Part 13
Cider is, I believe, still drunk at Oxford; and memory retains grateful recollections of Cider-cup beautiful as a liquid topaz, with a cluster of blue flowers floating on its breast. But the Cider-Cellars of London--places of, I fear, ill-regulated conviviality--have, as far as I know, long since closed their doors. Yet they, too, have their secure place in literature. The "Young Lion" of the _Daily Telegraph_, who looked forward to succeeding Dr. W. H. Russell as War Correspondent of the _Times_, thrilled with excitement at the prospect of inoculating the Leading Journal with "the divine madness of our new style--the style we have formed upon Sala. It blends the airy epicureanism of the _salons_ of Augustus with the full-bodied gaiety of our English Cider Cellar." But that was written in 1870, and the style and the Cellars alike are things of the past. The official historian of Cider excels in that "dry light" which is the grace of history, and gravely tells us that "Cider (_Zider_, German) when first made in England was called wine." With a proper reluctance to commit himself to what is antecedently incredible, he adds that "the Earl of Manchester, when Ambassador in France (1699), _is said_ to have passed off Cider for Wine." It is more plausibly stated that in later days the innocuous apple has been artfully mingled with the "foaming grape of Eastern France," and has been drunk in England as Champagne. The Hock-cup at Buckingham Palace is justly vaunted as one of the chief glories of our ancient polity. It is certainly the most delectable drink that ever refreshed a thirsty soul; and the art of concocting it is a State-Secret of the most awful solemnity. But there never was a secret which did not sooner or later elude its guardians; and I have heard that a Royal cellarer, in an expansive moment, once revealed the spell. German Wine and English Cider together constitute the Kingly Cup,
"And, blended, form, with artful strife, The strength and harmony of life."
XXX
THE GARTER
"Breathes there a man, with soul so dead, Who never to himself hath said----
I should uncommonly like to be a Knight of the Garter?" If such there be, let him forswear this column and pass on to the Cotton Market or the Education Bill. Here we cater for those in whom the historic instinct is combined with picturesque sensibility, and who love to trace the stream of the national life as it flows through long-descended rites. Lord Acton wrote finely of "Institutions which incorporate tradition and prolong the reign of the dead." No institution fulfils this ideal more absolutely than the Order of the Garter. One need not always "commence with the Deluge"; and there is no occasion to consult the lively oracles of Mrs. Markham for the story of the dropped garter and the chivalrous motto. It is enough to remember that the Order links the last enchantments of the Middle Age with the Twentieth Century, and that for at least four hundred years it has played a real, though hidden, part in the secret strategy of English Statecraft.
We are told by travellers that the Emperor of Lilliput rewarded his courtiers with three fine silken threads of about six inches long, one of which was blue, one red, and one green. The method by which these rewards were obtained is thus described by an eye-witness: "The Emperor holds a stick in his hands, both ends parallel to the horizon, while the candidates, advancing one by one, sometimes leap over it, sometimes creep under it, backwards and forwards, several times, according as the stick is elevated or depressed. Whoever shows the most agility and performs his part best of leaping and creeping is rewarded with the blue coloured silk, the next with the red, and so on."
To-day we are not concerned with the red silk, wisely invented by Sir Robert Walpole for the benefit of those who could not aspire to the blue; nor with the green, which illustrates the continuous and separate polity of the Northern Kingdom. The blue silk supplies us with all the material we shall need. In its wider aspect of the Blue Ribbon, it has its secure place in the art, the history, and the literature of England; though perhaps the Dryasdusts of future ages will be perplexed by the Manichæan associations which will then have gathered round it. "When," they will ask, "and by what process, did the ensign of a high chivalric Order which originated at a banquet become the symbol of total abstinence from fermented drinks?" Even so, a high-toned damsel from the State of Maine, regarding the Blue Ribbon which girt Lord Granville's white waistcoat, congratulated him on the boldness with which he displayed his colours, and then shrank back in astonished horror as he raised his claret-glass to his lips. In one of the prettiest of historical novels Amy Robsart is represented as examining with childish wonder the various badges and decorations which her husband wears, while Leicester, amused by her simplicity, explains the significance of each. "The embroidered strap, as thou callest it, around my knee," he said, "is the English Garter, an ornament which Kings are proud to wear. See, here is the star which belongs to it, and here is the diamond George, the jewel of the Order. You have heard how King Edward and the Countess of Salisbury----" "Oh, I know all that tale," said the Countess, slightly blushing, "and how a lady's garter became the proudest badge of English chivalry."
