Chapter 1

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[Transcriber's Notes:

This is Paper 37 from the Smithsonian Institution United States National Museum Bulletin 240, comprising Papers 34-44, which will also be available as a complete e-book.

The front material, introduction and relevant index entries from the Bulletin are included in each single-paper e-book.

Typographical errors have been corrected as follows:

Page 110: "... the spindle, to prevent ..." (had "pindle") Page 120: "... servants à l'intelligence de plusieurs choses difficiles, & nécessaires ..." (had "a," "plusiers," "necessaires")]

SMITHSONIAN INSTITUTION

UNITED STATES NATIONAL MUSEUM

BULLETIN 240

SMITHSONIAN PRESS

MUSEUM OF HISTORY AND TECHNOLOGY

CONTRIBUTIONS FROM THE MUSEUM OF HISTORY AND TECHNOLOGY

_Papers 34-44_ _On Science and Technology_

SMITHSONIAN INSTITUTION · WASHINGTON, D.C. 1966

_Publications of the United States National Museum_

The scholarly and scientific publications of the United States National Museum include two series, _Proceedings of the United States National Museum_ and _United States National Museum Bulletin_.

In these series, the Museum publishes original articles and monographs dealing with the collections and work of its constituent museums--The Museum of Natural History and the Museum of History and Technology--setting forth newly acquired facts in the fields of anthropology, biology, history, geology, and technology. Copies of each publication are distributed to libraries, to cultural and scientific organizations, and to specialists and others interested in the different subjects.

The _Proceedings_, begun in 1878, are intended for the publication, in separate form, of shorter papers from the Museum of Natural History. These are gathered in volumes, octavo in size, with the publication date of each paper recorded in the table of contents of the volume.

In the _Bulletin_ series, the first of which was issued in 1875, appear longer, separate publications consisting of monographs (occasionally in several parts) and volumes in which are collected works on related subjects. _Bulletins_ are either octavo or quarto in size, depending on the needs of the presentation. Since 1902 papers relating to the botanical collections of the Museum of Natural History have been published in the _Bulletin_ series under the heading _Contributions from the United States National Herbarium_, and since 1959, in _Bulletins_ titled "Contributions from the Museum of History and Technology," have been gathered shorter papers relating to the collections and research of that Museum.

The present collection of Contributions, Papers 34-44, comprises Bulletin 240. Each of these papers has been previously published in separate form. The year of publication is shown on the last page of each paper.

FRANK A. TAYLOR _Director, United States National Museum_

CONTRIBUTIONS FROM THE MUSEUM OF HISTORY AND TECHNOLOGY: PAPER 37

SCREW-THREAD CUTTING BY THE MASTER-SCREW METHOD SINCE 1480

_Edwin A. Battison_

_Edwin A. Battison_

SCREW-THREAD CUTTING BY THE MASTER-SCREW METHOD SINCE 1480

_Among the earliest known examples of screw-thread cutting machines are the screw-cutting lathe of 1483, known only in pictures and drawings, and an instrument of the traverse-spindle variety for threading metal, now in the Smithsonian Institution, dating from the late 17th or early 18th century. The author shows clearly their evolution from something quite specialized to the present-day tool. He has traced the patents for these instruments through the early 1930's and from this research we see the part played by such devices in the development of the machine-tool industry._

THE AUTHOR: _Edwin A. Battison is associate curator of mechanical and civil engineering in the Smithsonian Institution's Museum of History and Technology._

Directness and simplicity characterize pioneer machine tools because they were intended to accomplish some quite specialized task and the need for versatility was not apparent. History does not reveal the earliest forms of any primitive machines nor does it reveal much about the various early stages in evolution toward more complex types. At best we have discovered and dated certain developments as existing in particular areas. Whether these forms were new at the time they were first found or how widely dispersed such forms may have been is unknown. Surviving evidence is in the form of pictures or drawings, such as the little-known screw-cutting lathe of 1483 (fig. 1) shown in _Das mittelalterliche Hausbuch_.

This lathe shows that its builder had a keen perception of the necessary elements, reduced to bare essentials, required to accomplish the object. Present are the coordinate slides often credited to Henry Maudslay. His slides are not, of course, associated with the spindle; neither is there any natural law which compels them to guide the tool exactly parallel with the axis of revolution. In this sense the screw-cutting lathe in the _Hausbuch_ is superior because it is in harmony with natural law and can generate a true cylinder, whereas Maudslay's lathe can only transfer to the work whatever accuracy is built into it.

In principle this machine shown in the _Hausbuch_ is very advanced as we see when we follow the design through to the present time. The artist, whose drawings give us our only knowledge of the machine, himself was obviously not very familiar with the details of its function. Reference to figure 1 shows that the threads on the lead screw and on the work, wind in opposite directions. This must be an error in delineation since the two are closely coupled together without any intervening mechanism so that the only possible result on the work must be a thread winding in the same direction as on the original screw. The work also is shown threaded for its entire length; this cannot be accomplished with any one location of the cross-slide. We are left with the question of whether this slide was used in two locations or whether the artist, possibly working from notes or an earlier rough sketch, failed to show an unthreaded portion on one end or the other of the work.

