Chapter 5

The transmission of power plant consists of two 250 horse power dynamos--C.E.L. Brown's patent--the generator being driven by a vertical compound condensing engine of the same power, running at 180 revolutions. The dynamo generator is a four-pole 600 volt direct current machine, series wound, and may be distinguished in the engraving next to the switch board; while the motor receiver connected to it, and erected in another portion of the Swiss section, is of exactly the same size and type. The field, which is hexagonal in shape, is cast in two pieces, bolted together horizontally, the cross-sectional area of iron being 170 square inches. The armature is cylindrical, and built up of flat rings stamped out of soft sheet iron, eight notches in the same being provided to fit over the arms of the spider keyed to the shaft. The spider is in halves, which are bolted together longitudinally after the rings are in position. It is Gramme wound, and measures over the winding 7 in. radial depth, 37 in. outside diameter, and 22 in. in length. The current is collected by four brushes. The fitting and mechanical build of the dynamos leaves nothing to be desired. All the working parts of the dynamos and engines are turned up to gauge and template, so as to be interchangeable. As an instance of this, the armature of the generator was built in the works, while the field magnets were being erected in the exhibition, and, on arrival, fitted in position perfectly, and ran at once without trouble.

The energy taken off on the motor shaft is close on 200 horse power, but varies according to the machines at work; the speed of the motor does not, however, vary more than 3 per cent., and the brushes need no adjustment. About 6 ft. of shafting is coupled on in line with the motor shaft, and an extra plummer block fixed at the end. This shafting carries at its extremity an additional 2 ft. pulley, the power being delivered by belting from these pulleys to two large pulleys on the main shaft.

The machines run by this transmission consist of the looms of Rieter & Co., of Winterthur; the large flour mill and lift of A. Millot & Co.; the flour milling machinery of Frederick Wegmann & Co., of Zurich; the brick and tile making machines of the Rorschach foundries; and the looms of Messrs. Houget & Teston, of Verviers, in the Belgian section. A 15 horse power two-pole Oerlikon dynamo is also run by a belt from the main shaft, and generates power to drive a motor of similar type in the Swiss section of the upper gallery. This runs a length of countershafting supplying power to three silk-weaving machines constructed by Benninger Frères; six weaving machines from the Ruti works, near Zurich; and one knitting machine exhibited by Edward Dubied & Co., of Couvet.

The dynamo and motor are connected to the main cable by switches of the type shown in Fig. 5. These are specially designed to destroy the extra current on breaking circuit by the formation of an arc which gradually increases the resistance till the break occurs, rendering it less sudden. One wire passes through the handle and makes contact with the springs, and the other is attached to the clamp in which the carbon rod is held. The current is made to enter at the carbon rod, so that the arcs formed cause consumption of the carbon. A magnetic cut-out--Fig. 6--is also provided to each machine; this consists of an electro-magnet, through which the main current passes, provided with side pole pieces. A flat soft iron plate armature is hinged so as to come up against the pole pieces when attracted. When the current is not sufficiently strong to cause the plate to be attracted, a hole in the center of the latter engages over a small projection in the top of a weighted arm hinged in the center of the board, and keeps it upright. If now the current exceeds the limits of safety to the machine, due to a too heavy load being thrown on, the armature is attracted and releases the vertical arm, which falls over and enters with considerable force between the two spring contacts below. These contacts are connected to the field terminals, which are, therefore, short-circuited, and prevent the dynamo generating any current. A retractile spring can be adjusted to cause cut-off at any required current. These details are indicated in our illustrations mounted on their respective switch boards.

Since the erection of plant by these works at Solothurn for transmitting 50 horse power five miles distant, which attracted so much interest some time ago, several important works have been carried out. Among these we may mention a 280 horse power transmission at 1½ kilom. distance to a cotton mill at Derendingen in Switzerland, a 250 horse power transmission at ½ kilom. distance, carried out for Gaetano Rossi at Piovene in Italy, and a 300 horse transmission at 6 kilom. distance installed for Giovanni Rossi, in which the power is given off at two different stations.--_The Engineer._

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THE ADER FLOURISH OF TRUMPETS.

Although telephonic novelties are not numerous at the Universal Exposition, telephony--that quite young branch of electric science--is daily the object of curious and interesting experiments which we must make known to our readers, a large number of whom were not yet born to scientific life when the experiments were made for the first time at Paris in 1881; and it is proper to congratulate the Société Générale des Téléphones on having repeated them in 1889 to the great satisfaction of the rising generation.

