Part 14

A second form, sharp, elongated, and narrow, issued out of the crevice, like a tongue out of monstrous jaws. It seemed to lick his naked body. Then suddenly stretching out, it became longer and thinner, as it crept over his skin, and wound itself round him. At the same time a terrible sense of pain, comparable to nothing he had ever known, compelled all his muscles to contract. He felt upon his skin a number of flat rounded points. It seemed as if innumerable suckers had fastened to his flesh and were about to drink his blood.

A third long undulating shape issued from the hole in the rock; and seemed to feel its way about his body; lashed round his ribs like a cord, and fixed itself there.

Agony when at its height is mute. Gilliatt uttered no cry. There was sufficient light for him to see the repulsive forms which had entangled themselves about him. A fourth ligature, but this one swift as an arrow, darted toward his stomach, and wound around him there.

It was impossible to sever or tear away the slimy bands which were twisted tightly round his body, and were adhering by a number of points. Each of the points was the focus of frightful and singular pangs. It was as if numberless small mouths were devouring him at the same time.

A fifth long, slimy, riband-shaped strip issued from the hole. It passed over the others, and wound itself tightly around his chest. The compression increased his sufferings. He could scarcely breathe.

These living thongs were pointed at their extremities, but broadened like the blade of a sword toward its hilt. All belonged evidently to the same centre. They crept and glided about him; he felt the strange points of pressure, which seemed to him like mouths, change their places from time to time.

Suddenly a large, round, glutinous mass issued from beneath the crevice. It was the centre; the five thongs were attached to it like spokes to the nave of a wheel. On the opposite side of this disgusting monster appeared the commencement of three other tentacles, the ends of which remained under the rock. In the middle of this slimy mass appeared two eyes.

The eyes were fixed on Gilliatt.

He recognized the devil-fish.

It is difficult for those who have not seen it to believe in the existence of the devil-fish.

Compared to this creature, the ancient hydras are insignificant.

If terror were the object of its creation, nothing could be imagined more perfect than the devil-fish.

The devil-fish has no muscular organization, no menacing cry, no breastplate, no horn, no dart, no claw, no tail with which to hold or bruise; no cutting fins, or wings with nails, no prickles, no sword, no electric discharge, no poison, no talons, no beak, no teeth. Yet he is of all creatures the most formidably armed.

What, then, is the devil-fish? It is the sea vampire.

This frightful apparition, which is always possible among the rocks in the open sea, is a grayish form, which undulates in the water. It is of the thickness of a man’s arm, and in length nearly five feet. Its outline is ragged. Its form resembles an umbrella closed, and without a handle. This irregular mass advances slowly toward you. Suddenly it opens, and eight radii issue abruptly from around a face with two eyes. These radii are alive; their undulation is like lambent flames; they resemble, when opened, the spokes of a wheel, of four or five feet in diameter. A terrible expansion! It springs upon its prey.

The devil-fish harpoons its victim.

It winds around the sufferer, covering and entangling him in its long folds. Underneath it is yellow; above a dull, earthy hue; nothing could render that inexplicable shade dust-colored. Its form is spider-like, but its tints are like those of the chameleon. When irritated, it becomes violet. Its most horrible characteristic is its softness.

Its folds strangle, its contact paralyzes.

It has an aspect like gangrened or scabrous flesh. It is a monstrous embodiment of disease.

It adheres closely to its prey, and cannot be torn away; a fact which is due to its power of exhausting air. The eight antennæ, large at their roots, diminish gradually, and end in needle-like points. Underneath each of these feelers range two rows of pustules, decreasing in size, the largest ones near the head, the smaller at the extremities. Each row contains twenty-five of these. There are, therefore, fifty pustules to each feeler, and the creature possesses in the whole four hundred. These pustules are capable of acting like cupping-glasses. They are cartilaginous substances, cylindrical, horny, and livid. Upon the large species they diminish gradually from the diameter of a five-franc piece to the size of a split pea. These small tubes can be thrust out and withdrawn by the animal at will. They are capable of piercing to a depth of more than an inch.

