Chapter 13

One day, when he had just blackened his own boots (he did not charge himself anything--he only did it so as to have the air of being busy), his dog came running up to him from the muddy street, and accidentally put his dirty paw on his master's bright boots. The man, who was of an amiable disposition, did not scold much, but as he was brushing off the mud he said:

"You little rascal! I wish it had been the boots of some other man that you had covered with dirt. That would have been sensible."

Just at that moment a thought struck the bootblack.

He would teach his dog to muddy other people's boots!

The man immediately acted on this idea, and gave his dog lessons every day in the art of muddying boots. In a week or two, no gentleman with highly polished boots could pass the bootblack's stand without seeing a dog rush into the street and gutter, and then come and jump on his feet, spattering his boots with mud and water, and making it necessary for him to go immediately to the nearest bootblack--which was of course the dog's master.

The bootblack now had constant custom, and his circumstances began rapidly to improve. His children, being better fed, grew round and chubby; his wife had three good meals a day, and some warm flannels, and she soon lost the wan and feeble look which she had worn so long. As for the man himself, he and his dog were gay and busy all the day long.

But people began to suspect something after a while. One gentleman who had his boots muddied regularly every day, once questioned the bootblack very closely, for he saw that the dog belonged to him, and the man was obliged to confess that he had taught the dog the trick. The gentleman, pleased with the smartness of the dog, and perhaps desirous of ridding his fellow-citizens of annoyance and expense, purchased the animal and took him home.

But he did not keep him long. In a few days the dog escaped, and came back to his old master and his muddy trade.

But I do not think that that bootblack always prospered. People who live by tricks seldom do. I have no doubt that a great many people found out his practices, and that the authorities drove him away from his stand, and that he was obliged to give up his business, and perhaps go into the army; while his wife supported the family by taking in washing and going out to scrub. I am not sure that all this happened, but I would not be at all surprised if it turned out exactly as I say.

GOING AFTER THE COWS.

If there is anything which a little country-boy likes, and which a big country-boy dislikes, it is to go after the cows. There is no need of giving the reasons why the big boy does not like this duty. It is enough to say that it is a small boy's business, and the big boy knows it. The excitement of hunting up and driving home a lot of slow, meandering cattle is not sufficient for a mind capable of grappling with the highest grade of agricultural ideas, and the youth who has reached the mature age of fifteen or sixteen is very apt to think that his mind is one of that kind.

But it is very different with the little boy. To go down into the fields, with a big stick and a fixed purpose; to cross over the ditches on boards that a few years ago he would not have been allowed to put his foot upon; to take down the bars of the fences, just as if he was a real man, and when he reaches the pasture, to go up to those great cows, and even to the old bull himself, and to shake his stick at them, and shout: "Go along there, now!"--these are proud things to do.

And then what a feeling of power it gives him to make those big creatures walk along the very road he chooses for them, and to hurry them up, or let them go slowly, just as he pleases!

If, on the way, a wayward cow should make a sudden incursion over some low bars into a forbidden field, the young director of her evening course is equal to the emergency.

He is over the fence in an instant, and his little legs soon place him before her, and then what are her horns, her threatening countenance, and her great body to his shrill voice and brandished stick? Admitting his superior power, she soon gallops back to the herd, with whack after whack resounding upon her thick hide.

When at last the great, gentle beasts file, one by one, into the barn-yard, there is a consciousness of having done something very important in the air of the little fellow who brings up the rear of the procession, and who shuts the gate as closely as possible on the heels of the hindmost cow.

There are also many little outside circumstances connected with a small boy's trip after the cows which make it pleasant to him. Sometimes there are tremendous bull-frogs in the ditch. There are ripe wild-cherries--splendid, bitter, and scarce--on the tree in the corner of the field. The pears on the little tree by old Mrs. Hopkins's don't draw your mouth up so very much, if you peel the skins off with your knife. There is always a chance of seeing a rabbit, and although there is no particular chance of getting it, the small boy does not think of that. Now, although it would hardly be worth while to walk very far for any of these things, they are very pleasant when you are going after the cows.

So I think it is no wonder that the little boys like to go after the cows, and I wish that hundreds and thousands of pale-faced and thin-legged little fellows had cows to go after.

THE REFLECTIVE STAG.

The more we study the habits and natures of animals the more firmly are we convinced that, in many of them, what we call instinct is very much like what we call reason.

In the case of a domestic animal, we may attribute, perhaps, a great deal of its cleverness to its association with man and its capability of receiving instruction. But wild animals have not the advantages of human companionship, and what they know is due to the strength and quality of their own understanding. And some of them appear to know a great deal.

