaching; His lyre has some chords that would ring pretty well, But he'd rather by half make a drum of the shell And rattle away till he's old as Methusalem, At the head of a march to the last new Jerusalem.

X. Spirit of Ancient Poetry.

"My friends, in the happier days of the muse, We were luckily free from such things as reviews, Then naught came between with its fog to make clearer The heart of the poet to that of his hearer; Then the poet brought heaven to the people, and they Felt that they, too, were poets in hearing his lay; Then the poet was prophet, the past in his soul Pre-created the future, both parts of one whole; Then for him there was nothing too great or too small. For one natural deity sanctified all; Then the bard owned no clipper and meter of moods Save the spirit of silence that hovers and broods O'er the seas and the mountains, the rivers and woods He asked not earth's verdict, forgetting the clods, His soul soared and sang to an audience of gods. 'Twas for them that he measured the thought and the line, And shaped for their vision the perfect design, With as glorious a foresight, a balance as true, As swung out the worlds in the infinite blue; Then a glory and greatness invested man's heart The universal, which now stands estranged and apart, In the free individual moulded, was Art; Then the forms of the Artist seemed thrilled with desire For something as yet unattained, fuller, higher, As once with her lips, lifted hands, and eyes listening, And her whole upward soul in her countenance glistening, Eurydice stood--like a beacon unfired, Which, once touched with flame, will leap heav'nward inspired-- And waited with answering kindle to mark The first gleam of Orpheus that pained the red Dark. Then painting, song, sculpture, did more than relieve the need that men feel to create and believe, And as, in all beauty, who listens with love Hears these words oft repeated--'beyond and above.' So these seemed to be but the visible sign Of the grasp of the soul after things more divine; They were ladders the Artist erected to climb O'er the narrow horizon of space and of time, And we see there the footsteps by which men had gained To the one rapturous glimpse of the never-attained, As shepherds could erst sometimes trace in the sod The last spurning print of a sky-cleaving god.

OLIVER WENDELL HOLMES

OLD IRONSIDES

Ay, tear her tattered ensign down! Long has it waved on high, And many an eye has danced to see That banner in the sky; Beneath it rung the battle shout, And burst the cannon's roar;-- The meteor of the ocean air Shall sweep the clouds no more!

Her deck, once red with heroes' blood, Where knelt the vanquished foe, When winds were hurrying o'er the floods And waves were white below, No more shall feel the victor's tread, Or know the conquered knee;-- The harpies of the shore shall pluck The eagle of the sea!

O better that her shattered hulk Should sink beneath the wave; Her thunders shook the mighty deep, And there should be her grave; Nail to the mast her holy flag, Set every threadbare sail, And give her to the god of storms, The lightning and the gale!

THE LAST LEAF

I saw him once before, As he passed by the door, And again The pavement stones resound, As he totters o'er the ground With his cane.

They say that in his prime, Ere the pruning-knife of Time Cut him down, Not a better man was found, By the Crier on his round Through the town.

But now he walks the streets, And he looks at all he meets Sad and wan, And he shakes his feeble head, That it seems as if he said, "They are gone."

The mossy marbles rest On the lips that he has prest In their bloom, And the names he loved to hear Have been carved for many a year On the tomb.

My grandmamma has said-- Poor old lady, she is dead Long ago-- That he had a Roman nose, And his cheek was like a rose In the snow.

But now his nose is thin, And it rests upon his chin Like a staff, And a crock is in his back, And a melancholy crack In his laugh.

I know it is a sin For me to sit and grin At him here; But the old three-cornered hat, And the breeches, and all that, Are so queer!

And if I should live to be The last leaf upon the tree In the spring, Let them smile, as I do now, At the old forsaken bough Where I cling.

MY AUNT

My aunt! my dear unmarried aunt! Long years have o'er her flown; Yet still she strains the aching clasp That binds her virgin zone; I know it hurts her,--though she looks As cheerful as she can; Her waist is ampler than her life, For life is but a span.

My aunt! my poor deluded aunt! Her hair is almost gray; Why will she train that winter curl In such a spring-like way? How can she lay her glasses down, And say she reads as well, When through a double convex lens, She just makes out to spell?

Her father--grandpapa! forgive This erring lip its smiles-- Vowed she should make the finest girl Within a hundred miles; He sent her to a stylish school; 'Twas in her thirteenth June; And with her, as the rules required, "Two towels and a spoon."

They braced my aunt against a board, To make her straight and tall; They laced her up, they starved her down, To make her light and small; They pinched her feet, they singed her hair, They screwed it up with pins;-- O never mortal suffered more In penance for her sins.

