Part 3
Dear names, And thousand other throng to me! Royal flames; Sweet water's dimpling laugh from tap or spring; Holes in the ground; and voices that do sing; Voices in laughter, too; and body's pain, Soon turned to peace; and the deep-panting train; Firm sands; the little dulling edge of foam That browns and dwindles as the wave goes home; And washen stones, gay for an hour; the cold Graveness of iron; moist black earthen mould; Sleep; and high places; footprints in the dew; And oaks; and brown horse-chestnuts, glossy-new; And new-peeled sticks; and shining pools on grass; All these have been my loves. And these shall pass, Whatever passes not, in the great hour, Nor all my passion, all my prayers, have power To hold them with me through the gate of Death. They'll play deserter, turn with the traitor breath, Break the high bond we made, and sell Love's trust And sacramented covenant to the dust. ----Oh, never a doubt but, somewhere, I shall wake, And give what's left of love again, and make New friends, now strangers.... But the best I've known, Stays here, and changes, breaks, grows old, is blown About the winds of the world, and fades from brains Of living men, and dies. Nothing remains. O dear my loves, O faithless, once again This one last gift I give: that after men Shall know, and later lovers, far-removed, Praise you, "All these were lovely"; say, "He loved."
MATAIEA, 1914
*The Treasure*
When colour goes home into the eyes, And lights that shine are shut again With dancing girls and sweet birds' cries Behind the gateways of the brain; And that no-place which gave them birth, shall close The rainbow and the rose:--
Still may Time hold some golden space Where I'll unpack that scented store Of song and flower and sky and face, And count, and touch, and turn them o'er, Musing upon them; as a mother, who Has watched her children all the rich day through, Sits, quiet-handed, in the fading light, When children sleep, ere night.
*1914*
I. Peace
Now, God be thanked Who has matched us with His hour, And caught our youth, and wakened us from sleeping, With hand made sure, clear eye, and sharpened power, To turn, as swimmers into cleanness leaping, Glad from a world grown old and cold and weary, Leave the sick hearts that honour could not move, And half-men, and their dirty songs and dreary, And all the little emptiness of love!
Oh! we, who have known shame, we have found release there, Where there's no ill, no grief, but sleep has mending, Naught broken save this body, lost but breath; Nothing to shake the laughing heart's long peace there But only agony, and that has ending; And the worst friend and enemy is but Death.
II. Safety
Dear! of all happy in the hour, most blest He who has found our hid security, Assured in the dark tides of the world that rest, And heard our word, 'Who is so safe as we?' We have found safety with all things undying, The winds, and morning, tears of men and mirth, The deep night, and birds singing, and clouds flying, And sleep, and freedom, and the autumnal earth.
We have built a house that is not for Time's throwing. We have gained a peace unshaken by pain for ever. War knows no power. Safe shall be my going, Secretly armed against all death's endeavour; Safe though all safety's lost; safe where men fall; And if these poor limbs die, safest of all.
III. The Dead
Blow out, you bugles, over the rich Dead! There's none of these so lonely and poor of old, But, dying, has made us rarer gifts than gold. These laid the world away; poured out the red Sweet wine of youth; gave up the years to be Of work and joy, and that unhoped serene, That men call age; and those who would have been, Their sons, they gave, their immortality.
Blow, bugles, blow! They brought us, for our dearth, Holiness, lacked so long, and Love, and Pain. Honour has come back, as a king, to earth, And paid his subjects with a royal wage; And Nobleness walks in our ways again; And we have come into our heritage.
IV. The Dead
These hearts were woven of human joys and cares. Washed marvellously with sorrow, swift to mirth. The years had given them kindness. Dawn was theirs, And sunset, and the colours of the earth. These had seen movement, and heard music; known Slumber and waking; loved; gone proudly friended; Felt the quick stir of wonder; sat alone; Touched flowers and furs and cheeks. All this is ended.
There are waters blown by changing winds to laughter And lit by the rich skies, all day. And after, Frost, with a gesture, stays the waves that dance And wandering loveliness. He leaves a white Unbroken glory, a gathered radiance, A width, a shining peace, under the night.
V. The Soldier
If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's breathing English air, Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.
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*Poems*
*by Rupert Brooke*
(Originally published in 1911)
_Twenty-eighth Impression_ 3s. 6d. _net_
"The volume of 'Poems' published in 1911, which contains work written as early as 1905, when he was eighteen, shows an art curiously personal, skilful, deliberate. It shows, too, an intellectual deftness altogether unexpected in so young a poet, and it shows finally, not always but often, an indifference to the normal material upon which poets good and bad are apt to work from the outset, and in the shaping of which ultimately comes all poetry that is memorable. Nearly every page is interesting on account of its art and intellectual deftness, qualities that we should not expect to be marked....
"... Even in the poems where most we feel the lack of emotional truth there is a beauty of word that made the book full of the most exciting promise. Already, too there was in certain poems assurance against the danger that this intellectual constraint might degenerate into virtuosity."--From "RUPERT BROOKE," by John Drinkwater, in the _Contemporary Review_, December 1915.
*** The poems on pp. 7-38 of _Selected Poems_ are taken from the above volume.
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*1914 and other Poems*
*by Rupert Brooke*
*With a Photogravure Portrait by SHERRIL SCHELL*
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"To those of us who see in poetry the perfect flowering of life, the story of Rupert Brooke will always mean chiefly the score or so of poems in which he reached to the full maturity of his genius and gave imperishable expression to the very heart of his personality.... Not even the fact that the man who wrote the sonnets, than which after long generations nothing shall make the year 1914 more memorable, served and died for England at war, can add one beat to their pulse. The poetry that shines and falls across them in one perfect and complete wave is, as poetry must always be, independent of all factual experience, and comes wholly from the deeper experience of the imagination."--From "RUPERT BROOKE" by John Drinkwater, in the _Contemporary Review_. December 1915.
*** The poems on pp. 39-75 of _Selected Poems_ are taken from the above volume.
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*** This is the 'dissertation,' written in 1911-12, by which Rupert Brooke gained his Fellowship at King's College, Cambridge, in 1913.
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