Part 1

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SCHOOL READING BY GRADES

_SIXTH YEAR_

BY JAMES BALDWIN

NEW YORK CINCINNATI CHICAGO AMERICAN BOOK COMPANY

COPYRIGHT, 1897, BY AMERICAN BOOK COMPANY.

SCH. READ. SIXTH YEAR. W. P. 12

PREFACE.

The pupil who is in his sixth year at school should be able to read quite well. He should be able to pronounce at sight and without hesitation all new or unusual words; and when reading aloud, his tones should be so clear, his enunciation so faultless, and his manner so agreeable that his hearers shall listen with pleasure and shall have a ready understanding of whatever is being read. He is now prepared to devote more and more attention to literary criticism--that is, to the study of the peculiarities of style which distinguish any selection, the passages which are remarkable for their beauty, their truth, or their adaptation to the particular purpose for which they were written. The habit should be cultivated of looking for and enjoying the admirable qualities of any literary production, and particularly of such productions as are generally recognized as the classics of our language. While learning to distinguish between good literature and that sort of writing which, properly speaking, is not literature at all, the pupil's acquaintance with books is enlarged and extended. He learns to know what are the best books and why they are so considered; and he acquires some knowledge of the lives of the best authors and of the circumstances under which certain of their works were produced.

The present volume is designed to aid the learner in the acquisition of all these ends. The selections are of a highly interesting character, and illustrate almost every variety of English composition. To assist in their comprehension, many of the selections are introduced or followed by brief historical or bibliographical notes. Hints also are given as to collateral, or supplementary readings on a variety of subjects. To assist the pupil still further to enlarge his acquaintance with books and authors, additional notes, literary and biographical, are given in the appendix; here also may be found several pages of brief notes explanatory of difficult passages, unusual expressions, and historical references, such as might otherwise be stumbling stones in the way of the learner. The numerous portraits of authors is another important feature designed to add to the interest and beauty of the book, and to assist the pupil to a more intimate acquaintance with the makers of our literature. Most of the full-page pictures are reproductions of famous paintings, and these, while serving as illustrations of the text which they accompany, are designed to introduce the learner to some of the masters of art also, and perform the more important office of cultivating and enlarging his æsthetic tastes and sympathies.

CONTENTS.

PAGE

Two Ways of Telling a Story _Jean Ingelow_ 7

The Death of the Flowers _William Cullen Bryant_ 18

The Great Volcanic Eruption _J. T. Van Gestel_ 20

The Return of Columbus _Washington Irving_ 25

What the Sunbeams do _Arabella B. Buckley_ 29

Horatius at the Bridge _Thomas Babington Macaulay_ 32

How Sir Francis Drake sailed round the World _James A. Froude_ 44

A Brave Rescue and a Rough Ride _Richard D. Blackmore_ 51

The Glory of God _From the Psalms of David_ 65

The Battle of Bannockburn _Sir Walter Scott_ 66

The Soldier's Dream _Thomas Campbell_ 75

Lord Ullin's Daughter _Thomas Campbell_ 76

Beethoven's Moonlight Sonata 78

The Story of Tempe Wick _Frank R. Stockton_ 83

Life in Norman England _W. F. Collier_ 89

The Romance of the Swan's Nest _Elizabeth Barrett Browning_ 98

A Patriarch of the Olden Time _From the "Book of Job"_ 102

How Cortés entered the City of Mexico _William H. Prescott_ 104

The Skylark _James Hogg_ 112

The Mystery of the Tadpole _George Henry Lewes_ 113

The Glove and the Lions _Leigh Hunt_ 119

True Growth _Ben Jonson_ 120

The Shipwreck _Charles Dickens_ 121

The Happy Valley _Dr. Samuel Johnson_ 135

The Pass of Killiecrankie _W. E. Aytoun_ 138

Summer Rain _Henry Ward Beecher_ 143

Life in the Backwoods _William Dean Howells_ 146

How they besieged the Town _Charles Reade_ 153

Lochinvar _Sir Walter Scott_ 163

On a Tropical River _Charles Kingsley_ 165

The Flag of Our Country _Robert C. Winthrop_ 173

The High Tide on the Coast of Lincolnshire, 1571 _Jean Ingelow_ 175

The Story of Thomas Becket

I. His Life _Anonymous_ 181

II. His Death _Arthur Penrhyn Stanley_ 185

The Pilgrims (1620) _Edward Everett_ 192

The Landing of the Pilgrims _Felicia Hemans_ 195

Patriotism _William Cowper_ 196

The Robin _Charles Conrad Abbott_ 197

Motions of Birds _Gilbert White_ 200

Origin of Rivers _John Tyndall_ 202

Address at the Dedication of Gettysburg Cemetery _Abraham Lincoln_ 205

The American Flag _Joseph Rodman Drake_ 206

The Last Fight in the Coliseum, A.D. 404 _Charlotte M. Yonge_ 208

The Passing of Arthur _Alfred Tennyson_ 216

THE PRINCIPLES OF GOOD READING 225

AUTHORS AND BOOKS 228

EXPLANATORY NOTES 235

FULL-PAGE ILLUSTRATIONS.

