Chapter 19

Sunday, and it happened to be St. Valentine's also, was the great fete-day of St. Antonino. Early in the morning there was a great clanging of bells; and the ceremony of the blessing of the pigs took place,--I heard, but I was not abroad early enough to see it,--a laziness for which I fancy I need not apologize, as the Catholic is known to be an earlier religion than the Protestant. When I did go out, the streets were thronged with people, the countryfolk having come in for miles around. The church of the patron saint was the great center of attraction. The blank walls of the little square in front, and of the narrow streets near, were hung with cheap and highly-colored lithographs of sacred subjects, for sale; tables and booths were set up in every available space for the traffic in pre-Raphaelite gingerbread, molasses candy, strings of dried nuts, pinecone and pumpkin seeds, scarfs, boots and shoes, and all sorts of trumpery. One dealer had preempted a large space on the pavement, where he had spread out an assortment of bits of old iron, nails, pieces of steel traps, and various fragments which might be useful to the peasants. The press was so great, that it was difficult to get through it; but the crowd was a picturesque one, and in the highest good humor. The occasion was a sort of Fourth of July, but without its worry and powder and flowing bars.

The spectacle of the day was the procession bearing the silver image of the saint through the streets. I think there could never be anything finer or more impressive; at least, I like these little fussy provincial displays,--these tag-rags and ends of grandeur, in which all the populace devoutly believe, and at which they are lost in wonder,--better than those imposing ceremonies at the capital, in which nobody believes. There was first a band of musicians, walking in more or less disorder, but blowing away with great zeal, so that they could be heard amid the clangor of bells the peals of which reverberate so deafeningly between the high houses of these narrow streets. Then follow boys in white, and citizens in black and white robes, carrying huge silken banners, triangular like sea-pennants, and splendid silver crucifixes which flash in the sun. Then come ecclesiastics, walking with stately step, and chanting in loud and pleasant unison. These are followed by nobles, among whom I recognize, with a certain satisfaction, two descendants of Tasso, whose glowing and bigoted soul may rejoice in the devotion of his posterity, who help to bear today the gilded platform upon which is the solid silver image of the saint. The good old bishop walks humbly in the rear, in full canonical rig, with crosier and miter, his rich robes upborne by priestly attendants, his splendid footman at a respectful distance, and his roomy carriage not far behind.

The procession is well spread out and long; all its members carry lighted tapers, a good many of which are not lighted, having gone out in the wind. As I squeeze into a shallow doorway to let the cortege pass, I am sorry to say that several of the young fellows in white gowns tip me the wink, and even smile in a knowing fashion, as if it were a mere lark, after all, and that the saint must know it. But not so thinks the paternal bishop, who waves a blessing, which I catch in the flash of the enormous emerald on his right hand. The procession ends, where it started, in the patron's church; and there his image is set up under a gorgeous canopy of crimson and gold, to hear high mass, and some of the choicest solos, choruses, and bravuras from the operas.

In the public square I find a gaping and wondering crowd of rustics collected about one of the mountebanks whose trade is not peculiar to any country. This one might be a clock-peddler from Connecticut. He is mounted in a one-seat vettura, and his horse is quietly eating his dinner out of a bag tied to his nose. There is nothing unusual in the fellow's dress; he wears a shiny silk hat, and has one of those grave faces which would be merry if their owner were not conscious of serious business on hand. On the driver's perch before him are arranged his attractions,--a box of notions, a grinning skull, with full teeth and jaws that work on hinges, some vials of red liquid, and a closed jar containing a most disagreeable anatomical preparation. This latter he holds up and displays, turning it about occasionally in an admiring manner. He is discoursing, all the time, in the most voluble Italian. He has an ointment, wonderfully efficacious for rheumatism and every sort of bruise: he pulls up his sleeve, and anoints his arm with it, binding it up with a strip of paper; for the simplest operation must be explained to these grown children. He also pulls teeth, with an ease and expedition hitherto unknown, and is in no want of patients among this open-mouthed crowd. One sufferer after another climbs up into the wagon, and goes through the operation in the public gaze. A stolid, good-natured hind mounts the seat. The dentist examines his mouth, and finds the offending tooth. He then turns to the crowd and explains the case. He takes a little instrument that is neither forceps nor turnkey, stands upon the seat, seizes the man's nose, and jerks his head round between his knees, pulling his mouth open (there is nothing that opens the mouth quicker than a sharp upward jerk of the nose) with a rude jollity that sets the spectators in a roar. Down he goes into the cavern, and digs away for a quarter of a minute, the man the while as immovable as a stone image, when he holds up the bloody tooth. The patient still persists in sitting with his mouth stretched open to its widest limit, waiting for the operation to begin, and will only close the orifice when he is well shaken and shown the tooth. The dentist gives him some yellow liquid to hold in his mouth, which the man insists on swallowing, wets a handkerchief and washes his face, roughly rubbing his nose the wrong way, and lets him go. Every step of the process is eagerly watched by the delighted spectators.

