Chapter 19
The bishop was disinterested; his people were covetous. The people of those times wished the Church to grow rich, because they were the first to profit by its riches. Now these riches were principally in houses and land. The diocese of Hippo had to deal with many houses and immense _fundi_, upon which lived an entire population of artisans and freed-men, agricultural labourers, and even art-workers--smelters, embroiderers, chisellers on metals. Upon the Church lands, these small people were protected from taxes and the extortions of the revenue officers, and no doubt they found the episcopal government more fatherly and mild than the civil.
Augustin, who had made a vow of poverty and given his heritage to the poor, became by a cruel irony a great landowner as soon as he was elected Bishop of Hippo. Doubtless he had stewards under him to look after the property of the diocese. This did not save him from going into details of management and supervising his agents. He heard the complaints, not only of his own tenants, but also of those who belonged to other estates and were victimized by dishonest bailiffs. Anyhow, we have a thousand signs to shew that no detail of country life was unfamiliar to him.
On horseback or muleback, he rode for miles through the country about Hippo to visit his vineyards and olivets. He examined, found out things, questioned the workmen, went into the presses and the mills. He knew the grape good to eat, and the grape to make wine with. He pointed out where the ensilage pits had been dug in too marshy land, which endangered the young corn. As a capable landowner he was abreast of the law, careful about the terms of contracts. He knew the formulas employed for sales or benefactions. He saw to it that charcoal was buried around the landmarks in the fields, so that if the post disappeared, its place could be found. And as he was a poet, he gathered on his course a whole booty of rural images which later on went to brighten his sermons. He made ingenious comparisons with the citron-tree, "which is seen to give flowers and fruits all the year if it be watered constantly," or else with the goat "who gets upon her two hind legs to crop the bitter leaves of the wild olive."
These journeys in the open air, however tiring they might be, were after all a rest for his overworked brain. But there was one among his episcopal duties which wearied him to disgust. Every day he had to listen to parties in dispute and give judgment. Following recent Imperial legislation, the bishop became judge in civil cases--a tiresome and endless work in a country where tricky quibbling raged with obstinate fury. The litigants pursued Augustin, overran his house, like those fellahs in dirty burnous who block our law-courts with their rags. In the _secretarium_ of the basilica, or under the portico of the court leading to the church, Augustin sat like a Mussulman cadi in the court of the mosque.
The emperors had only regulated an old custom of apostolic times in placing the Christians under the jurisdiction of their bishop. In accordance with St. Paul's advice, the priests did their utmost to settle differences among the faithful. Later, when their number had considerably increased, the Government adopted a system not unlike the "Capitulations" in countries under the Ottoman suzerainty. Lawsuits between clerics and laymen could not be equitably judged by civil servants, who were often pagans. Moreover, the parties based their claims on theological principles or religious laws that the arbitrator generally knew nothing about. In these conditions, it was natural enough that the Imperial authority should say to the disputants, "Fight it out among yourselves".
And it happened, just at the moment when Augustin began to fill the see of Hippo, that Theodosius broadened still more the judicial prerogatives of the bishops. The unhappy judge was overwhelmed with law-cases. Every day he sat till the hour of his meal, and sometimes the whole day when he fasted. To those who accused him of laziness, he answered:
"I can declare on my soul that if it were question of my own convenience, I should like much better to work at some manual labour at certain hours of the day, as the rule is in well-governed monasteries, and have the rest of the time free to read or pray or meditate upon the Holy Scripture, instead of being troubled with all the complications and dull talk of lawsuits."
The rascality of the litigants made him indignant. From the pulpit he gave them advice full of Christian wisdom, but which could not have been much relished. A suit at law, according to him, was a loss of time and a cause of sorrow. It would be better to let the opponent have the money, than to lose time and be filled with uneasiness. Nor was this, added the preacher in all good faith, to encourage injustice; for the robber would be robbed in his turn by a greater robber than himself.
These reasons seemed only moderately convincing. The pettifoggers did not get discouraged. On the contrary, they infested the bishop with their pleas. As soon as he appeared, they rushed up to him in a mob, surrounded him, kissed his hand and his shoulder, protesting their respect and obedience, urging him, constraining him to busy himself about their affairs. Augustin yielded. But the next day in a vehement sermon he cried out to them:
_Discedite a me, maligni!_--"Go far from me, ye wicked ones, and let me study in peace the commandments of my God!"
II
WHAT WAS HEARD IN THE BASILICA OF PEACE
Let us try to see Augustin in his pulpit and in his episcopal city.
