Part 23

At that moment, could she have brought herself to push that door wide open and pass in, it would have been much more awful, much more shocking, to find Rachel Doorm alive and see her rise to meet her and hear her speak! After all, what did it matter if the body of the woman was twisted and contorted in some frightful manner--or _standing_ perhaps--Rachel Doorm was just the one to die standing!--or if her face were staring up from the floor? What did it matter, supposing she _did_ go straight in and feel about in the darkness and perhaps lay her hand upon the dead woman’s mouth? What did it matter even if she _did_ see her hanging, in the faint light of the window, from a hook above the curtain with her head bent queerly to one side and a lock of her hair falling loose? None of these things mattered. None of them prevented her going straight into that room! What did prevent her and what sent her fleeing down the stairs and out of the house with a sudden scream of intolerable terror was the fact that at that moment, quite definitely, there came the sound of _breathing_ from the room she was looking at. A simple thing, a natural thing, for an old woman to retire to her bedroom early and to lie, perhaps with all her clothes on, upon her bed, to rest for a while before undressing. A simple and a natural thing! But the fact remains as has just been stated, when the sound of breathing came from that room Philippa screamed and ran panic-stricken out into the night. She hardly stopped running, indeed, till she reached the willow copse and found Sorio where she had left him. He did not resist now when breathlessly she implored him to accompany her back to the house. They walked hurriedly there together, Adrian in spite of a certain apprehension smiling in the darkness at his companion’s certainty that Rachel Doorm was dead and her equal certainty that she had heard her breathing.

“But I understand your feeling, Phil,” he said. “I understand it perfectly. I used to have the same sensation at night in a certain great garden in the Campagna--the fear of meeting the boy I used to play with before I _expected_ to meet him! I used to call out to him and beg him to answer me so as to make sure.”

Philippa refused to enter the house again and waited for him outside by the garden gate. He was long in coming, so long that she was seized with the strangest thoughts. But he came at last, carrying a lantern in his hand.

“You’re right, Phil,” he said, “the gods have taken her. She’s stone-dead. And what’s more, she’s been dead a long time, several weeks, I should think.”

“But the breathing, Adrian, the breathing? I heard it distinctly.”

Sorio put down his lantern and leant against the gate. In spite of his calm demeanor she could see that he also had experienced something over and above the finding of Rachel’s body.

“Yes,” he said, “and you were right about that, too. Guess, child, what it was!”

And as he spoke he put his hand against the front of his coat which was tightly buttoned up. Philippa was immediately conscious of the same stertorous noise that she had heard in the room of death.

“An animal!” she cried.

“An owl,” he answered, “a young owl. It must have fallen from a nest in the roof. I won’t show it to you now, as it might escape and a cat might get it. I’m going to try and rear it if Tassar will let me. Baptiste will be so amused when he finds me with a pet owl! He has quite a mania for things like that. He can make the birds in the park come to him by whistling. Well! I suppose what we must do now is to get back to Rodmoor as quick as we can and report this business to the police. She must have been dead a week or more! I’m afraid this will be a great shock to Nance.”

“How did you find her?” enquired the girl as they walked along the road towards the New Bridge.

“Don’t ask me, Phil--don’t ask me,” he replied, “She’s out of her troubles anyway and had an owl to look after her.”

“Should I have been--” began his companion.

“Don’t ask me, girl!” he reiterated. “I tell you it’s all past and over. Rachel Doorm will be buried in the Rodmoor churchyard and I shall have her owl. An old woman stops breathing and an owl begins breathing. It’s all natural enough.”

XXII

THE NORTHWEST WIND

The funeral of Rachel Doorm was a dark and troubled day for both Nance and Linda. Even the sympathy of Mr. Traherne seemed unable to console them or lift the settled gloom from their minds. Nance especially was struck dumb with comfortless depression. She felt doubly guilty in the matter. Guilty in her original acquiescence in the woman’s desire to have them with her in Rodmoor and guilty in her neglect of her during the last weeks of her life. For the immediate cause of her death, or of the desperation that led to it, their leaving Dyke House for the village, she did not feel any remorse. That was inevitable after what had occurred. But this did not lessen her responsibility in the other two cases. Had she resolutely refused to leave London the probability was that Rachel would have been persuaded to go on living with them as she had formerly done. She might even have sold Dyke House and with the proceeds bought some cottage in the city suburbs for them all. It was her own ill-fated passion for Sorio, she recognized that clearly enough, that was the cause of all the disasters that had befallen them.