ARTIST

Columbus at Barcelona _R. Balaca_ 24

The Defense of the Bridge _A. I. Keller_ 37

Ruins of a Norman Castle _From a photograph_ 90

The Lions _Rosa Bonheur_ 118

The Shipwreck _A. Marlon_ 129

Canterbury Cathedral _From a photograph_ 187

The Departure of the Mayflower _A. W. Bayes_ 194

The Last Prayer--Christian Martyrs in the Coliseum _J. L. Gerome_ 212

PORTRAITS OF AUTHORS.

Washington Irving Title-page

Thomas Babington Macaulay 32

James Anthony Froude 50

Thomas Campbell 76

Frank R. Stockton 83

Elizabeth Barrett Browning 98

William H. Prescott 104

George Henry Lewes 113

Leigh Hunt 119

Charles Dickens 121

Dr. Samuel Johnson 135

Henry Ward Beecher 143

William Dean Howells 146

Charles Reade 153

Charles Kingsley 165

Jean Ingelow 175

Arthur Penrhyn Stanley 191

Edward Everett 192

John Tyndall 202

Abraham Lincoln 205

Joseph Rodman Drake 206

Charlotte M. Yonge 208

Acknowledgments are due to the following persons for their courteous permission to use valuable selections from their works: Dr. Charles C. Abbott for the essay on "The Robin"; Mr. William Dean Howells for his sketch of "Life in the Backwoods"; The J. B. Lippincott Company for the selections from Prescott's "Conquest of Mexico" and Abbott's "Birdland Echoes"; and Mr. Frank R. Stockton for "The Story of Tempe Wicke."

SCHOOL READING.

SIXTH YEAR.

TWO WAYS OF TELLING A STORY.

I.

Who is this? A careless little midshipman, idling about in a great city, with his pockets full of money.

He is waiting for the coach: it comes up presently, and he gets on the top of it, and looks about him.

They soon leave the chimney pots behind them; his eyes wander with delight over the harvest fields, he smells the honeysuckle in the hedgerow, and he wishes he was down among the hazel bushes, that he might strip them of the milky nuts; then he sees a great wain piled up with barley, and he wishes he was seated on the top of it; then they go through a little wood, and he likes to see the checkered shadows of the trees lying across the white road; and then a squirrel runs up a bough, and he can not forbear to whoop and halloo, though he can not chase it to its nest.

The other passengers are delighted with his simplicity and childlike glee; and they encourage him to talk to them about the sea and ships, especially Her Majesty's ship "The Asp," wherein he has the honor to sail. In the jargon of the sea, he describes her many perfections, and enlarges on her peculiar advantages; he then confides to them how a certain middy, having been ordered to the masthead as a punishment, had seen, while sitting on the topmast crosstrees, something uncommonly like the sea serpent--but, finding this hint received with incredulous smiles, he begins to tell them how he hopes that, some day, he shall be promoted to have charge of the poop. The passengers hope he will have that honor; they have no doubt he deserves it. His cheeks flush with pleasure to hear them say so, and he little thinks that they have no notion in what "that honor" may happen to consist.

The coach stops: the little midshipman, with his hands in his pockets, sits rattling his money, and singing. There is a poor woman standing by the door of the village inn; she looks careworn, and well she may, for, in the spring, her husband went up to the city to seek for work. He got work, and she was expecting soon to join him there, when alas! a fellow-workman wrote her word how he had met with an accident, how he was very ill and wanted his wife to come and nurse him. But she has two young children, and is destitute; she must walk up all the way, and she is sick at heart when she thinks that perhaps he may die among strangers before she can reach him.

She does not think of begging, but seeing the boy's eyes attracted to her, she makes him a courtesy, and he withdraws his hand and throws her down a sovereign. She looks at it with incredulous joy, and then she looks at him.

"It's all right," he says, and the coach starts again, while, full of gratitude, she hires a cart to take her across the country to the railway, that the next night she may sit by the bedside of her sick husband.

The midshipman knows nothing about that; and he never will know.

The passengers go on talking--the little midshipman has told them who he is, and where he is going; but there is one man who has never joined in the conversation; he is dark-looking and restless; he sits apart; he has seen the glitter of the falling coin, and now he watches the boy more narrowly than before.

