Chapter 4

Griselda turned and looked upon the tall, gloomy figure that approached her with these words.

It was the Spirit of Eternal Sorrow.

THE TWO WIVES

In a certain city there were two wives named Gerda and Hulda. Although their homes adjoined, these wives were in very different social stations, for Gerda was the wife of a very proud and very rich man, while Hulda was the wife of a humble artisan. Gerda's house was lofty and spacious and was adorned with most costly and most beautiful things, but Hulda's house was a scantily furnished little cottage. The difference in their social stations did not, however, prevent Gerda and Hulda from being very friendly in a proper fashion, and the two frequently exchanged visits while their husbands were away from home.

One day Hulda was at Gerda's house, and Gerda said: "I must show you the painting we have just received from Paris. It is the most beautiful painting in the world, and it cost a princely sum of money."

And Gerda took Hulda into an adjoining chamber and uncovered the picture, and for a long time Hulda stood admiring it in silence. It was indeed a masterpiece of art. Such beauty of conception, such elegance of design, and such nicety in execution had never before been seen. It was a marvel of figure and color and effect.

"Is it not the most beautiful picture in all the world?" asked Gerda.

"It is very beautiful," replied Hulda, "but it is not the most beautiful picture in all the world."

Then Gerda took Hulda into another chamber and showed her a jewelled music-box which the most cunning artisans in all Switzerland had labored for years to produce.

"You shall hear it make music," said Gerda.

And Gerda touched the spring, and the music-box discoursed a harmony such as Hulda's listening ears had never heard before. It seemed as if a mountain brook, a summer zephyr, and a wild-wood bird were in the box vying with each other in sweet melodies.

"Is it not the most beautiful music in all the world?" asked Gerda.

"It is very beautiful," replied Hulda, "but it is not the most beautiful music in all the world."

Then Gerda was sorely vexed.

"You said that of the picture," said Gerda, "and you say it of the music. Now tell me, Hulda, where is there to be found a more beautiful picture, and where more beautiful music?"

"Come with me, Gerda," said Hulda.

And Hulda led Gerda from the stately mansion into her own humble little cottage.

"See there upon the wall near the door?" said Hulda.

"I see nothing but stains and marks of dirt," said Gerda. "Where is the picture of which you spoke?"

"They are the prints of a baby hand," said Hulda. "You are a woman and a wife, and would you not exchange all the treasures of your palace for the finger-marks of a little hand upon your tinted walls?"

And Gerda made no reply.

Then Hulda went to a corner and drew forth a pair of quaint, tiny shoes and showed them to Gerda.

"These are a baby's shoes," said Hulda, "and make a music no art can equal. Other sounds may charm the ear and delight the senses, but the music of a baby's shoe thrills the heart and brings the soul into communion with the angels."

Then Gerda cried "'T is true, O Hulda! 't is true." And she bowed her head and wept. For she was childless.

THE WOOING OF MISS WOPPIT

At that time the camp was new. Most of what was called the valuable property was owned by an English syndicate, but there were many who had small claims scattered here and there on the mountainside, and Three-fingered Hoover and I were rightly reckoned among these others. The camp was new and rough to the degree of uncouthness, yet, upon the whole, the little population was well disposed and orderly. But along in the spring of '81, finding that we numbered eight hundred, with electric lights, telephones, a bank, a meeting-house, a race-track, and such-like modern improvements, we of Red Hoss Mountain became possessed of the notion to have a city government; so nothing else would do but to proceed at once and solemnly to the choice of a mayor, marshal, clerk, and other municipal officers. The spirit of party politics (as it is known and as it controls things elsewhere) did not enter into the short and active canvass; there were numerous candidates for each office, all were friends, and the most popular of the lot were to win. The campaign was fervent but good-natured.

I shall venture to say that Jim Woppit would never have been elected city marshal but for the potent circumstance that several of the most influential gentlemen in the camp were in love with Jim's sister; that was Jim's hold on these influences, and that was why he was elected.