There are few animals which prove this assertion more frequently than the stag. As his home is generally somewhere near the abodes of men, and as his flesh is so highly prized by them, it is absolutely necessary that he should take every possible precaution to preserve his life from their guns and dogs. Accordingly, he has devised a great many plans by which he endeavors--often successfully--to circumvent his hunters. And to do this certainly requires reflection, and a good deal of it, too. He even finds out that his scent assists the dogs in following him. How he knows this I have not the slightest idea, but he does know it.

Therefore it is that, when he is hunted, he avoids running through thick bushes, where his scent would remain on the foliage; and, if possible, he dashes into the water, and runs along the beds of shallow streams, where the hounds often lose all trace of him. When this is impossible, he bounds over the ground, making as wide gaps as he can between his tracks. Sometimes, too, he runs into a herd of cattle, and so confuses the dogs; and he has been known to jump up on the back of an ox, and take a ride on the frightened creature, in order to get his own feet partly off of the ground for a time, and thus to break the line of his scent. When very hard pressed, a stag has suddenly dropped on the ground, and when most of the dogs, unable to stop themselves, dash over him, he springs to his feet, and darts off in an opposite direction.

He will also run back on his own track, and employ many other means of the kind to deceive the dogs, showing most conclusively that he understands the theory of scent, and the dogs' power of perceiving it; and also that he has been able to devise the very best plans to elude his pursuers.

Not only do stags reflect in this general manner in regard to their most common and greatest danger, but they make particular reflections, suited to particular places and occasions. The tricks and manoeuvres which would be very successful in one forest and in one season would not answer at all in another place and at another time, and so they reflect on the subject and lay their plans to suit the occasion.

There are many animals which possess great acuteness in eluding their hunters, but the tricks of the stag are sufficient to show us to what an extent some animals are capable of reflection.

WHEN WE MUST NOT BELIEVE OUR EYES.

There are a great number of marvellous things told us of phantom forms and ghostly apparitions--of spectres that flit about lonely roads on moonlight nights, or haunt peaceful people in their own homes; of funeral processions, with long trains of mourners, watched from a distance, but which, on nearer approach, melt into a line of mist; of wild witch-dances in deserted houses, and balls of fire bounding out of doors and windows--stories which cause the flesh of children to creep upon their bones, and make cowards of them where there is no reason for fear. For you may lay it down as a fact, established beyond dispute, that not one of these things is a _reality_. The person who tells these marvels has always what seems the best of reasons for his belief. He either saw these things himself or knew somebody, strictly truthful, who had seen them. He did not know, what I am going to prove to you, that a thing may be _true_ and yet not be _real_. In other words, that there are times when we do actually see marvels that seem supernatural, but that, on such occasions, _we must not believe our own eyes_, but search for a natural cause, and, if we look faithfully, we are sure to find one.

Once a vessel was sailing over a northern ocean in the midst of the short, Arctic summer. The sun was hot, the air was still, and a group of sailors lying lazily upon the deck were almost asleep, when an exclamation of fear from one of them made them all spring to their feet. The one who had uttered the cry pointed into the air at a little distance, and there the awe-stricken sailors saw a large ship, with all sails set, gliding over what seemed to be a placid ocean, for beneath the ship was the reflection of it.

The news soon spread through the vessel that a phantom-ship with a ghostly crew was sailing in the air over a phantom-ocean, and that it was a bad omen, and meant that not one of them should ever see land again. The captain was told the wonderful tale, and coming on deck, he explained to the sailors that this strange appearance was caused by the reflection of some ship that was sailing on the water below this image, but at such a distance they could not see it. There were certain conditions of the atmosphere, he said, when the sun's rays could form a perfect picture in the air of objects on the earth, like the images one sees in glass or water, but they were not generally upright, as in the case of this ship, but reversed--turned bottom upwards. This appearance in the air is called a mirage. He told a sailor to go up to the foretop and look beyond the phantom-ship. The man obeyed, and reported that he could see on the water, below the ship in the air, one precisely like it. Just then another ship was seen in the air, only this one was a steamship, and was bottom-upwards, as the captain had said these mirages generally appeared. Soon after, the steamship itself came in sight. The sailors were now convinced, and never afterwards believed in phantom-ships.