He is succeeded by a woman, who is put through the same heroic treatment, and exhibits like fortitude. And so they come; and the dentist after every operation waves the extracted trophy high in air, and jubilates as if he had won another victory, pointing to the stone statue yonder, and reminding them that this is the glorious day of St. Antonino. But this is not all that this man of science does. He has the genuine elixir d'amour, love-philters and powders which never fail in their effects. I see the bashful girls and the sheepish swains come slyly up to the side of the wagon, and exchange their hard-earned francs for the hopeful preparation. O my brown beauty, with those soft eyes and cheeks of smothered fire, you have no need of that red philter! What a simple, childlike folk! The shrewd fellow in the wagon is one of a race as old as Thebes and as new as Porkopolis; his brazen face is older than the invention of bronze, but I think he never had to do with a more credulous crowd than this. The very cunning in the face of the peasants is that of the fox; it is a sort of instinct, and not an intelligent suspicion.

This is Sunday in Sorrento, under the blue sky. These peasants, who are fooled by the mountebank and attracted by the piles of adamantine gingerbread, do not forget to crowd the church of the saint at vespers, and kneel there in humble faith, while the choir sings the Agnus Dei, and the priests drone the service. Are they so different, then, from other people? They have an idea on Capri that England is such another island, only not so pleasant; that all Englishmen are rich and constantly travel to escape the dreariness at home; and that, if they are not absolutely mad, they are all a little queer. It was a fancy prevalent in Hamlet's day. We had the English service in the Villa Nardi in the evening. There are some Englishmen staying here, of the class one finds in all the sunny spots of Europe, ennuye and growling, in search of some elixir that shall bring back youth and enjoyment. They seem divided in mind between the attractions of the equable climate of this region and the fear of the gout which lurks in the unfermented wine. One cannot be too grateful to the sturdy islanders for carrying their prayers, like their drumbeat, all round the globe; and I was much edified that night, as the reading went on, by a row of rather battered men of the world, who stood in line on one side of the room, and took their prayers with a certain British fortitude, as if they were conscious of performing a constitutional duty, and helping by the act to uphold the majesty of English institutions.

PUNTA DELLA CAMPANELLA

There is always a mild excitement about mounting donkeys in the morning here for an excursion among the hills. The warm sun pouring into the garden, the smell of oranges, the stimulating air, the general openness and freshness, promise a day of enjoyment. There is always a doubt as to who will go; generally a donkey wanting; somebody wishes to join the party at the last moment; there is no end of running up and downstairs, calling from balconies and terraces; some never ready, and some waiting below in the sun; the whole house in a tumult, drivers in a worry, and the sleepy animals now and then joining in the clatter with a vocal performance that is neither a trumpet-call nor a steam-whistle, but an indescribable noise, that begins in agony and abruptly breaks down in despair. It is difficult to get the train in motion. The lady who ordered Succarina has got a strange donkey, and Macaroni has on the wrong saddle. Succarina is a favorite, the kindest, easiest, and surest-footed of beasts,--a diminutive animal, not bigger than a Friesland sheep; old, in fact grizzly with years, and not unlike the aged, wizened little women who are so common here: for beauty in this region dries up; and these handsome Sorrento girls, if they live, and almost everybody does live, have the prospect, in their old age, of becoming mummies, with parchment skins. I have heard of climates that preserve female beauty; this embalms it, only the beauty escapes in the process. As I was saying, Succarina is little, old, and grizzly; but her head is large, and one might be contented to be as wise as she looks.