There are certain families which may be styled "Garter Families," so constant--almost unbroken--has been the tradition that the head of the family should be a Knight Companion of the Most Noble Order. Such is the House of Beaufort; is there not a great saloon at Badminton walled entirely with portraits of Dukes of Beaufort in their flowing mantles of Garter-Blue? Such is the House of Bedford, which has worn the Garter from the reign of Henry VIII. till now; such the House of Norfolk, which contrived to retain its Garters, though it often lost its head, in times of civil commotion. The Dukes of Devonshire, again, have been habitual Garter-wearers; and the fourteenth Earl of Derby, though he refused a dukedom, was proud to accept an extra Garter (raising the number of Knights above the statutory twenty-five), which Queen Victoria gave him as a consolation for his eviction from the Premiership in 1859. _Punch_, then, as now, no respecter of persons, had an excellent cartoon of a blubbering child, to whom a gracious lady soothingly remarks, "Did he have a nasty tumble, then? Here's something pretty for him to play with." The Percys, again, were pre-eminently a Garter Family; sixteen heads of the house have worn Blue silk. So far as the male line was concerned, they came to an end in 1670. The eventual heiress of the house married Sir Hugh Smithson, who acquired the estates and assumed the name of the historic Percys. Having, in virtue of this great alliance, been created Earl of Northumberland, Sir Hugh begged George III. to give him the Garter. When the King demurred, the aspirant exclaimed, in the bitterness of his heart, "I am the first Northumberland who ever was refused the Garter." To which the King replied, not unreasonably, "And you are the first Smithson who ever asked for it." However, there are forms of political pressure to which even Kings must yield, and people who had "borough influence" could generally get their way when George III. wanted some trustworthy votes in the House of Commons. So Sir Hugh Smithson died a Duke and a K.G., and since his day the Percys have been continuously Gartered.
But it is in the sphere of rank just below that of the "Garter Families" that the Blue silk of Swift's imagination exercises its most potent influence. Men who are placed by the circumstances of their birth far beyond the temptations of mere cupidity, men who are justly satisfied with their social position and have no special wish to be transmogrified into marquises or dukes, are found to desire the Garter with an almost passionate fondness. Many a curious vote in a stand-or-fall division, many an unexpected declaration at a political crisis, many a transfer of local influence at an important election has been dictated by calculations about a possible Garter. It was this view of the decoration which inspired Lord Melbourne when, to the suggestion that he should take a vacant Garter for himself, he replied, "But why should I? I don't want to bribe myself." This same light-hearted statesman disputes with Lord Palmerston the credit of having said, "The great beauty of the Garter is that there's no d---- d nonsense of merit about it;" but it was undoubtedly Palmerston who declined to pay the customary fees to the Dean and Chapter of Windsor, and on being gravely told that, unless he paid, his banner could not be erected in St. George's Chapel, replied that, as he never went to church at Windsor or anywhere else, the omission would not much affect him.