He is a strong man, resolute and determined; the boy with the pockets full of money will be no match for him. The midshipman has told the other passengers that his father's house is the parsonage at Y----; the coach goes within five miles of it, and he means to get down at the nearest point, and walk, or rather run over to his home, through the great wood.

The man decides to get down too, and go through the wood; he will rob the little midshipman; perhaps, if he cries out or struggles, he will do worse. The boy, he thinks, will have no chance against him; it is quite impossible that he can escape; the way is lonely, and the sun will be down.

No. There seems indeed little chance of escape; the half-fledged bird just fluttering down from its nest has no more chance against the keen-eyed hawk, than the little light-hearted sailor boy will have against him--at least so thinks the man as he makes his plans.

II.

The coach reaches the village where the boy is to alight. He wishes the other passengers "good evening," and runs lightly down between the scattered houses. The man has got down also, and is following.

The path lies through the village churchyard; there is evening service, and the door is wide open, for it is warm. The little midshipman stops by the door, looks in, and listens. The clergyman has just risen, and is giving out his text. Thirteen months have past since the boy was within a house of prayer; and a feeling of pleasure and awe induces him to stand still and listen.

"Are not two sparrows [he hears] sold for a farthing? and one of them shall not fall on the ground without your Father. But the very hairs of your head are all numbered. Fear ye not, therefore, ye are of more value than many sparrows."

He hears the opening sentences of the sermon; and then he remembers his home, and comes softly out of the porch, full of a calm and serious pleasure. The clergyman has reminded him of his father, and his careless heart is now filled with the echoes of his voice and of his prayers. He thinks on what the clergyman said, of the care of our heavenly Father for us; he remembers how, when he left home, his father prayed that he might be preserved through every danger; he does not remember any particular danger that he has been exposed to, excepting in the great storm; but he is grateful that he has come home in safety, and he hopes whenever he shall be in danger, which he supposes he shall be some day--he hopes, that then the providence of God will watch over him, and protect him. And so he presses onward to the entrance of the wood.

The man is there before him. He has pushed himself into the thicket, and cut a heavy club; he suffers the boy to go on before, and then he comes out and follows him. It is too light at present for his deed of darkness and too near the entrance of the wood, but he knows that shortly the path will branch off into two, and the right one for the boy to take will be dark and lonely.

But what prompts the little midshipman, when not fifty yards from the branching of the path, to break into a sudden run? It is not fear, for he never dreams of danger. Some sudden impulse, or some wild wish for home, makes him dash off suddenly, with a whoop and a bound. On he goes, as if running a race; the path bends, and the man loses sight of him. "But I shall have him yet," he thinks; "he can not keep this pace up long."

The boy has nearly reached the place where the path divides, when he startles a young white owl that can scarcely fly, and it goes whirring along, close to the ground, before him. He gains upon it; another moment, and it will be his. Now it gets the start again; they come to the branching of the paths, and the bird goes down the wrong one. The temptation to follow is too strong to be resisted; he knows that somewhere, deep in the wood, there is a cross track by which he can get into the path he has left; if only he runs a little faster, he shall be at home nearly as soon.

On he rushes; the path takes a bend, and he is just out of sight when his pursuer comes where the paths divide. The boy has turned to the right; the man takes the left, and the faster they both run the farther they are asunder.

The white owl still leads him on; the path gets darker and narrower; at last he finds that he has missed it altogether, and his feet are on the soft ground. He flounders about among the trees, vexed with himself, and panting after his race. At last he finds another track, and pushes on as fast as he can. He has lost his way--but he keeps bearing to the left; and, though it is now dark, he thinks that he must reach the main path sooner or later.

He does not know this part of the wood, but he runs on. O, little midshipman! why did you chase that owl? If you had kept in the path with the dark man behind you, there was a chance that you might have outrun him; or, if he had overtaken you, some passing wayfarer might have heard your cries, and come to save you. Now you are running on straight to your death, for the forest water is deep and black at the bottom of this hill. O, that the moon might come out and show it to you!

The moon is under a thick canopy of heavy black clouds; and there is not a star to glitter on the water and make it visible. The fern is soft under his feet as he runs and slips down the sloping hill. At last he strikes his foot against a stone, stumbles, and falls. Two minutes more and he will roll into the black water.

"Heyday!" cries the boy, "what's this? Oh, how it tears my hands! Oh, this thorn bush! Oh, my arms! I can't get free!" He struggles and pants. "All this comes of leaving the path," he says; "I shouldn't have cared for rolling down if it hadn't been for this bush. The fern was soft enough. I'll never stray in a wood at night again. There, free at last! And my jacket nearly torn off my back!"

With a good deal of patience, and a great many scratches, he gets free of the thorn which had arrested his progress, when his feet were within a yard of the water, manages to scramble up the bank, and makes the best of his way through the wood.