The party is at length mounted, and clatters away through the narrow streets. Donkey-riding is very good for people who think they cannot walk. It looks very much like riding, to a spectator; and it deceives the person undertaking it into an amount of exercise equal to walking. I have a great admiration for the donkey character. There never was such patience under wrong treatment, such return of devotion for injury. Their obstinacy, which is so much talked about, is only an exercise of the right of private judgment, and an intelligent exercise of it, no doubt, if we could take the donkey point of view, as so many of us are accused of doing in other things. I am certain of one thing: in any large excursion party there will be more obstinate people than obstinate donkeys; and yet the poor brutes get all the thwacks and thumps. We are bound to-day for the Punta della Campanella, the extreme point of the promontory, and ten miles away. The path lies up the steps from the new Massa carriage-road, now on the backbone of the ridge, and now in the recesses of the broken country. What an animated picture is the donkeycade, as it mounts the steeps, winding along the zigzags! Hear the little bridlebells jingling, the drivers groaning their “a-e-ugh, a-e-ugh,” the riders making a merry din of laughter, and firing off a fusillade of ejaculations of delight and wonder.

The road is between high walls; round the sweep of curved terraces which rise above and below us, bearing the glistening olive; through glens and gullies; over and under arches, vine-grown,--how little we make use of the arch at home!--round sunny dells where orange orchards gleam; past shrines, little chapels perched on rocks, rude villas commanding most extensive sweeps of sea and shore. The almond trees are in full bloom, every twig a thickly-set spike of the pink and white blossoms; daisies and dandelions are out; the purple crocuses sprinkle the ground, the petals exquisitely varied on the reverse side, and the stamens of bright salmon color; the large double anemones have come forth, certain that it is spring; on the higher crags by the wayside the Mediterranean heather has shaken out its delicate flowers, which fill the air with a mild fragrance; while blue violets, sweet of scent like the English, make our path a perfumed one. And this is winter.

We have made a late start, owing to the fact that everybody is captain of the expedition, and to the Sorrento infirmity that no one is able to make up his mind about anything. It is one o'clock when we reach a high transverse ridge, and find the headlands of the peninsula rising before us, grim hills of limestone, one of them with the ruins of a convent on top, and no road apparent thither, and Capri ahead of us in the sea, the only bit of land that catches any light; for as we have journeyed the sky has thickened, the clouds of the sirocco have come up from the south; there has been first a mist, and then a fine rain; the ruins on the peak of Santa Costanza are now hid in mist. We halt for consultation. Shall we go on and brave a wetting, or ignominiously retreat? There are many opinions, but few decided ones. The drivers declare that it will be a bad time. One gentleman, with an air of decision, suggests that it is best to go on, or go back, if we do not stand here and wait. The deaf lady, from near Dublin, being appealed to, says that, perhaps, if it is more prudent, we had better go back if it is going to rain. It does rain. Waterproofs are put on, umbrellas spread, backs turned to the wind; and we look like a group of explorers under adverse circumstances, “silent on a peak in Darien,” the donkeys especially downcast and dejected. Finally, as is usual in life, a compromise prevails. We decide to continue for half an hour longer and see what the weather is. No sooner have we set forward over the brow of a hill than it grows lighter on the sea horizon in the southwest, the ruins on the peak become visible, Capri is in full sunlight. The clouds lift more and more, and still hanging overhead, but with no more rain, are like curtains gradually drawn up, opening to us a glorious vista of sunshine and promise, an illumined, sparkling, illimitable sea, and a bright foreground of slopes and picturesque rocks. Before the half hour is up, there is not one of the party who does not claim to have been the person who insisted upon going forward.

