Part 32

“Not fifteen yards from the last tomb I described, I caused the earth to be opened at the foot of a steep hill, and under a torrent which, when it rains, pours a great quantity of water over the spot: on the evening of the second day, we perceived the part of the rock which was cut and formed the entrance, which was at length entirely cleared, and was found to be eighteen feet below the surface of the ground. In about an hour there was room for me to enter through a passage that the earth had left under the ceiling of the first corridor, which is thirty-six feet long and eight or nine wide, and when cleared, six feet nine inches high. I perceived immediately, by the painting on the ceiling, and by the hieroglyphics in bas-relief, that this was the entrance into a large and magnificent tomb. At the end of the corridor, I came to a staircase twenty-three feet long, and of the same breadth as the corridor, with a door at the bottom, twelve feet high; this led to another corridor thirty-seven feet long, and of the same width and height as the former one, each side, and the ceiling sculptured with hieroglyphics and painted; but I was stopped from further progress by a large pit at the other end, thirty feet deep and twelve wide. The upper part of this was adorned with figures, from the wall of the passage up to the ceiling; the passages from the entrance, all the way to this pit, were inclined at an angle of about eighteen degrees. On the opposite side of the pit, facing the passage, a small opening was perceived, two feet wide, and two feet six inches high, and a quantity of rubbish at the bottom of the wall; a rope, fastened to a piece of wood that was laid across the passage, against the projections which form a kind of door, appears to have been used for descending into the pit, and from the small aperture on the other side hung another, for the purpose, doubtless, of ascending again; but these and the wood crumbled to dust on touching them, from the damp arising from the water which drained into the pit down the passages. On the following day we contrived a bridge of two beams to cross the pit by, and found the little aperture to be an opening forced through a wall, which had entirely closed the entrance, and which had been plastered over and painted, so as to give the appearance of the tomb having ended at the pit, and of there having been nothing beyond it. The rope in the inside of the wall, having been preserved from the damp, did not fall to pieces, and the wood to which it was attached was in good preservation. When we had passed through the little aperture, we found ourselves in a beautiful hall, twenty-seven feet six inches by twenty-five feet ten inches, in which were four pillars, three feet square. At the end of this room, which I shall call the entrance hall, and opposite the aperture, is a large door, from which three steps lead down into a chamber with two pillars, four feet square, the chamber being twenty-eight by twenty-five feet; the walls were covered with figures, which, though in outline only, were as fine and perfect as if drawn only the day before. On the left of the aperture a large staircase of eighteen steps, descended from the entrance-hall into a corridor, thirty-six feet by seven wide; and we perceived that the paintings became more perfect as we advanced further; the figures are painted on a white ground, and highly varnished. At the end of this ten steps led us into another, seventeen feet by eleven, through which we entered a chamber, twenty feet by fourteen, adorned in the most splendid manner by _basso-relievos_, painted like the rest. Standing in this chamber, the spectator sees himself surrounded by representations of the Egyptian gods and goddesses. Proceeding further, we entered another large hall, twenty-eight feet square, with two rows of pillars, three on each side, in a line with the walls of the corridors; at each side is a small chamber, each about ten or eleven feet square. At the end of this hall we found a large saloon, with an arched roof or ceiling, thirty-two feet by twenty-seven; on the right was a small chamber, roughly cut, and obviously left unfinished; and on the left there is another, twenty six by twenty-three feet, with two pillars in it. It had a projection of three feet all round it, possibly intended to contain the articles necessary for the funeral ceremonies; the whole was beautifully painted like the rest. At the same end of the room we entered by a large door into another chamber, forty-three feet by seventeen, with four pillars in it, one of which had fallen down; it was covered with white plaster where the rock did not cut smoothly, but there were no paintings in it. We found the carcass of a bull embalmed with asphaltum, and also, scattered in various places, an immense quantity of small wooden figures of mummies, six or eight inches long, and covered with asphaltum to preserve them; there were some others of fine baked earth, coloured blue, and highly varnished. On each side of the two little rooms were some wooden statues, standing erect, four feet high, with a circular hollow inside, as if to contain a roll of papyrus, which I have no doubt they once did. In the centre of the saloon was a SARCOPHAGUS of the finest oriental alabaster, nine feet five inches long, and three feet seven wide; it is only two inches thick, and consequently transparent when a light is held within it; it is minutely sculptured, both inside and out, with several hundred figures, not exceeding two inches in length, representing, as I suppose, the whole of the funeral procession and ceremonies relating to the deceased. The cover had been taken out, and we found it broken in several pieces in digging before the first entrance: this sarcophagus was over a staircase in the centre of the saloon, which communicated with a subterraneous passage, leading downwards, three hundred feet in length. At the end of this we found a great quantity of bats’ dung, which choked it up, so that we could go no further without digging; it was also nearly filled up by the falling in of the upper part. One hundred feet from the entrance is a staircase, in good preservation, but the rock below changes its substance. This passage proceeds in a south-west direction through the mountain. I measured the distance from the entrance, and also the rocks above, and found that the passage reaches nearly half-way through the mountain to the upper part of the valley. I have reason to suppose that this passage was used as another entrance; but this could not be after the person was buried there; for, at the bottom of the stairs, under the sarcophagus, a wall had been built, which entirely closed this communication; hence it should appear, that this tomb had been opened again with violence, after all the precautions mentioned had been taken to conceal the existence of the greater part of it; and as these had been carefully and skilfully done, it is probable that the intruder must have had a guide who was acquainted with the place.”