So, when my precious aunt was done, My grandsire brought her back; (By daylight, lest some rabid youth Might follow on the track;) "Ah!" said my grandsire, as he shook Some powder in his pan, "What could this lovely creature do Against a desperate man!"

Alas! nor chariot, nor barouche, Nor bandit cavalcade, Tore from the trembling father's arms His all-accomplished maid. For her how happy had it been! And Heaven had spared to me To see one sad, ungathered rose On my ancestral tree.

THE CHAMBERED NAUTILUS

This is the ship of pearl, which, poets feign, Sails the unshadowed main,-- The venturous bark that flings On the sweet summer wind its purpled wings In gulfs enchanted, where the Siren sings, And coral reefs lie bare, Where the cold sea-maids rise to sun their streaming hair.

Its webs of living gauze no more unfurl; Wrecked is the ship of pearl! And every chambered cell, Where its dim dreaming life was wont to dwell, As the frail tenant shaped his growing shell, Before thee lies revealed,-- Its irised ceiling rent, its sunless crypt unsealed!

Year after year beheld the silent toil That spread his lustrous coil; Mill, as the spiral grew, He left the past year's dwelling for the new, Stole with soft step its shining archway through, Built up its idle door, Stretched m his last-found home, and knew the old no more.

Thanks for the heavenly message brought by thee, Child of the wandering sea, Cast from her lap, forlorn! From thy dead lips a clearer note is born Than ever Triton blew from wreathed horn! While on mine ear it rings, Through the deep caves of thought I hear a voice that sings:--

Build thee more stately mansions, O my soul, As the swift seasons roll! Leave thy low-vaulted past! Let each new temple, nobler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free, Leaving thine outgrown shell by life's unresting sea!

CONTENTMENT

"Man wants but little here below." Little I ask; my wants are few; I only wish a hut of stone, (A very plain, brown stone' will do,) That I may call my own; And close at hand is such a one, In yonder street that fronts the sun.

Plain food is quite enough for me; Three courses are as good as ten; If Nature can subsist on three, Thank Heaven for three. Amen! I always thought cold victual nice;-- My choice would be vanilla-ice.

I care not much for gold or land; Give me a mortgage here and there, Some good bank-stock, some note of hand, Or trifling railroad share,-- I only ask that Fortune send A little more than I shall spend.

Honors are silly toys, I know, And titles are but empty names; I would, perhaps, be Plenipo,-- But only near St. James; I'm very sure I should not care To fill our Gubernator's chair.

Jewels are bawbles; 'tis a sin To care for such unfruitful things; One good-sized diamond in a pin,-- Some, not so large, in rings,-- A ruby, and a pearl, or so, Will do for me;--I laugh at show.

My dame should dress in cheap attire; (Good, heavy silks are never dear;) I own perhaps I might desire Some shawls of true Cashmere,-- Some marrowy crapes of China silk, Like wrinkled skins on scalded milk.

I would not have the horse I drive So fast that folks must stop and stare; An easy gait--two, forty-five-- Suits me; I do not care; Perhaps, for just a single spurt, Some seconds less would do no hurt.

Of pictures, I should like to own Titians and Raphaels three or four, I love so much their style and tone,-- One Turner, and no more, (A landscape,--foreground golden dirt,-- The sunshine painted with a 'squirt.)

Of books but few,--some fifty score For daily use, and bound for wear; The rest upon an upper floor;-- Some little luxury there Of red morocco's gilded gleam, And vellum rich as country cream.

Busts, cameos, gems,--such things as these, Which others often show for pride, I value for their power to please, And selfish churls deride;-- One Stradivarius, I confess, Two Meerschaums, I would fain possess.

Wealth's wasteful tricks I will not learn Nor ape the glittering upstart fool; Shall not carved tables serve my turn, But all must be of buhl? Give grasping pomp its double share,-- I ask but one recumbent chair.

Thus humble let me live and die, Nor long for Midas' golden touch; If Heaven more generous gifts deny, I shall not miss them much,-- Too grateful for the blessing lent Of simple tastes and mind content!

THE DEACON'S MASTERPIECE;

or

THE WONDERFUL "ONE-HOSS SHAY"

A LOGICAL STORY

Have you heard of the wonderful one-horse shay, That was built in such a logical way It ran a hundred years to a day, And then, of a sudden, it--ah but stay, I'll tell you what happened without delay, Scaring the parson into fits, Frightening people out of their wits, Have you ever heard of that, I say?