We allude to the Ader system of telephonic transmissions of sounds in such a way that they can be heard by an audience.

The essential parts of this mode of transmission consist of two distinct systems--transmitters and receivers.

The transmitters are four in number, and are actuated by the same number of musicians, each humming into them his part of the quartet (Fig. 1). This transmitter, represented apart in elevation and section in Fig. 2, is identical with the one used in the curious experiment with the singing condenser. At A is a mouthpiece before which the musician hums his part as upon a reed pipe. He causes the plate, B, to vibrate in unison with the sound that he emits, and this produces periodical interruptions of varying rapidity between the disk, B, and the point, C. The button, D, serves to regulate the distance in such a way that the breakings of the circuit shall be very complete and produce sounds in the receivers as pure as allowed by this special mode of transmission, in which all the harmonics are systematically suppressed in order to re-enforce the fundamental.

This transmitter interrupter is interposed in the circuit of a battery of accumulators, with the five receivers that it actuates, in such a way that the four transmitters and five receivers form in reality four groups of distinct autonomous transmission, the accordance of which is absolutely dependent upon that of the artists who make them vibrate.

The five receivers are arranged over the front door of the telephone pavilion, near the Eiffel tower (Fig. 3). Each consists of a horseshoe magnet provided, between its branches, with two small iron cores having a space of a few millimeters between them (Fig. 4). Each of these soft iron cores carries a copper wire bobbin, N, the number of spirals of which is properly calculated for the effect to be produced. Opposite the vacant space left by the two cores, there is a small piece, t, of rectangular form, and also of soft iron, fixed to a vibrating strip of firwood, L, of about 4 inches section. The periodical breaking of the circuit produced by the transmitter causes a variation in the magnetization of the iron cores of the five receivers and makes the firwood strips vibrate energetically. These vibrations are received and poured forth as it were in front of the telephone pavilion, by large brass trumpets arranged in front of each receiver, as shown in Fig. 3.

It would be difficult for us to pass any judgment whatever upon the musical and artistic value of these transmissions of trumpet music to a distance; we prefer to confess our incompetency in the matter. But it is none the less certain that these experiments are having the same success that they had at their inception in 1881 at the Universal Exposition of Electricity, and they allow us to foresee that there is a time coming in which it will be possible to transmit speech to a distance with the same intensity that the present trumpet flourishes have. Although all the tentatives hitherto made in this direction have not given very brilliant results, we must not despair of attaining the end some day or other. Less than fifteen years ago the telephone did not exist; now it covers the world with its lines.--_La Nature._

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NOTES ON DYEWOOD EXTRACTS AND SIMILAR PREPARATIONS.

By LOUIS SIEBOLD, F.I.C., F.C.S.

During the last ten years there has been an enormous increase in the production of these preparations, and the time will come when their application in dyeing and calico printing will become so general as to completely supersede the employment of the raw materials. The manufacture of these extracts, to be thoroughly successful, requires to be so conducted as to secure the perfect exhaustion of the dyewoods without the slightest destruction or deterioration of the coloring matters contained in them; and though nothing like perfection has been reached in the attainment of these objects, it is certain that the processes of extraction and evaporation now employed by the best makers are a very great improvement on the older methods. Indeed, there is no difficulty nowadays in procuring dyewood extracts of high excellence if the consumer is willing to pay a price for them corresponding to their quality, and knows how to avail himself of the aid of chemical skill to control his purchases. Unfortunately, however, there is so much hankering after cheap articles, and so little care is taken to ascertain their real quality, that every scope is afforded to the malpractices of the adulterer. There are many dye and print works in which large quantities of these extracts are used without being subjected to trustworthy tests. Moreover, much of the testing is done by fallacious methods and often by biased hands. So fallacious, indeed, are some of these tests, that grossly adulterated extracts are often declared superior to the purer ones, the cause of this being the application of an insufficient proportion of mordant in the dyeing or printing trials, and the consequent waste of the excess of coloring matter in the case of the purer preparation.