The rich alabaster sarcophagus, mentioned above, is now in the Soane Museum, Lincoln’s-inn-fields, London, and remains altogether unrivalled in beauty and curiosity. How it came there is thus described by Sir John Soane:—

“This marvellous effort of human industry and perseverance is supposed to be at least three thousand years old. It is of one piece of alabaster, between nine and ten feet in length, and is considered of pre-eminent interest, not only as a work of human skill and labour, but as illustrative of the customs, arts, religion, and government of a very ancient and learned people. The surface of this monument is covered externally and internally with hieroglyphics, comprehending a written, language, which it is to be hoped the labour of modern literati will one day render intelligible. With no inconsiderable expense and difficulty this unique monument was transferred from Egypt to England, and placed in the British Museum, to the trustees of which it was offered for two thousand pounds. After which negotiation, the idea of purchasing it for our national collection was relinquished; when it was offered to me at the same price, which offer I readily accepted, and shortly after I had the pleasure of seeing this splendid relic of Egyptian magnificence safely deposited in a conspicuous part of my museum.”

“On entering the sepulchral chamber,” says a writer, giving an account of the Soane collection, “notwithstanding intense anxiety to behold a work so unique and so celebrated as the Belzoni sarcophagus, I confess that the place in which this monument of antiquity is situated became the overpowering attraction. Far above, and on every side, were concentrated the most precious relics of architecture and sculpture, disposed so happily as to offer the charm of novelty, the beauty of picturesque design, and that sublimity resulting from a sense of veneration, due to the genius and the labours of the ‘mighty dead.’ The light admitted from the dome appeared to descend with a discriminating effect, pouring its brightest beams on those objects most calculated to benefit by its presence.

“The more,” says the same writer, speaking of the sarcophagus itself, “we contemplate this interesting memorial of antiquity and regal magnificence, the more our sense of its value rises in the mind. We consider the beauty and scarcity of the material, its transparency, the rich and mellow hue, the largeness of the original block, the adaptation of its form to the purpose, which was unquestionably to receive a body inclosed in numerous wrappings, and doubly cased, according to the custom of the Egyptians. We then examine the carving of innumerable figures, doubting not that the history of a life fraught with the most striking events is here recorded; gaze on the beautiful features of the female form sculptured at the bottom of the sarcophagus, and conclude it to be that of the goddess Isis, the elongated eye and the delicate foot closely resembling those drawings of her, given by the learned Montfaucon; and repeat the exclamation of Belzoni, when he declared that the day on which he found this treasure was the happiest of his life.

“Viewed by lamp-light, the effect of this chamber is still more impressive; for, seen by this medium, every surrounding object, however admirable in itself, becomes subservient to the sarcophagus. The ancient, the splendid, the wonderful sarcophagus is before us, and all else are but accessories to its dignity and grandeur. A mingled sense of awe, admiration, and delight pervades our faculties, and is even oppressive in its intensity, yet endearing in its associations.”

In respect to the tomb, in which this splendid monument was discovered, Belzoni, on his arrival in England, constructed and exhibited a perfect facsimile of it, which many of our readers will, doubtless, remember having seen.

“The ‘Tombs of the Kings,’ as their name implies[268], are the sepulchres in which are deposited the earthly remains of the ancient Egyptian monarchs who reigned at Thebes; they are called by some _Babor_, or _Biban el Molook_—a traditional appellation, signifying the Gate or Gates of the Kings, which is by others applied to the narrow gorge at the entrance of the valley in which they are situated. This valley, as Champollion remarks, ‘is the veritable abode of death; not a blade of grass, or a living being is to be found there, with the exception of jackals and hyænas, who, at a hundred paces from our residence, devoured last night the ass which had served to carry my servant Barabba Mohammed, whilst his keeper was agreeably passing the night of Ramazan in our kitchen, which is established in a royal tomb entirely ruined.’