A French army marching across the burning sands of an Egyptian desert, fainting with thirst and choked with fine sand, were suddenly revived in spirit by the sight of a sheet of water in the distance. In it were mirrored the trees and villages, gardens and pretty houses of a cultivated land, all reversed. The blue sky was mirrored there, too, just as you can see the banks of a lake, and the sky that bends over it, in its calm waters. The soldiers rushed towards the place, frantic with joy, but when they got there they found nothing but the hot sands. Again they saw the lake at a distance, and made another headlong rush, only to be again disappointed. This happened frequently, until the men were in despair, and imagined that some demon was tormenting them. But there happened to be with this army a wise man, who did not trust entirely to his own eyes, and although he saw exactly what the others did, he did not believe that there was anything there but air. He set to work to investigate it, and found out that the whole thing was an illusion--it was the reflection of the gardens and villages that were on the river Nile, thrown up into the air, like the ships the sailors saw, only in the clear atmosphere of Egypt these images are projected to a long distance. And demons had nothing whatever to do with it.

People used to believe in a fairy called Fata Morgana. Wonderful things were said of her, and her dominions were in the air, where she had large cities which she sometimes amused herself by turning into a variety of shapes. The cities were often seen by dwellers on the Mediterranean sea-coast. Sometimes one of them would be like an earthly city, with houses and churches, and nearly always with a background of mountains. In a moment it would change into a confused mass of long colonnades, lofty towers, and battlements waving with flags, and then the mountains reeling and falling, a long row of windows would appear glowing with rainbow colors, and perhaps, in another instant, all this would be swept away, and nothing be seen but gloomy cypress trees.

These things can be seen now occasionally, as of old, but they are no longer in Fairyland. Now we know that they are the images of cities and mountains on the coast, and the reason they assume these fantastic forms is that the layers of air through which the rays of light pass are curved and irregular.

A gigantic figure haunts the Vosges Mountains, known by the name of "The Spectre of the Brocken." The ignorant peasants were, in former times, in great fear of it, thinking it a supernatural being, and fancying that it brought upon them all manner of evil. And it must be confessed it was a fearful sight to behold suddenly upon the summit of a lofty mountain an immense giant, sometimes pointing in a threatening attitude to a village below, as if dooming it to destruction; sometimes with arms upraised, as if invoking ruin upon all the country; and sometimes stalking along with such tremendous strides as to make but one step from peak to peak; often dwarfing himself to nothingness, and again stretching up until his head is in the clouds, then disappearing entirely for a moment, only to reappear more formidable than before.

But now the Spectre of the Brocken is no longer an object of fear. Why? Because men have found him out, and he is nothing in the world but a shadow. When the sun is in the right position, an ordinary-sized man on a lower mountain will see a gigantic shadow of himself thrown upon a cloud beyond the Brocken, though it appears to be on the mountain itself, and it is so perfect a representation that it is difficult to believe it is only a shadow. But it can be easily proved. If the man stoops to pick up anything, down goes the spectre; if he raises his hand, so does the spectre; if he takes a step of two feet, the spectre takes one of miles; if he raises his hat, the spectre politely returns his salute.

When you behold anything marvellous, and your eyes tell you that you have seen some ghostly thing, don't believe them, but investigate the matter closely, and you will find it no more a phantom than the mirage or the Spectre of the Brocken.

A CITY UNDER THE GROUND.

Under the bright skies of Italy, in a picturesque valley, with the mountains close at hand and the blue waves of the Mediterranean rolling at a little distance--at the foot of wonderful Vesuvius, green and fertile, and covered with vines to its very top, from which smoke is perpetually escaping, and in whose heart fires are eternally raging, in this beautiful valley stands the city of Pompeii.

You might, however, remain upon the spot a long time and never find out that there was a city there. All around you would see groves and vineyards, and cultivated fields and villas. For the city is beneath your feet. Under the vineyards and orchards are temples filled with statues, houses with furniture, pictures, and all homelike things. Nothing is wanting there but life. For Pompeii is a buried city, and fully two-thirds of it has not yet been excavated.

But a short walk from this place will bring you to the spot where excavations have been made, and about one-third of the ancient city lies once more under the light of heaven. It is doubtful whether you can see it when you get to it for the mounds of ashes and rubbish piled around. But, clambering over these, you will pay forty cents for admission, and pass through a turnstile into a street where you will see long rows of ruined houses, and empty shops, and broken temples, and niches which have contained statues of heathen gods and goddesses. As you wander about you will come across laborers busily employed in clearing away rubbish in obstructed streets. It is a very lively scene, as you can see in the picture. Men are digging zealously into the heaps of earth and rubbish, and filling baskets which the bare-footed peasant-girls carry to the cars at a little distance. A railroad has been built expressly to carry away the earth. The cars are drawn by mules. The girls prefer carrying their baskets on their heads. The men have to dig carefully, for there is no knowing when they may come across some rare and valuable work of art.

