Rossmoyne

Chapter 27

Chapter 271,923 wordsPublic domain

How Monica's gift receives due attention, and is thoroughly appreciated; and how a torpedo falls into a morning-room at Moyne.

"Well," says Kelly, "was it Miss Beresford?"

"Yes, and her sister. I saw them back to the boundary fence, but they would let me go no farther. It was rather----"

"What on earth have you got there?" says his friend, sticking his eyeglass in his eye, and staring with bent head and some suspicion at the mysterious thing in Desmond's arms.

"This! oh, ah! yes." Then, desperately, "Kelly, if you laugh at it I'll never forgive you."

Mr. Kelly drops the eyeglass and looks afflicted.

"My dear fellow, do I _ever_ laugh?" he says.

"Well, it--it's _a cake_!" says Brian, who (in spite of the warning just delivered to his friend) is now indulging in wild mirth and can scarcely speak for laughter. "She--Monica--heard we were boycotted, and, thinking we were starving, the dear angel! she brought this up herself to us."

"Desmond, I'm ashamed of you," says Kelly, who has not moved a muscle of his face. "Such an action as hers calls for reverence,--not this unseemly gayety."

"It's not the action I'm laughing at," says Brian, still convulsed; "it's the _cake_. The action is divine--the cake hot!" Here he sinks upon the garden-seat again, as if exhausted, and dries his eyes.

"I see nothing to laugh at in that, either. It seems an excellent cake, and, as you say, _hot_," says Mr. Kelly, prodding it meditatively with his finger,--"a merit in a cake of this sort, I should say; and nicely browned, too, as far as I can see. I can see, too, that it is quite the biggest cake I ever made acquaintance with. _Another_ merit! Did she carry it herself all the way?"

"All the way, poor darling! and just because she was afraid we should be hungry." Mr. Desmond's laughter has subsided, and he now looks rather absent. "It quite weighed her down," he says, in a low tone.

"Poor child! I said yesterday, you remember, that I thought her one of the nicest girls I have met. The cake has finished me. I think her now _the_ nicest." He says this with a cheerful conscience. Between girls and widows a deep margin lies.

"But what are we to do with it?" says Brian, regarding the cake, which is now lying upon the garden seat, with a puzzled expression.

"Say a repentant tenant--no, that sounds like tautology--say a remorseful tenant brought it to you."

"That wouldn't do at all."

"Then say you found it in the garden."

"Nonsense, Kelly! they don't _grow_. Think of something more plausible."

"Give me time, then." As he speaks he absently breaks off a piece of the cake and puts it in his mouth. Desmond, in quite as abstracted a manner, does likewise. Silence ensues.

"I think the idea was so sweet," says Desmond, presently, his thoughts being (as they should be) with Monica.

"As honey and the honeycomb!" says Mr. Kelly, breaking off another piece, with a far-off, rapt expression.

"She said she couldn't be happy, thinking we were hungry. Her dear heart is too big for her body."

"Her cake is certainly," says Mr. Kelly: here he takes a third enormous pinch out of it, and Desmond follows his example.

"I didn't tell her we had had dinner," says Brian. "It would have taken the gloss off it."

"Off this?" pointing to the smoking structure between them. "I don't believe it."

"No, the deed."

Another silence.

"It's a capital cake," says Mr. Kelly, pensively, who has been eating steadily since the first bite. "After all, give me a good sweet, home-made cake like this! Those bought ones aren't to be named in the same day with it. There is something so light and wholesome about a cake like this."

"Wholesome!" doubtfully: "I don't know about that. What _I_ like about it is that it is hot and spongy. But, look here, you haven't yet said what we are to do with it."

"I think we are doing uncommonly well with it," says Kelly, breaking off another piece.

"But what are we to do with the remains, provided we leave any, which at present seems doubtful?"

"Keep, them, of course. You ought to, considering she gave it you whole as a present."

"You are right: no one shall touch a crumb of it save you and me," says Mr. Desmond, as though inspired. "Let us smuggle it up to my room and keep it there till it is finished."

"I feel as if I was at school again with a plum-cake and a chum," says Mr. Kelly.

"Well, come and follow me up with it now, and distract my uncle's attention if we meet him."

"To _my_ room or yours?" insinuatingly.

"To _mine_," firmly.

"I'd take the greatest care of it, if you like to trust it to me," with what Kit would certainly have termed "an obliging air."

"I don't doubt you," sardonically. "But certainly _not_. It was given to me, and I feel myself bound to look after it."

"Pity we can't have it petrified," says Mr. Kelly, thoughtfully. "Then you might hang it round your neck as a trophy." At this they both laugh, and finally the trophy, after much difficulty is satisfactorily stored away.