This sucking apparatus has all the regularity and delicacy of a key-board. It stands forth at one moment and disappears the next. The most perfect sensitiveness cannot equal the contractibility of these suckers; always proportioned to the internal movement of the animal, and its exterior circumstances. The monster is endowed with the qualities of the sensitive plant.

When swimming, the devil-fish rests, so to speak, in its sheath. It swims with all its parts drawn close. It may be likened to a sleeve sewn up with a closed fist within. The protuberance, which is the head, pushes the water aside and advances with a vague undulatory movement. Its two eyes, though large, are indistinct, being of the color of the water.

The devil-fish not only swims, it walks. It is partly fish, partly reptile. It crawls upon the bed of the sea. At these times, it makes use of its eight feelers, and creeps along in the fashion of a species of swift-moving caterpillar.

It has no blood, no bones, no flesh. It is soft and flabby; a skin with nothing inside. Its eight tentacles may be turned inside out like the fingers of a glove.

It has a single orifice in the centre of its radii, which appears at first to be neither the vent nor the mouth. It is, in fact, both one and the other. The orifice performs a double function. The entire creature is cold.

The jelly-fish of the Mediterranean is repulsive. Contact with that animated gelatinous substance which envelopes the bather, in which the hands sink, and the nails scratch ineffectively; which can be torn without killing it, and which can be plucked off without entirely removing it—that fluid and yet tenacious creature which slips through the fingers, is disgusting; but no horror can equal the sudden apparition of the devil-fish, that Medusa with its eight serpents.

It is with the sucking apparatus that it attacks. The victim is oppressed by a vacuum drawing at numberless points; it is not a clawing or a biting, but an indescribable scarification. A tearing of the flesh is terrible, but less terrible than a sucking of the blood. Claws are harmless compared with the horrible action of these natural air-cups. The muscles swell, the fibres of the body are contorted, the skin cracks under the loathsome oppression, the blood spurts out and mingles horribly with the lymph of the monster, which clings to its victim by innumerable hideous mouths. The hydra incorporates itself with the man; the man becomes one with the hydra. The spectre lies upon you; the tiger can only devour you; the devil-fish, horrible, sucks your life-blood away.

He draws you to him, and into himself; while bound down, glued to the ground, powerless, you feel yourself gradually emptied into this horrible pouch, which is the monster itself.

Such was the creature in whose power Gilliatt had fallen for some minutes.

The monster was the inhabitant of the grotto; the terrible genii of the place. A kind of sombre demon of the water.

All the splendors of the cavern existed for it alone.

On the day of the previous month when Gilliatt had first penetrated into the grotto, the dark outline, vaguely perceived by him in the ripples of the secret waters, was this monster. It was here in its home.

When entering for the second time into the cavern in pursuit of the crab, he had observed the crevice in which he supposed that the crab had taken refuge, the _pieuvre_ was there lying in wait for prey.

Gilliatt had thrust his arm deep into the opening; the monster had snapped at it. It held him fast, as the spider holds the fly.

He was in the water up to his belt; his naked feet clutching the slippery roundness of the huge stones at the bottom; his right arm bound and rendered powerless by the flat coils of the long tentacles of the creature, and his body almost hidden under the folds and cross folds of this horrible bandage.

Of the eight arms of the devil-fish three adhered to the rock, while five encircled Gilliatt. In this way, clinging to the granite on the one hand, and with the other to its human prey, it enchained him to the rock. Two hundred and fifty suckers were upon him, tormenting him with agony and loathing. He was grasped by gigantic hands, the fingers of which were each nearly a yard long, and furnished inside with living blisters eating into the flesh.

It is impossible to tear one’s self from the folds of the devil-fish. The attempt ends only in a firmer grasp. The monster clings with more determined force. Its effort increases with that of its victim; every struggle produces a tightening of its ligatures.

Gilliatt had but one resource, his knife.

His left hand only was free; but the reader knows with what power he could use it. It might have been said that he had two right hands.