The excavations are conducted in this manner. Among the trees, and in the cultivated fields there can be traced little hillocks, which are pretty regular in form and size. These indicate the blocks of houses in the buried city, and, of course, the streets run between them. After the land is bought from the owners, these streets are carefully marked out, the vines are cleared away, the trees cut down, and the digging out of these streets is commenced from the top. The work is carried on pretty steadily at present, but it is only within the last few years that it has been conducted with any degree of enterprise and skill.

Let us leave this rubbish, and go into a street that has already been cleared. The first thing you will observe is that it is very narrow. It is evidently not intended for a fashionable drive. But few of the streets are any wider than this one. The greatest width of a street in Pompeii is seven yards, and some are only two and a half yards, sidewalks and all. The middle of the street is paved with blocks of lava. The sidewalks are raised, and it is evident the owners of the houses were allowed to put any pavement they pleased in front of their dwellings. In one place you will see handsome stone flags the next pavement may be nothing but soil beaten down, while the next will be costly marble.

The upper stories of the houses are in ruins. It is probable, therefore, that they were built of wood, while the lower stories, being of stone, still remain. They had few windows on the street, as the Pompeiians preferred that these should look out on an inner square or court. To the right of the picture is a small monument, and in the left-hand corner is a fountain, or rather the stone slabs that once enclosed a fountain.

As we walk slowly up the solitary street, we think of the busy, restless feet that trod these very stones eighteen hundred years ago. Our minds go back to the year of our Lord 79, when there was high carnival in the little city of Pompeii, with its thirty thousand people, when the town was filled with strangers who had come to the great show; at the time of an election, when politicians were scheming and working to get themselves or their friends into power; when gayly dressed crowds thronged the streets on their way to the amphitheatre to see the gladiatorial fight; when there was feasting and revelry in every house; when merchants were exulting in the midst of thriving trade; when the pagan temples were hung with garlands and filled with gifts; when the slaves were at work in the mills, the kitchens, and the baths; when the gladiators were fighting the wild beasts of the arena--then it was that a swift destruction swept over the city and buried it in a silence that lasted for centuries.

Vesuvius, the volcano so near them, but which had been silent so many years that they had ceased to dread it, suddenly woke into activity, and threw out of its summit a torrent of burning lava and ashes, and in a few short hours buried the two cities of Herculaneum and Pompeii so completely that two centuries after no one could tell the precise place where they had stood, and men built houses and cultivated farms over the spot, never dreaming that cities lay beneath them.

But here we are at the house of Pansa. Let us go in. We do not wait for any invitation from the owner, for he left it nearly two thousand years ago, and his descendants, if he have any, are totally ignorant of their illustrious descent. First we enter a large hall called the Atrium. You can see from the magnificence of this apartment in what style the rich Pompeiians lived. The floor is paved in black and white mosaic, with a marble basin in the centre. The doors opening from this hall conduct us to smaller apartments, two reception rooms, a parlor, the library, and six diminutive bedrooms, only large enough to contain a bedstead, and with no window. It must have been the fashion to sleep with open doors, or the sleepers must inevitably have been suffocated.

At the end of the Atrium you see a large court with a fountain in the middle. This was called the Peristyle. Around it was a portico with columns. To the left were three bedchambers and the kitchen, and to the right three bedchambers and the dining-room. Behind the Peristyle was a grand saloon, and back of this the garden. The upper stories of this house have entirely disappeared. This is a spacious house, but there are some in the city more beautifully decorated, with paintings and mosaics.

When the rubbish was cleared out of this house, much of Pansa's costly furniture was found to be in perfect preservation, and also the statues. In the library were found a few books, not quite destroyed; in the kitchen the coal was in the fire-places; and the kitchen utensils of bronze and terra-cotta were in their proper places. Nearly all of the valuable portable things found in Pompeii have been carried away and placed in the museum at Naples.

This Pansa was candidate for the office of ædile, or mayor of the city, at the time of the eruption of Vesuvius. We know this from the placards that were found posted in various parts of the city, and which were as fresh and clean as on the day they were written. These placards, or posters, were very numerous, and there seem to have been a great many candidates for the various city offices; and it is very evident, from the inscriptions on the houses, on the walls of public buildings and the baths, that party feeling ran quite as high in this luxurious city of ancient times as it does now in any city in America. For these Pompeiians had no newspaper, and expressed their sentiments on the walls, and they have consequently come down to us of the present day.