Linda’s feeling with regard to Rachel’s death was quite different. She had to confess in the depths of her heart that she was glad of it, glad to be relieved of the constant presence of something menacing and vindictive on the outskirts of her life. Her trouble was of a more morbid and abnormal kind, was, indeed, the fact that in spite of the woman’s death, she _hadn’t_ really got rid of Rachel Doorm. The night before the funeral she dreamed of her almost continually, dreamed that she herself was a child again and that Rachel had threatened her with some unknown and mysterious punishment. The night after the funeral it was still worse. She woke Nance by a fit of wild and desperate crying and when the elder girl tried to discover the nature of her trouble she grew taciturn and reserved and refused to say anything in explanation. All the following week she went about her occupations with an air of abstraction and remoteness as if her real life were being lived on another plane. Nance learnt from Mr. Traherne, who was doing all he could think of to keep her attention fixed on her organ-playing, that as a matter of fact she frequently came out of the church after a few minutes’ practise and went and stood, for long periods together, by Rachel’s grave. The priest confessed that on one of the occasions when he had surprised her in this posture, she had turned upon him quite savagely and had addressed him in a tone completely different from her ordinary one.

It was especially dreadful to Nance to feel she was thrust out and alienated in some mysterious way from her sister’s confidence.

One morning towards the end of September, when they were dressing together in the hazy autumnal light and listening to the cries of sea-gulls coming up from the harbour, Nance caught upon her sister’s face, as the girl’s eyes met one another in their common mirror, that same inscrutable look that she had seen upon it five months before when, in their room at Dyke House they had first become acquainted with the eternal iteration of the North Sea’s waves. Nance tried in vain all the remainder of that day to think out some clue to what that look implied. It haunted her and tantalized her. Linda had always possessed something a little pleading and sad in her eyes. It was no doubt the presence of that clinging wistfulness in them which had from the first attracted Brand. But this look contained in it something different. It suggested to Nance, though she dismissed the comparison as quite inadequate almost as soon as she had made it, the cry of a soul that was being _pulled backwards_ into some interior darkness yet uttering all the while a desperate prayer to be let alone as if the least interference with what destiny was doing would be the cause of yet greater peril.

The following night as she lay awake watching a filmy trail of vaporous clouds sail across a wasted haggard moon, a moon that seemed to betray as that bright orb seldom does the fact that it was a corpse-world hung there with almost sacrilegious and indecent exposure, under the watchful stars, she noticed with dismay the white-robed figure of her sister rise from her bed and step lightly across the room to the open window. Nance watched her with breathless alarm. Was she awake or asleep? She leant out of the window, her long hair falling heavily to one side. Nance fancied she heard her muttering something but the noise of the sea, for the tide was high then in the early morning hours, prevented her catching the words. Nance threw off the bed-clothes and stole noiselessly towards her. Yes, certainly she was speaking. The words came in a low, plaintive murmur as if she were pleading with some one out there in the misty night. Nance crept gently up to her and listened, afraid to touch her lest she should cause her some dangerous nervous shock but anxious to be as close to her as she could.

“I am good now,” she heard her say, “I am good now, Rachel. You can let me out now! I will say those words, I am good now. I won’t disobey you again.”

There was a long silence, broken only by the sound of the Sea and the beating of Nance’s heart. Then once more, the voice rose.

“It’s down too deep, Rachel, you can’t reach it with that. But I’ll go in. I’m not afraid any more! If only you’ll let me out. I’ll go in deep--deep--and get it for you. She can’t hold it tight. The water is too strong. Oh, I’ll be good, Rachel. I’ll get it for you if only you’ll let me out!”