We cannot do much more than reconstruct them by analogy. Royal Hippo is utterly gone. Bona, which has taken its place, is about a mile and a half away, and the fragments which have been dug out of the soil of the dead city are very inadequate. But Africa is full of Christian ruins, and chiefly of basilicas. Rome has nothing equal to offer. And that is easily understood. The Roman basilicas, always living, have been changed in the course of centuries, and have put on, time after time, the garb forced upon them by the fashion. Those of Africa have remained just as they were--at least in their principal lines--on the morrow of the Arab invasion, as Augustin's eyes had seen them. They are ruins, no doubt, and some very mutilated, but ruins of which no restoration has altered the plan or changed the features.
As the traces of Hippo and its church are swept away or deeply buried, we are obliged, in order to get some approximate idea, to turn towards another African town which has suffered less from time and devastation. Theveste with its basilica, the best preserved, the finest and largest in all Africa, can restore to us a little of the look and colour and atmosphere of Hippo in those final years of the fourth century.
Ancient Theveste was much larger than the present town, the French Tebessa. This, even reduced to the perimeter of the Byzantine fortress built under Justinian, still surprises the traveller by its singularly original aspect. Amid the wide plains of alfa-grass which surround it, with its quadrangular enclosure, its roads on the projection of the walls behind the battlements, its squat turrets, it has a look as archaic, as strange, as our own Aigues-Mortes amid its marshy fen. Nothing can be more rich and joyous to the eye than the rust which covers its ruins--a complete gilding that one would say had been laid on by the hand of man.
It has a little temple which is a wonder and has been compared to the ancient Roman temple--the _Maison Carrée_--at Nîmes. But how much warmer, more living are the stones! The shafts of the columns, and the pilasters of the peristyle, barked by time, seem as scaly and full of sap as the trunks of palm-trees. The carved acanthus-leaves in the capitals of the pillars droop like bunches of palms reddened by the summer.
Quite near, at the end of a narrow street, lined with modern and squalid hovels, the triumphal arch of Septimus Severus and of Caracalla extends its luminous bow; and high above the heavy mass of architecture, resting upon slim aerial little columns, a buoyant _ædiculus_ shines like a coral tabernacle or a coffer of yellow ivory.
All about, forms in long draperies are huddled. The Numidian burnous has the whiteness of the toga. It has also the same graceful folds. At the sight of them you suddenly feel yourself to be in a strange land--carried back very far across the centuries. No sooner is the vision of antiquity outlined than it grows firm. Down below there, a horseman, clad in white, is framed with his white horse in the moulded cincture of a door. He passes, and upon the white wall of the near tower his shadow rests a moment, like a bas-relief upon the marble of a frieze.
Beyond the Byzantine enclosure, the basilica, with its minor buildings, forms another town almost as large as the present Theveste, and also closed in by a belt of towers and ramparts. One is immediately struck by the opulent colour of the stones--rose, grown pale and thinner in the sun; and next, by the solid workmanship and the structural finish. The stones, as in the Greek temples, are placed on top of one another in regular layers: the whole holds together by the weight of the blocks and the polish of the surfaces.
The proportions are on a large scale. There was no grudging for the buildings, or the materials, or the land. In front of the basilica is a wide rectangular court bordered with terraces; a portico at the far end; and in the middle four large fountains to water the walk. A flagged avenue, closed by two gateways, divides this court from the basilica, properly so called, which is reached by a staircase between two columns. The staircase leads to the _atrium_ decorated by a Corinthian portico. In the centre is the font for purifications, a huge monolithic bason in the shape of a four-leaved clover. Three doors give entrance from the _atrium_ to the basilica, which is divided by rows of green marble columns into three aisles. The galleries spread out along the side aisles. The floor was in mosaic. In the apse, behind the altar, stood the bishop's throne.
Around the main building clustered a great number of others: a baptistry; many chapels (one vaulted in the shape of a three-leaved clover) dedicated, probably, to local martyrs; a graveyard; a convent with its cells, and its windows narrow as loop-holes; stables, sheds, and barns. Sheltered within its walls and towers, amid its gardens and outbuildings, the basilica of Theveste thus early resembled one of our great monasteries of the Middle Age, and also in certain ways the great mosques of Islam--the one at Cordova, or that at Damascus, with their vestibules surrounded by arcades, their basons for purification, and their walks bordered with orange-trees. The faithful and the pilgrims were at home there. They might spend the day stretched upon the flags of the porticoes, in loafing or sleeping in the blue shade of the columns and the cool of the fountains. In the full sense of the word, the church was the House of God, open to all.
Very likely the basilicas at Hippo had neither the size nor the splendour of this one. Nor were there very many. At the time Augustin was ordained priest, that is to say, when the Donatists had still a majority in the town, it seems clear that the orthodox community owned but one single church, the _Basilica major_, or Basilica of Peace. Its very name proves this. With the schismatics, "Peace" was the official name for Catholicism. "Basilica of Peace" meant simply "Catholic Basilica." Was not this as much as to say that the others belonged to the dissenters? Doubtless they restored later on, after the promulgations of Honorius, the Leontian Basilica, founded by Leontius, Bishop of Hippo, and a martyr. A third was built by Augustin during his episcopate--the Basilica of the Eight Martyrs of the White Mace.
