Part 3

Eve no gentlier lays her cooling cheek On the burning brow of the sick earth, Sick with death, and sick with birth, Aeon to aeon, in secular fever twirled, Than thy shadow soothes this weak And distempered being of mine. In all I work, my hand includeth thine; Thou rushest down in every stream Whose passion frets my spirit's deepening gorge; Unhood'st mine eyas-heart, and fliest my dream; Thou swing'st the hammers of my forge; As the innocent moon, that nothing does but shine, Moves all the labouring surges of the world. Pierce where thou wilt the springing thought in me, And there thy pictured countenance lies enfurled, As in the cut fern lies the imaged tree. This poor song that sings of thee, This fragile song, is but a curled Shell outgathered from thy sea, And murmurous still of its nativity.

THE CHILD-WOMAN

O thou most dear! Who art thy sex's complex harmony God-set more facilely; To thee may love draw near Without one blame or fear, Unchidden save by his humility: Thou Perseus' Shield! wherein I view secure The mirrored Woman's fateful-fair allure! Whom Heaven still leaves a twofold dignity, As girlhood gentle, and as boyhood free; With whom no most diaphanous webs enwind The barèd limbs of the rebukeless mind. Wild Dryad! all unconscious of thy tree, With which indissolubly The tyrannous time shall one day make thee whole; Whose frank arms pass unfretted through its bole: Who wear'st thy femineity Light as entrailèd blossoms, that shalt find It erelong silver shackles unto thee. Thou whose young sex is yet but in thy soul;-- As, hoarded in the vine, Hang the gold skins of undelirious wine, As air sleeps, till it toss its limbs in breeze:-- In whom the mystery which lures and sunders, Grapples and thrusts apart, endears, estranges, --The dragon to its own Hesperides-- Is gated under slow-revolving changes, Manifold doors of heavy-hingèd years. So once, ere Heaven's eyes were filled with wonders To see Laughter rise from Tears, Lay in beauty not yet mighty, Conchèd in translucencies, The antenatal Aphrodite, Caved magically under magic seas; Caved dreamlessly beneath the dreamful seas.

"Whose sex is in thy soul!" What think we of thy soul? Which has no parts, and cannot grow, Unfurled not from an embryo; Born of full stature, lineal to control; And yet a pigmy's yoke must undergo. Yet must keep pace and tarry, patient, kind, With its unwilling scholar, the dull, tardy mind; Must be obsequious to the body's powers, Whose low hands mete its paths, set ope and close its ways; Must do obeisance to the days, And wait the little pleasure of the hours; Yea, ripe for kingship, yet must be Captive in statuted minority! So is all power fulfilled, as soul in thee. So still the ruler by the ruled takes rule, And wisdom weaves itself i' the loom o' the fool. The splendent sun no splendour can display, Till on gross things he dash his broken ray, From cloud and tree and flower re-tossed in prismy spray. Did not obstruction's vessel hem it in, Force were not force, would spill itself in vain; We know the Titan by his champèd chain.

Stay is heat's cradle, it is rocked therein, And by check's hand is burnished into light; If hate were none, would love burn lowlier bright? God's Fair were guessed scarce but for opposite sin; Yea, and His Mercy, I do think it well, Is flashed back from the brazen gates of Hell. The heavens decree All power fulfil itself as soul in thee. For supreme Spirit subject was to clay, And Law from its own servants learned a law, And Light besought a lamp unto its way, And Awe was reined in awe, At one small house of Nazareth; And Golgotha Saw Breath to breathlessness resign its breath, And Life do homage for its crown to death.

TO A CHILD HEARD REPEATING HER MOTHER'S VERSES

As a nymph's carven head sweet water drips, For others oozing so the cool delight Which cannot steep her stiffened mouth of stone-- Thy nescient lips repeat maternal strains. Memnonian lips! Smitten with singing from thy mother's east, And murmurous with music not their own: Nay, the lips flexile, while the mind alone A passionless statue stands. Oh, pardon, innocent one! Pardon at thine unconscious hands! "Murmurous with music not their own," I say? And in that saying how do I missay, When from the common sands Of poorest common speech of common day Thine accents sift the golden musics out! And ah, we poets, I misdoubt, Are little more than thou! We speak a lesson taught we know not how, And what it is that from us flows The hearer better than the utterer knows.