His open knife was in his hand.

The antennæ of the devil-fish cannot be cut; it is a leathery substance impossible to divide with the knife, it slips under the edge; its position in attack also is such that to cut it would be to wound the victim’s own flesh.

The creature is formidable, but there is a way of resisting it. The fishermen of Sark know this, as does any one who has seen them execute certain abrupt movements in the sea. The porpoises know it also; they have a way of biting the cuttle-fish which decapitates it. Hence the frequent sight on the sea of pen-fish, poulps, and cuttle-fish without heads.

The devil-fish, in fact, is only vulnerable through the head.

Gilliatt was not ignorant of this fact.

With the devil-fish, as with a furious bull, there is a certain moment in the conflict which must be seized. It is the instant when the devil-fish advances its head. The movement is rapid. He who loses that moment is destroyed.

The things we have described occupied only a few moments. Gilliatt, however, felt the increasing power of its innumerable suckers.

The monster is cunning; it tries first to stupefy its prey. It seizes and then pauses a while.

Gilliatt grasped his knife; the sucking increased.

He looked at the monster, which seemed to look at him.

Suddenly it loosened from the rock its sixth antenna, and darting it at him, seized him by the left arm.

At the same moment it advanced its head with a violent movement. In one second more its mouth would have fastened on his breast. Bleeding in the sides, and with his two arms entangled, he would have been a dead man.

But Gilliatt was watchful. He avoided the antenna, and at the moment when the monster darted forward to fasten on his breast, he struck it with the knife clenched in his left hand. There were two convulsions in opposite directions; that of the devil-fish and that of its prey. The movement was rapid as a double flash of lightning.

He had plunged the blade of his knife into the flat, slimy substance, and by a rapid movement, like the flourish of a whip in the air, describing a circle around the two eyes, he wrenched the head off as a man would draw a tooth.

The struggle was ended. The folds relaxed. The monster dropped away, like the slow detaching of bands. The four hundred suckers, deprived of their sustaining power, dropped at once from the man and the rock. The mass sank to the bottom of the water.

Breathless with the struggle, Gilliatt could perceive upon the stones at his feet two shapeless, slimy heaps, the head on one side, the remainder of the monster on the other.

Fearing, nevertheless, some convulsive return of his agony he recoiled to avoid the reach of the dreaded tentacles.

But the monster was quite dead.

Gilliatt closed his knife.

It was time that he killed the devil-fish. He was almost suffocated. His right arm and his chest were purple. Numberless little swellings were distinguishable upon them; the blood flowed from them here and there.

The remedy for these wounds is sea-water. Gilliatt plunged into it, rubbing himself at the same time with the palms of his hands. The swellings disappeared under the friction.

THE MAN AND THE CANNON

(From Ninety-Three.)

By VICTOR HUGO.

One of the carronades of the battery, a twenty-four pounder, had broken loose.

This is the most dangerous accident that can possibly take place on shipboard. Nothing more terrible can happen to a sloop of war in open sea and under full sail.

A cannon that breaks its moorings suddenly becomes some strange, supernatural beast. It is a machine transformed into a monster. That short mass on wheels moves like a billiard-ball, rolls with the rolling of the ship, plunges with the pitching, goes, comes, stops, seems to meditate, starts on its course again, shoots like an arrow, from one end of the vessel to the other, whirls around, slips away, dodges, rears, bangs, crashes, kills, exterminates. It is a battering ram capriciously assaulting a wall. Add to this, the fact that the ram is of metal, the wall of wood.

It is matter set free; one might say, this eternal slave was avenging itself; it seems as if the total depravity concealed in what we call inanimate things had escaped, and burst forth all of a sudden; it appears to lose patience, and to take a strange mysterious revenge; nothing more relentless than this wrath of the inanimate. This enraged lump leaps like a panther, it has the clumsiness of an elephant, the nimbleness of a mouse, the obstinacy of an axe, the uncertainty of the billows, the zigzag of the lightning, the deafness of the grave. It weighs ten thousand pounds, and it rebounds like a child’s ball. It spins and then abruptly darts off at right angles.