“It would be unnecessary, were it possible, to give a detailed account of these tombs, or of the sculptures which they contain, and of which our interpretation is very limited, because they often refer to Egyptian mysteries of which we have but a scanty knowledge. The tomb, which of all others stands pre-eminently conspicuous, as well for the beauty of its sculptures as the state of its preservation, is undoubtedly that discovered and opened by Belzoni. It has been deprived within a few years of one of its chief ornaments. ‘I have not forgotten,’ says Champollion, in his twenty-second letter, ‘the Egyptian Museum of the Louvre in my explorations; I have gathered monuments of all sizes, and the smallest will not be found the least interesting. Of the larger class I have selected, out of thousands, three or four mummies remarkable for peculiar decorations, or having Greek inscriptions; and next, the most beautiful coloured bas-relief in the royal tomb of Menephtha the First (Ousirei), at Biban-el-Molouk; it is a capital specimen, of itself worth a whole collection: it has caused me much anxiety, and will certainly occasion me a dispute with the English at Alexandria, who claim to be the lawful proprietors of the tomb of Ousirei, discovered by Belzoni at the expense of Mr. Salt. In spite, however, of this fine pretension, one of two things shall happen; either my bas-relief shall reach Toulon, or it shall go to the bottom of the sea, or the bottom of the Nile, rather than fall into the hands of others; my mind is made up on that point!’”

No dispute, however, took place, and the bas-relief is now in the museum for which it was destined.

“Nearly two thousand years ago, these tombs were an object of wonder and curiosity, and used to attract visiters from different parts of the earth as they now do. It was the practice even then for many of those who beheld them to leave some memorial of their visit behind, in the shape of an inscription commemorating the date at which they ‘saw and wondered,’ to use the expression which is commonly found among them. Some of these inscriptions are curious: one of them is to the following effect: ‘_I, the Dadouchos (literally Torch-bearer), of the most sacred Eleusinian mysteries, Nisagoras of Athens, having seen these syringes (as the tombs were commonly called), a very long time after the divine Plato of Athens, have wondered and given thanks to the God and to the most pious King Constantine, who has procured me this favour._’ The tomb in which this was written seems to have been generally admired above all others, though, as Mr. Wilkinson tells us, one morose old gentleman of the name of Epiphanius declares that ‘he saw nothing to admire but the stone,’ meaning the alabaster sarcophagus. There are many other inscriptions: some afford internal evidence of their dates, and among them are four relating to the years 103, 122, 147, and 189 of our era.

“A great many of the painted sculptures, which are found in these tombs, relate to the idolatrous worship of the ancient Egyptians, and the rites and ceremonies which they practised in connexion with it[269]. But besides these, there are others which afford us a vast quantity of interesting information upon the subjects of their domestic usages and every-day life. In one chamber are depicted the operations of preparing and dressing meat, boiling the cauldron, making bread, lighting the fire, fetching water, &c. Another presents scenes in a garden, where a boy is beaten for stealing fruit; a canal and pleasure boats; fruit and flowers; the mechanical processes of various arts, such as sculpture, painting, the mixing of colours, &c. In the Harper’s Tomb, (so called from there being among the bas-reliefs figures of a man playing upon an instrument resembling a harp,) which was first visited by Bruce, there are some curious illustrations of the furniture which was in use among the Egyptians; tables, chairs, and sideboards, patterns of embossed silk and chintz, drapery with folds and fringe are there to be seen, precisely such, we are told, as were used in our own country some years ago when Egyptian furniture was in fashion.

“The ‘Tombs of the Kings’ bring many allusions of Scripture to the mind, as is remarked by Mr. Jowett, as in the passages of Mark v. 2, 3, 5, and particularly of Isaiah xxii. 16. ‘_What hast thou here, and whom hast thou here, that thou hast hewed thee out a sepulchre here, as he that heweth him out a sepulchre on high, and that graveth an habitation for himself on a rock?_’

“Another passage of the same prophet might be applied to the pride which the tenants of these magnificent abodes took in resting as magnificently in death as they had done in life; he tells us (xiv. 18), ‘_All the kings of the nations, even all of them, lie in glory, every one in his own house._’