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And thou, bright girl, not long shalt thou repeat Idly the music from thy mother caught; Not vainly has she wrought, Not vainly from the cloudward-jetting turret Of her aerial mind, for thy weak feet, Let down the silken ladder of her thought. She bare thee with a double pain, Of the body and the spirit; Thou thy fleshly weeds hast ta'en, Thy diviner weeds inherit! The precious streams which through thy young lips roll Shall leave their lovely delta in thy soul: Where sprites of so essential kind Set their paces, Surely they shall leave behind The green traces Of their sportance in the mind; And thou shalt, ere we well may know it, Turn that daintiness, a poet,-- Elfin-ring Where sweet fancies foot and sing. So it may be, so it _shall_ be,-- O, take the prophecy from me! What if the old fastidious sculptor, Time, This crescent marvel of his hands Carveth all too painfully, And I who prophesy shall never see? What if the niche of its predestined rhyme, Its aching niche, too long expectant stands? Yet shall he after sore delays On some exultant day of days The white enshrouding childhood raise From thy fair spirit, finished for our gaze; While we (but 'mongst that happy "we" The prophet cannot be!) While we behold with no astonishments, With that serene fulfilment of delight Wherewith we view the sight When the stars pitch the golden tents Of their high encampment on the plains of night. Why should amazement be our satellite? What wonder in such things? If angels have hereditary wings, If not by Salic law is handed down The poet's crown, To thee, born in the purple of the throne, The laurel must belong: Thou, in thy mother's right Descendant of Castilian-chrismèd kings-- O Princess of the Blood of Song!

A FORETELLING OF THE CHILD'S HUSBAND

But on a day whereof I think, One shall dip his hand to drink In that still water of thy soul, And its imaged tremors race Over thy joy-troubled face, As the intervolved reflections roll From a shaken fountain's brink, With swift light wrinkling its alcove. From the hovering wing of Love The warm stain shall flit roseal on thy cheek. Then, sweet blushet! whenas he, The destined paramount of thy universe, Who has no worlds to sigh for, ruling thee, Ascends his vermeil throne of empery, One grace alone I seek. Oh! may this treasure-galleon of my verse, Fraught with its golden passion, oared with cadent rhyme, Set with a towering press of fantasies, Drop safely down the time, Leaving mine islèd self behind it far, Soon to be sunken in the abysm of seas, (As down the years the splendour voyages From some long ruined and night-submergèd star), And in thy subject sovereign's havening heart Anchor the freightage of its virgin ore; Adding its wasteful more To his own overflowing treasury. So through his river mine shall reach thy sea, Bearing its confluent part; In his pulse mine shall thrill; And the quick heart shall quicken from the heart that's still.

_Now pass your ways, fair bird, and pass your ways, If you will; I have you through the days. And flit or hold you still, And perch you where you list On what wrist,-- You are mine through the times. I have caught you fast for ever in a tangle of sweet rhymes. And in your young maiden morn, You may scorn, But you must be Bound and sociate to me; With this thread from out the tomb my dead hand shall tether thee!_

Love in Dian's Lap

BEFORE HER PORTRAIT IN YOUTH

As lovers, banished from their lady's face, And hopeless of her grace, Fashion a ghostly sweetness in its place, Fondly adore Some stealth-won cast attire she wore, A kerchief, or a glove: And at the lover's beck Into the glove there fleets the hand, Or at impetuous command Up from the kerchief floats the virgin neck:

So I, in very lowlihead of love,-- Too shyly reverencing To let one thought's light footfall smooth Tread near the living, consecrated thing,-- Treasure me thy cast youth. This outworn vesture, tenantless of thee, Hath yet my knee, For that, with show and semblance fair Of the past Her Who once the beautiful, discarded raiment bare, It cheateth me. As gale to gale drifts breath Of blossoms' death, So dropping down the years from hour to hour This dead youth's scent is wafted me to-day: I sit, and from the fragrance dream the flower. So, then, she looked (I say); And so her front sunk down Heavy beneath the poet's iron crown: On her mouth museful sweet-- (Even as the twin lips meet) Did thought and sadness greet: Sighs In those mournful eyes So put on visibilities; As viewless ether turns, in deep on deep, to dyes. Thus, long ago, She kept her meditative paces slow Through maiden meads, with wavèd shadow and gleam Of locks half-lifted on the winds of dream, Till love up-caught her to his chariot's glow. Yet, voluntary, happier Proserpine, This drooping flower of youth thou lettest fall I, faring in the cockshut-light, astray, Find on my 'lated way, And stoop, and gather for memorial, And lay it on my bosom, and make it mine. To this, the all of love the stars allow me, I dedicate and vow me. I reach back through the days A trothed hand to the dead the last trump shall not raise. The water-wraith that cries From those eternal sorrows of thy pictured eyes Entwines and draws me down their soundless intricacies!