Yet Jim was what you 'd call a good fellow--not that he was fair to look upon, for he was not; he was swarthy and heavy-featured and hulking; but he was a fair-speaking man, and he was always ready to help out the boys when they went broke or were elsewise in trouble. Yes, take him all in all, Jim Woppit was properly fairly popular, although, as I shall always maintain, he would never have been elected city marshal over Buckskin and Red Drake and Salty Boardman if it had n't been (as I have intimated) for the backing he got from Hoover, Jake Dodsley, and Barber Sam. These three men last named were influences in the camp, enterprising and respected citizens, with plenty of sand in their craws and plenty of stuff in their pockets; they loved Miss Woppit, and they were in honor bound to stand by the interests of the brother of that fascinating young woman.

I was not surprised that they were smitten; she might have caught me, too, had it not been for the little woman and the three kids back in the states. As handsome and as gentle a lady was Miss Woppit as ever walked a white pine floor--so very different from White River Ann, and Red Drake's wife, and old man Edgar's daughter, for they were magpies who chattered continually and maliciously, hating Miss Woppit because she wisely chose to have nothing to do with them. She lived with her brother Jim on the side-hill, just off the main road, in the cabin that Smooth Ephe Hicks built before he was thrown off his broncho into the gulch. It was a pretty but lonesome place, about three-quarters of a mile from the camp, adjoining the claim which Jim Woppit worked in a lazy sort of way--Jim being fairly well fixed, having sold off a coal farm in Illinois just before he came west.

In this little cabin abode Miss Woppit during the period of her wooing, a period covering, as I now recall, six or, may be, eight months. She was so pretty, so modest, so diligent, so homekeeping, and so shy, what wonder that those lonely, heart-hungry men should fall in love with her? In all the population of the camp the number of women was fewer than two score, and of this number half were married, others were hopeless spinsters, and others were irretrievably bad, only excepting Miss Woppit, the prettiest, the tidiest, the gentlest of all. She was good, pure, and lovely in her womanliness; I shall not say that I envied--no, I respected Hoover and Dodsley and Barber Sam for being stuck on the girl; you 'd have respected 'em, too, if you 'd seen her and--and _them_. But I _did_ take it to heart because Miss Woppit seemed disinclined to favor any suit for her fair hand--particularly because she was by no means partial to Three-fingered Hoover, as square a man as ever struck pay dirt--dear old pardner, your honest eyes will never read these lines, between which speaks my lasting love for you!

In the first place, Miss Woppit would never let the boys call on her of an evening unless her brother Jim was home; she had strict notions about that sort of thing which she would n't waive. I reckon she was right according to the way society looks at these things, but it was powerful hard on Three-fingered Hoover and Jake Dodsley and Barber Sam to be handicapped by etiquette when they had their bosoms chock full of love and were dying to tell the girl all about it.

Jake Dodsley came a heap nearer than the others to letting Miss Woppit know what his exact feelings were. He was a poet of no mean order. What he wrote was printed regularly in Cad Davis' Leadville paper under the head of "Pearls of Pegasus," and all us Red Hoss Mountain folks allowed that next to Willie Pabor of Denver our own Jake Dodsley had more of the afflatus in him than any other living human poet. Hoover appreciated Jake's genius, even though Jake _was_ his rival. It was Jake's custom to write poems _at_ Miss Woppit--poems breathing the most fervid sentiment, all about love and bleeding hearts and unrequited affection. The papers containing these effusions he would gather together with rare diligence, and would send them, marked duly with a blue or a red pencil, to Miss Woppit.

The poem which Hoover liked best was one entitled "True Love," and Hoover committed it to memory--yes, he went even further; he hired Professor De Blanc (Casey's piano player) to set it to music, and this office the professor discharged nobly, producing a simple but solemn-like melody which Hoover was wont to sing in feeling wise, poor, dear, misguided fellow that he was! Seems to me I can hear his big, honest, husky, voice lifted up even now in rendition of that expression of his passion:

Turrue love never dies-- Like a river flowin' In its course it gathers force, Broader, deeper growin'; Strength'nin' in the storms 'at come, Triumphin' in sorrer, Till To-day fades away In the las' To-morrer. Wot though Time flies? Turrue love never dies!