What made the recent Chapter of the Garter peculiarly exciting to such as have æsthetic as well as historic minds was the fact that, for once, the Knights might be seen in the full splendour of their magnificent costume. No other Order has so elaborate a paraphernalia, and every detail smacks deliciously of the antique world. The long, sweeping mantle of Garter-blue is worn over a surcoat and hood of crimson velvet. The hat is trimmed with ostrich feathers and heron's plumes. The enamelled collar swings majestically from shoulder to shoulder; from it depends the image of St. George trampling down the dragon; and round the left knee runs the Garter itself, setting forth the motto of the Order in letters of gold. It is a truly regal costume; and those who saw Lord Spencer so arrayed at the Coronation of King Edward might have fancied that they were gazing on an animated Vandyke. These full splendours of the Order are seldom seen, but some modifications of them appear on stated occasions. The King was married in the mantle of the Garter, worn over a Field-Marshal's uniform; and a similar practice is observed at ceremonies in St. George's Chapel. The Statutes of the Order bind every Knight, on his chivalric obedience, to wear the badge--the "George," as it is technically called--at all times and places. In obedience to this rule the Marquis of Abercorn, who died in 1818, always went out shooting in the Blue Ribbon from which, in ordinary dress, the badge depends. But those were the days when people played cricket in tall hats and attended the House of Commons in knee-breeches and silk stockings. Prince Albert, whose conscience in ceremonial matters was even painfully acute, always wore his Blue Ribbon over his shirt and below his waistcoat; and in his ancient photographs it can be dimly traced crossing his chest in the neighbourhood of his shirt studs. But to-day one chiefly sees it at dinners. A tradition of the Order requires a Knight dining with a brother-Knight to wear it, and after dinner one may meet it at an evening party. The disuse of knee-breeches, except in Royal company, makes it practically impossible to display the actual Garter; unless one chooses to follow the example of the seventh Duke of Bedford, who, being of a skinny habit and feeling the cold intensely, yet desiring to display his Garter, used to wear it buckled round the trouser of his left leg. Lord Beaconsfield, in his later years, used to appear in the evening with a most magnificent Star of the Garter which had belonged to the wicked Lord Hertford, Thackeray's Steyne and his own Monmouth. It was a constellation of picked diamonds, surrounding St. George's Cross in rubies. After Lord Beaconsfield's death it was exposed for sale in a jeweller's window, and eventually was broken up and sold piecemeal. There was an opportunity missed. Lord Rosebery ought to have bought it, and kept it by him until he was entitled to wear it.
In picture-galleries one can trace the evolution of the Blue Ribbon through several shades and shapes. In pictures of the Tudor and Stuart periods it is a light blue ribbon, worn round the neck, with the George hanging, like a locket, in front. In Georgian pictures the ribbon is much darker, and is worn over the left shoulder, reaching down to the right thigh, where the George is displayed. I have heard that the alteration of position was due to the Duke of Monmouth, who, when a little boy, accidentally thrust his right arm through the ribbon, with a childish grace which fascinated his father. The change of colour was due to the fact that the exiled King at St. Germain's affected still to bestow the Order, and the English ribbon was made darker, so as to obviate all possible confusion between the reality and the counterfeit. Of late years, this reason having ceased to operate, the King has returned to the lighter shade.
The last Commoner who wore the Garter was Sir Robert Walpole. Sir Robert Peel refused it. It is the only honour which, I think, Mr. Gladstone could have accepted without loss of dignity. For he truly was a Knight _sans peur et sans reproche_, worthy to rank with those to whom, in the purer days of chivalry, the Cross of St. George was not the reward of an intrigue but the symbol of a faith.
XXXI
SHERIFFS
The late Mr. Evelyn Philip Shirley, of Ettington, the most enthusiastic and cultured of English antiquaries, was once describing the procedure observed on the rare occasion of a "Free Conference" between the Houses of Parliament. "The Lords," he said, "sit with their hats on their heads. The Commons stand, uncovered, at the Bar; and the carpet is spread not on the floor but on the table, illustrating the phrase 'on the _tapis_.' Those are the things which make life really worth living."