Seventeen hundred and fifty-five, Georgius Secundus was then alive, Snuffy old drone from the German hive. That was the year when Lisbon-town Saw the earth open and gulp her down And Braddock's army was done so brown, Left without a scalp to its crown. It was on the terrible Earthquake-day That the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what, There is always somewhere a weakest spot,-- In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace,--lurking still, Find it somewhere you must and will,-- Above or below, or within or without,-- And that's the reason, beyond a doubt, That a chaise breaks down, but doesn't wear out.

But the Deacon swore (as Deacons do, With an "I dew vum," or an "I tell yeou,") He would build one shay to beat the taown 'n' the keounty 'n' all the kentry raoun'; It should be so built that it couldn' break daown, "Fur," said the Deacon, "It's mighty plain Thut the weakes' place mus' Stan' the strain; 'n' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest."

So the Deacon inquired of the village folk Where he could find the strongest oak, That couldn't be split nor bent nor broke, That was for spokes and floor and sills; He sent for lancewood to make the thins; The crossbars were ash, from the straightest trees. The panels of white-wood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the "Settler's ellum,"--

Last of its timber,--they couldn't sell 'em, Never an axe had seen their chips, And the wedges flew from between their lips, Their blunt ends frizzled like celery-tips; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue; Thoroughbrace bison-skin, thick and wide; Boot, top, dasher, from tough old hide Found in the pit when the tanner died. That was the way he "put her through." "There!" said the Deacon, "naow she'll dew!"

Do! I tell you, I rather guess She was a wonder, and nothing less! Colts grew horses, beards turned gray, Deacon and deaconess dropped away, Children and grandchildren--where were they? But there stood the stout old one-hoss shay As fresh as on Lisbon-earthquake-day

EIGHTEEN HUNDRED;--it came and found The Deacon's masterpiece strong and sound. Eighteen hundred increased by ten;-- "Hahnsum kerridge" they called it then. Eighteen hundred and twenty came;-- Running as usual; much the same. Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE.

Little of all we value here Wakes on the morn of its hundredth year Without both feeling and looking queer. In fact, there's nothing that keeps its youth, So far as I know but a tree and truth. (This is a moral that runs at large; Take it.--You're welcome.--No extra charge.)

FIRST of NOVEMBER,--the Earthquake-day-- There are traces of age in the one-hoss shay, A general flavor of mild decay, But nothing local, as one may say. There couldn't be,--for the Deacon's art Had made it so like in every part That there wasn't a chance for one to start. For the wheels were just as strong as the thins, And the floor was just as strong as the sills, And the panels just as strong as the floors And the whipple-tree neither less nor more, And the back-crossbar as strong as the fore, And spring and axle and hub encore. And yet, as a whole, it is past a doubt In another hour it will be worn out!

First of November, 'Fifty-five! This morning the parson takes a drive. Now, small boys, get out of the way! Here comes the wonderful one-hoss shay, Drawn by a rat-tailed, ewe-necked bay. "Huddup!" said the parson.--Off went they. The parson was working his Sunday's text,-- Had got to fifthly, and stopped perplexed At what the--Moses--was coming next.

All at once the horse stood still, Close by the meet'n'-house on the hill. First a shiver, and then a thrill, Then something decidedly like a spill,-- And the parson was sitting upon a rock, At half past nine by the meet'n'-house clock-- Just the hour of the Earthquake shock!

What do you think the parson found, When he got up and stared around? The poor old chaise in a heap or mound, As if it had been to the mill and ground! You see, of course, if you're not a dunce, How it went to pieces all at once, All at once, and nothing first, Just as bubbles do when they burst.

End of the wonderful one-boss shay. Logic is logic. That's all I say.

THOMAS BUCHANAN READ

STORM ON ST. BERNARD

Oh, Heaven, it is a fearful thing Beneath the tempest's beating wing To struggle, like a stricken hare When swoops the monarch bird of air; To breast the loud winds' fitful spasms, To brave the cloud and shun the chasms, Tossed like a fretted shallop-sail Between the ocean and the gale.

Along the valley, loud and fleet, The rising tempest leapt and roared, And scaled the Alp, till from his seat The throned Eternity of Snow His frequent avalanches poured In thunder to the storm below.

And now, to crown their fears, a roar Like ocean battling with the shore, Or like that sound which night and day Breaks through Niagara's veil of spray, From some great height within the cloud,

To some unmeasured valley driven, Swept down, and with a voice so loud It seemed as it would shatter heaven! The bravest quailed; it swept so near, It made the ruddiest cheek to blanch, While look replied to look in fear, "The avalanche! The avalanche!" It forced the foremost to recoil, Before its sideward billows thrown,-- Who cried, "O God! Here ends our toil! The path is overswept and gone!"