Nance, unable to endure any more of this, put her arms gently round her sister’s body and drew her back into the room. The young girl did not resist. With wide-open but utterly unconscious eyes she let herself be led across the room. Only when she was close to her bed she held back and her body became rigid.

“Don’t put me in there again, Rachel. Anything but that!”

“Darling!” cried Nance desperately, “don’t you know me? I’m with you, dear. This is Nance with you. No one shall hurt you!”

The young girl shuddered and looked at her with a bewildered and troubled gaze as if everything were vague and obscure. At that moment there came over Nance that appalling terror of the unconscious, of the _sub-human_ which is one of the especial dangers of those who have to look after the insane or follow the movements of somnambulists. But the shudder passed and the bewildered look was superseded by one of gradual obliviousness. The girl’s body relaxed and she swayed as she stood. Nance, with a violent effort, lifted her in her arms and laid her down on the bed. The girl muttered something and turned over on her side. Nance watched her anxiously but she was soon relieved to catch the sound of her quiet breathing. She was asleep peacefully now. She looked so pathetically lovely, lying there in a childish position of absolute abandonment that Nance could not resist bending over her and lightly kissing her cheek.

“Poor darling!” she said to herself, “how blind I’ve been! How wickedly blind I’ve been!” She pulled the blanket from her own bed and threw it over her sister so as not to disturb her by altering the bed-clothes. Then, wrapping herself in her dressing-gown she lay back upon her pillows resigned for the rest of the night to remaining wakeful.

The next day she noticed no difference in Linda’s mood. There was the same abstraction, the same listless lack of interest in anything about her and worst of all that same inscrutable look which filled Nance with every sort of wild imagination. She cast about in despair for some way of breaking the evil spell under which the girl was pining. She went again and again to see Mr. Traherne and the good man devoted hours of his time to discussing the matter with her but nothing either of them could think of seemed a possible solution.

At last one morning, some days after that terrifying night, she met Dr. Raughty in the street. She walked with him as far as the bridge explaining to him as best she could her apprehensions about her sister and asking him for his advice. Dr. Raughty was quite definite and unhesitating.

“What Linda wants is a mother,” he said laconically. Nance stared at him.

“Yes, I know,” she said. “I know well enough, poor darling! But that’s the worst of it, Fingal. Her mother’s been dead years and years and years.”

“There are other mothers in Rodmoor, aren’t there?” he remarked.

Nance frowned. “You think I don’t look after her properly,” she murmured. “No, I suppose I haven’t. And yet I’ve tried to--I’ve tried my very best.”

“You’re as hopeless as your Adrian with his owl,” cried the Doctor. “He was feeding it with cake the other day. Cake! He’d better not bring his owl and our friend’s rat together. There won’t be much of the rat left. Cake!” And the Doctor put back his head and uttered an immense gargantuan laugh. Nance looked a little disturbed and even a little indignant at his merriment.

“What do you mean by _other_ mothers?” she asked. They had just reached the bridge and Dr. Raughty bade her look over the parapet.

“What exquisite bellies those dace have!” he remarked, snuffing the air as he spoke. “There’ll be rain before night. Do you feel it? I know from the way those fish rise. The sea too, it has a different voice--has that ever caught your attention?--when there’s rain on the wind. Those dace are shrewd fellows. They’re after the bits of garbage the sea-gulls drop on their way up the river. You might think they were after flies, but they’re not. I suppose George Crabbe or George Borrow would switch ’em out with some bait such as was never dreamed of--the droppings of rabbits perhaps or ladybird grubs. I suppose old Doctor Johnson would wade in up to his knees and try and scoop ’em up in his hands. There’s a big one! Do you see? The one waving his tail and turning sideways. I expect he weighs half a pound or more. Fish are beautiful things, especially dace. Isn’t it wonderful to think that if you pulled any of those things backwards through the water they would be drowned, simply by the rush of water through their gills? Look, Nance, at that one! What a silver belly! What a delicate, exquisite tail! A plague on these fellows who philander with owls and rats! Give me fish--if you want to make a cult of something.” He lowered his voice to a whisper, “I should think Lubric de Lauziere must have kept a pet fish in his round pond!”