I cannot profess to equal Mr. Shirley in culture, but I yield to no man in enthusiasm for antiquarian rites. Like Burke, I "piously believe in the mysterious virtue of wax and parchment." With Mr. Gladstone, I say that "the principle which gives us ritual in Religion gives us the ceremonial of Courts, the costume of judges, the uniform of regiments, all the language of heraldry and symbol, all the hierarchy of rank and title."
My antiquarian enthusiasm for the Garter must not be allowed to brush aside the more obvious topic of the Sheriffs. That just now[10] is a topic which, as the French say, palpitates with actuality. November is the Sheriffs' month; in it they bloom like chrysanthemums--doomed, alas! to as brief a splendour. The Sheriffs of London and Middlesex--those glorious satellites who revolve round the Lord Mayor of London as the Cardinals round the Pope--are already installed. Their state carriages of dazzling hue, and their liveries stiff with gold bullion, have flung their radiance (as the late Mr. J. R. Green would have said) over the fog and filth of our autumnal climate.
"Who asketh why the Beautiful was made? A wan cloud drifting o'er the waste of blue, The thistledown that floats along the glade, The lilac blooms of April--fair to view, And naught but fair are these; and such I ween are you. Yes, ye are beautiful. The young street boys Joy in your beauty----"
But I am becoming rhapsodical, and with less excuse than "C. S. C.," whose poetic fire was kindled by the sight of the Beadles in the Burlington Arcade.
[10] November 1896.
On Monday the 12th of November, being the morrow of St. Martin, the Chancellor of the Exchequer, in clothing of wrought gold and figured silk, attending the ghost of what was once the Court of Exchequer, nominates three gentlemen of good estate to serve the office of High Sheriff for each of the counties of England. Be it remarked in passing that the robe of black and gold which the Chancellor wears on this occasion is that which Mr. Gladstone's statue in the Strand represents, and which, as a matter of fact, he wore at the opening of the Law Courts in December 1882, when, to the astonishment of the unlearned, he walked in procession among the Judges.
Early in the new year--on "the morrow of the Purification" to wit--the Lord President of the Council submits the names of the nominated Sheriffs, duly engrossed on parchment, to the King, who then, with a silver bodkin, "pricks" the name of the gentleman who in each county seems the fittest of the three for the august and perilous office of High Sheriff.
I love to handle great things greatly; so I have refreshed my memory with the constitutional lore of this high theme. The etymology of "Sheriff" I find to be (on the indisputable authority of Dr. Dryasdust) "Scirgeréfa--the 'Reeve' or Fiscal Officer of a Shire." In the Saxon twilight of our national history this Reeve, not yet developed into Sheriff, ranked next in his county to the Bishop and the Ealdorman, or Earl. In those days of rudimentary self-government, the Reeve was elected by popular vote, but Edward II., who seems to have been a bureaucrat before his time, abolished the form of election except as regards the cities, and from his time onwards the High Sheriff of a county has been a nominated officer. Until the days of the Tudors, the High Sheriff wielded great and miscellaneous powers. He was the military head of the county. He commanded the "Posse Comitatus," in which at his bidding every male over fifteen was forced to serve; and he was, in all matters of civil and criminal jurisdiction, the executant and minister of the law.
_Quomodo ceciderunt fortes!_ Henry VIII. at one fell swoop terminated the Sheriff's military power and made the new-fangled Lord-Lieutenant commander of the local forces; and successive Acts of Parliament have, by increasing the powers of courts and magistracies, reduced the civil power of the Sheriff to a dismal shadow of its former greatness. Still, in the person of his unromantic representative, the "Bound Bailiff," he watches the execution of civil process in the case of those who, to use a picturesque phrase, have "outrun the constable"; still, with all the pantomimic pomp of coach and footmen, trumpeters and javelin-men, he conducts the Judges of Assize to and from the court; and still he must be present in court when the capital sentence is pronounced. I believe I am right in stating that there is no such document as a "Death-warrant" known to English jurisprudence. The only warrant for the execution of a felon is the verbal sentence of the Judge pronounced in open court; and, as the High Sheriff is responsible for the due execution of that sentence, he must be present when it is pronounced, in order that he may know, by the evidence of his own eyes, that the person brought out for execution is the person on whom the sentence was pronounced. It is probable that many of my readers recollect the first Lord Tollemache, a man who combined singular gifts of physical strength with a delicate humanitarianism. He had been High Sheriff of Cheshire in very early life, and, till he was elevated to the Peerage, it was possible that his turn might come round again. Contemplating this contingency, he said that if he were again charged with the execution of a capital sentence, he should, on his own authority, offer the condemned man a dose of chloroform, so that, if he chose, he might go unconscious to his doom.