Moreover, Three-fingered Hoover discoursed deftly upon the fiddle; at obligates and things he was not much, but at real music he could not be beat. Called his fiddle "Mother," because his own mother was dead, and being he loved her and had no other way of showing it, why, he named his fiddle after her. Three-fingered Hoover was full of just such queer conceits.

Barber Sam was another music genius; his skill as a performer upon the guitar was one of the marvels of the camp. Nor had he an indifferent voice--Prof. De Blanc allowed that if Barber Sam's voice had been cultured at the proper time--by which I suppose he meant in youth--Barber Sam would undoubtedly have become "one of the brightest constellations in the operatic firmament." Moreover, Barber Sam had a winsome presence; a dapper body was he, with a clear olive skin, soulful eyes, a noble mustache, and a splendid suit of black curly hair. His powers of conversation were remarkable--that fact, coupled with his playing the guitar and wearing plaid clothes, gave him the name of Barber Sam, for he was not really a barber; was only just like one.

In the face of all their wooing, Miss Woppit hardened her heart against these three gentlemen, any one of whom the highest lady in the land might have been proud to catch. The girl was not inclined to affairs of the heart; she cared for no man but her brother Jim. What seemed to suit her best was to tend to things about the cabin--it was called The Bower, the poet Jake Dodsley having given it that name--to till the little garden where the hollyhocks grew, and to stroll away by herself on the hillside or down through Magpie Glen, beside the gulch. A queer, moodful creature she was; unlike other girls, so far as we were able to judge. She just doted on Jim, and Jim only--how she loved that brother you shall know presently.

It was lucky that we organized a city government when we did. All communities have streaks of bad luck, and it was just after we had elected a mayor, a marshal, and a full quota of officers that Red Hoss Mountain had a spell of experiences that seemed likely at one time to break up the camp. There 's no telling where it all would have ended if we had n't happened to have a corps of vigilant and brave men in office, determined to maintain law and order at all personal hazards. With a camp, same as 'tis with dogs, it is mighty unhealthy to get a bad name.

The tidal wave of crime--if I may so term it--struck us three days after the election. I remember distinctly that all our crowd was in at Casey's, soon after nightfall, indulging in harmless pleasantries, such as eating, drinking, and stud poker. Casey was telling how he had turned several cute tricks on election day, and his recital recalled to others certain exciting experiences _they_ had had in the states; so, in an atmosphere of tobacco, beer, onions, wine, and braggadocio, and with the further delectable stimulus of seven-year-old McBrayer, the evening opened up congenially and gave great promise. The boys were convivial, if not boisterous. But Jim Woppit, wearing the big silver star of his exalted office on his coat-front, was present in the interests of peace and order, and the severest respect was shown to the newly elected representative of municipal dignity and authority.

All of a sudden, sharp, exacting, and staccato-like, the telephone sounded; seemed like it said, "Quick--trouble--help!" By the merest chance--a lucky chance--Jim Woppit happened to be close by, and he reached for the telephone and answered the summons.

"Yes." "Where?" "You bet--right away!"

That was what Jim said; of course, we heard only one side of the talk. But we knew that something--something remarkable had happened. Jim was visibly excited; he let go the telephone, and, turning around, full over against us, he said, "By ----, boys! the stage hez been robbed!"

A robbery! The first in the Red Hoss Mountain country! Every man leapt to his feet and broke for the door, his right hand thrust instinctively back toward his hip pocket. There was blood in every eye.

Hank Eaves' broncho was tied in front of Casey's.

"Tell me where to go," says Hank, "and I 'll git thar in a minnit. I 'm fixed."