“Good-bye, Fingal,” said Nance, holding out her hand.

“What! Well! Where! God help us! What’s wrong, Nance? You’re not annoyed with me, are you? Do you think I’m talking through my hat? Not at all! I’m leading up to it. A mother--that’s what she wants. She wants it just as those dace want the water to flow in their faces and not backwards through their gills. She’s being dragged backwards--that’s what’s the matter with her. She wants her natural element and it must flow in the right direction. _You_ won’t do. Traherne won’t do. A mother is the thing! A woman, Nance, who has borne children has certain instincts in dealing with young girls which make the wisest physicians in the world look small!”

Nance smiled helplessly at him.

“But, Fingal, dear,” she said, “what can I do? I can’t appeal to Mrs. Raps, can I--or your friend Mrs. Sodderley? When you come to think, there are very few mothers in Rodmoor!”

The Doctor sighed. “I know it,” he observed mournfully, “I know it. The place will die out altogether in fifty years. It’s as bad as the sand-dunes with their sterile flora. Women who bear children are the only really sane people in the world.”

He ran his thumb, as he spoke, backwards and forwards over a little patch of vividly green moss that grew between the stones of the parapet. The air, crisp and autumnal with that vague scent of burning weeds in it which more than anything else suggests the outskirts of a small town at the end of the summer, flowed round them both with a mute appeal to her, so it seemed to Nance, to let all things drift as they might and submit to destiny. She looked at the Doctor dreamily in one of those queer intermissions of human consciousness in which we stand apart, as it were, from our own fate and listen to the flowing of the eternal tide.

A small poplar tree growing at the village end of the bridge had already lost some of its leaves and a few of these came drifting, one by one, along the raised stone pathway to the girl’s feet. Over the misty marsh lands in the other direction, she could see the low tower of the church. The gilded weather-vane on the top of it shimmered and glittered in a vaporous stream of sunlight that seemed to touch nothing else.

Dreamily she looked at the Doctor, too weary of the struggle of life to make an effort to leave him and yet quite hopeless as to his power to help her. Fingal Raughty continued to discourse upon the instinctive wisdom of maternity.

“Women who’ve had children,” he went on, “are the only people in the world who possess the open secret. They know what it is to find the ultimate virtue in exquisite resignation. They do not only submit to fate--they joyfully embrace it. I suppose we might maintain that they even ‘love it’--though I confess that that idea of ‘loving’ fate has always seemed to me weird and fantastic. But I laugh, and so do you, I expect, when our friends Sorio and Tassar talk in their absurd way about women. What do they know of women? They’ve only met, in all their lives (forgive me, Nance!) a parcel of silly young girls. They’ve no right to speak of life at all, the depraved children that they are! They are outside life, they’re ignorant of the essential mystery. Goethe was the fellow to understand these things, and you know the name _he_ gives to the unutterable secret? _The Mothers._ That’s a good name, isn’t it? The Mothers! Listen, Nance! All the people in this place suffer from astigmatism and asymmetry. Those are the outward signs of their mental departure from the normal. And the clever ones among them are proud of it. You know the way they talk! They think abnormality is the only kind of beauty. Nance, my dear, to tell you the truth, I’m sick of them all. _My_ idea of beauty is the perfect masculine type, such as you see it in that figure they call ‘the Theseus’--in the Elgin marbles--or the perfect feminine type as you see it in the great Demeter. Do you suppose they can, any of them, get round that? Do you suppose they can fight against the rhythm of Nature?”

He pulled out his tobacco pouch and gravely lit his pipe, swinging his head backwards and forwards as he did so. Nance could not help noticing the shrewd, humorous _animalism_ of his look as he performed this function.

“But what can be done? Oh, Fingal, what _can_ be done about Linda?” she asked with a heavy sigh.