We halt for a moment to look at Capri, that enormous, irregular rock, raising its huge back out of the sea, its back broken in the middle, with the little village for a saddle. On the farther summit, above Anacapri, a precipice of two thousand feet sheer down to the water on the other side, hangs a light cloud. The east elevation, whence the playful Tiberius used to amuse his green old age by casting his prisoners eight hundred feet down into the sea, has the strong sunlight on it; and below, the row of tooth-like rocks, which are the extreme eastern point, shine in a warm glow. We descend through a village, twisting about in its crooked streets. The inhabitants, who do not see strangers every day, make free to stare at and comment on us, and even laugh at something that seems very comical in our appearance; which shows how ridiculous are the costumes of Paris and New York in some places. Stalwart girls, with only an apology for clothes, with bare legs, brown faces, and beautiful eyes, stop in their spinning, holding the distaff suspended, while they examine us at leisure. At our left, as we turn from the church and its sunny piazza, where old women sit and gabble, down the ravine, is a snug village under the mountain by the shore, with a great square medieval tower. On the right, upon rocky points, are remains of round towers, and temples perhaps.

We sweep away to the left round the base of the hill, over a difficult and stony path. Soon the last dilapidated villa is passed, the last terrace and olive-tree are left behind; and we emerge upon a wild, rocky slope, barren of vegetation, except little tufts of grass and a sort of lentil; a wide sweep of limestone strata set on edge, and crumbling in the beat of centuries, rising to a considerable height on the left. Our path descends toward the sea, still creeping round the end of the promontory. Scattered here and there over the rocks, like conies, are peasants, tending a few lean cattle, and digging grasses from the crevices. The women and children are wild in attire and manner, and set up a clamor of begging as we pass. A group of old hags begin beating a poor child as we approach, to excite our compassion for the abused little object, and draw out centimes.

Walking ahead of the procession, which gets slowly down the rugged path, I lose sight of my companions, and have the solitude, the sun on the rocks, the glistening sea, all to myself. Soon I espy a man below me sauntering down among the rocks. He sees me and moves away, a solitary figure. I say solitary; and so it is in effect, although he is leading a little boy, and calling to his dog, which runs back to bark at me. Is this the brigand of whom I have read, and is he luring me to his haunt? Probably. I follow. He throws his cloak about his shoulders, exactly as brigands do in the opera, and loiters on. At last there is the point in sight, a gray wall with blind arches. The man disappears through a narrow archway, and I follow. Within is an enormous square tower. I think it was built in Spanish days, as an outlook for Barbary pirates. A bell hung in it, which was set clanging when the white sails of the robbers appeared to the southward; and the alarm was repeated up the coast, the towers were manned, and the brown-cheeked girls flew away to the hills, I doubt not, for the touch of the sirocco was not half so much to be dreaded as the rough importunity of a Saracen lover. The bell is gone now, and no Moslem rovers are in sight. The maidens we had just passed would be safe if there were. My brigand disappears round the tower; and I follow down steps, by a white wall, and lo! a house,--a red stucco, Egyptian-looking building,--on the very edge of the rocks. The man unlocks a door and goes in. I consider this an invitation, and enter. On one side of the passage a sleeping-room, on the other a kitchen,--not sumptuous quarters; and we come then upon a pretty circular terrace; and there, in its glass case, is the lantern of the point. My brigand is a lighthouse-keeper, and welcomes me in a quiet way, glad, evidently, to see the face of a civilized being. It is very solitary, he says. I should think so. It is the end of everything. The Mediterranean waves beat with a dull thud on the worn crags below. The rocks rise up to the sky behind. There is nothing there but the sun, an occasional sail, and quiet, petrified Capri, three miles distant across the strait. It is an excellent place for a misanthrope to spend a week, and get cured. There must be a very dispiriting influence prevailing here; the keeper refused to take any money, the solitary Italian we have seen so affected.