"No, Hank," says Jim Woppit, commanding like, "_I 'll_ go. I 'm city marshal, an' it's my place to go--I 'm the repersentive of law an' order an' I 'll enforce 'em--damn me ef I don't!"

"That's bizness--Jim's head 's level!" cried Barber Sam.

"Let Jim have the broncho," the rest of us counselled, and Hank had to give in, though he hated to, for he was spoiling for trouble--cussedest fellow for fighting you ever saw! Jim threw himself astride the spunky little broncho and was off like a flash.

"Come on, boys," he called back to us; "come on, ez fast ez you kin to the glen!"

Of course we could n't anywhere near keep up with him; he was soon out of sight. But Magpie Glen was only a bit away--just a trifle up along the main road beyond the Woppit cabin. Encouraged by the excitement of the moment and by the whooping of Jake Dodsley, who opined (for being a poet he always opined) that some evil might have befallen his cherished Miss Woppit--incited by these influences we made all haste. But Miss Woppit was presumably safe, for as we hustled by The Bower we saw the front room lighted up and the shadow of Miss Woppit's slender figure flitting to and fro behind the white curtain. She was frightened almost to death, poor girl!

It appeared from the story of Steve Barclay, the stage-driver, that along about eight o'clock the stage reached the glen--a darkish, dismal spot, and the horses, tired and sweaty, toiled almost painfully up the short stretch of rising ground. There were seven people in the stage: Mr. Mills, superintendent of the Royal Victoria mine; a travelling man (or drummer) from Chicago, one Pryor, an invalid tenderfoot, and four miners returning from a round-up at Denver. Steve Barclay was the only person outside. As the stage reached the summit of the little hill the figure of a man stole suddenly from the thicket by the roadside, stood directly in front of the leading horses, and commanded a halt. The movement was so sudden as to terrify the horses, and the consequence was that, in shying, the brutes came near tipping the coach completely over. Barclay was powerless to act, for the assailant covered him with two murderous revolvers and bade him throw up his hands.

Then the men in the coach were ordered out and compelled to disgorge their valuables, the robber seeming to identify and to pay particular attention to Mr. Mills, the superintendent, who had brought with him from Denver a large sum of money. When the miners made a slight show of resistance the assailant called to his comrades in the bush to fire upon the first man who showed fight; this threat induced a wise resignation to the inevitable. Having possessed himself in an incredibly short time of his booty, the highwayman backed into the thicket and quickly made off. The procedure from first to last occupied hardly more than five minutes.

The victims of this outrage agreed that the narrative as I have given it was in the main correct. Barclay testified that he saw the barrels of rifles gleaming from the thicket when the outlaw called to his confederates. On the other hand, Mr. Mills, who was the principal loser by the affair, insisted that the outlaw did his work alone, and that his command to his alleged accomplices was merely a bluff. There was, too, a difference in the description given of the highwayman, some of the party describing him as a short, thick-set man, others asserting that he was tall and slender. Of his face no sight had been obtained, for he wore a half-mask and a large slouch hat pulled well down over his ears. But whatever dispute there may have been as to details, one thing was sure--robbery had been done, and the robber had fled with four gold watches and cash to the amount of, say, two thousand five hundred dollars.

Recovering betimes from their alarm and bethinking themselves of pursuit of the outlaws, the helpless victims proceeded to push into camp to arouse the miners. It was then that Barclay discovered that the tire of one of the front wheels had come off in the jolt and wrench caused by the frightened horses. As no time was to be lost, Barclay suggested that somebody run down the road to Woppit's cabin and telephone to camp. Mr. Mills and the Chicago drummer undertook this errand. After considerable parley--for Miss Woppit wisely insisted upon being convinced of her visitors' honorable intentions--these two men were admitted, and so the alarm was transmitted to Casey's, Miss Woppit meanwhile exhibiting violent alarm lest her brother Jim should come to harm in pursuing the fugitives.