TO A POET BREAKING SILENCE

Too wearily had we and song Been left to look and left to long, Yea, song and we to long and look, Since thine acquainted feet forsook The mountain where the Muses hymn For Sinai and the Seraphim. Now in both the mountains' shine Dress thy countenance, twice divine! From Moses and the Muses draw The Tables of thy double Law! His rod-born fount and Castaly Let the one rock bring forth for thee, Renewing so from either spring The songs which both thy countries sing: Or we shall fear lest, heavened thus long, Thou should'st forget thy native song, And mar thy mortal melodies With broken stammer of the skies.

Ah! let the sweet birds of the Lord With earth's waters make accord; Teach how the crucifix may be Carven from the laurel-tree, Fruit of the Hesperides Burnish take on Eden-trees, The Muses' sacred grove be wet With the red dew of Olivet, And Sappho lay her burning brows In white Cecilia's lap of snows!

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I think thy girlhood's watchers must Have took thy folded songs on trust, And felt them, as one feels the stir Of still lightnings in the hair, When conscious hush expects the cloud To speak the golden secret loud Which tacit air is privy to; Flasked in the grape the wine they knew, Ere thy poet-mouth was able For its first young starry babble. Keep'st thou not yet that subtle grace? Yea, in this silent interspace, God sets His poems in thy face!

The loom which mortal verse affords, Out of weak and mortal words, Wovest thou thy singing-weed in, To a rune of thy far Eden. Vain are all disguises! Ah, Heavenly _incognita_! Thy mien bewrayeth through that wrong The great Uranian House of Song! As the vintages of earth Taste of the sun that riped their birth, We know what never-cadent Sun Thy lampèd clusters throbbed upon, What plumèd feet the winepress trod; Thy wine is flavorous of God. Whatever singing-robe thou wear Has the paradisal air; And some gold feather it has kept Shows what Floor it lately swept.

A CARRIER SONG

Since you have waned from us, Fairest of women, I am a darkened cage Song cannot hymn in. My songs have followed you, Like birds the summer; Ah! bring them back to me, Swiftly, dear comer! _Seraphim, Her to hymn, Might leave their portals; And at my feet learn The harping of mortals!_

Whereso your angel is, My angel goeth; I am left guardianless, Paradise knoweth! I have no Heaven left To weep my wrongs to; Heaven, when you went from us, Went with my songs too. _Seraphim, Her to hymn, Might leave their portals; And at my feet learn The harping of mortals!_

I have no angels left Now, Sweet, to pray to: Where you have made your shrine They are away to. They have struck Heaven's tent, And gone to cover you: Whereso you keep your state Heaven is pitched over you! _Seraphim, Her to hymn, Might leave their portals; And at my feet learn The harping of mortals!_

She that is Heaven's Queen Her title borrows, For that she, pitiful, Beareth our sorrows. So thou, _Regina mi, Spes infirmorum_; With all our grieving crowned _Mater dolorum! Seraphim, Her to hymn, Might leave their portals; And at my feet learn The harping of mortals!_

Yet, envious coveter Of other's grieving! This lonely longing yet 'Scapeth your reaving. Cruel to take from a Sinner his Heaven! Think you with contrite smiles To be forgiven? _Seraphim, Her to hymn, Might leave their portals; And at my feet learn The harping of mortals!_

Penitent! give me back Angels, and Heaven; Render your stolen self, And be forgiven! How frontier Heaven from you? For my soul prays, Sweet, Still to your face in Heaven, Heaven in your face, Sweet! _Seraphim, Her to hymn, Might leave their portals; And at my feet learn The harping of mortals!_

HER PORTRAIT

Oh, but the heavenly grammar did I hold Of that high speech which angels' tongues turn gold! So should her deathless beauty take no wrong, Praised in her own great kindred's fit and cognate tongue. Or if that language yet with us abode Which Adam in the garden talked with God! But our untempered speech descends--poor heirs! Grimy and rough-cast still from Babel's bricklayers: Curse on the brutish jargon we inherit, Strong but to damn, not memorise, a spirit! A cheek, a lip, a limb, a bosom, they Move with light ease in speech of working-day; And women we do use to praise even so. But here the gates we burst, and to the temple go. Their praise were her dispraise; who dare, who dare, Adulate the seraphim for their burning hair? How, if with them I dared, here should I dare it? How praise the woman, who but know the spirit? How praise the colour of her eyes, uncaught While they were coloured with her varying thought? How her mouth's shape, who only use to know What tender shape her speech will fit it to? Or her lips' redness, when their joinèd veil Song's fervid hand has parted till it wore them pale?