It was in the Major, or Cathedral, that Augustin generally preached. To preach was not only a duty, but one of the privileges of a bishop. As has been said, the bishop alone had the right to preach in his church. This arose from the fact that the African dioceses, although comparatively widespread, had scarcely more people than one of our large parishes to-day. The position of a bishop was like that of one of our parish priests. There were almost as many as there were villages, and they were counted by hundreds.
However that may be, preaching, the real apostolic ministry, was an exhausting task. Augustin preached almost every day, and often many times a day--rough work for a man with such a fragile chest. Thus it often happened that, to save his voice, he had to ask his audience to keep still. He spoke without study, in a language very near the language of the common people. Stenographers took down his sermons as he improvised them: hence those repetitions and lengthinesses which astonish the reader who does not know the reason for them. There is no plan evident in these addresses. Sometimes the speaker has not enough time to develop his thought. Then he puts off the continuation till the next day. Sometimes he comes with a subject all prepared, and then treats of another, in obedience to a sudden inspiration which has come to him with a verse of Scripture he has just read. Other times, he comments many passages in succession, without the least care for unity or composition.
Let us listen to him in this Basilica of Peace, where during thirty-five years he never failed to announce the Word of God.... The chant of the Psalms has just died away. At the far end of the apse, Augustin rises from his throne with its back to the wall, his pale face distinct against the golden hue of the mosaic. From that place, as from the height of a pulpit, he commands the congregation, looking at them above the altar, which is a plain wooden table placed at the end of the great aisle.
The congregation is standing, the men on one side, the women on the other. On the other side of the balustrade which separates them from the crowd, are the widows and consecrated virgins, wrapped in their veils black or purple. Some matrons, rather overdressed, lean forward in the front rank of the galleries. Their cheeks are painted, their eyelashes and eyebrows blackened, their ears and necks overloaded with jewels. Augustin has noticed them; after a while he will read them a lesson. This audience is all alive with sympathy and curiosity before he begins. With all its faith and all its passion it collaborates with the orator. It is turbulent also. It expresses its opinions and emotions with perfect freedom. The democratic customs of those African Churches surprise us to-day. People made a noise as at the theatre or the circus. They applauded; they interrupted the preacher. Certain among them disputed what was said, quoting passages from the Bible.
Augustin is thus in perpetual communication with his audience. Nobody has done less soaring than he. He keeps his eye on the facial expressions and the attitudes of his public. He talks to them familiarly. When his sermon is a little lengthy, he wants to know if his listeners are getting tired--he has kept them standing so long! The time of the morning meal draws near. Bellies are fasting, stomachs wax impatient. Then says he to them with loving good-fellowship:
"Go, my very dear brothers and sisters, go and restore your strength--I do not mean that of your minds, for I see well that they are tireless, but the strength of your bodies which are the servants of your souls. Go then and restore your bodies so that they may do their work well, and when they are restored, come back here and take your spiritual food."
Upon certain days, a blast of the sirocco has passed over the town. The faithful, crowded in the aisles, are stifling, covered with sweat. The preacher himself, who is very much worked up, has his face dripping, and his clothes are all wet. By this he perceives that once more he has been extremely long. He excuses himself modestly. Or again, he jokes like a rough apostle who is not repelled by the odour of a lot of human-kind gathered together.
"Oh, what a smell!" says he. "I must have been speaking a long while to-day."
These good-natured ways won the hearts of the simple folk who listened to him. He is aware of the charm he exerts on them, and of the sympathy they give him back in gratitude for his charity.
"You have loved to come and hear me, my brothers," he said to them. "But whom have you loved? If it is me--ah, even that is good, my brothers, for I want to be loved by you, if I do not want to be loved for myself. As for me, I love you in Christ. And you too, do you love me in Him. Let our love for one another moan together up to God--and that is the moaning of the Dove spoken of in the Scripture...."
Although he preaches from the height of his episcopal throne, he is anxious that his hearers should regard him, Christianly, as their equal. So he seems as little of the bishop as possible.
"All Christians are servants of the same master.... I have been in the place where you are--you, my brothers, who listen to me. And now, if I give the spiritual bread from the height of this chair to the servants of the Master of us all--well, it is but a few years since I received this spiritual food with them in a lower place. A bishop, I speak to laymen, but I know to how many future bishops I speak...."