Professional analytical chemists have hitherto given but little attention to these preparations, and the employment of experienced chemists in works is as yet far from general. The testing of dyewood extracts in such a manner as to throw full light on their purity, the quality of raw material from which they are prepared, their exact commercial value their suitability for special purposes, and the proportion and nature of any adulterants they may contain, is of course a difficult and tedious task, and must be left to the expert who is in possession of authentic specimens prepared by himself of all the different extracts made from every variety and quality of raw materials, and who combines a thorough knowledge of experimental dyeing and printing with a large experience in the chemical investigation of these preparations. But when the object of the testing is merely careful comparison of the sample in question with an original sample or previous deliveries, the case is much simplified, and comes within the scope of the general chemist or the laboratory attached to works. A few years ago I recommended carefully conducted dyeing trials on woolen cloth mordanted with bichromate of potash as the best and simplest mode adapted to such cases, and my subsequent experience enables me to confirm that observation to the fullest extent. Most of these extracts contain the coloring matter in two states, the developed and the undeveloped, and an oxidizing mordant such as bichromate of potash causes the latter as well as the former to enter completely into combination with a metallic base; whereas many of the other mordants, such as alumina or tin compounds, merely take up the developed portion of the coloring matter together with such small and variable proportions of the undeveloped as might undergo oxidation during the process of dyeing. I would therefore suggest dyeing trials with alumina, tin, iron, etc., only as subsidiary tests indicating the suitability of an extract for certain special purposes, while recommending the trial with bichromate of potash as the one giving the best information respecting the actual strength of the extract in relation to the raw material from which it was obtained, and as giving a fair idea of the money value of the sample. Cotton dyeing does not, as a general rule, afford a good means of assaying extracts, as it is generally done under conditions which do not admit of complete exhaustion of the dye bath, but it might often with advantage be resorted to as an additional trial throwing further light on the degree of oxidation or development of the coloring matter. Printing trials are apt to give fallacious results unless the proportion of mordant is carefully adjusted to the amount of coloring matter present, and several trials with different proportions would be necessary to prevent erroneous conclusions. For the trials with bichromate of potash on wool I would recommend pieces of cloth weighing about 150 grains, and the most suitable proportion of bichromate of potash is 3 per cent. of the weight of the cloth. The requisite number of pieces (equal to the number of samples to be tested) should be thoroughly scoured and then heated in the bichromate solution at or near the boiling point for not less than 1½ hours, after which they should be well washed and then dyed separately in the solutions of equal weights of the extracts at the same temperature and for the same length of time; 15 grains of extract is a suitable quantity for a first trial under these conditions. These trials can then be repeated with different relative proportions of extract in order to ascertain what weight of a sample would give the same depth of color as 15 grains of the standard example. Many precautions are required both in the mordanting and dyeing processes in order to obtain trustworthy results; and though the trials with bichromate of potash give the most reliable information of any single test, they should be supplemented by the subsidiary tests already alluded to, and also by a chemical examination, in order to obtain a knowledge, not merely of the wood strength, but also of the general nature of the extract. An adulteration with molasses or glucose can be best determined by fermentation in comparison with a pure sample. Mineral adulterants may, of course, be detected by an estimation and analysis of the ash, after making due allowances for variations due to differences in different kinds of the same dyewoods. The estimation of the individual coloring matters in these extracts by means of a chemical analysis is under all circumstances a task requiring much experience, especially as the coloring principles are associated in different qualities of each class of dyewood with different proportions of other constituents which often give much trouble to the unpracticed experimenter. Extracts made from logwood roots are now largely manufactured and often substituted or mixed with the extracts of real logwood, and have in some instances been palmed of as logwood extracts of high quality. The correct determination of such admixtures, like the fixing of anything like the exact commercial value of dyewood extracts, requires nothing less than a complete chemical investigation coupled with numerous dyeing trials in comparison with standard preparations, and should be left to an expert.

The presence in dyewood extracts of coloring matters in various stages of development has hitherto militated against their use in place of the raw materials by many dyers and printers who are still employing inherited and antiquated processes in which the whole of the coloring matter is not rendered available. It is often asserted by these that even the best of extracts fail to give anything like the results attained by the use of well-prepared woods, and that, indeed, their application proves a complete failure. Such failure, however, is simply due to the want of chemical knowledge on the part of the dyers, for there is no real difficulty in making any good and pure extract serve all the purposes for which the woods were used. It is to be hoped that in this branch of industry, as well as in many others, the employment of chemists will become more general than at present, and not be restricted, as is often the case, to young men without experience and without the trained intellect so essential to success in chemical investigations. High class chemical skill is of course available to the manufacturer, but the man of science who brings matured knowledge and valuable brain work into the business required social as well as pecuniary recognition, and the sooner and more fuller this fact is appreciated the better it will be for the maintenance and progress of our industries.