If I would praise her soul (temerarious if!) All must be mystery and hieroglyph. Heaven, which not oft is prodigal of its more To singers, in their song too great before-- By which the hierarch of large poesy is Restrained to his one sacred benefice-- Only for her the salutary awe Relaxes and stern canon of its law; To her alone concedes pluralities, In her alone to reconcile agrees The Muse, the Graces, and the Charities; To her, who can the trust so well conduct, To her it gives the use, to us the usufruct. What of the dear administress then may I utter, though I spoke her own carved perfect way? What of her daily gracious converse known, Whose heavenly despotism must needs dethrone And subjugate all sweetness but its own? Deep in my heart subsides the infrequent word, And there dies slowly throbbing like a wounded bird. What of her silence, that outsweetens speech? What of her thoughts, high marks for mine own thoughts to reach? Yet (Chaucer's antique sentence so to turn), Most gladly will she teach, and gladly learn; And teaching her, by her enchanting art, The master threefold learns for all he can impart. Now all is said, and all being said,--aye me! There yet remains unsaid the very She. Nay, to conclude (so to conclude I dare), If of her virtues you evade the snare, Then for her faults you'll fall in love with her.

Alas, and I have spoken of her Muse-- Her Muse, that died with her auroral dews! Learn, the wise cherubim from harps of gold Seduce a trepidating music manifold; But the superior seraphim do know None other music but to flame and glow. So she first lighted on our frosty earth, A sad musician, of cherubic birth, Playing to alien ears--which did not prize The uncomprehended music of the skies-- The exiled airs of her far Paradise. But soon, from her own harpings taking fire, In love and light her melodies expire. Now Heaven affords her, for her silenced hymn, A double portion of the seraphim. At the rich odours from her heart that rise, My soul remembers its lost Paradise, And antenatal gales blow from Heaven's shores of spice; I grow essential all, uncloaking me From this encumbering virility, And feel the primal sex of heaven and poetry: And parting from her, in me linger on Vague snatches of Uranian antiphon.

How to the petty prison could she shrink Of femineity?--Nay, but I think In a dear courtesy her spirit would Woman assume, for grace to womanhood. Or, votaress to the virgin Sanctitude Of reticent withdrawal's sweet, courted pale, She took the cloistral flesh, the sexual veil, Of her sad, aboriginal sisterhood; The habit of cloistral flesh which founding Eve indued.

Thus do I know her: but for what men call Beauty--the loveliness corporeal, Its most just praise a thing unproper were To singer or to listener, me or her. She wears that body but as one indues A robe, half careless, for it is the use; Although her soul and it so fair agree, We sure may, unattaint of heresy, Conceit it might the soul's begetter be. The immortal could we cease to contemplate, The mortal part suggests its every trait. God laid His fingers on the ivories Of her pure members as on smoothèd keys, And there out-breathed her spirit's harmonies. I'll speak a little proudly:--I disdain To count the beauty worth my wish or gain, Which the dull daily fool can covet or obtain. I do confess the fairness of the spoil, But from such rivalry it takes a soil. For her I'll proudlier speak:--how could it be That I should praise the gilding on the psaltery? 'Tis not for her to hold that prize a prize, Or praise much praise, though proudest in its wise, To which even hopes of merely women rise. Such strife would to the vanquished laurels yield, Against _her_ suffered to have lost a field. Herself must with herself be sole compeer, Unless the people of her distant sphere Some gold migration send to melodise the year.

Yet I have felt what terrors may consort In women's cheeks, the Graces' soft resort; My hand hath shook at gentle hands' access, And trembled at the waving of a tress; My blood known panic fear, and fled dismayed, Where ladies' eyes have set their ambuscade. The rustle of a robe hath been to me The very rattle of love's musketry; Although my heart hath beat the loud advance, I have recoiled before a challenging glance, Proved gay alarms where warlike ribbons dance. And from it all, this knowledge have I got,-- The whole that others have, is less than they have not; All which makes other women noted fair, Unnoted would remain and overshone in her.

How should I gauge what beauty is her dole, Who cannot see her countenance for her soul, As birds see not the casement for the sky? And, as 'tis check they prove its presence by, I know not of her body till I find My flight debarred the heaven of her mind. Hers is the face whence all should copied be, Did God make replicas of such as she; Its presence felt by what it does abate, Because the soul shines through tempered and mitigate: Where--as a figure labouring at night Beside the body of a splendid light-- Dark Time works hidden by its luminousness; And every line he labours to impress Turns added beauty, like the veins that run Athwart a leaf which hangs against the sun.