The duties connected with the capital sentence are, of course, infinitely the most trying of those which befall a High Sheriff; but even in other respects his lot is not an unmixed pleasure. If he is a poor man, the expense of conducting the Assizes with proper dignity is considerable. A sensitive man does not like to hear invidious comparisons between his carriages, horses, and liveries, and those of his predecessor in office. He winces under the imputation of an unworthy economy; and, if his equipage was conspicuously unequal to the occasion, the Judges have been known to express their displeasure by sarcasms, protests, and even fines. The fining power of a Judge on circuit is a mysterious prerogative. I have no notion whether it is restrained by statutory limitations, by what process the fine is enforced, or into whose pocket it finds its way. Some years ago the High Sheriff of Surrey published a placard at the Guildford Assizes setting forth that the public were excluded from the court by the Judge's order and in defiance of law, and warning his subordinate officers against giving effect to the order for exclusion. The Judge pronounced the placard "a painfully contumacious contempt of the Court," and fined the High Sheriff £500. My memory does not recall, and the records do not state, whether the mulcted officer paid up or climbed down.
If the High Sheriff has a friend or kinsman in Holy Orders, the Assizes afford an excellent opportunity of bringing him to public notice in the capacity of Sheriff's Chaplain; for the Chaplain preaches before the Judges at the opening of the Assize, and, if he is ambitious of fame, he can generally contrive to make something of the occasion. But few Chaplains, I should think, have emulated the courage of Sydney Smith, who at the York Assizes in 1824 rebuked the besetting sins of Bench and Bar in two remarkably vigorous sermons on these suggestive themes--"The Judge that smites contrary to the Law" and "The Lawyer that tempted Christ."
Broadly, I suppose it may be said that the people who really enjoy being High Sheriffs are not those who, by virtue of long hereditary connexion with the soil, are to the manner born; but rather those who by commercial industry have accumulated capital, and have invested it in land with a view to founding a family. To such, the hospitalities paid and the deference received, the quaint splendour of the Assize, and the undisputed precedence over the gentlemen of the County, are joys not lightly to be esteemed. When Lothair was arranging the splendid ceremonial for his famous Coming of Age, he said to the Duchess, "There is no doubt that, in the County, the High Sheriff takes precedence of every one, even of the Lord-Lieutenant; but how about his wife? I believe there is some tremendous question about the lady's precedence. We ought to have written to the Heralds' College." The Duchess graciously gave Mrs. High Sheriff the benefit of the doubt, and the ceremonies went forward without a hitch. On the night of the great banquet Lothair looked round, and then, "in an audible voice, and with a stateliness becoming such an incident, called upon the High Sheriff to lead the Duchess to the table. Although that eminent man had been thinking of nothing else for days, and during the last half-hour had felt as a man feels, and can only feel, who knows that some public function is momentarily about to fall to his perilous discharge, he was taken quite aback, changed colour, and lost his head. But Lothair's band, who were waiting at the door of the apartment to precede the procession to the hall, striking up at this moment "The Roast Beef of Old England," reanimated his heart, and, following Lothair and preceding all the other guests down the gallery and through many chambers, he experienced the proudest moment in a life of struggle, ingenuity, vicissitude, and success."
XXXII
PUBLISHERS