With regard to the astringent extracts, such as sumac, myrabolam, divi, valonia, quebracho, oak, etc., it is the aim of the manufacturer, whenever such extracts are intended for the purposes of dyeing and printing, to obtain the tannin in a form in which it is best calculated to fix itself upon the fiber. The case is somewhat different when the same extracts are required for tanning. For this purpose it is necessary that the extract shall have considerable permeating power, and that the tannin contained in it shall readily yield leather of the desired texture, color, and permanency. Extracts specially suited for this purpose are by no means always the most suitable for the dyer, and _vice versa_.

A brief description of the processes by which the astringent extracts may be tested with particular reference to their fitness for definite purposes concluded the paper.

With regard to the question as to whether experimental dyeing with bichromate of potash should be employed as a test even in works where all the dyeing was done with other mordants, he was decidedly of opinion that it should always be resorted to as one of the tests, inasmuch as it was the only simple and expeditious method giving a fair idea of the actual wood strength and money value of the extract. The test should, in such cases, be supplemented by dyeing trials with the mordants used at the works, and, if necessary, also by a chemical analysis. Printing trials were not necessarily bad tests, since oxidizing was usually added in these where it was necessary, and any undeveloped coloring matter would thus be oxidized during the steaming process: but, as he had stated before, it was essentially necessary in such cases to have a fair idea of the amount of actual coloring matter in the extract and to adjust the proportion of mordant accordingly. Such trials should therefore be preceded by carefully conducted dyeing trials with bichromate of potash. Mr. Thomson had raised the question whether it would not be well for the manufacturer to prepare these extracts in such a manner that they would contain all the coloring matter in one condition only, in order to insure greater uniformity in their quality and mode of application. This would, no doubt, be a desirable step to take if the owners of dye and print works were more in the habit of availing themselves of the service of competent chemists experienced in this branch, for then they would be able to make any extract do its full work irrespective of the state of development of the coloring matter. Such, however, was not the case, and it was a very common thing for the consumer of dyewood extracts to require the manufacturer to prepare them specially for him so as to suit his own dyeing recipes, or in other words to give exactly the same shades, weight for weight, by his own method of dyeing as the article he was in the habit of using. The manufacturer was thus often compelled to make many different qualities of the same extract to suit different customers. For the same reason adulterated articles were often preferred to the pure ones. There was, perhaps, no branch of industry in which chemical skill of a high order could be applied with greater advantage than in dyeing, and nowhere was this fact less recognized. Some of the processes of dyeing were exceedingly wasteful and stood in much need of improvement. He (Mr. Siebold) knew a large works in which a ton of logwood extract was used daily for black dyeing only, and he might safely assert that of this enormous quantity only a very small proportion would be fixed on the fiber, while by far the greater proportion was utterly wasted. Such a waste could only be prevented by a searching investigation of its causes by trained skill. Mr. Thomson had further alluded to the color obtained with logwood or logwood extract and wool mordanted with bichromate of potash, and seemed to be under the impression that the color thus obtained was not black, but blue. This was undoubtedly the case in dyeing trials performed as tests, as these were conducted purposely with a very small proportion of coloring matter in order to admit of a better comparison of the resulting depth of shades. But with larger proportions of logwood the color obtained was a fine bluish-black, and with the addition of a small proportion of fustic or quercitron bark to the logwood a jet black was readily produced. With regard to Mr. Watson Smith's observation as to fractional dyeing, he (Mr. Siebold) did not regard this method as a suitable trial for ascertaining the strength of an extract, but he admitted it was occasionally very valuable for detecting an admixture of extracts of other dyewoods, such as quercitron bark extract in logwood extract. It was also a good method of ascertaining the speed of dyeing and hence the relative proportion of fully developed coloring matter of an extract.--_Jour. Soc. Chem. Industry._

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ORTHOCHROMATIC PHOTOGRAPHY.[1]

[Footnote 1: Read before the Photographic Association of Brooklyn.]

By OSCAR O. LITZKOW.

What I want to show is the manner in which the process has been tested. My employer, Mr. Bierstadt, has given me permission to show you some samples, and also his chart containing the spectrum colors: violet, indigo blue, green, yellow, orange, red, and black. This chart has been photographed in the orthochromatic and also in the ordinary way.

There are many ways of producing an orthochromatic effect; one is the use of a glass tank placed behind or in front of the lens, in which a coloring matter from either a vegetable or mineral product is placed; this tank or cell is, however, only for use in the studio, as for outdoor photography we have a colored glass screen, so as not to be bothered with carrying colored solution.