Of at least equal importance with the lead screw and work and their relationship to each other is the tool-support with its screw-adjusted cross-slide (fig. 2). Just how this was attached to the frame of the machine so that it placed the tool at a suitable radius is again a questionable point. The very well-developed cutting tool is sharpened to a thin, keen edge totally unsuited for cutting metal but ideal for use on a softer, fibrous substance: undoubtedly wood, in this instance. Unfortunately, the angle at which the artist chose to show us this cutter is not a view from which it is possible to judge whether or not the tool has been made to conform to the helix angle of the thread to be cut. This cross-slide, in conjunction with the traversing work spindle, gives us a machine having two coordinate slides yielding the same effect as the slide rest usually attributed to Henry Maudslay at the end of the 18th century. Actually, an illustration of coordinate slides independent of the spindle had been published as early as 1569 by Besson[1] and knowledge of them widely disseminated by his popular work on mechanics. These slides are shown as part of a screw-cutting machine with a questionably adequate connection, by means of cords, between the master screw and the work.

It was the author's pleasure recently to obtain for the Smithsonian Institution and identify a small, nicely made, brass instrument which had been in two collections in this country and one collection in Germany as an unidentified locksmith's tool (fig. 3). This proved to be an instrument of the traverse-spindle variety for threading metal. Fortunately, all essential details were present including a cutter (A in figure 4); this instrument was identified by the signature "Manuel Wetschgi, Augspurg." The Wetschgis were a well-known family of gunsmiths and mechanics in Augsburg through several generations. Two bore the given name Emanuel: the earlier was born in 1678 and died in 1728. He was quite celebrated in his field of rifle making and became chief of artillery to the Landgrave of Hesse-Kassel shortly before his death in his 51st year. Little is known of the later Emanuel Wetschgi except that he was at Augsburg in 1740. Tentative attribution of the instrument has been made to the earlier Emanuel, chiefly on the basis of his recognized position as an outstanding craftsman.

In several respects this little machine differs from its predecessor of the _Hausbuch_, as might be expected when allowance is made for the generations of craftsmen who undoubtedly worked with such tools over the roughly 200 years of time separating them. Another factor to consider when comparing these two machines is that one was used on metal, the other probably only on wood. Therefore, it is not surprising to find on the later machine an outboard or "tailstock" support for the work. The spindle of this support has to travel in unison with the work-driving spindle so that it is not an unexpected discovery to find that it is spring-loaded. Figure 5 shows how this spring may be adjusted to accommodate various lengths of work by moving the attachment screw to various holes in both the spring and in the frame. Also visible in the same illustration is a rectangular projection at the other end of the spring which engages a mating hole in the "tailstock" spindle to prevent its rotation.

Figure 6 shows the traversing spindle and nut removed from the machine. Provision has been made for doing this so easily that there is every reason to believe that, originally, there were various different spindle and nut units which could be interchangeably used in the machine. Additional evidence tending to support this concept exists in the cutting tool (fig. 4), which must have been intended for serious work as it has been carefully fitted in its unsymmetrical socket. The cutting blade of this tool, which works with a scraping rather than a true cutting action, is too wide to form a properly proportioned thread when used with the existing lead screw. This may well indicate that the tool was made for use with a lead of coarser pitch, now lost.

Perhaps the most startling feature of this machine when compared with the machine of the _Hausbuch_, is the absence of a cross-slide for adjusting the tool. Possibly this can be explained by the blunt scraping edge on the tool. In actual use, recently, to cut a sample screw, using a tool similar to the one found in the machine (fig. 7), it was found advantageous to be free of a cross-slide and thus be able to feed the tool into the work by feel rather than by rule, as would be done with a slide rest. In this way, it was possible to thread steel without tearing, as the cutting pressure could readily be felt and the tool could release itself from too heavy a cut. Size on several screws could be repeated by setting the tool to produce the desired diameter when its supporting arm came to rest against the frame of the machine. The screws used in the machine itself were apparently made in just such a way. They were not cut with a die as the thread blends very gradually into the body of the screw without the characteristic marks left by the cutting edges of a die. Threads cut with a single-point tool controlled by a cross-slide usually end even more abruptly than those cut by a die, while it would be quite simple with a machine of the nature we are considering to bring the thread to a gentle tapering end as seen in figure 8 (another view of the screw A in fig. 3) by gradually releasing the pressure necessary to keep the tool cutting as the end of the thread was approached.

That machines of this general type having the lead screw on the axis of the work were competitive with other methods and other types of machines over a long period of time may be seen from figures 9 and 10. The machine, left front in figure 9 and in more intimate detail in figure 10, can be seen to differ little from that shown in _Das mittelalterliche Hausbuch_ of 1483. The double work-support is, of course, a great improvement, while the tool-support is regressive since it lacks a feed screw.