So he puts himself on an equal footing with his audience by the brotherly accent in his words. It is not Christendom, the Universal Church, or I know not what abstract listener he addresses, but the Africans, the people of Hippo, the parishioners of the Basilica of Peace. He knows the allusions, the comparisons drawn from local customs, which are likely to impress their minds. The day of the festival of St. Crispina, a martyr of those parts, after he had developed his subject at very great length, he asked pardon in these terms:
"Let us think, brothers, that I have invited you to celebrate the birthday of the blessed Crispina, and that I have kept up the feast a little too long. Well, might not the same thing happen if some soldier were to ask you to dinner and obliged you to drink more than is wise? Let me do as much for the Word of God, with which you should be drunk and surfeited."
Marriages, as well as birthday feasts, supplied the orator with vivid allegories. Thus he says that when a marriage feast is made in a house, organs play upon the threshold, and musicians and dancers begin to sing and to act their songs. And yet how poor are these earthly enjoyments which pass away so soon!... "In the House of God, the feast has no end."
Continually, through the commentaries on the Psalms, like comparisons rise to the surface--parables suited to stir the imagination of Africans. A thousand details borrowed from local habits and daily life enliven the exegesis of the Bishop of Hippo. The mules and horses that buck when one is trying to cure them, are his symbol for the recalcitrant Donatists. The little donkeys, obstinate and cunning, that trot in the narrow lanes of Algerian _casbahs_, appear here and there in his sermons. The gnats bite in them. The unendurable flies plaster themselves in buzzing patches on the tables and walls. Then there are the illnesses and drugs of that country: the ophthalmias and collyrium. What else? The tarentulas that run along the beams on the ceiling; the hares that scurry without warning between the horses' feet on the great Numidian plains. Elsewhere, he reminds his audience of those men who wear an earring as a talisman; of the dealings between traders and sailors--a comparison which would go home to this seafaring people.
The events of the time, the little happenings of the moment, glide into his sermons. At the same time as the service in church to-day, there is going to be horse-racing at the circus, and fights of wild beasts or gladiators at the arena. In consequence, there will not be many people in the Basilica. "So much the better," says Augustin. "My lungs will get some rest." Another time, it is advertised through the town that most sensational attractions will be offered at the theatre--there will be a scene representing the open sea. The preacher laughs at those who have deserted the church to go and see this illusion: "They will have," says he, "the sea on the stage; but we, brothers--ah, we shall have our port in Jesus Christ." This Saturday, while he is preaching, some Jewish women set themselves to dance and sing on the terraces of the near houses, by way of celebrating the Sabbath. In the basilica, the bashing of the crotolos can be heard, and the thuds of the tambourines. "They would do better," says Augustin, "to work and spin their wool."
He dwells upon the catastrophes which were then convulsing the Roman world. The news of them spread with wonderful rapidity. Alaric's Barbarians have taken Rome and put it to fire and sword. At Jerusalem has been an earthquake, and the bishop John organizes a subscription for the sufferers throughout Christendom. At Constantinople, globes of fire have been seen in the sky. The _Serapeum_ of Alexandria has just been destroyed in a riot....
All these things follow each other in lively pictures, without any apparent order, throughout Augustin's sermons. It is not he who divides his discourse into three parts, and refrains from passing to the second till he has learnedly expounded the first. Whether he comments upon the Psalms or the Gospels, his sermons are no more than explanations of the Scriptures which he interprets, sometimes in a literal sense, and sometimes in an allegoric. Let us acknowledge it--his allegoric discourses repel us by their extreme subtilty, sometimes by their bad taste; and when he confines himself to the letter of the text, he stumbles among small points of grammar which weary the attention. We follow him no longer. We think his audience was very obliging to listen so long--and on their feet--to these endless dissertations.... And then, suddenly, a great lyrical and oratorical outburst which carries us away--a wind which blows from the high mountains, and in the wink of an eye sweeps away like dust all those fine-spun reasonings.
He is fond of certain commonplaces, and also of certain books of the Bible--for instance, _The Song of Songs_ and the Gospel of St. John, the one satisfying in him the intellectual, and the other the mystic of love. He confronts the verse of the Psalm: "Before the morning star have I begotten thee," with the sublime opening of the Fourth Gospel: "In the beginning was the Word." He lingers upon the beauty of Christ: _Speciosus forma præ filiis hominum_, "Thou art fairer than the children of men." This is why he is always repeating with the Psalmist: "Thy face, Lord, have I sought"--_Quæsivi vultum tuum, Domine._ And the orator, carried away by enthusiasm, adds: "Magnificent saying! Nothing more divine could be said. Those feel it who truly love." Another of his favourite subjects is the kindness of God: _Videte et gustate quam mitis sit Dominus_--"O taste and see that the Lord is good." Naught can equal the pleasure of this contemplation, of this life in God. Augustin conceives it as a musician who has fathomed the secret of numbers. "Let your life," he said, "be one prolonged song.... We do not sing only with the voice and lips when we intone a canticle, but in us is an inward singing, because there is also in us Some One who listens...."
To live this rhythmic and divine life we must get free of ourselves, give ourselves up utterly in a great outburst of charity.