He settled his pipe in his mouth and blew violently down its stem, causing a cloud of smoke to go up into the September air.

“Take her to Mrs. Renshaw,” he said solemnly. “That’s what I’ve been thinking all this time. That’s my conclusion. Take her to Mrs. Renshaw.”

Nance stared at him. “Really?” she murmured, “you really think _she_ could help?”

“Try it--try it--try it!” cried Dr. Raughty, flinging a bit of moss at the fish in the water below them.

“It’s extraordinary,” he added, “that these dace should come down so far as this! The water here must be almost entirely salt.”

That afternoon Nance went to Mr. Traherne’s vesper service. She found Mrs. Renshaw in the church and invited both her and the priest to come back with them to their lodgings. She did this under the pretense of showing them some new designs of a startling and fascinating kind that she had received from Paris. The circean witcheries of French costumery were not perhaps precisely the right attraction either for Mrs. Renshaw or Hamish Traherne, but the thing served well enough as an excuse and they both took it as such. She was careful to hurry on in advance with Mr. Traherne so as to make it inevitable that Linda should walk with Mrs. Renshaw. The mistress of Oakguard seemed unusually pale and tired that afternoon. She held Linda back in the churchyard until the others had got quite far and then she led her straight to Rachel Doorm’s grave. They had buried the unhappy woman quite close to the outermost border of the priest’s garden. Nothing but a few paces of level grass separated her from a row of tall crimson hollyhocks. The grave at present lacked any headstone. Only a bunch of Michaelmas daisies, placed there by Linda herself, stood at its foot in a glass jar. Several wasps were buzzing round this jar, probably conscious of some faint odour clinging still about it from what it had formerly contained. Mrs. Renshaw stood with her hand leaning heavily on Linda’s shoulder. She seemed to know, from the depths of her own fathomless morbidity, precisely what the young girl was feeling.

“Shall we kneel down?” she said. Linda began trembling a little but with simple and girlish docility, free from any kind of embarrassment, she knelt at the other’s side.

“We mustn’t pray for the dead,” whispered Mrs. Renshaw. “_He_,” she meant Mr. Traherne, “tells us to in his sermons, but it hurts me when he does for we’ve been taught that all that is wrong--wrong and contrary to our simple faith! We mustn’t forget the Martyrs--must we, Linda?”

But Linda’s mind was far from the martyrs. It was occupied entirely with the thing that lay buried before them, under that newly disturbed earth.

“But we can pray to God that His will be done, on earth, even as it is in Heaven,” murmured Mrs. Renshaw.

She was silent after that and the younger and the elder woman knelt side by side with bowed heads. Then in a low whisper Mrs. Renshaw spoke again.

“There are some lines I should like to say to you, dear, if you’ll let me. I copied them out last week. They were at the end of a book of poetry that I found in Philippa’s room. She must have just bought it or had it given to her. I didn’t think she cared any more for poetry. The pages weren’t cut and I didn’t like to cut them without her leave but I copied this out from the end. It was the last in the book.”

She hesitated a moment while Linda remained motionless at her side, trembling still a little and watching the movements of a Peacock butterfly which was then sharing with the wasps their interest in the ancient honey-jar.

Mrs. Renshaw then repeated the following lines in a clear exquisitely modulated voice which went drifting away over the surrounding marshes.

“For even the purest delight may pall, And power must fail and the pride must fall. And the love of the dearest friends grow small, But the glory of the Lord is all in all.”

Her voice sank. A slight gust of wind made the trees above them sigh softly as though the words of the kneeling woman were in harmony with the inarticulate heart of the earth.

Linda stopped trembling. A sweet indescribable calm began slowly to pervade her. Gently, like a child, she slipped her hand into her companion’s.

“Do you remember the Forty-third Psalm, Linda?” Mrs. Renshaw continued and her clear dramatic voice, with a power of feeling equal to that of any great actress, once more rose upon the air.

“Our heart is not turned back, neither have our steps declined from thy way. Though thou hast sore broken us, in the place of dragons, and covered us with the shadow of death.”