And what is to be done? How put an end to it? A tempest ceases, a cyclone passes over, a wind dies down, a broken mast can be replaced, a leak can be stopped, a fire extinguished, but what will become of this enormous brute of bronze? How can it be captured? You can reason with a bull-dog, astonish a bull, fascinate a boa, frighten a tiger, tame a lion; but you have no resource against this monster, a loose cannon. You cannot kill it, it is dead; and at the same time it lives. It lives with a sinister life which comes to it from the infinite. The deck beneath it gives it full swing. It is moved by the ship, which is moved by the sea, which is moved by the wind. This destroyer is a toy. The ship, the waves, the winds, all play with it, hence its frightful animation. What is to be done with this apparatus? How fetter this stupendous engine of destruction? How anticipate its comings and goings, its returns, its stops, its shocks? Any one of its blows on the side of the ship may stave it in. How foretell its frightful meanderings? It is dealing with a projectile, which alters its mind, which seems to have ideas, and changes its direction every instant. How check the course of what must be avoided? The horrible cannon struggles, advances, backs, strikes right, strikes left, retreats, passes by, disconcerts expectation, grinds up obstacles, crushes men like flies. All the terror of the situation is in the fluctuations of the flooring. How fight an inclined plane subject to caprices? The ship has, so to speak, in its belly, an imprisoned thunderstorm, striving to escape; something like a thunderbolt rumbling above an earthquake.

In an instant the whole crew was on foot. It was the fault of the gun captain, who had neglected to fasten the screw-nut of the mooring-chain, and had insecurely clogged the four wheels of the gun carriage; this gave play to the sole and the framework, separated the two platforms, and finally the breeching. The tackle had given way, so that the cannon was no longer firm on its carriage. The stationary breeching, which prevents recoil, was not in use at this time. A heavy sea struck the port, the carronade insecurely fastened, had recoiled and broken its chain, and begun its terrible course over the deck.

To form an idea of this strange sliding, let one image a drop of water running over glass.

At the moment when the fastenings gave way, the gunners were in the battery. Some in groups, others scattered about, busied with the customary work among sailors getting ready for a signal for action. The carronade, hurled forward by the pitching of the vessel, made a gap in this crowd of men and crushed four at the first blow; then sliding back and shot out again as the ship rolled, it cut in two a fifth unfortunate, and knocked a piece of the battery against the larboard side with such force as to unship it. This caused the cry of distress just heard. All the men rushed to the companion-way. The gun deck was vacated in a twinkling.

The enormous gun was left alone. It was given up to itself. It was its own master, and master of the ship. It could do what it pleased. This whole crew, accustomed to laugh in time of battle, now trembled. To describe the terror is impossible.

Captain Boisberthelot and Lieutenant La Vieuville, although both dauntless men, stopped at the head of the companion-way, and dumb, pale, and hesitating, looked down on the deck below. Some one elbowed past and went down.

It was their passenger, the peasant, the man of whom they had just been speaking a moment before.

Reaching the foot of the companion-way, he stopped.

* * * * *

The cannon was rushing back and forth on the deck. One might have supposed it to be the living chariot of the Apocalypse. The marine lantern swinging overhead added a dizzy shifting of light and shade to the picture. The form of the cannon disappeared in the violence of its course, and it looked now black in the light, now mysteriously white in the darkness.

It went on in its destructive work. It had already shattered four other guns and made two gaps in the side of the ship, fortunately above the water-line, but where the water would come in, in case of heavy weather. It rushed frantically against the framework; the strong timbers withstood the shock; the curved shape of the wood gave them great power of resistance; but they creaked beneath the blows of this huge club, beating on all sides at once, with a strange sort of ubiquity. The percussions of a grain of shot shaken in a bottle are not swifter or more senseless. The four wheels passed back and forth over the dead men, cutting them, carving them, slashing them, till the five corpses were a score of stumps rolling across the deck; the heads of the dead men seemed to cry out; streams of blood curled over the deck with the rolling of the vessel; the planks, damaged in several places, began to gape open. The whole ship was filled with the horrid noise and confusion.