* * * * *

It is a fortnight later, and desolation has overtaken Monica. Brian has passed out of her active life, has ceased from that seeing and hearing and that satisfaction of touch that belong to a daily intercourse with one beloved. Only in thought can she find him now. He has gone upon that threatened journey to those detested estates of his in Westmeath.

Yesterday he went; and to-day as she wakes it seems to her that a cold and cruel mist has wrapped her world in its embrace. We never know how we prize a thing until we lose it (N. B.--Mark the novelty of this idea;) and now, for the first time, Monica finds herself fully awake to the fact of how necessary Desmond is to her everyday happiness.

She had gone down to the river-side to bid him farewell, and had been calm, almost careless, throughout the interview,--_so_ calm that the young man's heart dies within him, and a latent sense of hope deferred had made it sick.

But just at the very last she had given way, and had flung herself into his embrace, and twined her arms around his neck,--dear, clinging arms--and had broken into bitter weeping. And--

"Don't be long, Brian! don't be _long_!" she had sobbed, with deep entreaty, and with such a tender passion as had shaken all her slender frame.

So they had "kissed and kissed," and parted. And Desmond, though sad as man may be at the thought that he should look upon her face no more for four long weeks, still left her with a gladder heart than he had ever known. Her tears were sweet to him, and in her grief he found solace for his own.

And, indeed, as the days flew by, they found the pain of absence was checkered by dreams of the reunion that lay before them; and each day, as it was born, and grew, and died, and so was laid upon the pile of those already gone, was a sad joy to them, and counted not so much a day lost as one gained.

"We take no note of time but from its loss." This loss in the present instance was most sweet to Monica and her lover. To them Time was the name of a slow and cruel monster, whose death was to be desired.

And now the monster is slain, and to-day Brian will return to Coole. A few lines full of joyful love and glad expectancy had been brought to her yesterday by the sympathetic Bridget, who affected an ignorance about the whole matter that utterly imposed on Monica, who would have found a bitterness in sharing her heart's secret with her maid. Yet Bridget knows quite as much about it as she does. To Kit alone has Monica unburdened her soul, and talked, and talked, and talked, on her one fond topic, without discovering the faintest symptom of fatigue in that indefatigable person.

Yes, to-day he comes! Monica had risen with the lark, unable to lie abed with the completion of a sweet desire lying but a few short hours away from her, and had gone through the morning and afternoon in a dreamy state of tender anticipation.

Yet surely not short, but of a terrible length, are these hours. Never has the old clock ticked with such maddening deliberation; yet--

"Be the day weary, or never so long, At length it ringeth to evensong;"

and at last the old clock, tick it never so slowly, must bring round the hour when she may go down to the river to meet her love again.

But the relentless Fates are against her, and who shall interfere with their woven threads? As though some vile imp of their court had whispered in Miss Priscilla's ear the whole story of her forbidden attachment, she keeps Monica in the morning-room with her, copying out certain recipes of a dry nature, that could have been copied just as well to-morrow, or next year, or _never_.

As the hour in which she ought to meet her lover comes and goes by, the poor child's pulses throb and her heart beats violently. Kit has gone to the village, and so cannot help her. All seems lost. Her eyes grow large and dark with repressed longing, her hand trembles.

"There, that will do, dear child; thank you," says Miss Priscilla, gratefully, folding up the obnoxious papers and slipping them into the davenport.

It is now quite half an hour past the time appointed by Desmond in his letter. Monica, rising impetuously, moves towards the door.

"Is the writing at an end?" Miss Penelope's voice comes to her from the other end of the room, with a plaintive ring in it. It casts despair upon the hopes that are kindling afresh within her bosom. "Dear, dear! I'm so glad! Monica, come to me, and help me with this wool. It has got so entangled that only bright eyes like yours," with a loving smile, "can rescue it from its hopeless state."

Poor Monica! after one passionate inclination to rebel, her courage fails her, and she gives in, and taking the tangled skein of wool (that reminds her in a vague, sorrowful fashion of her own hapless love story) between her slender fingers, bends over it.

Her cheeks are aflame. Her eyes are miserable but tearless. It all seems too cruel. There sits Aunt Priscilla at the davenport, with a smile of triumph on her lips, as she finds her accounts right to a halfpenny. Here sits Aunt Penelope fanning herself with soft complacency, because the day, though of September, is sultry as of hot July. And all this time Brian is walking impatiently to and fro upon the tiny beach, thinking her cold, unloving, indifferent, watching with straining, reproachful eyes the path along which she ought to come.

This last thought is just too much. A great fire kindles in her beautiful eyes; the spirit of defiance seizes on her gentle breast; her lips quiver; her breath comes from between them with a panting haste. "Yes! she will go to him, she will!" She rises to her feet.

Just at that moment the door is flung wide open, and Desmond enters the room.