“The mystical sculptures upon the walls of the chambers within these sepulchres, cannot be better described than in the words of Ezekiel, (viii. 8, 10): ‘_Then said he unto me, Son of man, dig now in the wall: and when I had digged in the wall, behold, a door; and he said unto me, Go in, and behold the wicked abominations that they do here. So I went in, and saw; and, behold, every form of creeping things, and abominable beasts, and all the idols of the house of Israel, pourtrayed upon the wall round about._’

“‘The Israelites,’ remarks Mr. Jowett, ‘were but copyists; the master sketches are to be seen in all the ancient temples and tombs of Egypt.’ These are the places in which the dead bodies of the inhabitants of ancient Thebes were deposited many ages ago; and notwithstanding the havoc which, during many years, has been made among them, the stores of mummies which they contain would almost appear to be inexhaustible; indeed, as a modern writer expresses it, it would scarcely be an exaggeration to say that the mountains are merely roofs over the masses of mummies within them. The coffins, which are made of sycamore-wood, serve as fuel to the Arabs of the whole neighbourhood. ‘At first,’ says Mrs. Lushington, ‘I did not relish the idea of my dinner being dressed with this resurrection wood, particularly as two or three of the coffin lids, which were in the shape of human figures, were usually to be seen standing upright against the tree under which the cook was performing his operations, staring with their large eyes as if in astonishment at the new world upon which they had opened.’

“The miserable beings who have fixed their dwellings in these cavern tombs, are as little civillized as could be expected; our female traveller describes them as having a wild and resolute appearance. ‘Every man was at this time (1828) armed with a spear, to resist, it was said, the compulsory levies of the Pacha, who found it vain to attack them in their fastnesses. I, who was so delighted with the beauty and peace of our new abode, felt quite disturbed to discover that the very spot where we encamped four years before, witnessed the massacre of many hundreds of Arabs, then in resistance against this recruiting system, and who were blown from guns, or shot, while endeavouring to make their escape by swimming across the river. The poor people, however, behaved with civility to us, and I felt no apprehension at going among them with a single companion, or even alone. To be sure we were obliged to take especial care of our property, for which purpose the chief of Luxor assisted us by furnishing half-a-dozen men to watch by night round the encampment. Nevertheless, once after I had gone to sleep, I was awakened by the extinguishing of the light, and felt my little camp-bed raised up by a man creeping underneath; he fled on my crying out, and escaped the pursuit, as he had the vigilance, of our six protectors.’

“The feelings occasioned by the sight of the numerous fragments of mummies which are to be found scattered in every direction in the neighbourhood of these tombs, must be to one of a reflective cast of mind peculiarly affecting. The Rev. Mr. Jowett, after speaking of his ascent to the top of the Libyan mountains, ‘which command a magnificent view of the winding of the Nile, and the plain of the hundred-gated Thebes,’ says, ‘as we were descending the other side of the mountain, we came suddenly on a part where thirty or forty mummies lay scattered in the sand,—the trunk of the body filled with pitch, and the limbs swathed in exceeding long clothes. The forty days spent in embalming these mortal bodies, (Genesis 1. 3.) thus give us a sight of some of our fellow-creatures who inhabited these plains more than three thousand years ago. How solemn the reflection that their disembodied spirits have been so long waiting to be united again to their reanimated body! and that this very body which, notwithstanding its artificial preservation, we see to be a body of humiliation, will on its great change become incorruptible and immortal.’”

The following observations are by Mr. Browne:—

“The massy and magnificent forms of the ruins that remain of ancient Thebes, the capital of Egypt, the city of Jove, the city with a hundred gates, must inspire every intelligent spectator with awe and admiration. Diffused on both sides of the Nile, their extent confirms the classical observations, and Homer’s animated description rushes into the memory:—‘Egyptian Thebes, in whose palaces vast wealth is stored; from each of whose hundred gates issue two hundred warriors, with their horses and chariots.’ These venerable ruins, probably the most ancient in the world, extend for about three leagues in length along the Nile. East and west they reach to the mountains, a breadth of about two leagues and a half. The river is here about three hundred yards broad. The circumference of the ancient city must therefore have been about twenty-seven miles. In sailing up the Nile, the first village you come to within the precincts is _Kourna_, on the west, where there are few houses, the people living mostly in the caverns. Next is _Abu-Hadjadj_, a village, and _Karnak_, a small district, both on the east. Far the largest portion of the city stood on the eastern side of the river. On the south-west _Medinet-Abu_ marks the extremity of the ruins; for Arment, which is about two leagues to the south, cannot be considered as a part.