As for Jim Woppit, he never once lost his head. When the rest of us came up to the scene of the robbery he had formed a plan of pursuit. It was safe, he said, to take for granted that there was a gang of the outlaws. They would undoubtedly strike for Eagle Pass, since there was no possible way of escape in the opposite direction, the gulch, deep and wide, following the main road close into camp. Ten of us should go with him--ten of the huskiest miners mounted upon the stanchest bronchoes the camp could supply. "We shall come up with the hellions before mornin'," said he, and then he gritted his teeth significantly. A brave man and a cool man, you 'll allow; good-hearted, too, for in the midst of all the excitement he thought of his sister, and he said, almost tenderly, to Three-fingered Hoover: "I can trust you, pardner, I know. Go up to the cabin and tell her it's all right--that I 'll be back to-morrow and that she must n't be skeered. And if she is skeered, why, you kind o' hang round there to-night and act like you knew everything was all O. K."

"But may be Hoover 'll be lonesome," suggested Barber Sam. He was a sly dog.

"Then you go 'long too," said Jim Woppit. "Tell her I said so."

Three-fingered Hoover would rather--a good deal rather--have gone alone. Yet, with all that pardonable selfishness, he recognized a certain impropriety in calling alone at night upon an unprotected female. So Hoover accepted, though not gayly, of Barber Sam's escort, and in a happy moment it occurred to the twain that it might be a pious idea to take their music instruments with them. Hardly, therefore, had Jim Woppit and his posse flourished out of camp when Three-fingered Hoover and Barber Sam, carrying Mother and the famous guitar, returned along the main road toward The Bower.

When the cabin came in view--the cabin on the side hill with hollyhocks standing guard round it--one of those subtle fancies in which Barber Sam's active brain abounded possessed Barber Sam. It was to convey to Miss Woppit's ear good tidings upon the wings of music. "Suppose we play 'All's Well'?" suggested Barber Sam. "That'll let her know that everything's O. K."

"Just the thing!" answered Three-fingered Hoover, and then he added, and he meant it: "Durned if you ain't jest about as slick as they make 'em, pardner!"

The combined efforts of the guitar and Mother failed, however, to produce any manifestation whatever, so far as Miss Woppit was concerned. The light in the front room of the cabin glowed steadily, but no shadow of the girl's slender form was to be seen upon the white muslin curtain. So the two men went up the gravelly walk and knocked firmly but respectfully at the door.

They had surmised that Miss Woppit might be asleep, but, oh, no, not she. She was not the kind of sister to be sleeping when her brother was in possible danger. The answer to the firm but respectful knocking was immediate.

"Who's there and what do you want?" asked Miss Woppit in tremulous tones, with her face close to the latch. There was no mistaking the poor thing's alarm.

"It's only us gents," answered Three-fingered Hoover, "me an' Barber Sam; did n't you hear us serenadin' you a minnit ago? We 've come to tell you that everything 's all right--Jim told us to come--he told us to tell you not to be skeered, and if you wuz skeered how we gents should kind of hang round here to-night; be you skeered, Miss Woppit? Your voice sounds sort o' like you wuz."

Having now unbolted and unlatched and opened the door, Miss Woppit confessed that she was indeed alarmed; the pallor of her face confirmed that confession. Where was Jim? Had they caught the robbers? Was there actually no possibility of Jim's getting shot or stabbed or hurt? These and similar questions did the girl put to the two men, who, true to their trust, assured the timorous creature in well-assumed tones of confidence that her brother could n't get hurt, no matter how hard he might try.

To make short of a long tale, I will say that the result of the long parley, in which Miss Woppit exhibited a most charming maidenly embarrassment, was that Three-fingered Hoover and Barber Sam were admitted to the cabin for the night. It was understood--nay, it was explicitly set forth, that they should have possession of the front room wherein they now stood, while Miss Woppit was to retire to her apartment beyond, which, according to popular fame and in very truth, served both as a kitchen and Miss Woppit's bedroom, there being only two rooms in the cabin.