We returned late. The young moon, lying in the lap of the old one, was superintending the brilliant sunset over Capri, as we passed the last point commanding it; and the light, fading away, left us stumbling over the rough path among the hills, darkened by the high walls. We were not sorry to emerge upon the crest above the Massa road. For there lay the sea, and the plain of Sorrento, with its darkening groves and hundreds of twinkling lights. As we went down the last descent, the bells of the town were all ringing, for it was the eve of the fete of St. Antonino.

CAPRI

“CAP, signor? Good day for Grott.” Thus spoke a mariner, touching his Phrygian cap. The people here abbreviate all names. With them Massa is Mas, Meta is Met, Capri becomes Cap, the Grotta Azzurra is reduced familiarly to Grott, and they even curtail musical Sorrento into Serent.

Shall we go to Capri? Should we dare return to the great Republic, and own that we had not been into the Blue Grotto? We like to climb the steeps here, especially towards Massa, and look at Capri. I have read in some book that it used to be always visible from Sorrento. But now the promontory has risen, the Capo di Sorrento has thrust out its rocky spur with its ancient Roman masonry, and the island itself has moved so far round to the south that Sorrento, which fronts north, has lost sight of it.

We never tire of watching it, thinking that it could not be spared from the landscape. It lies only three miles from the curving end of the promontory, and is about twenty miles due south of Naples. In this atmosphere distances dwindle. The nearest land, to the northwest, is the larger island of Ischia, distant nearly as far as Naples; yet Capri has the effect of being anchored off the bay to guard the entrance. It is really a rock, three miles and a half long, rising straight out of the water, eight hundred feet high at one end, and eighteen hundred feet at the other, with a depression between. If it had been chiseled by hand and set there, it could not be more sharply defined. So precipitous are its sides of rock, that there are only two fit boat-landings, the marina on the north side, and a smaller place opposite. One of those light-haired and freckled Englishmen, whose pluck exceeds their discretion, rowed round the island alone in rough water, last summer, against the advice of the boatman, and unable to make a landing, and weary with the strife of the waves, was in considerable peril.

Sharp and clear as Capri is in outline, its contour is still most graceful and poetic. This wonderful atmosphere softens even its ruggedness, and drapes it with hues of enchanting beauty. Sometimes the haze plays fantastic tricks with it,--a cloud-cap hangs on Monte Solaro, or a mist obscures the base, and the massive summits of rock seem to float in the air, baseless fabrics of a vision that the rising wind will carry away perhaps. I know now what Homer means by “wandering islands.” Shall we take a boat and sail over there, and so destroy forever another island of the imagination? The bane of travel is the destruction of illusions.

We like to talk about Capri, and to talk of going there. The Sorrento people have no end of gossip about the wild island; and, simple and primitive as they are, Capri is still more out of the world. I do not know what enchantment there is on the island; but--whoever sets foot there, they say, goes insane or dies a drunkard. I fancy the reason of this is found in the fact that the Capri girls are raving beauties. I am not sure but the monotony of being anchored off there in the bay, the monotony of rocks and precipices that goats alone can climb, the monotony of a temperature that scarcely ever, winter and summer, is below 55 or above 75 Fahrenheit indoors, might drive one into lunacy. But I incline to think it is due to the handsome Capri girls.

There are beautiful girls in Sorrento, with a beauty more than skin deep, a glowing, hidden fire, a ripeness like that of the grape and the peach which grows in the soft air and the sun. And they wither, like grapes that hang upon the stem. I have never seen a handsome, scarcely a decent-looking, old woman here. They are lank and dry, and their bones are covered with parchment. One of these brown-cheeked girls, with large, longing eyes, gives the stranger a start, now and then, when he meets her in a narrow way with a basket of oranges on her head. I hope he has the grace to go right by. Let him meditate what this vision of beauty will be like in twenty ears.