The captain promptly recovered his presence of mind and ordered everything that could check and impede the cannon’s mad course to be thrown through the hatchway down on the gun deck—mattresses, hammocks, spare sails, rolls of cordage, bags belonging to the crew, and bales of counterfeit assignats, of which the corvette carried a large quantity—a characteristic piece of English villany regarded as legitimate warfare.

But what could these rags do? As nobody dared to go below to dispose of them properly, they were reduced to lint in a few minutes.

There was just sea enough to make the accident as bad as possible. A tempest would have been desirable, for it might have upset the cannon, and with its four wheels once in the air there would be some hope of getting it under control. Meanwhile, the havoc increased.

There were splits and fractures in the masts, which are set into the framework of the keel and rise above the decks of ships like great, round pillars. The convulsive blows of the cannon had cracked the mizzen-mast, and had cut into the main-mast.

The battery was being ruined. Ten pieces out of thirty were disabled; the breaches in the side of the vessel were increasing, and the corvette was beginning to leak.

The old passenger, having gone down to the gun deck, stood like a man of stone at the foot of the steps. He cast a stern glance over this scene of devastation. He did not move. It seemed impossible to take a step forward. Every movement of the loose carronade threatened the ship’s destruction. A few moments more and shipwreck would be inevitable.

They must perish or put a speedy end to the disaster; some course must be decided on; but what? What an opponent was this carronade! Something must be done to stop this terrible madness—to capture this lightning—to overthrow this thunderbolt.

Boisberthelot said to La Vieuville,—

“Do you believe in God, chevalier?”

La Vieuville replied: “Yes—no. Sometimes.”

“During a tempest?”

“Yes, and in moments like this.”

“God alone can save us from this,” said Boisberthelot.

Everybody was silent, letting the carronade continue its horrible din.

Outside, the waves beating against the ship responded with their blows to the shocks of the cannon. It was like two hammers alternating.

Suddenly, in the midst of this inaccessible ring, where the escaped cannon was leaping, a man was seen to appear, with an iron bar in his hand. He was the author of the catastrophe, the captain of the gun, guilty of criminal carelessness, and the cause of the accident, the master of the carronade. Having done the mischief, he was anxious to repair it. He had seized the iron bar in one hand, a tiller-rope with a slip-noose in the other, and jumped down the hatchway to the gun deck.

Then began an awful sight; a Titanic scene; the contest between gun and gunner; the battle of matter and intelligence, the duel between man and the inanimate.

The man stationed himself in a corner, and with bar and rope in his two hands, he leaned against one of the riders, braced himself on his legs, which seemed two steel posts, and livid, calm, tragic, as if rooted to the deck, he waited.

He waited for the cannon to pass by him.

The gunner knew his gun, and it seemed to him as if the gun ought to know him. He had lived long with it. How many times he had thrust his hands into its mouth! It was his own familiar monster. He began to speak to it as if it were his dog.

“Come!” he said. Perhaps he loved it.

He seemed to wish it to come to him.

But to come to him was to come upon him. And then he would be lost. How could he avoid being crushed! That was the question. All looked on in terror.

Not a breast breathed freely, unless perhaps that of the old man, who was alone in the battery with the two contestants, a stern witness.

He might be crushed himself by the cannon. He did not stir.

Beneath, them the sea blindly directed the contest.

At the moment when the gunner, accepting this frightful hand-to-hand conflict, challenged the cannon, some chance rocking of the sea caused the carronade to remain for an instant motionless and as if stupefied. “Come, now!” said the man. It seemed to listen.

Suddenly it leaped towards him. The man dodged the blow.

The battle began. Battle unprecedented. Frailty struggling against the invulnerable. The gladiator of flesh attacking the beast of brass. On one side, brute force; on the other, a human soul.

All this was taking place in semi-darkness. It was like the shadowy vision of a miracle.