And now, as the clouds move slowly onward, the moon shows her face on the black surface of the water; and the little white owl comes and hoots, and flutters over it like a wandering snowdrift. But the boy is deep in the wood again, and knows nothing of the danger from which he has escaped.

III.

All this time the dark passenger follows the main track, and believes that his prey is before him. At last he hears a crashing of dead boughs, and presently the little midshipman's voice not fifty yards before him. Yes, it is too true; the boy is in the cross track. He will pass the cottage in the wood directly, and after that his pursuer will come upon him.

The boy bounds into the path; but, as he passes the cottage, he is so thirsty that he thinks he must ask the people if they will sell him a cup of tea.

He enters without ceremony. "Tea?" says the woodman, who is sitting at his supper. "No, we have no tea; but perhaps my wife can give thee a drink of milk. Come in." So he comes in, and shuts the door; and, while he sits waiting for the milk, footsteps pass. They are the footsteps of his pursuer, who goes on with the club in his hand, and is angry and impatient that he has not yet come up with him.

The woman goes to her little dairy for the milk, and the boy thinks she is a long time. He drinks it, thanks her, and takes his leave.

Fast and fast the man runs on, and, as fast as he can, the boy runs after him. It is very dark, but there is a yellow streak in the sky, where the moon is plowing up a furrowed mass of gray cloud, and one or two stars are blinking through the branches of the trees.

Fast the boy follows, and fast the man runs on, with his weapon in his hand. Suddenly he hears the joyish whoop--not before, but behind him. He stops and listens breathlessly. Yes, it is so. He pushes himself into the thicket, and raises his club to strike when the boy shall pass.

On he comes, running lightly, with his hands in his pockets. A sound strikes at the same instant on the ears of both; and the boy turns back from the very jaws of death to listen. It is the sound of wheels, and it draws rapidly nearer. A man comes up, driving a little gig.

"Halloa?" he says, in a loud, cheerful voice. "What! benighted, youngster?"

"Oh, is it you, Mr. Davis?" says the boy; "no, I am not benighted; or, at any rate, I know my way out of the wood."

The man draws farther back among the shrubs. "Why, bless the boy," he hears the farmer say, "to think of our meeting in this way. The parson told me he was in hopes of seeing thee some day this week. I'll give thee a lift. This is a lonely place to be in this time o' night."

"Lonely!" says the boy, laughing. "I don't mind that; and if you know the way, it's as safe as the quarter-deck."

So he gets into the farmer's gig, and is once more out of reach of the pursuer. But the man knows that the farmer's house is a quarter of a mile nearer than the parsonage, and in that quarter of a mile there is still a chance of committing the robbery. He determines still to make the attempt, and cuts across the wood with such rapid strides that he reaches the farmer's gate just as the gig drives up to it.

"Well, thank you, farmer," says the midshipman, as he prepares to get down.

"I wish you good night, gentlemen," says the man, when he passes.

"Good night, friend," the farmer replies. "I say, my boy, it's a dark night enough; but I have a mind to drive you on to the parsonage, and hear the rest of this long tale of yours about the sea serpent."

The little wheels go on again. They pass the man; and he stands still in the road to listen till the sound dies away. Then he flings his club into the hedge, and goes back. His evil purposes have all been frustrated--the thoughtless boy, without knowing anything about it, has baffled him at every turn.

IV.

And now the little midshipman is at home--the joyful meeting has taken place; and when they have all admired his growth, and measured his height on the window frame, and seen him eat his supper, they begin to question him about his adventures, more for the pleasure of hearing him talk than any curiosity.

"Adventures!" says the boy, seated between his father and mother on a sofa. "Why, mother, I wrote you an account of the voyage, and there's nothing else to tell. Nothing happened to-day--at least nothing particular."

"Did you come by the coach we told you of?" asks his father.

"Oh, yes, papa; and when we had got about twenty miles, there came up a beggar, while we changed horses, and I threw down, as I thought, a shilling, but, as it fell, I saw it was a sovereign. She was very honest, and showed me what it was, but I didn't take it back, for you know, it's a long time since I gave anything to anybody."

"Very true, my boy," his mother answers; "but you should not be careless with your money.

"I suppose you got down at the crossroads?" says his elder brother.

"Yes, and went through the wood. I should have been here sooner if I hadn't lost my way there."

"Lost your way!" says his mother, alarmed. "My dear boy, you should not have left the path at dusk."

"Oh, mother," says the little midshipman, with a smile, "you're always thinking we're in danger. If you could see me sometimes sitting at the jib-boom end, or across the main topmast crosstrees, you _would_ be frightened. But what danger can there be in a wood?"