The development of engineering theory, coupled with the rising needs of industry, particularly with the advent of the Industrial Revolution, brought about accelerated development of screw-cutting lathes through the combination of screw-cutting machines with simple lathes as seen in figure 9 and in detail in figure 11. One important advance shown here is driving the machine by means of a cord or band so that any means of rotary power could be applied, not just hand or foot power. Of greater interest and technical importance to this study is the provision, seen to better advantage in figure 11, for readily changing from one master lead screw to another. This had already been achieved in the Manuel Wetschgi machine, as far as versatility is concerned, although not in quite such a convenient way.

Figure 12, the headstock of another and more advanced lathe than shown in figures 9 and 11 but of the same type, shows "keys" (D), each of which is a partial nut of different pitch to engage with a thread of mating pitch. The dotted lines in figure 13 show the engaged and disengaged positions of one of these keys, and figure 14 shows the spindle with the various leads, C. At D is a grooved collar to be engaged by the narrow key shown in operating position at the left in figure 12 for the purpose of controlling the endwise movement of the spindle when used for ordinary turning instead of thread-cutting. In return for greater convenience and freedom from the expense of the many separate spindles, as typified by the Wetschgi machine, a sacrifice has been made in the length of the thread which can be cut without interruption.

This reduction in the length that could conveniently be threaded was no great drawback on many classes of work. This can be realized from figure 16 which shows a traverse-spindle lathe headstock typical of the mid-19th century. During the years intervening between the machines of figures 12 and 16, the general design was greatly improved by removing the lead screws from the center of the spindle. This made possible a shorter, much stiffer spindle and supported both ends of the spindle in one frame or headstock rather than in separate pieces attached to the bed. The screws were now mounted outside of the spindle-bearings, one at a time, while the mating nuts were cut partially into the circumference of a disk which could be turned to bring any particular nut into working position as required. With this arrangement, a wide variety of leads either right or left hand could be provided and additional leads could be fitted at any future time. Screw-cutting lathes of this design were popular for a very long time with instrument makers and opticians who had little need to cut screws of great length.

The demands of expanding industry for greater versatility in the production of engineering elements late in the 18th century set the stage for the evolution of more complex machines tending to place the threaded spindle lathes in eclipse. Maudslay's lathe of 1797-1800 (fig. 15) appeared at this time when industry was receptive to rapid innovation. Unfortunately, the gearing which once existed to connect the headstock spindle with the lead screw has long been lost. At this time it is quite difficult to say with certainty whether the original gear set offered a variety of ratios, as was true of slightly later Maudslay lathes, or a fixed ratio. The plausibility of the fixed ratio theory is supported by the very convenient means, seen in figure 15, for removing the lead screw in preparation for substitution of one of another pitch. All that is required is to back off its supporting center at the tailstock end and withdraw the screw from its split nut[2] and from the driving clutch near the headstock. This split nut also would have to be changed to one of a pitch corresponding to that of the screw. While more expensive than a solid nut, it neatly circumvents the need (and saves the time involved) to reverse the screw in order to get the tool back to the point of beginning preliminary to taking another cut. David Wilkinson's lathe of 1798 (fig. 17) which was developed in Rhode Island at the same time shows the same method of mounting and driving the master screw. At least in the United States, this method of changing the lead screw instead of using change gears remained popular for many years. Examples of this changeable screw feature are to be found in the lathes constructed for the pump factory of W. & B. Douglas Company, Middletown, Connecticut,[3] in the 1830's. Middletown, at that time one of the leading metal-working centers in one of the chief industrial States, had been for many years the site of the Simeon North arms factory which rivaled Whitney's. In this atmosphere, it is reasonable to expect that machinery constructed by local mechanics, as was the custom in those days, would reflect the most accepted refinements in machine design.

Roughly twenty years later, Joseph Nason of New York patented[4] the commercially very important "Fox" brassworker's lathe (fig. 18). While this does have a ratio in the pair of gears connecting the work spindle and master screw, it is clear from the patent that various pitches are to be obtained by changing screws, not by changing gears. The patent sums it up as follows:

A nut upon the end of the stud ... is unscrewed when the guide screw is to be removed or changed. The two wheels ... should have in their number of teeth a common multiple. They are seldom or never removed and their diameters are made dissimilar only for the purpose of giving to the guide screw a slower rate of motion than that of the mandrel whereby it may be made of coarser pitch than that of the screw to be cut and its wear materially lessened.

The introduction of gearing between the spindle and the lead screw, for whatever purpose, could not help but introduce variable factors caused by inaccuracies in the gears themselves and in their mounting. These were of little consequence for common work, particularly when coupled to a screw which, itself, was of questionable accuracy. The increasing refinements demanded in scientific instruments and in machine tools themselves after they had reached a relatively stable form dictated that attention be dedicated to improved accuracy of the threaded components.

An attack on this problem, which interestingly reverts to the fundamental principle of motion derived from a master screw without the intervention of other mechanism (fig. 19), is covered by a patent[5] issued to Charles Vander Woerd, one-time superintendent of the Waltham Watch Company. The problem is well stated in the patent: